Minggu, 30 November 2014

** Ebook Free Be Near Me, by Andrew O'Hagan

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Be Near Me, by Andrew O'Hagan

"Always trust a stranger," said David’s mother when he returned from Rome. "It’s the people you know who let you down."

Half a life later, David is Father Anderton, a Catholic priest with a small parish in Scotland. He befriends two local teenagers who live in a world he barely understands. Their company stirs memories of earlier happiness—his days at a Catholic school in Yorkshire, the student revolt in 1960s Oxford, and a choice he once made in the orange groves of Rome. But their friendship also ignites the suspicions and smoldering hatred of a town that resents strangers, and brings Father David to a reckoning with the gathered tensions of past and present.

 

  • Sales Rank: #1134376 in Books
  • Published on: 2008-04-14
  • Released on: 2008-04-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .80" w x 5.40" l, .64 pounds
  • Binding: Paperback
  • 320 pages

From Publishers Weekly
Starred Review. This burnished gem of a novel has drama, emotional resonance and intellectual power enough to recall one's favorite 19th century writers. At its center is David Anderton, a Scottish-born, Oxford-educated Catholic priest who, after years in England, assumes a parish in working-class Scotland to be closer to his mother, a writer and free spirit. Now in his 50s, David recalls his own passions vividly, but he has traded his 1960s university ideals to favor the Iraq war, and his realizations of romantic love for a life of the cloth. From early on, there's a glaring gap between David's first-person recollections and the elitist, alienating affectations he assumes with others. His Dalgarnock parishioners are suspicious of his education; his only companions are his sardonic but morally stringent housekeeper, Mrs. Poole, and a pair of thuggish teenagers, Mark and Lisa, who remind him of his own youthful rebellions. As Mark and Lisa draw David into their chaotic lives, the novel builds to an inevitable clash between the spiritual and the secular, the adult and adolescent, the utopian 1960s and the neoconservative 2000s. Throughout, O'Hagan (The Missing) enchants with his effortless prose, vivid characters and David's uncanny asides, making O'Hagan's fourth novel a heartrending tour de force. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
David Anderton, a fifty-six-year-old English priest in a gritty Scottish town, comes from a long line of Catholic martyrs, but he himself has settled for quieter satisfactions: good Alsatian wines, Chopin Nocturnes, banter with his housekeeper about the twelfth-century roses in the garden. Then, one Good Friday, he encounters Mark and Lisa, two charismatic juvenile delinquents at the local Catholic school, and he’s drawn to them like a moth to fire. O’Hagan tackles a highly charged subject with exceptional intelligence and subtlety. Father Anderton’s voice can be arresting even when he’s describing heartburn ("I felt an empty, dyspeptic scorch as I drove to the school, like a rising argument at the centre of my chest"), and our growing intimacy with his inner voice describes its own arc of seduction and betrayal. No one gets off easily here, and yet the corruptions revealed are not necessarily the expected ones: as O’Hagan reminds us, the variety of deceptions we practice on ourselves and others is almost infinite.
Copyright © 2007 Click here to subscribe to The New Yorker

From Bookmarks Magazine
Although Andrew O'Hagan's third novel touches on themes of sexual misconduct, it focuses more on loyalty, friendship, love, longing, and morality-even touching on the rebellious 1960s and the war in Iraq. Critics agree that O'Hagan paints a masterful portrait of Dalgarnock life, successfully contrasting its provincial, small-town nature with David's complicated past and deep inner spirituality. Sympathetic characters, from the idealistic, despairing David to his housekeeper, Mrs. Poole, captivated critics, as David experiences-and is tested by-his ordeal. In sum, Be Near Me, which was long-listed for the Booker Prize, is a "resounding achievement" (Milwaukee Journal Sentinel).
Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

56 of 60 people found the following review helpful.
Beautiful, sad, and wise
By moviegoer
I am taking my time only because the other reviewer (there is only one so far), was so far off the mark, in giving
the book only three (or 3.5, as she claims in her review), that I want to remedy her review. This is a terrific
book. The writing is beautiful--not lah-dee-dah beautiful, but strong and thoughtful--and the characterizations
are splendid. I believed utterly in the conflicted priest, in his dying, snobbish, decent housekeeper, and most
of all I believed in the ghastly beast that the Scottish town became.

If you are a reader of highly literate material, I recommend this. If you like your novels more obvious,
skip it. (But you will be missing a fine book).

27 of 28 people found the following review helpful.
Deeply moving
By Jon Hunt
Andrew O'Hagan's "Be Near Me" is a work of indescribable beauty. From the opening dialogue that David Anderton (Father David) has with his mother to the final pages, a wistful thirty years later, O'Hagan elicits some of the finest characterizations and dialogue I have read.

This is a story about distance and loss. David, an Oxford student, falls in love with Conor, a young man from another college. After a certain kiss with Conor, David knows where he his headed...the priesthood. As it turns out, that's one of the few pieces of knowledge David will carry with him.

Much of the book centers around Father David's time in the Scottish town of Dalgarnock many years later, where he is not exactly welcomed by all. He meets an adolescent couple, younger than their years, befriends them, takes them on trips and becomes their confidante. After falling for Mark, the male of this duo, David is drawn into him one night and an indiscretion occurs. A trial follows and the rest is left for the reader to witness.

"Be Near Me", like the fine wine David drinks, simply gets better with each passing chapter. O'Hagan's narrative is so good that I found it hard to leave his book for even a minute. Each character evokes a certain empathy...not an easy task with multiple principals. By telling a Catholic priest's story from within, O'Hagan captures the "other side" of what we so often miss in the headlines of abuse. It is the choice of not facing one's sexuality that often draws men into the priesthood coupled with the ensuing loneliness that tortures its victims. The author presents this side with pathos and tenderness.

I highly recommend "Be Near Me" as it is a compelling work and one of the best books of the year. O'Hagan has created a masterpiece and the reader will understand the joys and sorrows of each of the individuals portrayed. It is a tour de force, full of emotion, depth and care.

