Kamis, 30 April 2015

** Ebook Free The Diary of Anais Nin, Vol. 4: 1944-1947, by Anaïs Nin

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The Diary of Anais Nin, Vol. 4: 1944-1947, by Anaïs Nin

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The Diary of Anais Nin, Vol. 4: 1944-1947, by Anaïs Nin

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The Diary of Anais Nin, Vol. 4: 1944-1947, by Anaïs Nin

The author's experiences in Greenwich Village, where she defends young writers against the Establishment, and her trip across the country in an old Ford to California and Mexico. "[Nin is] one of the most extraordinary and unconventional writers of this century" (New York Times Book Review). Edited and with a Preface by Gunther Stuhlmann; Index.

  • Sales Rank: #323463 in Books
  • Color: Black
  • Published on: 1972-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .63" w x 5.50" l, .75 pounds
  • Binding: Paperback
  • 235 pages
Features
  • ISBN13: 9780156260282
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Ana-s Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she was the author of several novels, short stories, critical studies, a collection of essays, two volumes of erotica, and nine published volumes of her Diary.

Most helpful customer reviews

17 of 18 people found the following review helpful.
Offers No Sense of Artistic Evolution
By Ruth Edlund
This volume was the fourth in the published series of expurgated diaries beginning with the 1931 manuscript diaries of the prolific Anais Nin.
Unfortunately, although this volume begins with diary entries written some thirteen years after those in the first published volume, the reader has no sense that Nin's craft of diary-keeping as an art form evolved or matured in those thirteen years. It is impossible to tell whether this stems from Nin's habit of editing and reworking her material over the years, thus possibly refining early entries until they were on a par with her later work, or whether Nin was simply never able to improve on her first work inspired by her meeting Henry Miller.
Deidre Bair's biography of Nin reveals the interesting tidbit that Nin stopped keeping diaries in volume form some time during 1946, partway through this volume. After 1946 (particularly since Nin soon found herself living with two men, one on each coast), she jotted down notes on whatever papers were handy and tossed the notes into manila folders. The decrease in quality associated with this apparent lack of care shows, I think, as this volume progresses.
The life she was then leading, although distracting her from the diary, hardly constituted a work of art in and of itself. Nin spends much of this volume "ensorcelling" teenage boys as a woman in her forties. She declares frequently that she identifies with the young, and surrounds herself with them in preference to the rigid folks her own age. A more jaded view of Nin's behavior at this time is that men her own age were able to see through her games in a way that boys did not have the life experience to do. Although she frequently claims tremendous insight and understanding of psychoanalysis, she is ultimately blind to the uglier aspects of the larger patterns of her life at this time.
Because this is the expurgated version of the diary, this volume omits a critical event: Anais's meeting Rupert Pole, whom she would later marry, in 1947.
Verdict: only for hardcore Anais Nin fans.

0 of 1 people found the following review helpful.
A litterary classic sries
By David R. Ingham
This series is her own edit of her accumulated adult diaries. It is the outcome of much effort to find an acceptable way of publishing what other writers considered to be her best work. Her solution was to edit out her "private life", that is her secrets such as love affairs, casual sex and bigamy. She was not particularly secretive, so this still left plenty of material to edit down into this series of publications, which finally brought her the fame she had always craved and expected.

6 of 13 people found the following review helpful.
Will make you hate the woman unless you are a flake like her
By Tim Lieder
I really used to love Anais Nin. Watching Henry & June and then reading the book introduced me. I could read House Of Incest several times and still found it beautiful and fascinating. Sadly, this book has reversed my good opinion of her. I still WANT to like her but I really can't. For the first half of the book, I was still liking her. She has some very good things to say about art and writing and love. It's a novelty to see her in the Village and trying to deal with writers and artists, some of whom are a little crazy.

Then about halfway through the book, I'm sick of her. She's like Blanche Dubois, trying to create a world of beauty and elegance by any means necessary including self-deception and surrounding herself with young men who are more "pure" or "flexible" or whatever the pedophiles are saying these days. I wanted to be sympathetic to her, but then I remembered that she was in her forties when she wrote this fluff and there's no real excuse for fetishizing youth into some kind of token against adult responsibilities. My breaking point comes when her filmmaker friend Maya puts her in a movie and she's angry because Maya didn't film everyone looking pretty. She has one particular view of what constitutes beauty and poetry and woe to anyone that steps outside of it.

The last third of the book is fascinating for the fact that it centers on Gore Vidal. While most of us would be justified in assuming that Vidal came out of the womb as a bitter serpent angrily spewing bile and spite in all directions, Anais Nin sees him as a sensitive poet type. She's in love with his talent and since she also sees herself as a maternal figure (to replace the real awful mother in the same way that Henry Miller was a paternal figure to replace her absent creepy father) to guide Vidal through the world of literature. Once Vidal publishes The City and the Pillar: A Novel, she realizes that he's also a man and he has grown to the point where she can no longer influence him. So she rejects him and tells him in no uncertain terms that he's awful.

I still don't know how to view that one. On one hand, Anais Nin is a self-involved little flake who tries to impose her view upon Vidal. On the other hand, she did see something good and pure in Vidal and as wrongheaded as that view is (did I mention that I hate Gore Vidal) there's something rather sweet and innocent in that assessment. ANd yet on the other hand, Anais Nin has soured me to the concepts of sweetness or innocence and turned them into monstrous viewpoints.

Interesting book, but only if you really really like Anais Nin and her self-involved idiocy. If not, you'll like her no better by the end. And if you are neutral about her, you will hate her after this book.

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Minggu, 26 April 2015

## Ebook Heart Earth, by Ivan Doig

Ebook Heart Earth, by Ivan Doig

Heart Earth, By Ivan Doig. One day, you will certainly discover a brand-new adventure and understanding by investing even more cash. However when? Do you assume that you should acquire those all needs when having significantly cash? Why do not you try to obtain something easy initially? That's something that will lead you to recognize even more concerning the world, adventure, some areas, history, amusement, as well as much more? It is your very own time to proceed reading routine. Among guides you can take pleasure in now is Heart Earth, By Ivan Doig below.

