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A Passage to India, by E.M. Forster
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Among the greatest novels of the twentieth century and the basis for director David Lean’s Academy Award-winning film, A Passage to India tells of the clash of cultures in British India after the turn of the century. In exquisite prose, Forster reveals the menace that lurks just beneath the surface of ordinary life, as a common misunderstanding erupts into a devastating affair.
- Sales Rank: #24950 in Books
- Color: Tan
- Brand: Mariner Books
- Published on: 1965-03-17
- Released on: 1965-03-17
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 5.50" w x .75" l, .78 pounds
- Binding: Paperback
- 368 pages
- Great product!
Amazon.com Review
What really happened in the Marabar caves? This is the mystery at the heart of E.M. Forster's 1924 novel, A Passage to India, the puzzle that sets in motion events highlighting an even larger question: Can an Englishman and an Indian be friends?
"It is impossible here," an Indian character tells his friend, Dr. Aziz, early in the novel. "They come out intending to be gentlemen, and are told it will not do.... Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage--Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection.
"He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!
"I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike." Written while England was still firmly in control of India, Forster's novel follows the fortunes of three English newcomers to India--Miss Adela Quested, Mrs. Moore, and Cyril Fielding--and the Indian, Dr. Aziz, with whom they cross destinies. The idea of true friendship between the races was a radical one in Forster's time, and he makes it abundantly clear that it was not one that either side welcomed. If Aziz's friend, Hamidullah, believed it impossible, the British representatives of the Raj were equally discouraging. "Why, the kindest thing one can do to a native is to let him die," said Mrs. Callendar.
"How if he went to heaven?" asked Mrs. Moore, with a gentle but crooked smile.
"He can go where he likes as long as he doesn't come near me. They give me the creeps." Despite their countrymen's disapproval, Miss Quested, Mrs. Moore, and Mr. Fielding are all eager to meet Indians, and in Dr. Aziz they find a perfect companion: educated, westernized, and open-minded. Slowly, the friendships ripen, especially between Aziz and Fielding. Having created the possibility of esteem based on trust and mutual affection, Forster then subjects it to the crucible of racial hatred: during a visit to the famed Marabar caves, Miss Quested accuses Dr. Aziz of sexually assaulting her, then later recants during the frenzied trial that follows. Under such circumstances, affection proves to be a very fragile commodity indeed.
Arguably Forster's greatest novel, A Passage to India limns a troubling portrait of colonialism at its worst, and is remarkable for the complexity of its characters. Here the personal becomes the political and in the breach between Aziz and his English "friends," Forster foreshadows the eventual end of the Raj. --Alix Wilber
From School Library Journal
Grade 9 Up-By E.M. Forster. Narrated by Flo Gibson.
Copyright 1999 Reed Business Information, Inc.
Review
What really happened in the Marabar caves? This is the mystery at the heart of E.M. Forster's 1924 novel, A Passage to India, the puzzle that sets in motion events highlighting an even larger question: Can an Englishman and an Indian be friends?
"It is impossible here," an Indian character tells his friend, Dr. Aziz, early in the novel. "They come out intending to be gentlemen, and are told it will not do.... Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage--Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection.
"He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!
"I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike."
"How if he went to heaven?" asked Mrs. Moore, with a gentle but crooked smile.
"He can go where he likes as long as he doesn't come near me. They give me the creeps." Despite their countrymen's disapproval, Miss Quested, Mrs. Moore, and Mr. Fielding are all eager to meet Indians, and in Dr. Aziz they find a perfect companion: educated, westernized, and open-minded. Slowly, the friendships ripen, especially between Aziz and Fielding. Having created the possibility of esteem based on trust and mutual affection, Forster then subjects it to the crucible of racial hatred: during a visit to the famed Marabar caves, Miss Quested accuses Dr. Aziz of sexually assaulting her, then later recants during the frenzied trial that follows. Under such circumstances, affection proves to be a very fragile commodity indeed.
Arguably Forster's greatest novel, A Passage to India limns a troubling portrait of colonialism at its worst, and is remarkable for the complexity of its characters. Here the personal becomes the political and in the breach between Aziz and his English "friends," Forster foreshadows the eventual end of the Raj.
Most helpful customer reviews
133 of 136 people found the following review helpful.
Extraordinary Classic
By Westley
I've read and enjoyed several Forster books, but "A Passage to India" tops them all. The plot concerns the arrival in Chandrapore, India of Ms. Quested and her potential mother-in-law, Mrs. Moore. They come to visit Mrs. Moore's son, Ronny, who is engaged to Ms. Quested. Ms. Quested and Mrs. Moore are the typical new arrivals, and they desire to see more of the "real" India than they can see with their fellow Brits, who tend to gather in the state Club and socialize only with each other. They become involved with Dr. Aziz, a local Indian physician, who promises to show them the famous, nearby Marabar caves. Dr. Aziz is solicitous toward the Brits and craves their friendship, but he clearly has negative feelings toward them also.
At the Marabar caves, an incident occurs (or does not occur) to Ms. Quested that alters all of the characters and their town inextricably. There is a trial and a bit of a mystery, but the focus is always on the characters and their conflicts. In particular, the tension between the English and the people of India is beautifully portrayed. The characters are multi-dimensional, as are their motives, which makes for a fascinating read. I found the book to be quite moving and sad - a true classic.
62 of 63 people found the following review helpful.
A masterpiece.
By medelliana
This is book is incredible, and one of my personal favorites. Its beauty is too easily overlooked, because it is so elegantly subtle. Every aspect of the storytelling is masterful: the prose is lush and nuanced, and every character is exquisitely drawn. Drawing from the slimmest of plots, Forster weaves what seems to be an isolated incident into a complex tapestry of emotion. The central focus are the characters, who are sharply realistic and utterly, utterly human. Another aspect that I liked very much is that it takes an era, the British Raj in India, which is otherwise interpreted only with the most hotly colored emotions, and presents it with a marked neutrality, presenting it only through the eyes of the characters. A marvelous read.
42 of 43 people found the following review helpful.
Hard work, amply rewarded
By Birdman
I will not summarize the plot of this intricate novel, which is freely available through authoritative sites across the Web.
If you love novels of character and theme, you will love and remember this painstakingly written novel of bigotry and colonialism before Indian independence. The concept which clothes the story: the Caucasian, very proper, very British Miss Quested accuses the Indian, Dr. Aziz, of physical assault in a cave. The facts of the event were literally invisible. The balance of the novel is a clash of cultures, biases and characters, all of which conspire to express "reality."
Forster is methodical in way he prepares his readers for the Event and its aftermath. He writes with the precision of a literary surgeon just as he did in A ROOM WITH A VIEW and HOWARD'S END.
If you'd like explore Forster's writing, this is a fine place to start. Give it a little work and it won't let you down. The author was one of the great masters of the English language and an outspoken adversary of bigotry. Most of us have experienced bias at least once or twice in our lives. For that reason alone, I'd try it.
Forster is also the great exemplar of the modern novel. Few were as consistently aware of form. Few had the ability to infuse raw emotion into such civilized prose.
Go for it.
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