## Ebook Ellis Island and Other Stories, by Mark Helprin, Sharon Swados

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Winner of the Prix de Rome and the National Jewish Book Award, these ten stories and the title novella, "Ellis Island," exhibit tremendous range and versatility of style and technique, yet are closely unified in their beauty and in their concern with enduring and universal questions.

• Sales Rank: #708924 in Books
• Brand: Helprin, Mark
• Published on: 2005-09-05
• Released on: 2005-09-05
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .52" w x 5.31" l, .46 pounds
• Binding: Paperback
• 216 pages

Features

• ISBN13: 9780156030601
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
PRAISE FOR ELLIS ISLAND
"It's genius. . . . Ellis Island ascends to the peak of literary achievement." - The Boston Globe

"Such an ambitious reach is almost unheard of in our short fiction." - The New York Times Book Review

"Constant brilliance . . . Rarely less than breathtaking . . . every single story sings with purity, vibrates with light."- The Plain Dealer (Cleveland)

From the Back Cover
These ten stories and the title novella, Ellis Island, exhibit a tremendous range and versatility of style and technique and yet are closely unified in their beauty and in their concern with enduring and universal questions.

"It's genius . . . Ellis Island ascends to the peak of literary achievement." -- The Boston Globe

"Such an ambitious reach is almost unheard of in our short fiction." -- New York Times Book Review

"Constant brilliance . . . Rarely less than heartbreaking . . . every single story sings with purity, vibrates with light." -- Cleveland Plain Dealer

"Stories beyond compare . . . [Helprin's] imagination should be protected by some intellectual equivalent of the National Park Service." -- Philadelphia Inquirer

Mark Helprin is the author of, among other titles, the New York Times best-sellers Winter's Tale and A Soldier of the Great War.

About the Author

MARK HELPRIN is the acclaimed author of Winter's Tale, A Soldier of the Great War, Freddy and Fredericka, The Pacific, Ellis Island, Memoir from Antproof Case, and numerous other works. His novels are read around the world, translated into over twenty languages.

Most helpful customer reviews

26 of 27 people found the following review helpful.
Brilliant Beautiful Stories
By A Customer
My first encounter with Mark Helprin was his long novel, Winter's Tale. I thought it was perfect: glorious and mysterious, realistic and magical, funny and fantastic and wondrous and sad. It was almost too much of a good thing; sort of like chocolate decadence topped with mocha ice-cream and drenched in hot fudge sauce.
The stories in Ellis Island and Other Stories offer the same enticing overdose of goodness but in smaller doses. Lest you be thrown off by the cover or the title, these stories are definitely not history or even historical fiction. They are not exclusively about immigrants, Europe or the War, although threads of these subjects do run through them.
The title story, Ellis Island is the longest and the last. It is about the Ellis Island and immigration, of course, but it is also fantastic fantasy complete with a wonderful machine that melts the snow from the streets supported only by its own jets of fire, the Saromsker Rabbi and his glorious sermon on bees, the lovely Hava, and Elise, whose hair is nothing less than a pillar of fire. Of the eleven stories, Ellis Island comes closest to Winter's Tale in its spirit of fantasy, although A Vermont Winter best describes the perfection of a deep Northeastern snow. As in Winter's Tale, in Ellis Island, Helprin is not averse to destroying beautiful things for the sake of a larger good, even if the logic of his narrative does not demand that he do so. But that, you see, is Helprin; for him death is just another part of art.
All of these stories are brilliant and all of them are beautiful. In The Schreuderspitze, a photographer deals with tragedy in the luminous beauty of the Alps; in Letters from the Samantha, questions of humanity and guilt are dealt with on an iron-hulled sailing ship in 1879; in Martin Bayer, we get to know a small boy on the eve of war; in North Light and A Room of Frail Dancers, we glimpse the devastating effects of battle on soldiers. La Volpaia is wonderful, wise and witty and Tamar is nothing if not lovely in the extreme. White Gardens and Palais de Justice defy any sort of description; you simply must read them and then savor them yourself.
Anyone who has read any of Helprin's other works knows he certainly has a way with words. Here are words from the end of Tamar that not only describe the story's beautiful seventeen year old protagonist, but serve to sum up this volume as a whole: Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider; and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when for want of connection, the world deepens and becomes art.
These stories are nothing if they are not art.

22 of 23 people found the following review helpful.
A Prelude to Great Works
By E.S. Kraay
I am not a regular reader of short stories. In general, I do not like them. Still, as a Mark Helprin fan, this is one of his few works that I had not read. I pressed on ... when I concluded the final story, Ellis Island, I felt completely satisfied with the journey. If you've never read Helprin, I believe "Ellis Island" and "A Vermont Tale" are most representative of his longer works. Each story will tempt you to read his novels, all of which are poetic magic. As I read through these stories, I saw glimpses of each subsequent novel, particularly my favorite, "A Winter's Tale." If you've read Helprin before, you owe yourself the time to read this collection. If you are new to Helprin, this work will encourage you to read more.

17 of 18 people found the following review helpful.
All Helprin fans should run and buy this collection
By M. H. Bayliss
I read this beautiful short story collection after just finishing all of Helprin's lengthy novels. I was surprised that a writer who produced such brilliant long works of fiction (A Winter's Tale and Soldier of the Great War) could write just as well in a short story format. These stories are incredible. The one about the loons in Vermont is one of the most devastatingly haunting stories I have ever read. The opening story is one of my favorites as well. After finishing all of Helprin's works, I'm convinced that he's one of those rare writers that inspires you to want to walk around in his mind for a day to see how he pens such memorable works.

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! Ebook Download All Souls, by Christine Schutt

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In 1997, at the distinguished Siddons School on Manhattan's Upper East Side, the school year opens with distressing news: Astra Dell is suffering from a rare disease. Astra's friends try to reconcile the sick girl's suffering with their own fierce longings and impetuous attachments. Car writes unsparing letters, which the dirty Marlene, in her devotion, then steals. Other classmates carry on: The silly team of Suki and Alex pursue Will Bliss while the subversive Lisa Van de Ven makes dates with Miss Wilkes. The world of private schools and privilege in New York City is funny, poignant, cruel, and at its heart is a sick girl, Astra Dell, "that pale girl from the senior class, the dancer with all the hair, the red hair, knotted or braided or let to fall to her waist, a fever and she consumed."

National Book Award Finalist Christine Schutt has created a wickedly original tale of innocence, daring and illness.