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Heart Earth, by Ivan Doig

Ivan Doig grew up with only a vague memory of his mother, Berneta, who died on his sixth birthday. Then he discovered a cache of her letters--and through them, a spunky, passionate, can-do woman as at home in the saddle as behind a sewing machine, and as in love with language as Doig would prove to be. In this moving prequel to his acclaimed memoir This House of Sky, Doig brings to life his childhood before his mother's death and the family's journey from the Montana mountains to the Arizona desert and back again. He eloquently captures the texture of the American West during and after World War II, the fortune of a family, and one woman's indomitable spirit.

  • Sales Rank: #1049586 in Books
  • Brand: Mariner Books
  • Published on: 2006-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .44" w x 5.25" l, .50 pounds
  • Binding: Paperback
  • 176 pages
Features
  • Great product!

From Publishers Weekly
In poetic and precise prose, Doig has crafted a worthy complement to his acclaimed memoir, This House of Sky. While that book concerned family tensions after his mother Berneta's death in 1945, here, prompted by a cache of his mother's letters to her sailor brother from that year, Doig recreates a life "the five-year-old dirtmover that was me" could hardly have known. He describes life in an Arizona housing project for defense workers, where his family moved to spare his mother's asthma. He tracks down his Uncle Wally's old beau, about whom his mother wrote. He recalls the battle between his grandmother and father over his mother's medical condition, "the geography of risk" and the family move back to Montana ranching. Doig's writing is immensely quotable--listening to his elders was "prowling with your ears." What makes this book so touching is that, through letters, Doig realizes how much he, the writer, owes to "this earlier family member who wordworked."
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
Fifteen years after This House of Sky, Doig (Ride with Me, Mariah Montana, 1990, etc.) returns to his earliest days in another profoundly original and lustrous re-creation. Inspired by wartime letters (just recently presented to the author) from his mother to a favorite brother stationed in the Pacific, Doig traces his family's struggles from Montana ranches so isolated that ``weather was the only neighbor'' to the shared hopes of an Arizona defense workers' housing project and back to Montana, with its steady string of natural indignities. Doig's parents eke out a living, always on the verge of better times despite the shadow of his mother's asthma and the prevalence of daily hardships: coyotes near the sheep ranch; infested one-room houses; road mud ``thick enough to float a train.'' His mother's death comes without warning, on the author's sixth birthday, just as the sheep are ready for shearing and a certain healthy profit. ``Nobody got over her,'' Doig writes, ``those around me in my growing-up stayed hit.'' Doig captures the serial disasters, as well as several cherished family scenes--including a lunch of Spam sandwiches and lime Kool-Aid--with the clarifying beauty and sure shaping hand of his first book. Even when mining some of the same material that appeared there, he claims new territory for the significant figures in his life. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Review
PRAISE FOR HEART EARTH

"Like Doig's This House of Sky, this book repeatedly proves the power of language. Ivan Doig uses words like oil paint to create canvasses of enduring value and originality."--Los Angeles Times

"A lyrical evocation of the Doigs' gallantly hardscrabble existence and love for the unforgiving Montana mountains."--San Francisco Chronicle

Most helpful customer reviews

45 of 47 people found the following review helpful.
Captivating
By B. Nelson
This was my first Ivan Doig book, and after finishing it I immediately picked up This House of Sky. That the story springs forth from his mother's letters seems a fitting start for my experience with Ivan's books, to see how her moments of letter writing have spun themselves out through the words of her son in this book. The easy flow of his writing and the heart and feeling that flows with it (the little boy *kiting* down the prickly peared hill in Arizona) makes it great art--taking form as though it were always meant to be that way--unforced and uncontrived, as natural and beautiful as the Montana and the people he introduces us to. And I appreciate Ivan's own contributions to these review forums. As in this book and the House of Sky book, the love comes through. I have read both twice now (which I seldom do) and intend to keep them as a part of my library (which I also seldom do). I'm so glad I have found this writer and his books. Thank you, Ivan Doig, for sharing with us.

23 of 24 people found the following review helpful.
Days of their lives . . .
By Ronald Scheer
As a sometime writer, I am always humbled by Ivan Doig's rapturous rendering of human experience in the written word. His love of language is a perfect match for the sense of wonder he brings to whatever he's writing about, and he can spin what is often a simple idea into a lengthy interweaving of carefully observed details and nuances of feeling and gentle humor.

He does that here with a handful of letters written by his mother from Arizona and Montana to her brother on board a Navy destroyer in the Pacific during the closing months of WWII. They are also her own last months, dying as she does of heart failure in a high altitude sheep camp where she has been spending a summer with her husband and young son, the author. Doig generates pages of meaning and significance from single sentences in her letters, notably recreating one of her last days, herding sheep on horseback and alone, while husband and son travel to nearby Bozeman.

This is a short book compared to his other fiction and nonfiction, really more like an appendix to his memoir of growing up, "This House of Sky." It captures almost worshipfully the day-to-day reality of people living proudly and with determination on the margins of a rural wartime economy only beginning to recover from the Great Depression. Enjoyable also is Doig's gift for replicating the wry humor in the way they deal with and talk about life's vagaries. Highly recommended to readers of his other books, this is also an excellent introduction to Doig for those who haven't read him yet.

8 of 8 people found the following review helpful.
The better of Doig's two memoirs of growing up in Montana
By R. M. Peterson
HEART EARTH (published 1993) is an autobiographical coda to Ivan Doig's 1978 memoir of growing up in Montana, "This House of Sky". Presumably Doig wrote "This House of Sky" to be an integral, whole work, but years after publishing it he recovered a stash of letters his mother wrote to her brother, at sea in the Pacific, during the last year of WWII. Doig uses those letters as the springboard for fleshing out more of his memoir of his early years and his parents, as well as a few others who were significant presences in and influences on his life. Like "This House of Sky", HEART EARTH is an affectionate tale of decent, hard-working folks, eking out an existence in a grand yet fiercely challenging pocket of this country, and even though a coda of sorts, HEART EARTH can stand alone.