9 of 9 people found the following review helpful.
Tough Subject Handled Beautifully
By J. L. Rubenking
What a beautifully written book. When Catholic priest David Anderton is posted to a small, clannish village in Scotland, his erudition and cultured ways are off-putting to most of the adults, with the notable exception of his cleaning woman and verbal sparring partner, Mrs. Poole. When he is drawn into the orbit of a couple of misfit teenagers, it is she who warns him that no good will come of it. David's past spills into most chapters seamlessly and we get a picture of his youth, his seminary experience and his Oxford days even as the present events unfold into personal disaster and the worst accusation a priest can face. What could have been a cliché, however, is not. When David realizes that his choices in life have left him totally alone and that the past and its grief cannot be forgotten, he accepts responsibility for his actions with total honesty and morality. The grief from which he can never heal is the great love he shared at Oxford with a fellow student - and his ruminations on love are particularly luminous (in O'Hagan's hands):
"...the heart will always have the last word, and when the word is love we can recognize, we can respond, we can submit and we can try to ignore, but we can never choose. Love is not a matter of choice but an obdurate fact of surrender."

Father David's mother is also a wonderfully drawn character - full of a steadfast and undemonstrative mother's love and good advice. The author's gift in leading the reader past distaste and condemnation of the protagonist's actions through the character's own search for self-understanding is quite an accomplishment, but it seems almost effortless.

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Sabtu, 29 November 2014

> Download Anaximander, Heraclitus, Parmenides, Plotinus, Laotzu, Nagarjuna (Harvest Book, Hb 288), by Karl Jaspers

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Anaximander, Heraclitus, Parmenides, Plotinus, Laotzu, Nagarjuna (Harvest Book, Hb 288), by Karl Jaspers

Taken from the Great Philosphers, Volume II.

  • Sales Rank: #565367 in Books
  • Color: Yellow
  • Published on: 1974-10-23
  • Released on: 1974-10-23
  • Original language: German
  • Number of items: 1
  • Dimensions: 8.35" h x .38" w x 5.43" l, .39 pounds
  • Binding: Paperback
  • 138 pages
Features
  • ISBN13: 9780156075008
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Language Notes
Text: English, German (translation)

About the Author
Karl Jaspers (1883-1969), a founder of existentialism, studied law and medicine at the University of Heidelberg in Germany, and received his M.D. in 1909. He taught psychiatry and philosophy at the University of Heidelberg, and philosophy at the University of Basel in Switzerland. His books include Psychology of World Views, and Philosophy.

Most helpful customer reviews

22 of 26 people found the following review helpful.
Great Contribution to the History of Ideas
By cvairag
Jaspers, the theologically oriented existentialist (I would say that Heidegger was theologically born and bourne/thrown, but not oriented "language is the home of Being"), was perhaps at his best as a teacher of philosophy. This volume, the first of his magnificent series on "The Great Philosophers" is loaded with really good stuff. What I like about these books is: 1) Jaspers writes about the philosophers he esteems, rather than attempting to write a comprehensive history which creates a ambience which is fun to research because he's having fun; 2) he compacts the essential utterances into a svelte, summary style with directive commentary - esp. useful for the student who is in hurry - for undergrads thru prelims.

Proof of his effectiveness as a teacher: Hannah Arendt, among the elite philosophic minds of the 20th century - his ever-grateful star student. Also good - is the volume with Kant in it - classic modernity.

3 of 6 people found the following review helpful.
About Greeks
By Kostas Bousbouras
We need, in the middle of Greek's "economic" crisis to remember that all the Western World, from its roots, is deeply indebted to (ancient) Greek thought. Many of our values and of our words of central importance are greek. There is an endless list which will always show that Democracy, Pholosophy, Economy, Music, Theater, Mathematics, Physics, Geometry, Astronomy, Mystery, History, Method (-ology ; and all the words ending in -logos or -logy, such as Cardiology, etc), Analysis, Synthesis, Logic, Technology, Christian (ity), Cosmology, Tragedy, Theory, Practice, Pedagogics, Archaeology, (the very name of) Europe... !!! , and so many other conceptions and activities are taken from the great, harmonius, Greek Civilization. It is at least ingratitude not to realize and openly admit that an economical debt of a few billion euros is much less, or, to be more precise, it is and will forever remain a Civilizational outstanding borrowing and debt . - K. Jasper is a excellent reminder of this Truth, and (a bit ironically at our present days) he is a German, like many many others among the best scientists, philologists, archaeologists, etc who studied thoroughly Greek History and Civilization. Germany's debt and its bond and interrelation to Greece is much more essential and deep than the politicians' and bankers' minds (can or want to) understand...

0 of 2 people found the following review helpful.
Five Stars
By KimberlyLO
Great overview.

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Rabu, 26 November 2014

!! Free PDF A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953, by Anais Nin, Henry Miller

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A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953, by Anais Nin, Henry Miller

The intimacy between Nin and Miller, first disclosed in Henry and June, is documented further in this impassioned exchange of letters between the two controversial writers. Edited and with an Introduction by Gunther Stuhlmann; Index.

  • Sales Rank: #108262 in Books
  • Published on: 1989-04-22
  • Released on: 1989-04-22
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.10" w x 6.12" l, 1.21 pounds
  • Binding: Paperback
  • 448 pages

About the Author
Ana-s Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she was the author of several novels, short stories, critical studies, a collection of essays, two volumes of erotica, and nine published volumes of her Diary.