• Sales Rank: #570635 in Books
• Brand: Mariner Books
• Published on: 2009-06-08
• Released on: 2009-06-08
• Original language: English
• Number of items: 1
• Dimensions: 7.90" h x .60" w x 5.20" l,
• Binding: Paperback
• 240 pages

Features

• Great product!

From Publishers Weekly
The brutal, materialistic and dysfunctional underbelly of prep schools and the females who live in it create the foundation for Schutt's beautifully written but light-on-substance novel (following 2004's National Book Award finalist Florida). In the midst of 1997 Manhattan, all-girl prep school Siddons churns out ladies with a wide spectrum of academic skills, mental problems and severe insecurities, all of whom have been touched in some way by the novel's saintly lynchpin, Astra Dell, who leaves her studies behind to fight her rare cancer. Schutt introduces a large cast of characters who are dealing with Astra's absence and their own personal problems: Astra's best friend, anorexic Car; dirty girl Marlene; the inseparable and insensitive Alex and Suki; lesbian outcast Lisa; and their beloved instructors, the awkward Anna Mazur and Tim Weeks, the handsome colleague Anna's in love with. Unfortunately, Schutt shoehorns too many characters into a relatively thin book, and though there isn't a boring sentence in here, Schutt doesn't do enough with the familiar prep school setting to make the story resonate. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School—Set in a girls' school on Manhattan's Upper East Side, this book is a wonderfully written, touching story. Popular Astra Dell spends much of her senior year in the hospital with a rare form of tissue cancer. A young teacher visits Astra and considers her own brother who died young, while doubting her role as teacher and her potential relationship with a colleague who loves being unattached almost as much as he enjoys the students' crushes on him. Astra's friend Car is too busy with a multitude of issues to visit, but sends angst-filled letters that are sometimes stolen by Marlene, the unpopular girl who visits every day and considers Astra her new best friend. Astra's widowed father finds it hard to speak with his own daughter. Like E. R. Frank's Life Is Funny (Puffin, 2002), All Souls is written from the perspectives of several characters. Schutt, who herself teaches at a New York girls' school, mines those hallways for an extraordinarily captivating take on the teachers', parents', and teens' troubled worlds. At times she evokes Virginia Woolf's style in the immediacy of her characters' thoughts. All Souls may at first remind teens of formulaic novels such as Cecily von Ziegesar's "Gossip Girl" series (Little, Brown), but they will quickly discover a style and depth to the writing that is refreshing for this genre.—Jennifer Waters, Red Deer Public Library, Alberta, Canada
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Beautiful, talented Astra Dell is the unequivocal star of her senior class at the Siddons School, a private, all-girls’ establishment on Manhattan’s Upper East Side. But illness is no respecter of privilege or popularity, and Astra is hospitalized with a rare, potentially fatal disease as the school year begins. Schutt, who was a National Book Award finalist for her novel Florida (2003), is herself a teacher at a girls’ prep school in New York and clearly knows her setting inside out. Her examination of the impact of the absent Astra on the lives of her classmates, their teachers, and their parents is acute and often moving. She also has an uncanny gift for finding the telling detail that makes the lives she so closely observes multidimensional while stripping them of pretense, pomp, and, well, circumstance. A few of her characters—a Peter Pan-ish sixth-grade history teacher and the “unattached” young colleague who longs for a relationship with him—may verge on the overfamiliar, but Schutt’s impressionistic style, with its extraordinary gift for exquisite economy, carries the day and creates a mood and tone that are hauntingly unforgettable. --Michael Cart

Most helpful customer reviews

8 of 9 people found the following review helpful.
"People make the most impact on the lives of others by being absent."
By Luan Gaines
Schutt is a master of the incidental, those small moments, some brittle, some brilliant, revealing the human psyche in all its flaws; the briefest glimpse of what we conceal from others, is here exposed. The author brings a fresh, incisive perspective to this novel, in this case the rarified environment of the Siddons School in Manhattan's Upper East Side. To be sure, these students are privileged, their world barely marred by the harsh reality that plagues the less well off. Their sensibilities honed on the classics, diverse languages and the experiences of world travel, these senior girls grapple with which colleges to attend and the angst of bidding farewell to the sheltered years of their expensive education. Through the mysterious illness (an obscure cancer?) that has struck one of the most popular students, Astra Dell, a particular poignancy imbues the novel. The elegant Astra, with her sheaf of glowing red hair, is a symbol of Siddons perfection, struck down by the cruel blow of an indifferent fate.

Astra's slow fall into devastating illness is solemnly monitored by Mr. Dell, his wife lost to a freak accident before Astra's illness; he longs for his wife's certitude and comfort in this grueling time, as he watches his daughter's slender form evaporate under the attack of the disease that can only be fought by extreme measures. Her spare hospital room a testament to the magnitude of the battle, a table is filled with cards bearing well wishes from classmates, a gentle chorus of "get well soon" and "we miss you" crushed by the violence of harsh treatments, as painful and ominous as Astra's disease. It is the haunting voices of these others, classmates, teachers, that create the narrative beyond Astra's hospital bed. It is difficult to allocate emotion to Astra's suffering in lives fraught with the petty dramas of adolescence on the cusp of a new beginning.

A lonely female teacher visits with the students' favorite bachelor teacher. Over the months, Anna Mazur hopes for more, but he clings to the constraints of friendship. Marlene Kovacs, who never fit in with the other girls, is a regular visitor, compelled to return to Astra's bedside, giving in to impulsive theft, letters from Astra's best friend, Car. In a fugue state of her own, Car Forester pens truths that transcend the usual discourse that passes for encouragement, mirroring Astra's dilemma in a frail grasp of life's daily disappointments. Pregnant with the egocentric imaginations of teenaged girls who cannot forget Astra, the characters are increasingly drawn to the demands of approaching graduation. Isolated in the unique self-centeredness of Astra's friends and acquaintances, the pall of death hovers, a shadow of what the world has so far only hinted at, one girl's easy journey through privilege shattered by a random stroke of fate. In this place, truth flickers like a candle. Luan Gaines/ 2008.

4 of 4 people found the following review helpful.
Riveting
By Becky Sharp
I just read about All Souls in the NYTBR this past weekend and read it this week -- it was really riveting, great writing, an intricate web of a story. The self interestedness was made really compelling. Good book.