Through one of the serendipities of life, I read HEART EARTH first, years ago in fact. Recently I read "This House of Sky" for the first time, which prompted me to re-read HEART EARTH. Based on that experience, I strongly advise readers who have not yet read either book to read HEART EARTH first. It is the better-written book, and reading it before "This House of Sky" will generate more of an emotional wallop.

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>> Fee Download The Ivey Guide to Law School Admissions: Straight Advice on Essays, Resumes, Interviews, and More, by Anna Ivey

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The Ivey Guide to Law School Admissions: Straight Advice on Essays, Resumes, Interviews, and More, by Anna Ivey

As dean of admissions at the University of Chicago Law School, Anna Ivey decided the fate of thousands of law school applicants. In this book-the first of its kind by a former law school admissions officer-she draws on her expertise to cover topics from the application and the essay to the interview and the recommendations, touching on hot-button issues like how much the LSAT, ethnicity, and age really matter. Offering an insider's advice on how to produce the very best application, this guide gives straight answers to questions such as:

• What kind of essay should I write to set me apart from the rest of the pack?
• Should I explain my low LSAT score, my D in chemistry, my attention deficit disorder, my time in rehab?
• Is law school worth the debt I'll face when I graduate?

Full of invaluable examples and anecdotes about real admissions decisions, The Ivey Guide to Law School Admissions is certain to become the new bible for would-be law students everywhere.

  • Sales Rank: #77797 in Books
  • Published on: 2005-04-04
  • Released on: 2005-04-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .83" w x 5.25" l, .65 pounds
  • Binding: Paperback
  • 314 pages
Features
  • book,law school, legal,non-fiction books, law school

About the Author
ANNA IVEY earned her law degree at the University of Chicago Law School, where she later served as dean of admissions. Ivey now runs a successful admissions counseling firm for college, business school, and law school applicants, helping clients make the most compelling sales pitch for admission. She divides her time between Boston, Massachusetts, and New Orleans, Louisiana.

Excerpt. © Reprinted by permission. All rights reserved.
CHAPTER 1

Straight Answers: Getting Inside the Head of an Admissions Officer

All law school admissions officers face a dilemma. There are certain things they wish they could tell applicants because it would make their own lives so much easier, but they can't say, "In all honesty, we only spend about five minutes on each file, so you'd better cut to the chase," or, "Please, for the love of god, don't make me read another essay about endangered guppies." And they certainly can't say, "Don't bother applying with a 160 LSAT...unless you're a minority and then we'll throw in a scholarship."

No one will risk getting fired or sued over that, not to mention the PR disaster that would ensue. So they grumble to themselves, prop open their eyelids with matchsticks, and keep reading thousands upon thousands of essays about endangered guppies, year in and year out. How do I know this? Because that was my daily life when I was dean of admissions at the University of Chicago Law School. I denied so many applicants while thinking, "If only they knew!"

Picture this, a typical day for me as an admissions officer (and for just about every other admissions officer): I'm surrounded by hundreds of files stacked on every flat surface in my office. I have, on average, five minutes to read each one and make a decision on its fate. I've already worked my way through more than a thousand files this month, and I've read more than thirty today. I crack open the next one on top of the pile, a file belonging to a woman named Sarah. I scan her application form, her LSAT scores, and her college transcript in less than a minute and conclude that her GPA is just below our GPA median, and that her LSAT score is just above our LSAT median. As dean of admissions, I could easily write an "A" for accept or a "D" for deny at the top of Sarah's file based on this hard data alone, so the fate of her application depends entirely on the remaining four minutes I spend scanning the "soft stuff" of her application: her essay, her recommendations, her résumé, and her addendum. Four minutes, maybe less. That's it.

Most applicants go horribly wrong here-not because the soft stuff of their files suggests that they can't handle law school or reveals them to be arrogant jerks (although that happens, too, from time to time). They go wrong because they have failed to persuade me that I should choose them over thousands of other applicants with acceptable numbers who I know could succeed at my law school. Sarah fails because she didn't wow me, and I'm sure she had no idea how to wow me.

This book shows you how to wow an admissions officer. I've written this book to say all the things that I could never say when I was an admissions officer, even though I really wanted to. But I've also written this book because it's the kind of book I wish I'd had when I was applying to law school.

I've been in your shoes. I remember how heady it felt to decide that I was going to apply to law school. With visions of Law & Order dancing in my head, I wanted to shoot for the top, for that all-purpose degree that would offer me the greatest career flexibility and the best financial safety net. I remember how mind-numbingly boring it was to complete those practice LSAT tests day in and day out for months at a time, until I couldn't even go out to dinner with friends without pondering who was going to sit in Seat #2 if Sam won't sit next to a redhead and Julie has to sit across from one of two vegetarians and Seat #4 has to remain empty. I remember that queasy, sleepless night before my LSAT, when I inspected the alarm clock every ten minutes while the hours slipped away. How paralyzed I felt by the range of topics when I sat down to tap out my life story in a two-page essay "on the subject of my choice" that would help the admissions committee "get to know me better." The anxiety of waiting for a response, wondering what was holding things up as I compared notes with other applicants. Law school invaded every single thought that passed through my head for a good nine months, and, despite my rational judgment, a more primordial part of me took over and let the law school admissions process consume my life.

I remember well how daunting the application process was, especially the essays. Did they want me to write about law? I didn't know any yet! Did they want me to prove that I was a genius at logic and rhetoric? Was I supposed to entertain them with my wit and charm? Did they want me to prove that I was applying out of pure motives-for the public good!-and that I wasn't some moneygrubbing status hound? How was I supposed to know any of this, when I didn't even know what kind of people would be reading my file, or how they went about selecting their students? The process was a mystery to me.