Most helpful customer reviews

169 of 177 people found the following review helpful.
The Language of Sexual Liberation
By A Customer
Whatever you may think of her writing, Anaïs Nin was definitely a femme fatale. Henry Miller was, he claimed, the "happiest man alive." Together, Nin and Miller created a literary language for sexual fulfillment; she in a diary whose original form still remains unpublished, he in novels banned in both the United States and England until court cases in the early 1960s permitted their publication and turned Miller into something Nin had already achieved: the status of a cult hero.
Nin and Miller met in Paris in 1931. Miller, an aspiring novelist, wanted to meet the banker's pretty wife who had sung the praises of D.H. Lawrence and whose books had been deemed "pornography" outside of France. Neither Nin nor Miller, at that point, had published much. Their mutual interest, as they freely admit, was in sex and in each other and, consequently, they began a long affair.
It was during this affair that both Nin and Miller produced their finest writing--the writings that would eventually become Nin's two diaries and her novel, House of Incest, as well as Miller's Tropic of Cancer and Black Spring. Each believed in, and nurtured, the others genius and Miller wrote that Nin's diary would take its place "beside the revelations of St. Augustine, Petronius, Abelard, Proust and others."
Miller, only forty-one, but already somewhat down-and-out, fascinated the twenty-nine year old Nin, whose vague yearnings filled the many pages of the diary she had been keeping since the age of ten. "He's a man who makes life drunk. He is like me," she mused. Nin and Miller, however, were not alike. One of their most essential differences was a difference typical between men and women--Nin censored herself, while the world censored Miller.
Published in 1963, Nin's diary caused a literary sensation. It was begun as a letter to her father, a man who abandoned the family when Nin was only ten, and it remained intensely private. Revised into frequent distortions, the diary was a record of a compulsion to conceal as much as of a quest for feminine fulfillment. A mixture of fact, fantasy and calculated lies, Nin's editor asserts that the diary nevertheless presents a "psychological" truth. Kate Millett hailed Nin as "the mother of us all" and the women's movement immediately embraced her writings. Author Erica Jong said that no woman had told "the story of women's sexuality" more honestly than had Nin.
Despite the praise, if we read between the lines, while still observing Nin's frenetic whirl from bed to bed, we come to realize that she was really never satisfied. Her insatiable appetite aside, Nin was, at heart, a prudish libertine. Her childhood molestation by her father, whom she, herself, seduced as an adult a year after meeting Henry Miller, seems to have contributed greatly to her private inhibitions. Although she flitted from bed to bed she sadly confessed, "I am hellishly lonely." Instead of sex, Nin longed for "what I give Henry: this constant attentiveness."
In the "Black Lace Laboratory," as Miller's apartment was dubbed, Nin and Miller conducted literary and erotic experiments, prompting Nin to write him a thinly disguised warning to herself, "Beware just a little of your hypersexuality!" Toward the end of his life, unable to write about women except as prostitutes, Miller claimed not to know what the sexual revolution was about, saying that he had always loved and honored women. Nin agreed, saying that Miller was a romantic, rather than a rake. At eighty, Miller confessed that far too many people engaged in sex without love.
Basking in the warmth of Nin's caresses, her skilled editing of his work, and the material possessions she lavished upon him, Miller wrote prolifically and with a rare genius. Eventually, his romance with Nin faded (or warmed) into friendship, but the legacy of their literary teamwork remained: In 1974, Nin was elected to the National Institute of Arts and Letters. The Los Angeles Times names her Woman of the Year in 1976, the same year Henry Miller received France's Legion d'honneur. The 1990 movie, Henry and June is a chronicle of Miller's affair with Nin, which later became a triangle involving Miller's wife, June.
Nin and Miller have become cultural icons. Nin is the focus of women's study courses as well as being included in Bartlett's Familiar Quotations. Miller and his work need no comment. Although both Nin and Miller were pioneers of free speech and sexual freedom, and both helped to forge a new literature and a new culture, the ultimate emptiness of their lives, with its attendant lack of depth and meaning point to the futility of their attempt to wrest security and happiness from sexuality alone.

19 of 19 people found the following review helpful.
beautiful
By A Customer
This book gives the reader a candid glimpse into the lives and minds of these two literary geniuses. Erotic, intelligent, and sensitive, this book will turn on your every emotion and awaken your soul.

21 of 22 people found the following review helpful.
Enlightening. . .
By Marion
What a provocative read! Having read all of Nin's diaries and fiction, I felt that this book filled in the missing gaps of her life. I came away admiring her perseverence in achieving the goal of publishing her writing. I felt I finally understood how she and Miller drifted apart after having had such a burning, passionate, intense beginning to their long love affair. Alas, they were both mere mortals just as you and I! If you love Nin or Miller, you'll be thoroughly entertained by this book.

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A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953, by Anais Nin, Henry Miller PDF
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Selasa, 25 November 2014

@ PDF Ebook Dear Mem Fox, I Have Read All Your Books Even the Pathetic Ones: And Other Incidents in the Life of a Children's Book Author, by Mem Fox

PDF Ebook Dear Mem Fox, I Have Read All Your Books Even the Pathetic Ones: And Other Incidents in the Life of a Children's Book Author, by Mem Fox

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Dear Mem Fox, I Have Read All Your Books Even the Pathetic Ones: And Other Incidents in the Life of a Children's Book Author, by Mem Fox

Dear Mem Fox, I Have Read All Your Books Even the Pathetic Ones: And Other Incidents in the Life of a Children's Book Author, by Mem Fox



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Dear Mem Fox, I Have Read All Your Books Even the Pathetic Ones: And Other Incidents in the Life of a Children's Book Author, by Mem Fox

The internationally acclaimed children’s book writer, on herself and on the art of writing and publishing children’s books.

  • Sales Rank: #2237330 in Books
  • Brand: Mariner Books
  • Published on: 1992-03-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .58" w x 5.25" l, .50 pounds
  • Binding: Paperback
  • 228 pages
Features
  • Great product!

From Publishers Weekly
Charming and candid, Australian children's book author Fox reminisces, in her mid-40s, about her eventful life. Despite the title, the book is more about Fox than her books, though fans should find it interesting. A child of Australian missionaries, the author grew up in Southern Rhodesia (now Zimbabwe), where she met an English teacher whose ``passion bulldozed any resistance we might have had'' to literature, and she developed her ear for language from the Bible. After studying drama in England, she and her ``brutally English'' husband moved to Australia in 1970. There Fox got to know her aged but vital grandfather; she concludes that her books, which often feature bonds between the young and old, give her the grandparents she lacked as a child. Fox wrote Possum Magic (which has since sold more than a half million copies worldwide) as a class assignment and details the myriad decisions such a short text required. She doesn't avoid using long words in her books, suggesting that children can understand more than adults think. A passionate educator, Fox has become an advocate of the ``whole language'' approach of teaching reading through meaningful contexts rather than as a rote act. Author tour.

Copyright 1992 Cahners Business Information, Inc.

Review
Charming and candid, Australian children's book author Fox reminisces, in her mid-40s, about her eventful life. Despite the title, the book is more about Fox than her books, though fans should find it interesting. A child of Australian missionaries, the author grew up in Southern Rhodesia (now Zimbabwe), where she met an English teacher whose ``passion bulldozed any resistance we might have had'' to literature, and she developed her ear for language from the Bible. After studying drama in England, she and her ``brutally English'' husband moved to Australia in 1970. There Fox got to know her aged but vital grandfather; she concludes that her books, which often feature bonds between the young and old, give her the grandparents she lacked as a child. Fox wrote Possum Magic (which has since sold more than a half million copies worldwide) as a class assignment and details the myriad decisions such a short text required. She doesn't avoid using long words in her books, suggesting that children can understand more than adults think. A passionate educator, Fox has become an advocate of the ``whole language'' approach of teaching reading through meaningful contexts rather than as a rote act. Author tour. (Publishers Weekly)

About the Author
MEM FOX is the author of many acclaimed books, including Ten Little Fingers and Ten Little Toes, Possum Magic, Koala Lou, Time for Bed, and, for adults, Reading Magic: Why Reading Aloud to Our Children Will Change Their Lives Forever. She lives in Adelaide, Australia.