5 of 6 people found the following review helpful.
Really Didn't Care for It
By Amazon Customer
I began reading this book with high hopes - Christine Schutt is an award winning novelist, and All Souls was a 2009 Pulitzer finalist for fiction. Unfortunately, it was a huge let down. The "bones" of the story are good, but it is extremely disjointed and could have been better with either twice the pages or half the characters involved. The excessive cast of characters come across as one-dimensional, clichéd, and poorly developed.

There are some beautiful passages in All Souls, but most of the writing is clumsy and difficult to trudge through. Schutt's style takes some getting used to and the story just wasn't long enough to get me there. I am glad that I checked this one out at the library and did not purchase it.

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Two long essays: “The Idea of a Christian Society” on the direction of religious thought toward criticism of political and economic systems; and “Notes towards the Definition of Culture” on culture, its meaning, and the dangers threatening the legacy of the Western world.

• Sales Rank: #81544 in Books
• Published on: 1977-04-11
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .54" w x 5.25" l, .55 pounds
• Binding: Paperback
• 216 pages

Features

• ISBN13: 9780156177351
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author

Thomas Stearns Eliot was born in St Louis, Missouri, in 1888. He moved to England in 1914 and published his first book of poems in 1917. He received the Nobel Prize in Literature in 1948. Eliot died in 1965.

Most helpful customer reviews

101 of 103 people found the following review helpful.
T.S. Eliot: an astounding writer
By Brian Douglas
T.S. Eliot is known as one of the world's foremost poets and playwrights, but this book shows him as a brilliant essayist, philosopher, and theologian as well. This book consists of two essays: "The Idea of a Christian Society" and "Notes Toward the Definition of Culture." In these two essays, Eliot displays his mental prowess by cutting to the heart of the issues of culture in general in the second essay and specifically Christian culture in the first. His analysis of these subjects is very orderly, well-thought, and deeper than most any written today, even by sociologists and the like who make a career of studying these things. Eliot breaks culture down into three subclasses: individual, group/class, and whole society. He begins with the individual level of society, analyzing personality characteristics and the like, and moves his way up into group/class and then to the whole society, giving an extremely thoughtful and insightful argument into how these elements relate. Although this book was written over 50 years ago and isn't the most conventional look at these subjects, many of the things Eliot asserts are becoming obvious in today's society, proving him as not only a great writer but also as an accomplished thinker. He goes into great detail on class, geographic regions, sects, politics, religion, and education in relation to culture and society. While the writing is a bit more verbose and difficult than the average modern reader is used to, it is extremely logical; Eliot carefully builds each argument one step at a time. This order makes it possible to gain a great deal of understanding if the reader is willing to wade through the text and ponder what is written. I guarantee that even though many readers won't necessarily understand initially or perhaps agree with everything Eliot asserts in this book, anyone who reads it will end up with a far greater understanding of the workings of society. I recommend this book to anyone who is willing to be stretched in an intellectual way and anyone who seeks to gain a great insight into culture at its various levels and as a whole.

56 of 58 people found the following review helpful.
What a fascinating book!
By A Customer
I bought this book unsure of how 'enlightened' it would be. To my surprise and delight I have found the book alarmingly courageous and specific in its ideas of the Christian person within a secular society. His writing is profoundly moving and expressive, but then again, he is one of the greatest modern poets. I literally had to refrain myself from highlighting every other line of this book, it is that original. I felt as though I were reading a classic novel instead of a book on cultural ideas. A life-changing book to be sure!

0 of 0 people found the following review helpful.
The words of a genius.
By mfpm
The words of a genius who spent his life pondering its true meaning. One would never expect Eliot to "dumb it down" for we mere plodding mortals, and he doesn't. What you do derive from it is profound.

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Just out of college, Patricia Hampl was mesmerized by a Matisse painting in the Art Institute of Chicago: an aloof woman gazing at goldfish in a bowl, a Moroccan screen behind her. In Blue Arabesque, Hampl explores the allure of this lounging woman, immersed in leisure, so at odds with the rush of the modern era. Hampl’s meditation takes us to the Cote d’Azur and to North Africa, from cloister to harem, pondering figures as diverse as Eugene Delacroix, F. Scott Fitzgerald, and Katherine Mansfield. Returning always to Matisse’s portraits of languid women, she discovers they were not decorative indulgences but something much more. Moving with the life force that Matisse sought in his work, Blue Arabesque is Hampl’s dazzling and critically acclaimed tour de force.

• Sales Rank: #1092152 in Books
• Published on: 2007-10-01
• Released on: 2007-10-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .62" w x 5.31" l, .58 pounds
• Binding: Paperback
• 224 pages

From Publishers Weekly
Starred Review. In this discursive and absorbing interdisciplinary work, Hampl (A Romantic Education) explores the artistic life from an impressively diverse number of perspectives. Her starting place is Matisse's Woman Before an Aquarium, a painting that, to her, represents the languid, inward-looking life of the mind that leads to great art. From this image, Hampl sets off on an intellectual journey that leads her from Matisse's odalisques to those of Delacroix and Ingres, then outward to the larger notions of orientalism and exoticism that pervade such works. The pleasure of reading this book comes from following Hampl as she skips swiftly from one subject to another while maintaining a perfect consistency of tone and theme. In one particularly illuminating sequence, Hampl discusses the career of Jerome Hill, a documentary filmmaker from her hometown of St. Paul, Minn., who chronicled the minutiae of his life in his final film; the hometown connection allows Hampl to explore aspects of her own life as well. Whether discussing the journals of Katherine Mansfield or the harems of the 18th century, Hampl proves to be an authoritative and beguiling guide to the joys of leisure and the intellect. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Hampl's memoirs of discovery are exhilarating. Writing of both earthly pilgrimages and the inner journeys they provoke, she brings a poet's love of language, fluency in patterns and modulations, and fascination with the life of the mind to unusual aesthetic, spiritual, and cultural inquiries. Her most sensuous, sinuous, and radiant book to date arcs from contemplation of a painting by Matisse. Woman before an Aquarium has served as icon and lodestar for Hampl ever since she was first "apprehended" by it in Chicago in 1972. Matisse's arresting image of a self-possessed woman gazing at goldfish in a fishbowl in a room with a blue Moroccan screen inspires Hampl to compose scintillating and spiraling reflections on containment, the nature of time, the significance of leisure, Matisse's love of fabric, European fantasies about harems, and a little-known filmmaker from Hampl's hometown, St. Paul, Minnesota. Entwining the gold gleaned from her inspired research with bright strands of autobiography and unforeseen turns of thought to create finely filigreed prose, Hampl does with words what Matisse does with line and color, that is, reaches to the essence of perception, "not simply what was seen, but how seeing was experienced." Donna Seaman
Copyright © American Library Association. All rights reserved