The essays were difficult, but at least I had some control over them. Faculty recommendations, on the other hand, felt completely beyond my control. I had no idea at the time what my professors really thought of me, or if some of them would even recognize me if they passed me on the street. I hadn't actively cultivated any relationships for recommendation purposes, because I hadn't appreciated until I sat down with my applications how important those relationships would be, and by then I was certain there wouldn't be enough time for meaningful schmoozing. I also didn't know the appropriate protocol or the etiquette. I didn't know whether it was kosher to draft the letters myself, as some recommenders had requested, and I didn't know how to deal with the professor who kept saying he'd get around to the letter as months went by and deadlines loomed.

The numbers were the biggest mystery to me. Were admissions officers being honest when they insisted that it wasn't just a numbers game? Did my numbers make me a shoo-in? A shoo-out? Were there some schools I shouldn't even be bothering with? How reliable were those LSAT and GPA grids? Would it be a waste of time to continue with my extracurriculars if they were going to bring down my GPA? Should I be loading up on gut classes, or demonstrating my intellectual grit by taking harder classes with lower grade prospects? What classes and activities meant something, and which ones were considered fluff?

It's amazing that I was so clueless, considering the fact that I had applied to and been admitted to plenty of fancy-pants schools by the time I sat down to apply to law school. I took my first standardized admissions test in sixth grade, in order to attend junior high at Boston Latin School; for high school, I attended Phillips Academy Andover, moved on to Columbia College, and spent my junior year at Cambridge University in the UK. Despite all that, the admissions process remained a black box, and off I went to the University of Chicago Law School without any clue as to why these schools had chosen me over my many friends and acquaintances who seemed to have just as much, if not more, to offer. For all I knew, admissions officers just threw darts at a board, and my luck had just been fantastically good. What I didn't know then is that even smart and accomplished people can make stupid (and common) mistakes on their applications. I was lucky in the sense that I avoided some traps without knowing in advance what they were. You shouldn't rely on luck. If you're reading this book, you're already miles ahead of where I was.

Of course, some things have changed for applicants since I applied to law school back in the early 1990s. When we waited for our LSAT scores and our admissions decisions, we ran home every day to check our mailboxes-the bricks-and-mortar kind, not our e-mail in-boxes-several times a day. Good exercise, that. But the biggest difference has to be the way the Internet has changed the application experience. When I was applying, there were no discussion boards where applicants trade admissions war stories and statistics, share intelligence, critique each other's strategies, waste time ("My List of the Ten Sexiest Ugly Women on TV!"), and disseminate more rumors and misinformation than Dan Rather on election night. It's way too much for any one person to process, and it's hard to gauge what information is reliable. Applicants may feel empowered by all the opinions and statements of fact floating around out there, but applicants are just as neurotic and misinformed now as when I was applying; some would say more so.

What hasn't changed is the black-box aspect of law school admissions. Law school admissions officers can't and don't speak candidly about affirmative action, for example, or what kinds of essays make them want to shoot themselves in the head from boredom. (And I don't blame them for that in either case. I've been there.) Law school students, while helpful resources in other ways, generally know nothing about law school admissions except that they got in. And applicants are even less informed, no matter how easy it is these days to find them and compare notes.

I wrote this book to offer applicants straightforward, practical tips from an insider's perspective. I've read thousands of files, conducted hundreds of admissions interviews, and traveled across the country to meet with and counsel hundreds of thousands of prospective applicants at law school forums and pre-law society fairs. More than that, I made the tough choices, the final choices, about who got in and who didn't. The Ivey Guide to Law School Admissions offers you the benefit of that experience. It tells you the truth without sugarcoating, without the law school PR. My admissions counseling clients have the benefit of my one-on-one advice; this book is the next best alternative.

In The Ivey Guide to Law School Admissions, applicants will find answers to questions like these:

o I have an LSAT score of 164. Will that get me into Columbia, my dream school? Is it even worth paying the $70 to apply?

o What kinds of essays do they like? Do they want to hear about my work fighting poverty? My backpacking trip through Europe? My parents' divorce? My marathon training? My ...

Most helpful customer reviews

53 of 56 people found the following review helpful.
Interesting
By sayock
As a longshot applicant, I have already been accepted to or waitlisted by various top law schools (two of the top three law schools, as I write this, are still considering me, despite being told not to bother applying to those schools). But I couldn't help but be intrigued when I saw that a book by a former admissions officer at the University of Chicago would be coming out with big "secrets." Having already been through the process and having been someone who relied heavily on Richard Montauk's "How To Get Into the Top Law Schools," I would say that I didn't miss too much essential information from not having this book available as I applied. If someone told me there was only one book they could buy on law school admissions and asked for my opinion, I would probably still advise they go with Montauk's book. However, I would otherwise recommend that they pick up a copy of Montauk's book, Anna Ivey's book and, if they were African American, copies of Evangeline Mitchell's books.

For the most part, Ivey seems to reveal similar information as Montauk's book but without as much detail and support (which is kind of a minus for me, but I believe she is holding back all in-depth details and information for those who will pay for her services). She is very straightforward and brief about her points, but you certainly get the message. She does speak a bit more candidly on affirmative action and can't help but give more insider tips that are extremely helpful than anyone else could, including Montauk. Someone who makes a serious error in their personal statement, wants to know whether or not they should apply early action/decision and how that affects anything, how reapplying or a criminal record affects anything, or needs to play schools against each other for better financial aid would get the best tips and info from Ivey.