Most helpful customer reviews

16 of 19 people found the following review helpful.
Trememdous insight into writing children's books
By Shevhan Lusteck (shevhan@aol.com)
Having never read a Mem Fox book, it was the title of this book that caught my eye. For anyone who has fancied writing children's books, this is a must-read. It covers the writing and editing processes and provides insight into obtaining publishers and illustrators. Great book, as are all of Ms. Fox's books.

8 of 9 people found the following review helpful.
Good account of Mem's life...
By Biased Perspective
I enjoyed this quick read. Mem is such a clear and concise writer. It provides a entertaining overview of Mem's life experiences. Contrary to the other review on Amazon this book BARELY covers the process of getting a children's book published. I would estimate that 5 pages MAX of the over 200 pages is devoted to this so don't buy this book for this reason. Otherwise a worthwhile read if you wanted to know more about what goes on behind the scenes of writing a children's book.

0 of 0 people found the following review helpful.
Great Vignettes in the Life of a Modest but Enthusiastic Literacy Advocate
By Renee Thorpe
This would be a great gift for any baby boomer, because Mem Fox was born at the beginning of the boom and her sensibilities are firmly in that generation.

It's a biography written more like a great collection of short stories. An African childhood. World travel on the cheap. Motherhood. Teaching. How to (and how not to) write a children's book. Like Christmas presents under a tree, Mem gives the reader lots of amusing tales that are so engrossing and insightful.

Not afraid to laugh at herself, she proves herself human at every turn, with all that is good and bad about that particular bumbling life form. With all her self-effacing wit and sheer gumption, she has written encouragement itself. There is a sense of "it's never too late" and "oh, just go do it," like your best friend pushing you out on a dance floor in the direction of that shy blond girl.

My take away is how important it is to communicate, especially with your children. Stories, discussions, read-aloud times, and really being there for them in the flesh as much as possible. Nice, fun-to-read book that should be in the arsenal of every parent.

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!! Download PDF The Waves, by Virginia Woolf

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The Waves, by Virginia Woolf

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The Waves, by Virginia Woolf

One of Woolf’s most experimental novels, The Waves presents six characters in monologue - from morning until night, from childhood into old age - against a background of the sea. The result is a glorious chorus of voices that exists not to remark on the passing of events but to celebrate the connection between its various individual parts.

  • Sales Rank: #23400 in Books
  • Published on: 1978
  • Released on: 1950-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .76" w x 5.31" l,
  • Binding: Paperback
  • 297 pages

Review
Full of sensuous touches...the sounds of her words can be velvet on the page -- Maggie Gee Daily Telegraph

From the Back Cover
"Clear, bright, burnished, at once marvelously accurate and subtly connotative. The pure, delicate sensibility found in this language and the moods it expresses are a true kind of poetry." – The New York Times

The Waves is often regarded as Virginia Woolf's masterpiece, standing with those few works of twentieth-century literature that have created unique forms of their own. In deeply poetic prose, Woolf traces the lives of six people from infancy to death as they fleetingly unite around the unseen figure of a seventh, Percival. Allusive and mysterious, The Waves yields new treasures upon each reading.

Virginia Woolf (1882-1941), one of the major literary figures of the twentieth century, transformed the art of the novel. The author of numerous novels, collections of letters, journals, and short stories, she was an admired literary critic and a master of the essay form.

Mark Hussey, general editor of Harcourt's annotated Woolf series, is professor of English at Pace University in New York City and editor of the Woolf Studies Annual.

Molly Hite is professor of English at Cornell University. She is the author of Ideas of Order in the Novels of Thomas Pynchon, The Other Side of the Story: Structures and Strategies of Contemporary Feminist Narrative, and two novels, Class Porn and Breach of Immunity. She has written articles on postmodernist and modernist fiction, feminist theory and practice, and academic culture.

About the Author
VIRGINIA WOOLF (1882–1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Unintended Beautiful Prose
By Rebecca Askew
This is one long beautiful poem. Though not intended as a poem, it is among the most beautiful and evocative prose I have ever read.

43 of 49 people found the following review helpful.
Is this why she committed suicide?
By Catherine Theresa Graciano
Although at times I consider myself intelligent, after reading "The Waves," I must now concede to being mediocre in my intellect. Upon finishing the novel, I consulted various criticisms and opinions on the work to find that I missed much of what was portrayed in the book. Therefore, I admit to being ignorant. However, I still believe everyone's response to a work is valuable and this is mine:

Just like many other works by Virginia Woolf, there were moments when I was absolutely swept away by the depth of her narrative and the poignancy of her descriptions. Put simply, she blows my mind and this is why I continue to read her. However, I often wonder if the subconscious mind babble that we encounter everyday is worth repeating. Perhaps there is a reason why we have public presentations and filter out much of what we typically are thinking. Therefore, my response to this novel is undecided. Upon finishing the novel, renditions of Shakespeare's "To be or not to be?" ran through my head. I find Woolf's characters and their ambiguous identities and feelings to be confusing and I feel frustrated by their inability to provide me with an answer to the great questions of life. Of course, I realize that life is supposedly more about the questions than the answers and if the goal of good writing it to provoke conversation and thought, Virginia Woolf certainly has done that here. If the purpose of reading is to somehow see ourselves and our struggles reflected in someone else's writing, then Woolf has accomplished that much. Nevertheless, I found the novel to be frustrating in that Woolf provides very little direction or resolution for the reader. I felt as if I was left hanging in so many ways.

Final verdict (after my convoluted and likewise ambiguous review):

It is certainly worth reading for those moments that resonate with the soul, but don't be surprised if it shakes you up, tosses you around, and then leaves you feeling more bewildered than ever before.

And I still wonder what caused her to kill herself. I wish I had that answer.