Review
PRAISE FOR BLUE ARABESQUE
 
"Ultimately, Blue Arabesque isn't a memoir so much as it is a paean to the act of seeing, celebrating our capacity to be transformed by the truths art holds, recognizing them as holy . . . Read Blue Arabesque and you too might mistake--or exchange--art museums for churches." --The New York Times Book Review
 
"Blue Arabesque is a marvel--so free, so inventive, and so unpretentiously deep." --Phyllis Rose, author of Parallel Lives

Most helpful customer reviews

13 of 14 people found the following review helpful.
Vivid imagery
By Armchair Interviews
Blue Arabesque by the inspired Patricia Hampl is as much a work of art as the paintings she describes. Her story begins in the spring of 1972 at the Chicago Art Institute. There she is held spellbound by a profound piece of artwork created by Henri Matisse. She describes her enchantment of his painting of a woman gazing into a fishbowl. The author's remembrance of this finding is much more detailed. Her imagery is that of a poet describing a chance encounter with an object whose beauty has to be seen full and in the flesh. She uses vivid mastery of words to keep the readers haunting interest.

Patricia introduces us to Henri Matisse and delights over his use of Moroccan and African influences in his artistry. She explores his use of young women who modeled for him and gives an interesting eye into the life of Henriette Darricarrere who posed from 1920 to 1927. The author also describes the limited though profound life of Jerome Hill whose documentary "Film Portrait" won the 1972 London Film Festival award shortly after his death from cancer in 1971.

In order to truly understand and appreciate the talents of this author, you must read the book. Her journeys are portraits in themselves. She tells of her travels, not like an author or a writer, but like a griot* whose stories are often woven with greatness and sheer excitement. I enjoyed my voyage with Patricia Hampl in her search for the sublime. I have only touched on a fraction of the stories this book encompasses. I urge all to allow this author to share her colorful and delightful experiences with you--a trip well taken.

(* gri*ot -- a member of a caste of professional oral historians in the Mali Empire)

Armchair Interviews says: Truly a "trip well taken."

8 of 10 people found the following review helpful.
Subtle and Beautiful
By M. J. Costello
This slim volume was packed with imagery and reflections worth a reread. The author has a real gift in drawing from many sources - art, travel, family and spirituality - and creating a rich narrative. It compelled me to read another of her books.

4 of 5 people found the following review helpful.
Deserves a permanent place in my bookcase
By Helen Gallagher
Blue Arabesque is a memoir with an ethereal quality, as the author shares her experiences in understanding Matisse, his models, and the personal journey of being absorbed by a painting. How many of us take the time to follow and contemplate and sort out the mysteries of what intrigues us? Yet, the energy, passion, and art education packed into this delightful little book reveal even more...like what it means to the author to be traveling, contemplating, sorting out who we are ~ when we have the "leisure" of time. I had the pleasure of hearing the author speak and believe me, this is a very thoughtful book.

I'm sharing my thoughts, but won't share this beautiful book. It will have a permanent home on my shelves.

Helen Gallagher, Release Your Writing: Book Publishing, Your Way

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^^ Download Storm World: Hurricanes, Politics, and the Battle Over Global Warming, by Chris Mooney

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Are hurricanes increasing in ferocity and frequency because of global warming? In the wake of Katrina, leading science journalist Chris Mooney follows the careers of top meteorologists on either side of this red-hot question through the 2006 hurricane season, tracing how the media, special interests, politics, and the weather itself have skewed and amplified what was already an intense scientific debate.

In this fascinating and urgently important book, Mooney—a native of New Orleans—delves into a compelling consequence of the great inconvenient truth of our day: Are we responsible for making hurricanes even bigger monsters than they already are?

• Sales Rank: #2396792 in Books
• Published on: 2008-08-04
• Original language: English
• Number of items: 1
• Dimensions: .96" h x 6.94" w x 7.94" l, .98 pounds
• Binding: Paperback
• 416 pages

From Publishers Weekly
Starred Review. Having witnessed Katrina's devastation of his mother's New Orleans house, science writer Mooney (The Republican War on Science) became concerned that government policy still ignored worst-case scenarios in planning for the future, despite that unprecedented disaster. He set out to explore the question of whether global warming will strengthen or otherwise change hurricanes in general, even if it can't explain the absolute existence, attributes, or behavior of any single one of them. Since storm research's early 19th-century inception, Mooney found, there has been a split between those who believed the field should be rooted in the careful collection of data and observations (e.g., weathermen) and those who preferred theory-based deductions from the laws of physics (e.g., climatologists). Whirling around this longstanding antagonism is a mix of politics, personalities and the drama of these frightening storms. The urgency and difficulty of resolving the question of global warming's existence, and its relationship to storms, has only heated things up. Mooney turns this complicated stew into a page-turner, making the science accessible to the general reader, vividly portraying the scientists and relating new discoveries while scientists and politicians change sides—or stubbornly ignore new evidence. Mooney draws hope from some researchers' integration of both research methods and concludes that to be effective, scientists need to be clear communicators. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Mooney, whose The Republican War on Science (2005) offered a hard-hitting look at the political manipulation of scientific research, turns his attention to the hot topic of global warming. Does global warming cause increasingly vicious hurricanes? Is human arrogance and disregard for the environment responsible for Hurricane Katrina's devastation of New Orleans? Or is this whole idea a lot of hot air? Mooney looks carefully at all sides of the debate, weighing the evidence carefully, telling us not just what's being said but who's saying it and why. Of course, it's impossible to write a book like this without tackling the whole idea of global warming as myth, but Mooney doesn't get bogged down in the politics of that issue. He has different questions to answer: Are the increasingly intense hurricanes of recent years our fault, and if they are, what can we do to change the pattern before it's too late? His answers don't add to cheerful reading, but this is certainly one of the most thought-provoking and accessible accounts of climate change to appear since Katrina. Pitt, David

Review
PRAISE FOR STORM WORLD

"Mooney serves his readers as both an empiricist who gathers data and an analyst who puts it into context. The result is an important book, whose author succeeds admirably in both his roles."—The Plain Dealer (Cleveland)

"Mooney has hit upon an important and controversial topic, and attacks it with vigor."—The Boston Globe

Most helpful customer reviews

14 of 14 people found the following review helpful.
A meteorologist for 35 years loves it!
By Glenn Schwartz
This book is amazing. It's so hard to find any book that deals with global warming in any way that doesn't go to one extreme or the other. Instead, Chris Mooney gives a very balanced view of the debate on the global warming/hurricane connection. The science is explained well, and simply enough for a layman, so anyone with even a slight knowledge or hurricanes and/or global warming would follow it easily.
The most interesting part for me is the personal stories of the main scientists involved in the debate. It's easy to assume that anyone who is such a stubborn denier of global warming such as Dr. Bill Gray would be a political conservative. It's clear from this book that he is not. The way politics weighs on such legendary scientists as Drs. Gray and Emanuel is fascinating. No one ever taught us how not to have our views distorted by the media and used for political agendas when we were in college.