She also is very detailed in terms of listing every kind of addendum you could possibly need to write and how to go about it or, even, when to forget writing one. At the end of the book, she has examples of good personal statements and bad ones, good addendums and bad ones, good recommendations and bad ones, and before and after resumes. In the book itself, she has chapters on all these topics, including interviews and how to handle them. She is also very candid about the importance of rankings and numbers, but she will also tell you that numbers are not the end-all be-all and what kind of applicants for which that is particularly true (basically, if you have high numbers, it's your spot in the class to lose...it's not entirely hopeless if your numbers are low, but you have to pull out wildcards and/or good addendums/personal statements).

I definitely think this book SUPPLEMENTS Montauk's book but doesn't replace it in getting everything you need. And I also think her chapter on "The Wow Factor" is somewhat lacking, mainly in that she doesn't seem to give many suggestions or examples on/of activities (besides crazy things like being an Olympic gold winner) or anything else you can do before it's time to apply that she considers impressive or which she feels might make an applicant stand out (besides numbers). This wouldn't NECESSARILY be a problem if it weren't for the title of that chapter--to me, when you see "The Wow Factor," you're thinking she's going to talk a bit about who's impressive to admissions officers or how to be impressive to them, but she doesn't really do that--she just suggests a good marketing job is mainly what you need when you're sending out applications. Hence, the title is misleading (in my opinion)--she basically spends the chapter giving a general overview of admissions, as if you're at an LSAC Law School Forum asking her various basic or specific-to-you questions and she's rattling off answers.

To sum up, the book didn't quite meet the hype, for me, but it's still one of the best on admissions to law school. Very easy to read--a quick read. Not quite as detailed and informative as Montauk's book (again, that might be a plus for you--it was a minus for me), but it's certainly worth checking out to get that little bit of info you could only get from someone who has actually served as an admissions officer and to actually try to get a little more into their heads. Most of the questions Montauk's book had left unanswered/kind of vague for me, this book answered them--I truly recommend both books, but you could still do a great job of getting into schools with just Montauk's book (I'm not sure I would EXACTLY say Ivey's book alone would have gotten me to the point I'm at now like I can say about Montauk's).

49 of 54 people found the following review helpful.
A helpful guide--with a couple of quibbles
By Anson Cassel Mills
I've been the prelaw advisor at a medium-sized religious college for more than twenty-five years, and my advice about law school application runs largely along the lines outlined in Anna Ivey's nicely written book. In the future, if a student begins to write me off as a curmudgeon, I'll be able to cite chapter and verse from this author, who's a good quarter-century younger and has a far better claim to speak with authority about such matters than I. So, undergraduates, read and heed.

Nevertheless, I have a few quibbles. One inference of the Ivey Guide is that a great many admission decisions are made on the basis of personal essays, interviews, and recommendations. Actually, as Ms. Ivey would probably agree, most decisions are based flatly and unimaginatively on GPA, LSAT, and minority status (if applicable). My feeling is that the other materials often serve largely as conscience salve for the typical admissions officer (of which Ms. Ivey was certainly not). In my experience, essays, recommendations, and the like prove most significant for those at the top and bottom of the food chain: to students applying at the twenty top-ten law schools (the probable target market for this book) and students who will gladly take anything above the California unaccrediteds.

I also hold reservations about the sample essays and sample recommendations given in the appendix. The good ones are better than the bad ones for sure, but I found myself disliking all the authors. To me the best of the essays sound like they were written by slick showoffs. (At least the authors either have great writing skills or good ghostwriters.) As for faculty recommendations, I've had numerous students admitted to the best law schools without ever having written anything longer than this review. I wonder if there are now admissions officers out there with a permanent wince because of the longer rambling essays and recommendations that are likely to appear because of the advice given in this book.

8 of 8 people found the following review helpful.
Some Good Advice...Finally
By J. Tam
Having worked at 3 law firms, I have received an enormous amount of "advice" on law school admissions. Every attorney I've ever spoken to has graciously added their two cents on "what gets one into law school." While they are all great attorneys in their own right, and their advice is appreciated, I can't help but think that they don't know what they are talking about. Sure, they got into law school...but how do they know exactly what got them in? How do they know what the admissions officers liked about their application?

For these reasons, I knew I would have to buy some sort of guide law school admissions. Anna Ivey's book is exactly what I was looking for. It is extremeley well written, thorough, and helpful. Most importantly, Anna used to be a dean of admissions at Univ. of Chicago Law - so she definitely has some authority on the topic of law school admissions.

I've bought 3 books on law school admissions and Anna's book is easily the most complete book. I've recommended it to all my friends already.

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@ PDF Ebook The Places In Between, by Rory Stewart

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The Places In Between, by Rory Stewart

In January 2002 Rory Stewart walked across Afghanistan-surviving by his wits, his knowledge of Persian dialects and Muslim customs, and the kindness of strangers. By day he passed through mountains covered in nine feet of snow, hamlets burned and emptied by the Taliban, and communities thriving amid the remains of medieval civilizations. By night he slept on villagers' floors, shared their meals, and listened to their stories of the recent and ancient past. Along the way Stewart met heroes and rogues, tribal elders and teenage soldiers, Taliban commanders and foreign-aid workers. He was also adopted by an unexpected companion-a retired fighting mastiff he named Babur in honor of Afghanistan's first Mughal emperor, in whose footsteps the pair was following.

Through these encounters-by turns touching, con-founding, surprising, and funny-Stewart makes tangible the forces of tradition, ideology, and allegiance that shape life in the map's countless places in between.

  • Sales Rank: #70189 in Books
  • Brand: Mariner Books
  • Published on: 2006-05-08
  • Released on: 2006-05-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .82" w x 5.31" l, .81 pounds
  • Binding: Paperback
  • 297 pages
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  • Great product!