23 of 25 people found the following review helpful.
Existence through the eye of eternity
By Caulfield
In this somewhat puzzling novel the sun rises and it sets, six people grow together from infant children to old age, and the waves crash endlessly upon the shore. That is about as close as you will get to a plot in this book. Everything else that happens, school, marriage, even death, seem to be nothing more than passing intensities amid the overbearing silence that is the roar of existence.
I picked up this book after reading Mrs Dalloway. I loved Dalloway. It was the first Woolf book I had read and it blew me away. In comparison, reading The Waves was like taking a sandblaster to my eyeballs. She uses stream of consciousness as a medium to delve as deep as she possibly can into the intricacy of existence. Not much happens on a specific and literal level outside of the rising of the sun, but the endless poetry pouring forth from the perceptive cores (I'd say "minds" but I think it goes a bit beyond even that) of these six characters speaks volumes on the fearsome intensity of beauty, the vast complexity of sadness, and the endless endless isolation of the human soul.
It is at times so deep and so personal that I felt more than a bit uncomfortable reading it. The effort is well worth it however. Woolf more than any other author I have read, struggles to communicate the hidden message contained in all stories and books... A message forever clouded in meanings and phrases... Lost in its own words.

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Sabtu, 22 November 2014

? PDF Ebook Economic and Social History of Medieval Europe (Harvest Book), by Henri Pirenne

PDF Ebook Economic and Social History of Medieval Europe (Harvest Book), by Henri Pirenne

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Economic and Social History of Medieval Europe (Harvest Book), by Henri Pirenne

A great Belgian historian recounts the economic and social evolution of Western Europe from the end of the Roman Empire to the mid-fifteenth century. Translated by I. E. Clegg.

  • Sales Rank: #1675942 in Books
  • Brand: Mariner Books
  • Published on: 1956-02-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .63" w x 5.25" l, .68 pounds
  • Binding: Paperback
  • 252 pages
Features
  • Great product!

About the Author
No Bio

Most helpful customer reviews

44 of 44 people found the following review helpful.
Outstanding history of the Middle Ages Revising Assumptions
By Scott McCrea
This wonderfully readable book provides, in a little more than 200 pages no less, a concise summary of economic development and social history during the much derided, abused and forgotten Middle Ages and also summarizes Pirenne's radical views about the real cause of the Dark Ages (he proposes that the Arab Conquest of the Mediterranean basin and Spain and not the Germanic invasions caused the collapse of European Civilization). He also explores, in outline, the general economic rise of Europe after the year 1000, culminating in medieval high point of the mid-Fourteenth Century and the sort of stability that lasted from that period (1350) until the Age of Exploration began and radically altered everything again. It was in the Low Countries and Italy that "capitalism" and the first industrial revolution really began and Pirenne shows how and why this occurred.
In this day and age where most people's image of the Middle Ages, if they have one, is based on movies like Kevin Costner's godawful "Robin Hood" and the fun, but totally make-believe, "A Knight's Tale" this book sets forth, concisely, the fascinating complexity of the age that established Christianity as the faith of Europe and the political-social system that ruled 3/4s of the Earth's surface until 1918 and whose vestiges we can still see in the UK, Belgium and the Netherlands, et al.
Educated people have taken Gibbon's dismissive derision of the Middle Ages as a period of nothing but violence, superstition and stagnation. Pirenne demolishes Gibbon's amazingly shallow view with a wealth of detail and vivid, easily readable narrative. Although not the masterpiece of literature that Gibbon produced, this volume avoids the joyful boredom that so many writers of economic history seem to delight in inflicting upon their readers.
The translation from the French by I.E. Clegg is smooth and idiomatic. Pirenne, who apparently spoke English fluently, helped to prepare the translation.
The only irritating part of the book is the presence of several large blocks of untranslated Latin and Old French. Given the general ignorance of Latin (and I am one of the ignorant, I am ashamed to say), Clegg or Pirenne should have translated it for the benefit of the Latinless. Although I read French with some ability, the Old French (pre-1300) uses spellings and some words that I simply can't understand. Modern French dictionaries are useless. Harcourt-Brace should find some present-day academic to "edit" a new edition and translate these passages! A smoother typeface than the ancient "Times-Roman" would also be nice.
All in all, if you have any interest in medieval history (especially if you are of European descent) or wish to understand how the market system of economics took form, I highly, highly recommend this book!

31 of 31 people found the following review helpful.
Impressive work!
By Zecon
Pirenne's book first appeared in print in 1933, so I have to admit I was a little leery about reading it even though I have an interest in feudal economics. I was concerned that it would be a stuffy tome that was written in a dense and archaic academic style. To my surprise, this book is an extraordinarily good read, most interesting, and very informative. And unlike many books on this subject, a casual reader can be assured that a master's level background on the subject is not necessary to read this book.
Picking up at the end of the Roman Empire and running through approximately the middle 1500s, Pirenne tackles the full spectrum of economic and sociological issues as they evolved throughout the Middle Ages in Europe. Specifically, he relates how commerce was revived after the break-up of the economic and cultural stability that existed in the ancient world. Concepts such as the re-issuance of a currency, the rebirth of a money economy, rediscovery of credit, and how urban industry developed are covered and explained in detail. This is a very complete picture of economic and sociological circumstances that existed during the middle ages, as you are likely to see.
Pirenne takes the reader on a journey that attempts to plug the Medieval Period knowledge gap with a detailed explanation of economic development. Geographically (and culturally) he is able to discuss developments throughout all of Europe, from the Mediterranean to the North Sea. If you are interested in learning more about conditions in Europe during the Middle Ages and want a fuller understand of how the western economic system developed, pick up this book

9 of 9 people found the following review helpful.
Masterful explanation of Economics during the Middle Ages
By Zecon
Pirenne's book first appeared in print in 1933, so I have to admit I was a little leery about reading it even though I have an interest in feudal economics. I was concerned that it would be a stuffy tome that was written in a dense and archaic academic style. To my surprise, this book is an extraordinarily good read, most interesting, and very informative. And unlike many books on this subject, a casual reader can be assured that a master's level background on the subject is not necessary to read this book.
Picking up at the end of the Roman Empire and running through approximately the middle 1500s, Pirenne tackles the full spectrum of economic and sociological issues as they evolved throughout the Middle Ages in Europe. Specifically, he relates how commerce was revived after the break-up of the economic and cultural stability that existed in the ancient world. Concepts such as the re-issuance of a currency, the rebirth of a money economy, rediscovery of credit, and how urban industry developed are covered and explained in detail. This is a very complete picture of economic and sociological circumstances that existed during the middle ages as you are likely to see.
Pirenne takes the reader on a journey that attempts to plug the Medieval Period knowledge gap with a detailed explanation of economic development. Geographically (and culturally) he is able to discuss developments throughout all of Europe, from the Mediterranean to the North Sea. If you are interested in learning more about conditions in Europe during the Middle Ages and want a fuller understand of how the western economic system developed, pick up this book

See all 9 customer reviews...