Glenn Schwartz
Chief Meteorologist
NBC10 Philadelphia

30 of 35 people found the following review helpful.
Science writing at its best
By Judith A. Curry
To provide a frame of reference for this review, I and my colleagues Peter Webster and Greg Holland are among the scientists that are featured prominently in Storm World. Our involvement in the issue of hurricanes and global warming began when we published an article in Science shortly before the landfall of Hurricane Rita, where we reported a doubling of the number of category 4 and 5 hurricanes globally since 1970. When Chris Mooney first approached me with his idea for writing a book on this topic, I was somewhat skeptical. I couldn't see how this could be accomplished given the rapid changes in the science (I was worried the book would be outdated before it was published), the complexities of the technical aspects of the subject, a concern about how the individual scientists would be treated and portrayed, and a concern that the political aspects of the issue would be handled in a partisan way. Over the course of the past year and a half, it became apparent that Mooney was researching this issue extremely thoroughly and was developing a good grasp of both the history and technical aspects of the subject. Upon finally reading the book, I can only say Storm World has far exceeded any hope or expectation that I could have had for a book on this subject. The book is surprisingly rich in technical detail, and Mooney has grasped the nuances of the breadth of scientific arguments and uncertainties. He provides a fascinating history with rich insights into the current controversy. The individual scientists are portrayed accurately as well as sympathetically and colorfully. The political aspects are treated in an insightful and nonpartisan manner. I am most impressed by the fresh insights provided by this book, which besides being a "good read," Storm World is an important and timely contribution that deserves careful consideration in the dialogue and debate on hurricane policy in the U.S. Storm World is science journalism at its absolute best.

24 of 28 people found the following review helpful.
The Best Science Book of 2007 So Far
By John Kwok
"Storm World: Hurricanes, Politics, and the Battle Over Global Warming" is the best science book of 2007 which I have read so far, and one which clearly deserves all the praise it has earned already. It is an exceptional piece of science journalism which should earn awards for journalist Chris Mooney, the science writer for the Washingtion, DC-based SEEDS magazine. It is even more impressive a piece of brilliant scientific journalism when you realize that both the author and the magazine he works for have a strong liberal bias - which admittedly was quite apparent in his previous book "The Republican War On Science" - and yet, to his everlasting credit, Mooney has endeavored quite well to ensure that his book remains as nonpartisan as possible, treating with ample respect, all of the principal players depicted, from flamboyant Colorado State University meteorologist William Gray - a staunch critic of global warming - to MIT theoretical meteorologist Kerry Emanuel - among those who recognize a potential link between global warming and hurricane intensity and severity - to Georgia Tech climatologist Judith Curry, a co-author of an important recent paper which may support such a potential linkage. Without question, Mooney's book is a revealing, often insightful, examination of Hurricane meteorological research from 2004 to 2006 and of the relevant political and media issues which become associated with it, regrettably in the aftermath of the widespread destruction caused by Hurricane Katrina.

Mooney offers a vivid portrayal of the history of meteorology, emphasizing research on hurricanes, from the early 19th Century to the present, in the first third of his book. From Mooney's perspective, meteorology is seen as an intellectual struggle between empiricists who've relied exclusively on collecting data and modelers willing to employ complex mathematical equations and computer simulations in trying to get a better understanding for current and future climatic trends. This a distinction that is not unique to meteorology itself, but indeed, in much of science, demonstrating how "messy" a business science can be. But it is an important distinction which Mooney has made simply because these two distinct groups of meteorologists and climatologists have shaped not only the scope, but also, regrettably, the tenor of the debates over the validity of global warming and its possible relevance to the formation, relative severity and frequency of hurricances forming in the North Atlantic Ocean and elsewhere around the globe.

As a graduate student of evolutionary biology and paleobiology nearly twenty years ago, I was keenly aware of the raging debates in these sciences from the tempo and mode of evolution - as expressed in assessing the validity of the evolutionary theory of "Punctuated Equilibrium" and the evolutionary implications of stasis - to kin and group selection, and of course, sociobiology too - and last, but not least, systematic biology (cladistics vs. phenetics vs. "evolutionary" systematics). And yet, none of them - with the possible exception of sociobiology - was as replete with the ample harsh attacks on the data, scientific methods used, and personalities involved as it's been amply demonstrated here by Mooney, in the second section of his book, recounting the recent debates between the empiricists led by William Gray and the "modelers" led by Kerry Emanuel and others. Here Mooney truly excels in letting the partisans from both sides speak for themselves, citing both the relevant important scientific papers and the scientific meetings where several debates were held on the implications of global warming to hurricane research, in a section that will especially interest both historians and sociologists of science.

It's only in the third - and concluding - section of "Storm World" where Mooney finally reveals his own personal bias. Here he recognizes that the data does show a trend towards increasing frequency and severity of hurricanes, at least in the North Atlantic Ocean. But he also realizes that this data doesn't demonstrate definitely, the strong possibility that this trend is due to global warming. And yet, he recognizes the importance of acting to minimise global warming, even though our knowledge and understanding of it with respect to hurricane formation and intensity is still quite speculative. He also commends modelers like Emanuel for constructing testable, data-driven models, in stark contrast to others like Gray who have argued emphatically for relying on an empirical approach to hurricane research. Finally, he offers scientists two intriguing recommendations with regards to pursuing research and on how they can successfully communicate it to politicians and others in the public. He strongly encourages scientists to resist the temptation of being wedded firmly to one particular research methodology - alluding of course to William Gray's blind adherence to empiricism - observing that others may yet be equally important in yielding both new data and fresh insights. He also recommends that scientists become better communicators - and educators - so that those who are the ultimate beneficiaries of their research, both politicans and the general public at large, can make sound, reasonable decisions based upon their understanding of what is indeed good scientific research; it's a recommendation that I can strongly endorse too, especially in light of ongoing efforts to introduce Intelligent Design and other flavors of creationism into American science classrooms as "viable alternatives" to contemporary evolutionary biology.