From Publishers Weekly
We never really find out why Stewart decided to walk across Afghanistan only a few months after the Taliban were deposed, but what emerges from the last leg of his two-year journey across Asia is a lesson in good travel writing. By turns harrowing and meditative, Stewart's trek through Afghanistan in the footsteps of the 15th-century emperor Babur is edifying at every step, grounded by his knowledge of local history, politics and dialects. His prose is lean and unsentimental: whether pushing through chest-high snow in the mountains of Hazarajat or through villages still under de facto Taliban control, his descriptions offer a cool assessment of a landscape and a people eviscerated by war, forgotten by time and isolated by geography. The well-oiled apparatus of his writing mimics a dispassionate camera shutter in its precision. But if we are to accompany someone on such a highly personal quest, we want to know who that person is. Unfortunately, Stewart shares little emotional background; the writer's identity is discerned best by inference. Sometimes we get the sense he cares more for preserving history than for the people who live in it (and for whom historical knowledge would be luxury). But remembering Geraldo Rivera's gunslinging escapades, perhaps we could use less sap and more clarity about this troubled and fascinating country.(May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Stewart, a resident of Scotland, has written for the New York Times Magazine and the London Review of Books, and he is a former fellow at Harvard's John F. Kennedy School of Government. In January 2002, having just spent 16 months walking across Iran, Pakistan, India, and Nepal, Stewart began a walk across Afghanistan from Herat to Kabul. Although the Taliban had been ousted several weeks earlier, Stewart was launching a journey through a devastated, unsettled, and unsafe landscape. The recounting of that journey makes for an engrossing, surprising, and often deeply moving portrait of the land and the peoples who inhabit it. Stewart relates his encounters with ordinary villagers, security officials, students, displaced Taliban officials, foreign-aid workers, and rural strongmen, and his descriptions of the views and attitudes of those he lived with are presented in frank, unvarnished terms. Nation building in Afghanistan remains a work in progress, and this work should help those who wish to understand the complexities of that task. Jay Freeman
Copyright © American Library Association. All rights reserved

Review
PRAISE FOR THE PLACES IN BETWEEN
 "A striding, glorious book . . . Learned but gentle, tough but humane, Stewart . . . writes with a mystic’s appreciation of the natural world, a novelist’s sense of character and a comedian’s sense of timing . . . A flat-out masterpiece . . . The Places in Between is, in very nearly every sense, too good to be true."—The New York Times Book Review "A splendid tale that is by turns wryly humorous, intensely observant, and humanely unsentimental."—Christian Science Monitor "Stupendous . . . an instant travel classic."—Entertainment Weekly "Stewart’s 36-day walk across Afghanistan, starting just weeks after the fall of the Taliban, sets a new standard for cool nerve and hot determination . . . His description of the landscapes he traverses makes you feel you’re accompanying him through a shifting, sculpted painting . . . Sublimely written."—The Seattle Times "Stunning . . . That he has written a remarkable memoir of his trek might contribute greatly not only to our reading pleasure, but to our understanding of Afghanistan in the 21st century . . . The Places in Between effectively depicts the spectacularly stark landscape, the utter poverty and the devastation of decades of war. But far more interesting are the men . . . Stewart met along the way." —The Plain Dealer 

 

 

"A splendid tale that is by turns wryly humorous, intensely observant, and humanely unsentimental."
(Christian Science Monitor)

"Stupendous...an instant travel classic."
(Entertainment Weekly)

"Remarkable...Gripping account of a courageous journey, observed with a scholar's eye and a humanitarian's heart."
(Kirkus Reviews)

"Engaging and eminently readable...A masterly job."
(Library Journal)

"Sets a new standard for cool nerve and hot determination...Sublimely written."
(Seattle Times)

"A flat-out masterpiece...In very nearly every sense, too good to be true."
(The New York Times Book Review)

"Stunning...Contribute[s] greatly not only to our reading pleasure, but to our understanding of Afghanistan."
(The Plain Dealer)

Most helpful customer reviews

178 of 188 people found the following review helpful.
A Post 9-11 Travelogue Through Afghanistan
By C. Hutton
Mr. Stewart has written an entertaining account of his walk across Afghanistan in 2002. The country was in shambles, the Taliban had just fallen and the Twin Towers had fallen a few months ago. As a nation, Afghanistan doesn't exist -- just a collection of warlords ruling their fiefdoms and encroaching each other's territories. So Mr. Stewart enters the county from Iran without a visa as if he was climbing Mount Everest -- because it was there.

The author is a superb storyteller and once the book has started, the reader will not be able to put it down. His writing style is conversational, as if he just arrived home and is telling you of his recent adventures. Why Harvest Books did not put this book out in hardback is beyond me. The reader should be aware that his next travel book "The Prince of the Marshes," will be out in August, 2006 where Mr. Stewart decided to move on to a less dangerous country than Afghanistan -- he went to Iraq.

124 of 130 people found the following review helpful.
Understated Humor with Sadness at the Core
By M. JEFFREY MCMAHON
Writing with the understated humor in the best of Magnus Mills' novels (Restraint of Beasts, All Quiet on the Orient Express), Stewart accounts his long, arduous trek on foot through the brutal landscape of Afghanistan. Thought to be a spy, he is often accompanied by mysterious "guards" hired by the new government to supervise Stewart's meanderings. The conflict between Stewart and these guards provides much of the book's humor. But then about a third into the book, Stewart is offered a dog, a huge bear-like creature who is described as wise and weary. The dog, whom Stewart names "Babur," has been abused and neglected all his life and Stewart adopts him and determines to take Babur with him back to Scotland. For me, Stewart's tender relationship with the endearing dog Babur is the heart of the book. It will make you weep. This storyline alone makes the book worth reading. Of course, this book is much more than a man meets dog story. It is a firsthand account of the grotequeries that seethe within a country in a state of violent upheaval.

63 of 66 people found the following review helpful.
THANKS FOR SHARING YOUR JOURNEY MR STEWART
By Heather Negahdar
"Someone in Kabul told me a crazy Scotsman walked from Herat to Kabul right after the fall of the Taliban"

Thanks for the book. For it was indeed a journey of great spirit and determination. Mr. Stewart was well prepared for this trip with vitamins and various medications he knew would be necessary to successfully complete this challenge; ibuprofen, antibiotics, just name it and he had it; sharing with the villagers he met on his way when they saw what he had and begged him.