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Sabtu, 15 November 2014

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This bestseller covers a single momentous year during Nin’s life in Paris, when she met Henry Miller and his wife, June. “Closer to what many sexually adventuresome women experience than almost anything I’ve ever read....I found it a very erotic book and profoundly liberating” (Alice Walker). The source of a major motion picture from Universal. Preface by Rupert Pole; Index.

  • Sales Rank: #74151 in Books
  • Brand: Nin, Anais
  • Published on: 1990-10-29
  • Released on: 1990-10-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .70" w x 6.00" l, .64 pounds
  • Binding: Paperback
  • 281 pages

About the Author
Ana-s Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she was the author of several novels, short stories, critical studies, a collection of essays, two volumes of erotica, and nine published volumes of her Diary.

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144 of 158 people found the following review helpful.
A journal of self-obssession and self-deceit
By Diane Schirf
Henry and June (from The Journal of Love) by Anaïs Nin. Recommended.
Henry and June (from The Journal of Love) by Anaïs Nin is a portion of the writer's famous journal from October 1931 until October 1932—the year in which she met Henry and June Miller and fell for Henry's sensuality and June's mystery, a year of writing, lies, deceit, sexual awakening, introspection, psychoanalysis, and "love."
Nin is an evocative, poetic writer, if not a particularly substantive one. Henry and June, edited from her journal to focus on Miller and his wife, is beautifully written but, in the end, is devoid of meaning to anyone other than the participants. She obscures the truth of how much she writes. If the journal is accurate, then Nin had mastered deception—she lies to her husband, to June, to Henry, to her psychoanalyst, to her lover/cousin Eduardo, to virtually everyone she knows, all seemingly in an attempt to hide herself from them, and perhaps from herself. She writes frequently of costumes, makeup, jewelry, nail polish and how one can put them on to create a new self. It quickly becomes clear that, despite the introspection of the journal, despite the psychoanalysis, despite her complete focus on herself and how she relates to those people in her life, Nin is no more self-aware by the end of the year than she was when she met Miller, and the reader can't be too sure, either, of where Nin ends and where the self-deception begins. When the obvious is pointed out to her—that she is still trying to find the "love" that she didn't get from her father—Nin accepts it at first, but denies it as she talks more and more to herself. And while she may grasp that her father's abandonment was harmful to her, she finds it easy to mistreat her husband, whom she portrays as psychologically simple and refers to as a "child" without relating how he might feel to how she felt about her father. She seems incapable of grasping the importance of another person's feelings, no matter who that other person might be.
Nin writes of spending entire days and nights with Miller, of going from him to Hugo, her banker husband, with no suspicion on Hugo's part. Hugo is jealous of Miller, although she repeatedly tells her journal she doesn't know why he would be. She writes of not wanting to hurt the soft, weak, emotional Eduardo, but continues her sexual relationship with him until he is bound to be crushed by her sudden decision to end it. She tells Eduardo about Henry, Henry about Hugo, and her psychoanalyst about all of them. She writes of having sex with three men in one day, ending with "What does that make me?" She does not want to know the potential answer to that question. She wants "experience" at any cost. She does not want to be hurt, but she hurts others freely. She believes she has deep insight into others, but does not understand at more than a superficial level what their thoughts and feelings may be. Much of what she attributes to the elusive, mysterious June are the shifting sands of her own personality.
Not having read Henry Miller's Tropic of Cancer, the book he was writing during the year of his relationship with Nin, it's difficult for me to say how accurate Nin's portrayal of him is. At times, she feels pity for him, for his weak eyes, for the mind-numbing work he does to support himself. At others, she describes him as "monstrous." The sketch of Miller is less one of the man himself than of Nin's infatuation with her own perceptions. At one moment he is the ultimate sensualist; the next, he becomes a gentle romantic. She also enjoys him largely for his worship of her as a writer and as a lover. The relationship is less about the dynamics of their interactions than about her ego and her relationship with herself. Miller is never much more than a two-dimensional, ever-changing character—Henry Miller according to Anaïs Nin. While Nin's journal is certainly more thoughtful than those of most people, ultimately, it lacks the insight and depth that another writer could have brought to such an intense relationship. At the end, Nin and Miller are still strangers to the reader who has spent hours over dinner and in bedrooms with them. Perhaps it is Nin's amorality that gets in the way of any true intimacy.
Nin has somehow become a model of a woman's sexual awakening and awareness, perhaps because of the perceived candor of her journal and her desires for the depths and heights of sexual experience. It is as though such desires for such experiences are what should define a woman—a notion that may work for some women, but certainly not all who are sexually awakened in their own ways.
Henry and June is self-indulgent and even occasionally adolescent in its focus, obssessions, and attitudes. Perhaps because I find so little to relate to in Nin, I found her cold, uninteresting, and annoying—perhaps because I don't like to be deceived. On the other hand, this will be a fascinating read for anyone who is deeply interested in Nin or Miller or anyone, like me, who would like to free themselves to speak freely in their own journals.
Diane L. Schirf....