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* Fee Download The Island of the Day Before, by Umberto Eco

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The Island of the Day Before, by Umberto Eco

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After a violent storm in the South Pacific in the year 1643, Roberto della Griva finds himself shipwrecked-on a ship. Swept from the Amaryllis, he has managed to pull himself aboard the Daphne, anchored in the bay of a beautiful island. The ship is fully provisioned, he discovers, but the crew is missing.

As Roberto explores the different cabinets in the hold, he remembers chapters from his youth: Ferrante, his imaginary evil brother; the siege of Casale, that meaningless chess move in the Thirty Years' War in which he lost his father and his illusions; and the lessons given him on Reasons of State, fencing, the writing of love letters, and blasphemy.

In this fascinating, lyrical tale, Umberto Eco tells of a young dreamer searching for love and meaning; and of a most amazing old Jesuit who, with his clocks and maps, has plumbed the secrets of longitudes, the four moons of Jupiter, and the Flood.

• Sales Rank: #63406 in Books
• Brand: Eco, Umberto/ Weaver, William
• Published on: 2006-06-05
• Released on: 2006-06-05
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.01" w x 5.31" l,
• Binding: Paperback
• 528 pages

From Publishers Weekly
In this tale of an Italian nobleman shipwrecked in the South Pacific in 1643, Eco's storytelling abilities and his love for esoteric historical detail, so beautifully balanced in The Name of the Rose, are sadly out of kilter, with the arcana overwhelming the plot. As part of a cabal instigated by French Cardinal Mazarin and his protege Colbert, Robert della Griva has been traveling in disguise on an English ship whose mission is to discover the Punto Fijo, the means by which navigators can plumb ``the mystery of longitude.'' Cast adrift during a storm, Roberto fetches up against another ship, the Daphne, whose crew has mysteriously vanished. Although the vessel is moored only a mile from an enchanting island (the two may be on opposite sides of the date line, giving the book its title), Roberto, a nonswimmer, is as marooned as though in mid-ocean. The text consists of a third-person narrator's retelling of Roberto's manuscript recounting his adventures on the ship and such previous experiences as his participation in the siege of Casale and life among the erudite of Paris. There are some magical descriptions of Roberto's moonlit solitude aboard the Daphne, but the introduction of a third story line involving his imaginary evil twin hopelessly tangles a narrative already overloaded with lengthy exegeses on such obscure 17th-century devices as the Powder of Sympathy and the Specula Melitensis. Eco's postmodernist games--he directly addresses the reader, explaining how little the narrator knows--wear thin, and some delightfully secondary characters who appear too briefly only remind us how unfocused the novel is. Perhaps Eco himself was aware of the novel's faults when writing it--for his narrator criticizes Roberto's tale as ``narrating so many stories at once that at a certain point it becomes difficult to pick up the thread.'' Author tour.

Copyright 1995 Cahners Business Information, Inc.

From Library Journal
Eco, an Italian philosopher and best-selling novelist, is a great polymathic fabulist in the tradition of Swift, Voltaire, Joyce, and Borges. The Name of the Rose, which sold 50 million copies worldwide, is an experimental medieval whodunit set in a monastic library. In 1327, Brother William of Baskerville arrives to investigate heresy among the monks in an Italian abbey; a series of bizarre murders overshadows the mission. Within the mystery is a tale of books, librarians, patrons, censorship, and the search for truth in a period of tension between the Papacy and the Holy Roman Empire. The book became a hit despite some obscure passages and allusions. This deftly abridged version, ably performed by Theodore Bikel, retains the genius of the original but is far more accessible. Foucault's Pendulum, Eco's second novel, is a bit irritating. The plot consists of three Milan editors who concoct a series on the occult for an unscrupulous publishing house that Eco ridicules mercilessly. The work details medieval phenomena including the Knights Templar, an ancient order with a scheme to dominate the world. Unfortunately, few listeners will make sense of this failed thriller. The Island of the Day Before is an ingenious tale that begins with a shipwreck in 1643. Roberta della Griva survives and boards another ship only to find himself trapped. Flashbacks give us Renaissance battles, the French court, spies, intriguing love affairs, and the attempt to solve the problem of longitude. It's a world of metaphors and paradoxes created by an entertaining scholar. Tim Curry, who also narrates Foucault's Pendulum, provides a spirited narration. Ultimately, libraries should avoid Foucault's Pendulum, but educated patrons will form an eager audience for both The Name of the Rose and The Island of the Day Before.?James Dudley, Copiague, N.Y.
Copyright 1996 Reed Business Information, Inc.

From Booklist
How baffling and dangerous sea travel was before the invention of longitude. How precious this discovery would have been to rival nations with global ambitions, such as Holland, France, Spain, and England. Why, it was the arms race of the Renaissance! And, Eco suggests, the holy grail for spies, including the dreamy young hero of this imaginative novel, Roberto della Griva. We first meet Roberto in what we learn is a typically ludicrous situation. Shipwrecked in the South Pacific, he finds refuge not on land, but on an oddly outfitted and mysteriously abandoned ship. Roberto quickly settles into an indulgent routine of writing highly romanticized love letters and imbibing large quantities of aqua vitae, but he regains clarity of mind just often enough to realize that he isn't alone after all. His elusive shipmate turns out to be Father Caspar, a brilliant man who has unlocked the very secrets of time and distance that Roberto was supposed to secure. As Roberto and Caspar conduct experiments and attempt to reach a nearby island, we learn the story of Roberto's life, a captivating tale that features delightfully blasphemous intellectuals and amusing speculation on the absurdity of the Thirty Years' War and the consequences of the rise of scientific thought in a world dominated by politicized religion. After the somewhat heavy-handed Foucault's Pendulum (1989), Eco has returned to the sort of erudite humor, suspense, stimulating philosophy, and cunning wordplay that made The Name of the Rose (1983) so popular. And, once again, translator William Weaver has done a superb job. Donna Seaman

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92 of 97 people found the following review helpful.
The last of the Baroques
By arle lommel (iatt@byu.edu)
Many reviewers of The Island of the Day Before seem to fault the volume for many features which, were they familiar with the literature from which it is derived, they would find to be its greatest assets. Just one example is Eco's wonderful description of the Deluge which cannot be appreciated without having read Ovid. As with all of Eco's works a healthy interest in philosophy and semiotics is really required to follow the entire work. (DeGriva's mandering about the ship for instance can be viewed as a metaphor for the abductive line of reasoning, something Eco deals with extensively in his scholarly works.) This volume is demanding, as others have noted, and we seem to live in a world where we don't expect books to make demands of us, so for many readers this book may be too complex. However, if one is truly interested in learning the topics which interest the polymath Eco this volume is a treasure trove for what you learn along the way. If one wants only familiar words and a simple plot, do not read Eco--you will probably miss the point.