Well written, well told. I was truly impressed with how hospitable the people of Afghanistan were; those whom he encountered and offered him rest and meals and at times water to wash with, at their various humble abodes where he was invited to stay for the night. Even through they understood little English, Mr. Stewart was able to communicate to them by speaking Persian. I love reading about anything in the Eastern and Asian side of the world, so I was with him all the way. I felt like I was alongside him as he climbed those steep slopes and when he walked on the flat valleys. I drank tea with Mr. Stewart from glass cups, ate stale bread with him and soup, and enjoyed the rest at the end of the day, sleeping on a carpet or just on the floor.

The attention given to him was enormous as he persevered onwards. My main concern was just before he got to Kabul when he had to travel through the deep powdery snow which was known to cause frostbite, making it necessary to amputate limbs for some in the past. I held my breath as he and his dog companion Babur made it out of the snow covered mountains, and alas into another bright day. God bless you Rory Stewart. I will soon be starting Prince of the Marshes, which sounds like another winner; but to those of you out there looking for a Christmas gift or other, buy The Places In Between first, for you won't be disappointed. An excellent gift, especially for travellers!!!
Reviewed by Heather Marshall Negahdar (SUGAR-CANE 25/11/06)

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The School for Wives concerns an insecure man who contrives to show the world how to rig an infallible alliance by marrying the perfect bride; The Learned Ladies centers on the domestic calamities wrought by a domineering woman upon her husband, children, and household. “Wilbur...makes Molière into as great an English verse playwright as he was a French one” (John Simon, New York). Introductions by Richard Wilbur.

  • Sales Rank: #864323 in Books
  • Published on: 1991-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .81" w x 5.25" l, .80 pounds
  • Binding: Paperback
  • 324 pages
Features
  • ISBN13: 9780156795029
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Language Notes
Text: English (translation)
Original Language: French

About the Author

RICHARD WILBUR, one of America’s most beloved poets, has served as poet laureate of the United States. He has received the National Book Award, two Pulitzer Prizes, the National Arts Club medal of honor for literature, and a number of translation prizes, including two Bollingen Prizes and two awards from PEN.

Most helpful customer reviews

24 of 24 people found the following review helpful.
My favorite of the Molieres by Wilbur
By J. Ott
I've read all but one of Pulitzer-Prize winner Richard Wilbur's translations of French master playwright Moliere. This is my favorite. I was provoked to laugh out loud many times while reading it, something I rarely do with contemporary comedies, much less ones written in the 17th Century. The School for Wives I found more fresh and delightful than any present-day television sit-com and The Learned Ladies had its moments as well (especially the poetry reading by the pedantic Trissotin).
The School for Wives centers around a man, Arnolfe, who is afraid of being cuckolded. He has raised a girl from when she was very young to know nothing but praying and sewing, so that when she marries she will not have the wherewithal to cheat on him. Of course, a young man in the neighborhood happens to see her while Arnolfe is out. In a series of misunderstandings, the young man ends up enlisting Arnolfe's aid in wooing the girl. Arnolfe's every attempt to thwart their union is in turn thwarted by her. She may have been raised ignorant, but she is not stupid.
The Learned Ladies is, in present context, somewhat misogynist. Much of the comedy revolves around the matriarch of a family who rules her household "like a man." The plot again involves young lovers separated by a willful parent. The daughter of the matriarch wants to wed a young man who is equally in love with her but her mother wants her to wed the stuck-up court poet Trissotin. This is really just a pretext for a lot of the deflation of pomposity at which Moliere excels. For those who like the old battle-of-the-sexes screwball comedies, here is a likely progenitor.
The most famous of Moliere's plays are The Misanthrope, The Hypocondriac and Tartuffe. If you've already read them and like them, then I have no reservation recommending this delightful double-header.

2 of 2 people found the following review helpful.
The Gold Standard
By Ronnie
Lovers of dramatic literature and poetry alike will be entralled by these masterful translations by Richard Wilbur of Moliere's work. While the two plays present in this volume are not as famous or frequently-produced as his "Tartuffe" and "The Misanthrope" readers will find they are equal in wit, rhyme and joy.

0 of 0 people found the following review helpful.
I bought this for class
By Elizabeth
I bought this for class and I really love it. I thought it was going to be "another boring play" that I would have to read for that class, but I was so wrong. Moliere is freaking hilarious, and Wilbur does a great job of translating it. Though that's probably misleading of me to say since I don't actually speak French, nor have I ever encountered Moliere before purchasing this book. Seriously though, it's great, it's funny, you should definitely buy it.

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Rabu, 22 April 2015

> PDF Ebook Delta Wedding (A Harvest/Hbj Book), by Eudora Welty

PDF Ebook Delta Wedding (A Harvest/Hbj Book), by Eudora Welty

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Delta Wedding (A Harvest/Hbj Book), by Eudora Welty

Delta Wedding (A Harvest/Hbj Book), by Eudora Welty



Delta Wedding (A Harvest/Hbj Book), by Eudora Welty

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Delta Wedding (A Harvest/Hbj Book), by Eudora Welty

A vivid and charming portrait of a large southern family, the Fairchilds, who live on a plantation in the Mississippi delta. The story, set in 1923, is exquisitely woven from the ordinary events of family life, centered around the visit of a young relative, Laura McRaven, and the family’s preparations for her cousin Dabney’s wedding.

  • Sales Rank: #476678 in Books
  • Published on: 1979-03-21
  • Released on: 1979-03-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .84" w x 5.31" l,
  • Binding: Paperback
  • 336 pages
Features
  • Eudora Welty
  • Classics

Review
[she] give[s] the people of her South an inner richness ... It is a great and generous achievement SUNDAY TIMES

From the Back Cover
"The nickname of the train was the Yellow Dog. Its real name was the Yazoo-Delta. It was a mixed train. The day was the 10th of September, 1923-afternoon. Laura McRaven, who was nine years old, was on her first journey alone."

