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~~ PDF Download Between the Acts, by Virginia Woolf

PDF Download Between the Acts, by Virginia Woolf

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Between the Acts, by Virginia Woolf

Between the Acts, by Virginia Woolf



Between the Acts, by Virginia Woolf

PDF Download Between the Acts, by Virginia Woolf

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Between the Acts, by Virginia Woolf

In Woolf’s last novel, the action takes place on one summer’s day at a country house in the heart of England, where the villagers are presenting their annual pageant. A lyrical, moving valedictory.

  • Sales Rank: #91026 in Books
  • Published on: 1970-10-21
  • Released on: 1970-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .57" w x 5.31" l, .49 pounds
  • Binding: Paperback
  • 228 pages

Review
Here, in her last book, is Virginia Woolf at her most tenuous, elusive, unreal. The various terms which have been applied to her art seem all to apply - "evocative", "fragile", "unsubstantial", "eclectic". The scene and the compass of this book is a pageant in a small English village, alternating with the actors of the local pageant are the figures in a private pageant of spectators:- Giles, stockbroker, at odds with his wife, Mrs. Manress, hearty, blowsy woman of forty who assumes the role of child of nature; Giles' father, withered, dry, his sister a vague old lady, etc. There is no action, save in the pageant which is reproduced now in poetry, now in prose. The quality of the book lies in its nuance, its shadows, its reflections, its aestheticism. There is an ethereal, haunting, beauty, strangely distant. Sharply limited market. (Kirkus Reviews)

'Together these ten volumes make an attractive and reasonably priced (the volumes vary between L3.99 and L4.99) working edition of Virginia Woolf's best-known writing. One can only hope that their success will prompt World's Classics to add her other essays to the series in due course.' 

(Elisabeth Jay, Westminster College, Oxford)

From the Back Cover

"Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realization of experiments that have completely broken with tradition."--The New York Times

 

Between the Acts takes place on a June 1939 day at Pointz Hall, the Oliver family's country house in the heart of England. In the garden, everyone from the village has gathered to present the annual pageant--scenes from the history of England, beginning with the Elizabethan Age and ending with "ourselves," the audience. As the story unfolds, the lives of the villagers also take shape. We learn of the strained relationship between Isa Oliver and her husband, Giles, discontented stockbroker and son of Bart Oliver, the owner of Pointz Hall. When a storm rushes in and hastens the completion of the play, the performers and the audience take their leave, and Giles and Isa are finally left alone. In its juxtaposition of interior life and social life, personal history and world history, Woolf’s final novel reveals the richness of what happens between the acts. 

Virginia Woolf (1882-1941), one of the major literary figures of the twentieth century, transformed the art of the novel. The author of numerous novels, collections of letters, journals, and short stories, she was an admired literary critic and a master of the essay form.

Mark Hussey, general editor of Harcourt's annotated Woolf series, is professor of English at Pace University in New York City and editor of the Woolf Studies Annual.

Melba Cuddy-Keane is professor of English and Northrop Frye Scholar at the University of Toronto.

 

About the Author
VIRGINIA WOOLF (1882–1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Short read.
By Norman E. Conner
Good reading

44 of 50 people found the following review helpful.
The summing up
By A.J.
"Between the Acts" was the last novel Virginia Woolf wrote, and it appropriately feels like a swansong; a sorrowful farewell to a country on the eve of a war that very well might have spelled its devastation. While it uses the modernist experimentation that characterized "To the Lighthouse," it is very easy to follow, but still invites several rereadings to explore its depths more fully.
The novel takes place on a single day in June of 1939 at an English country manor called Pointz Hall, owned by the Olivers, a family with such sentimental ties to its ancestry that a watch that stopped a bullet on an ancient battlefield is deemed worthy of preservation and exhibition. Every year about this time, the Olivers allow their gardens to be used by the local villagers to put on a pageant for raising money for the church. This year, the pageant is supposed to be a series of tableaux celebrating England's history from Chaucerian times up to the present.
The Olivers themselves are tableaux of sorts, each a silent representation of some emotion separated from the others by a wall of miscommunication. Old Bartholomew Oliver and his sister, Lucy Swithin, both widowed, are now living together again with much the same hesitant relationship they had as children. Oliver's son Giles is a stockbroker who commutes to London and considers the pageant a nuisance he has no choice but to suffer. Isa, his discontented wife, feels she has to hide her poetry from him and contemplates an extramarital affair with a village farmer.
Attending the pageant is a garrulous woman named Mrs. Manresa, who is either having or pursuing an affair with Giles. She has brought with her a companion named William Dodge, whose effeminate sexual ambiguity is noticed with reprehension by Giles and with curiosity by Isa. The somewhat romantic interest Isa shows in Dodge implies that she knows Giles would be annoyed less by her infidelity than by his being cuckolded for a fop like Dodge.
The other principal character is not an Oliver at all, and this is Miss La Trobe, the harried writer and director of the pageant. At first, she appears to serve the mere purpose of comic diversion, as she frustrates herself over details that nobody in the audience notices anyway; however, when the pageant is over, a new aspect of her character is revealed, one that has made her an outcast among the village women. Nevertheless, she graciously accepts the role of a struggling, misunderstood woman artist, and in this sense, she echoes the character of Lily Briscoe in "To the Lighthouse," as does Isa with her repressed poetry.
At the end of the pageant, to celebrate the "present," Miss La Trobe has planned something special and startling: She has the players flash mirrors onto the audience as if to say, "Look what England has become. Shameful, isn't it?" Likewise, with this novel Woolf holds up a mirror to humanity, reflecting our unhappiness in her characters. It's not a cheerful notion, but it's a fitting one to sum up the career of a writer like Woolf, one of our greatest chroniclers of sadness.

6 of 7 people found the following review helpful.
Woolf's last novel
By A Customer
Between the Acts (BtA) was Woolf's last novel, finished but not yet revised before her death in 1941. It is, like Woolf's other novels, experimental. She takes some of her already established techniques and adds new things. She sets it in the span of a single day (i.e. Mrs Dalloway), depicts and parodies historical events (i.e. Orlando). Woolf centers the action around a village play (a bad play, but that is part of the fun). The social commentary on Britain is there, but BtA is far from the "usual British stuff." In the course of the novel the reader should look at the actors and the audience, drawing parallels to our own daily acting. Woolf includes a number of literary allusions. See if you can find the use of Gerard Manley Hopkins in the narrative, for example. As with Woolf's other writings, plot is not the focus. Even though she died thinking it was unsuitable for publication (she was mistaken), BtA is a fine novel from a master writer.

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