40 of 40 people found the following review helpful.
Put it off til tomorrow; and STILL do it today!!!
By B. Morse
The meaning behind the name of this book struck me about a quarter of the way through. Sometimes I forget titles while I read and just enjoy the contents. But this had so much significance to what the book was actually about, it stayed with me. Imagine; even if only 'imagined', the ability to swim to an island within your sight, and arrive in the prior day. Not too shabby, compared with most titles I see, and the meanings behind them.

But a clever title is not all to be found with this Umberto Eco novel. Theology; existentialism; lost language; and even one of my favorite words (discovered first while performing in 'The Pirates of Penzance); escutcheon.
Others criticize Eco on his meandering thoughts and ideas; on his half-truths/half-fictions; his playful use of alternate reality; and his obvious disregard for probability. I say 'what the heck are you reading Eco for, then?'
It took me four years of owning this book to read it. Prior to this, I could not do it. But now, with Name of the Rose and Baudolino under my belt, I thoroughly enjoyed this book, devouring it from cover to cover, and opening my mind to all that Eco has to offer...
Roberto, the 'hero' of the story, finds himself stranded on board the Daphne, a boat anchored just offshore an unreachable island. Without wind, without crew, and without a know-how of swimming, Roberto explores his new 'prison', having survived a shipwreck of the vessel Amaryllis.
Finding that he is indeed NOT alone on the boat, Roberto prepares to flush out the intruder and face him down. But what Roberto discovers is not quite what he set out to find.
The novel flows back and forth in time, as well as in and out of 'reality' as Roberto weaves a tale of his childhood and the invention of his dark twin Ferrante, who dogs him throughout his life, to the discovery of his lady-love, Lilia; to his induction as a spy for Cardinal Richelieu; to his arrival on the Daphne, and the education he receives there in mapping the latitudes and longitudes of the planet.
Like the other 2 Eco novels I have read, there is so much to be gleaned from the pages of this book...whether you enjoy the mingling of fact and fiction or not, for an avid reader like myself, willing to open my mind to flights of fancy...the challenge to your thought processes cannot be beat.
A wonderful read....and worth the wait to be able to accomplish it.

23 of 24 people found the following review helpful.
Twisting, at times tortured, though interesting...
By nto62
Roberto della Griva, son of minor Italian gentry, sets off with his father to defend a besieged city during the Thirty Year's War. After his father's valiant death, he eschews a return home for the experiences of French society. It is here, within the soirees, that Roberto hones his philosophical skills and eventually finds himself manipulated by his imaginary brother, Ferrante, into a sea voyage to the other side of the world.
Cardinal Richelieu's successor charges Roberto with the task of discerning the secrets of longitude while embarked upon an English vessel. In a storm, the vessel is lost and Roberto, lashed to a door, days later is cast upon an abandoned ship anchored near an uncharted island in the Pacific.
From here, Eco takes the reader on a philosophical, metaphysical, and mystical trip that is not nearly as entertaining as his preceding narrative. Roberto wrestles the mysteries of time, space, heaven and hell, and authors a romance in which he wins the hand of his true love from the cold and calculating grasp of his imaginary brother.
It is all a bit much. Several pages are devoted to the self-awareness of stone. Though the book has some fascinating stretches, in the end, Eco's endeavor for abstract slays the rythym a good novel needs. Nevertheless, I enjoyed it, but I would not recommend it as a "must" read.

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# Ebook Download Keep the Aspidistra Flying, by George Orwell

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Gordon Comstock is a poor young man who works in a grubby London bookstore and spends his evenings shivering in a rented room, trying to write. He is determined to stay free of the “money world” of lucrative jobs, family responsibilities, and the kind of security symbolized by the homely aspidistra plant that sits in every middle-class British window.

• Sales Rank: #182505 in Books
• Published on: 1969-03-19
• Released on: 1969-03-19
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .71" w x 5.31" l, .55 pounds
• Binding: Paperback
• 264 pages

Amazon.com Review
London, 1936. Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight. In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer. --Daniel Hintzsche

Review
A completely harrowing and stark account of poverty ... written in clear and violent language -- Cyril Connolly

From the Publisher
6 1-hour cassettes

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43 of 45 people found the following review helpful.
A Neglected Romance with a Satire on English Respectability
By T.NAKAJIMA
It is a bit difficult task to place George Orwell (pen name for Eric Aruthur Blair) in the history of the 20th century English literature. A novelist? A journalist? A critic? Or just a guy who loved propaganda? Whatever it is, he is and will be remembered as the one who wrote "1984" and "Animal Farm." Still, before he wrote these famous works, he wrote a pretty good book of novel, and that is what you're looking at now.
"Keep the Aspidistra Flying" one of the most starange titles you ever see, is about a "poet" (and formerly a copywriter for advertizing company) Gordon Comstock, who, with sudden desire to be free from the curse of money, left this good job and starts the life of an aspiring artist. As he had previously a book of his own poems published (the title "Mice"), and received a review from The Times Literary Supplement, which said "exceptional promise," why not pursue his way as an artist? And his next project "London Pleasure" which must be the next Joyce or Eliot will be completed soon, probably next month, or next year perhaps....
As his misadventure starts, Rosemary, his long-suffering but always faithful sweetheart, naturally is dismayed, and it takes a long time for him to realize that his happiness, whatever it is, is possible with her presence. But aside from the romantic aspect of the novel, which in itself is well-written with good portrait of independent Rosemary, the book attracts us with the author's satire on the middle-classness of England, which is represented by those ugly, die-hard aspidistra decorating the windows of every house. Gordon's loathing of respetability is deftly turned into a dark comedy that attack the parochical mind of some people, sometimes including Gordon himself. For instance, Gordon, no matter how poor and disheveled he becomes, never lets his girlfriend Rosemary pay the check of lunch because, in a word, it is not proper. Those who are interested in Englishness might find something amusing in this book, I assure you.
As is his satire, Orwell's English style is always full of power, brisk and lively, and never lets you bored. The only demerit is, as time has changed since then 1936, some names are no longer familiar to us; once hugely popular novelists like Ethel M Dell is mentioned with derogatory comments from Gordon, and her bestselling novel "The Way of an Eagle" is clearly treated as trash in Orwell's mind, but in the 21st Century whoever read them? Hence, some part of the book is lost on us if you don't know these names like Dell or Hugh Walpole, but never mind. Such part consists only small part, and if you don't get it, just skip it.
At the time of publishing, "Keep the Aspidistra Flying" was never a commercial success, and in Orwell's lifeime it was never reprinted, but these facts should not discuorage you from reading it. It is wickedly funny book that makes you, if not smile, at least grin not a little.
The book was made a movie in 1997 as "The Merry War" starring Richard E Grant and Helena Bohnam Carter. The film, more inclined to romance side of the book, is also a good one. Try it.