61 of 66 people found the following review helpful.
Nin and Miller wild and untamed
By David J. Loftus
I read a lot of Anais Nin's fiction when I was in high school, because my girlfriend did. I didn't get it. I tried to read her famous diary, but couldn't finish even the first volume. There was an intelligent and interesting woman there, but I didn't feel I was really getting to her. The diary entries I read were too cool, too discursive for my taste.
Then _Henry and June_ came out in 1986. It covered the exact same period (Paris, 1931) as "Volume I" of Nin's diaries -- first published, but in highly edited form one could now see, in 1969. Here she begins to cheat on her husband Hugo with the young Henry Miller, meets and flirts with his flighty wife June, and opens to life and eventually other men in an explosive fashion. HERE was the flesh-and-blood woman I had sensed behind the original published diaries. She panted, she sweated, she lied, she used filthy language as well as high poetry, and she adored love and sex. I thought she was a wonder. Nin and Miller collide like titans; sparks fly when they talk and when they make love.
Unfortunately, I have read several of the subsequent, increasingly-appalling unexpurgated diaries, as well as the biographies by Noel Riley Fitch and Deirdre Bair. The bloom is definitely off the rose. Ms. Nin turns out to have been a consummate deceiver (though of herself as much as anyone else), an artist manque who thought herself -- wished herself -- far more talented than she turned out to be. She works better in fantasy than reality; I still might have liked to meet her in her prime, but it would have been dicey to get involved with her.
It is in this book that she shows to her best as a character (never mind whether it's all true or another kind of fiction). Here one sees a woman's passion in all its riotous fire and self-contradiction. Just read this one and leave all the rest (save, perhaps for the curious erotica and a decent collection of essays entitled "In Favor of the Sensitive Man"), unless you have a penchant for the odd and pretentious.

30 of 33 people found the following review helpful.
Introspective, Exhausting, Harrowing
By Lance C. Panzer
This is from Anais Nin's diary. It is the most detailed introspective work I have ever read; Anais lays her soul bare with no reservations. She is shameless, and at the same time magnificently dignified. However, her confessions do not titillate, for they are heart-wrenching cries for help. She is 29 and married. Her husband is a banker--very stable and secure and devoted--but she yearns for excitement and danger. She is infatuated with her cousin, Eduardo, and frequently fantasizes about making love with him. And then she meets Henry Miller, and his wife, June. She thinks Henry is crude and unfeeling, but she finds June utterly fascinating; she thinks June is the epitome of feminine beauty and allure, and gentleness and understanding. The friendship escalates, and she experiences her first lesbian lovemaking with June. But as she penetrates June's psyche deeper, she intuits that June is manipulative and shallow. Then June leaves for New York. And there is only Henry. After much hand-wringing, Anais makes love with Henry. And there begins her downward spiral. A classic addictive relationship, Anais shouts out how wonderful Henry is, how she would gladly be his slave, and then a few pages later she vows to break it off with him, that he is not what she had thought. A few more pages, and she again rejoices over their lovemaking. She enrolls herself into psychotherapy, in the hopes of sorting out her riotous feelings. She becomes attracted to her therapist, and schemes to seduce him. She fans the flames of her attraction to her cousin. She makes love to her husband with renewed vigor, based on what she's learned in bed from Henry. And then she's off to Henry's apartment, where they raise the roof with their countless climaxes. This book contains several very insightful observations about human nature, but its chronicle of emotional demise is what lingers in the reader's memory. This book is arguably an even graver portrayal of the minefield of adultery than is Tolstoy's Anna Karenina. Lastly, on a practical note, this book can be exhaustingly repetitive--Henry, Henry, Henry--and the sex is not nearly as good as in Delta of Venus.

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Rabu, 12 November 2014

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Bender Gestalt Test for Young ChildrenFrom Pearson Allyn & Bacon

  • Sales Rank: #8993459 in Books
  • Published on: 1975-10
  • Number of items: 1
  • Binding: Hardcover

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Senin, 10 November 2014

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He thought I'd forged my mom's name on the slip. How stupid is that? On this thing Mom just made a kind of squiggly shape on the page. That jerk didn't even think about what he was saying, didn't even ask himself why her signature might be weird. He's one of those people who think illiteracy is like AIDS. It only exists in Africa.
--from Kiffe Kiffe Tomorrow

 "A tale for anyone who has ever lived outside looking in, especially from that alien country called adolescence. A funny, heartfelt story from a wise guy who happens to be a girl. If you've ever fallen in love, if you've ever had your heart broken, this story is your story." -- Sandra Cisneros, author of THE HOUSE ON MANGO STREET 

The Paradise projects are only a few metro stops from Paris, but here it's a whole different kind of France. Doria's father, the Beard, has headed back to their hometown in Morocco, leaving her and her mom to cope with their mektoub—their destiny—alone. They have a little help-- from a social worker sent by the city, a psychiatrist sent by the school, and a thug friend who recites Rimbaud.

It seems like fate’s dealt them an impossible hand, but Doria might still make a new life. She'll prove the projects aren't only about rap, soccer, and religious tension. She’ll take the Arabic word kif-kif (same old, same old) and mix it up with the French verb kiffer (to really like something). Now she has a whole new motto: KIFFE KIFFE TOMORROW.

"Moving and irreverent, sad and funny, full of rage and intelligence. [Guène's] characters are unforgettable, her voice fresh, and her book a delight." -- Laila Lalami, author of Hope and Other Dangerous Pursuits

Faïza Guène, the child of Algerian immigrants, grew up in the public housing projects of Pantin, outside Paris. This is her first book.

  • Sales Rank: #181394 in Books
  • Published on: 2006-07-03
  • Released on: 2006-07-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .48" w x 5.25" l, .47 pounds
  • Binding: Paperback
  • 179 pages

From Publishers Weekly
College-aged Guène was raised by Algerian immigrant parents in a Parisian housing project; in her debut novel, a French bestseller, 15-year-old Doria and her illiterate mother, having been abandoned by Doria's alcoholic father, are stuck in a Paris housing project called the Paradise. Dependent on welfare and subjected to the obligatory succession of social workers, the two are determined to face forward, despite Doria's sense of doomed mektoub (destiny), where gradual improvement (French: kiffe kiffe) gets flattened by the same old quotidian (Arabic: kif-kif). Doria, perpetually failing at school, begins a job babysitting a neighbor's much-adored four-year-old daughter, and Doria's mother begins literacy courses. A smart older boy, Nabil, is enlisted to tutor Doria, and she soon recognizes the potential of someone with dreams (as opposed to neighborhood teens like Hamoudi and Youssef, imprisoned for drug dealing and car theft). Throughout, the strictures of patriarchal Muslim culture clash with a nascent feminist freedom and Doria's exuberant, sophisticated teen talk. This small novel reads like a quiet celebration within a chaotic ghetto. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In the rough Paris housing projects, Doria, 15, a child of Muslim immigrant parents, sets her soap-opera dreams against the grim daily struggle, even as she does sometimes find the bold and the beautiful in herself and in her neighborhood. "It's like a film script. . . . Trouble is, our scriptwriter's got no talent. And he's never heard of happily ever after." Author Guene, 19, has grown up in the neighborhood she writes about, and her irreverent commentary never denies how hard it is. The first-person contemporary narrative, translated from the French, is touching, furious, sharp, and very funny. Since Doria's dad moved back to Morocco to marry again (he wants a son), Mom cleans hotel rooms, and Doria wants to drop out of school. The boy she loves is in trouble with drugs and loves someone else. Honest about the oppression of women and about the prejudice, both ways, Guene also shows those who break free. Much like enduring the pain of her wisdom teeth, she discovers that "it hurts to learn." Hazel Rochman
Copyright © American Library Association. All rights reserved

Review
"Moving and irreverent, sad and funny, full of rage and intelligence. Her voice is fresh, and her book a delight." (Laila Lalami)

"A tale for anyone who has ever lived outside looking in, especially from that alien country called adolescence."