24 of 24 people found the following review helpful.
conforming a non-comformist
By Randy Keehn
Having completed "Keep the Aspidistra Flying", I have now read all of the novels of George Orwell. I can say with such authority that this one may be his best. George Orwell was, first and foremost, a Socialist and this book is his examination of being a Socialist in a Capitalist world. His hero, Gordon Comstock, is mired in a dead-end job that is just middle-class enough to require proper dress and behavior but not enough to enable him to afford any but the most essential living expenses. We sympathize with him. Or at least we do until we realize that his disdain for the pursuit of money has pointed him in the opposite direction. He is so anti-capitalist that he purposely keeps himself in his lower state. He quit a previous job because it paid too much. He won't strive beyond his current status because then he would enter a higher social status. He is convinced of the righteousness of his beliefs even though he has bled his sister dry "borrowing" money from her over the years. She "lends" him the money because the family always had such high hopes for this erudite young man. Gordon complains, to those that listen, that money is the root of all evil yet he is so ready to be victimized by it. He complains to his girl-friend that she measures him by his net-worth. This isn't true but he can't see that the problem is that HE is measuring himself by his own net-worth. He talks the talk but can't walk the walk. Well, money leads to one disaster of his own making and ends up as the solution to another "disaster" of his own making. I'm sure the prospective reader would prefer to read the book to see how his story ends so I won't go into any more details here.
This novel is enjoyable on many levels. I found myself, like most, getting upset with Gordon Comstock for his self-destructive "nobility". I was ready to rant and rave about it until I remembered my post-college Bohemian days and realized that I went through such a stage myself. I'm sure many of us have and so I think there is a personal connection that will appeal to a lot of readers. For pure literary merit, this is a hard 20th Century satire to top. Orwell scared a lot of people with his futuristic novels "Animal Farm" and "1984". He tried to indoctrinate many a reader with his Socialistic essays including his half-novel/half-essay; "The Road to Wigan Pier". I have a feeling that he was poking fun at himself in "Keep the Aspidistras Flying". Maybe that's why it works so well.

19 of 20 people found the following review helpful.
We can't afford principles, people like us.
By HawkinsDawkins
To the reviewer who claimed this bit of "capitolism bashing" [sic] is not worth half the status of 1984:

Perhaps you're right that it is not as good as that book. I definitely don't see myself reading it more than three times as I have with that one. Unless one is intimately familiar with Orwell's ouvre on the whole-and not just Animal Farm and 1984-I could see how they could come to this conclusion.

However, if you have read any of Orwell's essays (his criticisms of concurrent literature, his defenses of and attacks on socialism, his biographical works), you will see that this book fits in nicely with the rest of his work. If it were just for those two aforementioned books, Orwell would still have a high place in the literary canon, but there is so much more to his style than his writings/warnings against fascism.

I would not recommend reading this one until one has also read Down and Out in Paris and London and Road to Wigan Pier. Once those two have been taken in, the simple beauty of Keep the Aspidistra Flying will be more apparent. In those two relatively lesser-known works, Orwell expounds on the philosophy that is more indicative of his place in literature than the Winston Smith paranoia. One of Orwell's chief concerns in writing, it seems to me, was in displaying how the effects of money can rule one's life more than any government. In Down and Out and Wigan, we see what abject poverty-when it isn't a choice-can do to the human spirit. In Aspidistra, we have a main character-Gordon Comstock-who seems to accept this as a given, and supposes that, when this kind of poverty is a choice, one can break free of the trappings of the capitalistic burden.

This is the thrust of the work. Comstock's supposition that he can be free of money woes leads him to obsess over it moreso than anyone else. The reader wants to reach inside the book and smack him upside the head, because this leads to a preoccupation with money that none of the people whom he despises could even remotely have. Orwell's point is that we are all trapped in this system, and we can't escape it. When we make futile attempts, it is still on the system's terms. An intense sense of anti-capitalism, however noble it might initially have been, can indeed estrange us from our family and friends and cause even more problems than had been there before. Comstock (however unintentionally) antagonizes everyone around him, and disrupts his relationships more with his money-bashing than the money itself ever could have.

Without giving away the plot, Gordon proves himself more of a capitalist (...) than he could have been just by buying into the system.

As for the work itself, it is one of Orwell's lighter books, and yet it owes quite alot to Dostoyevsky. Whether Orwell himself would have admitted it or not, this seems to me to be one of his greatest influences. Comstock's character is not unlike Raskolnikov's in Crime and Punishment, Dimitri's in The Brothers Karamazov, and the main character in Notes from Underground. In all three of these, as in Aspidistra, we have a character so obsessed with an abstract notion that he lets it rule his life and destroy the lives of others.

All in all, if one does not read this expecting the stereotypical Orwell of 1984 and Animal Farm, I think they will be pleasantly surprised. I liked and sympathized with the majority of the characters. And unlike Burmese Days, Animal Farm, and 1984, it ends with a little hope.

And as far as giving it five stars when it is not quite as good as those, the Amazon rating system puts four stars as "I like it" and five as "I love it".

The book isn't perfect, but I am very fond of it, so I don't think I'm lying when I give it five.

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