(Sandra Cisneros)

"Exuberant, sophisticated teen talk. This small novel reads like a quiet celebration within a chaotic ghetto."

(Publishers Weekly)

"Smart, upbeat. An empowering new voice transforms kif-kif-- same old, same old-- into kiffer, something to be crazy about." 
  (starred review Kirkus)

"Think of Doria on the same adolescent raft as Huck Finn and Holden Caulfield. A cunning wonder."

(Harper's)

"A feisty, invigorating debut. [F]unny, infuriating, and hopeful about young womanhood and cultural welter. A-" -- Entertainment Weekly

(Entertainment Weekly)

"With bravado, humor, and a healthy dose of rage." (St. Petersburg Times)

"[C]ompelling... reveals Guene to be a promising addition to the world''s literary voices." (San Francisco Chronicle)

"This highly original story, told in an equally original voice, will be popular for as long as people read it." (curled up with a good book)

"[C]ompelling, revealing Guene to be a promising addition to the world''s literary voices."  (Miami Herald)

"Remarkable. A Gallic version of ''White Teeth,'' ''The Catcher in the Rye'' and ''Bridget Jones''s Diary.'' " (Salon)

"Guene has a bright future ahead of her." (TimeOut Chicago)

"[K]udos for this sassy, spunky tale [with] the unforgettable voice. Doria has what it takes to storm any barricade." (Hartford-Courant)

"Guene keeps her narrative plunging onward, one amusing observation from Doria at a time. [A] promising debut." (Philadelphia Inquirer)

"Rendered with tough defiance. [A] brash and bracing read."

(Seattle Times)

Most helpful customer reviews

16 of 18 people found the following review helpful.
Should be incorporated in multi-cultural curricula from 8th to 12th grades
By Jali
I am both an English teacher and an international traveler. During my travels, I have visited France six times with the intentions of not only seeing the magnificent historical landmarks, but also to interact intimately with the various communities and cultures that I encounter there. Based on my experiences and relationships with people of North African Arab descent in Paris, Guene's "Kiffe Kiffe Tomorrow" honestly examines the stark, painful reality of being broke, Arab, and a girl in a society that alienates people of color (unless you are an American - that's a whole different story, though), and within a male-dominated culture that sometimes regards females as inferior beings. The amount of hopelessness born of a scenario like this one can be bone-crushing, and yet Guene's protagonist - neglected by her father, ridiculed by some of the neighbors because she wears thrift shop clothes, and who resides directly outside of Paris, but doesn't feel any rays from the City of Light shining on her - struggles to clutch on to some slivers of joy that most people would probably just take for granted.

Overall, the beauty of Guene's story, though, is that it transcends the limitations placed on her life as a poor Arab girl in France. We feel Doria's angst over getting her first kiss, which definitely wasn't scripted in some Hollywood fairytale. We can also feel her father's abandonment - and underneath it, the searing rage - that she strives to overcome as she encourages her mother to get an education, and tries to do the same herself. These ideas are so universal, and most young people can relate (heck, as a 30 year-old woman, I can still relate! :) In an age of Arab-bashing, it's nice to see the perspective of a young Arab woman receive positive international attention. Bravo to Guene! She wrote this bestseller at 19...that fact alone inspires me to really encourage my students to write, write, write. Reaching out through writing opens so many doors, and Guene is a living witness.

I am a believer that all of our humanity is closely linked. From Paris to Parris Island, the concepts of hope, dreams, family, identity, first love, alienation, emotional hunger, and longing for something more from life resonate within us all and inextricably bind us together.

In my professional and personal opinion, I would definitely advocate for this novel to be included in school curricula. Not only is it a current treatise on the state of growing up in today's mind-boggling world, but it also deals with that issue from a fresh, diverse, and international perspective. I think that "Kiffe Kiffe Tomorrow" CAN and WILL teach young people to see for themselves just how much we all really have in common instead of high-lighting our differences.

8 of 8 people found the following review helpful.
poignant and appealing
By E.M. Bristol
First off, may I just say how happy I was to learn the author was 19 when she wrote this, after Kaavya Viswanathan's plagiarism was excused because of her age, as if it's impossible for a young writer to write an original story without "internalizing" half a dozen other (better) books. This is patronizing and untrue.

Anyway, (getting off my soapbox) the book is a coming of age novel about a Moroccan teenager whose father has left her and her mother, and who lives in a low income part of France. The heroine's economic situation is the polar opposite of Holden Caulfield's so her cynicism about her future doesn't come across as a pose. Things are bleak all around, but eventually, they improve for her and her mother. To tell more would be giving away too much for the book is fairly short.

The book is compulsively readable, and Doria, the heroine, is an engaging and perceptive narrator. However, there were a few flaws. When I read a novel, I expect the scenes to eventually build up to a climax, rather than just be strung together. With this book, it felt like things improved a bit, the narrator told us (rather than the author showing) that she was now more optimistic and then it ended, just like that. It felt like the author got called away for dinner mid-scene and never went back to wrap things up in a more cohesive manner. The heroine seemed to jump from pessimism to optimism rather abruptly, rather than growing progressively happier. But the reader won't begrudge her, her better fortune.

6 of 6 people found the following review helpful.
Very interesting book
By Naomi F.
This book is captivating and very interesting both for its topic and timing. The book illustrates what it means to be a Muslim immigrant living in Europe from the perspective of a teenager. It is funny and sad at times. I recommend this to anyone who wants to understand the complex relationships between religions and cultures in today's world.

See all 25 customer reviews...

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