So begins Delta Wedding, Eudora Welty's portrait of a large and clamorous Southern family living on their plantation in the Mississippi Delta, and into whose midst Laura McRaven, whose mother has just died, is thrust. When Laura arrives, the Fairchilds are preparing for the marriage of Dabney, not the oldest but the prettiest of the Fairchild girls. Drama leads to drama, revelation to revelation. The result is a sometimes riotous portrait of a Southern family and the motherless child who learns to become one of them. Eudora Welty's first novel remains an American classic.

"By all odds the best thing [Eudora Welty] has written."
--The Atlantic

"Presents the essence of the Deep South and does it with infinite finesse."
--The Christian Science Monitor

"The portrait she gives us . . . is nothing short of wonderful, and the way she gets hold the particular quality of Southern speech, with its nuances, obliquities, and special kind of humor, is a minor triumph."--The New Yorker


Eudora Welty (1909-2001) was born in Jackson, Mississippi. She worked as a photographer during the Depression and published her first book, a collection of short stories, in 1941. In addition to short fiction, Welty wrote novels, novellas, essays, and reviews, and was the winner of both the National Book Award and the Pulitzer Prize. By the time of her death in 2001, Welty had established herself as one of the most important and beloved American writers of the twentieth century.

About the Author
EUDORA WELTY (1909-2001) was born in Jackson, Mississippi, and attended the Mississippi State College for Women, the University of Wisconsin, and Columbia University (where she studied advertising). In addition to short fiction, Welty wrote novels, novellas, essays, and reviews, and was the winner of both the National Book Award and the Pulitzer Prize.

Most helpful customer reviews

47 of 48 people found the following review helpful.
Like being a member of the family
By Dianne Merridith
Reading "Delta Wedding" is like attending a family wedding and meeting all your distant relatives for the first time. You have a sense of belonging and, at the same time, a sense of being an outsider. Everyone seems to know everyone so much better than you do and you're rushing to catch up on everyone's story and sort out who is who. This is a relatively short book, but perhaps because she is primarily a short-story writer, Eudora Welty has packed this book so densely with character and detail, you will feel as though you have read a family saga of many hundred pages. The delta is recreated in such detail that you can feel the humid, misty breezes and hear the crickets chirping. The young girls through whose perspective you watch the proceedings are enchanting. Struggling to keep track of the characters forced me to go back and re-read parts of the book at times, which was, in fact, helpful in discovering important overlooked details. This is a book you can re-read many times always discovering something or someone new. Eudora Welty ranks at the very top of Southern writers and American writers in general.

43 of 45 people found the following review helpful.
Alienation in a large family
By A.J.
When you see the title "Delta Wedding," please don't assume that Eudora Welty's novel is either a gaudy supermarket romance or a pollyanna tribute to nuptial celebration and Southern domesticity. It is about the events leading up to a wedding, and of course there is plenty of talk about dresses and cooking and dancing, but Welty, almost like Virginia Woolf's American counterpart, suffuses the atmosphere with mysterious psychological undercurrents and the foreboding aura of secrecy. We get the sense that there is more to these people's personalities than the text can convey, and we read on patiently and attentively, hoping to unravel the complexities.

The setting is the area of central Mississippi through which the Yazoo River flows, not far from Faulkner country geographically or literarily; much of the land in this particular locality is owned by a family named the Fairchilds, the dynastic centerpiece of the story. The prevalent symbol in the novel is a train called the Yellow Dog, the principal means of mass transportation that connects this part of Mississippi to the rest of the state. This is the train that brings nine-year-old Laura McRaven from Jackson to visit the Fairchilds, her cousins, on their plantation, where Dabney (that's a girl) Fairchild is engaged to be married within the week to a man twice her age named Troy Flavin.

It is also the train that, not long before the novel begins, nearly ran over Laura's uncle George as he tried to rescue his addled niece Maureen who had caught her foot in a trestle. George's wife Robbie had witnessed this near-accident and now is using it as an excuse to leave him--how could he be so selfish as to risk his life and widow her? Although this does not speak well of Robbie's character, the source of her discontent is really alienation. She knows that she is beneath George's station, and every instance in which he bonds with another Fairchild only affirms that the Fairchild mystique is a closed circle, impenetrable to her.

For a novel concerned about a wedding in the immediate present, it is deeply immersed in its characters' pasts. Laura is an only child whose mother has recently passed away, so this large house where she is surrounded by myriad cousins, aunts, and uncles, like legendary creatures whose fantastic world she has suddenly entered, is an awesome environment with a rich and intricate history. The Fairchilds are such a regional monument that the entire town cemetery is practically their very own mausoleum; Dr. Murdoch, the insensitive local physician, picks out future burial plots for Fairchilds as though he were deciding where to plant flowers in a garden.

One interesting characteristic of "Delta Wedding" is that, true to impressionistic storytelling, there is no traditional protagonist that I could identify. Laura receives much of the focus, but this is not really her story, nor is it narrated in her voice. Dabney is too shallow and spoiled to be a heroine; her older sister Shelley, a smarter and more serious girl, is not interested in being a heroine, and good for her. "Delta Wedding" does well without a hero because it is realistic fiction at its most crystalline; a sincere, authentic depiction of life in the rural deep South of the 1920s which shows a part of the country modernizing to the twentieth century even while clinging to the shadows of the past.

33 of 34 people found the following review helpful.
Song of the South
By A Customer
As a lifelong Southern girl, I find that there are three authors who can fully unveil the truth about the south: Shelby Foote, William Faulkner, and Miss Eudora Welty. This book beautifully tells the story of Laura McRaven, a young girl visiting her deceased mother's family in the Mississippi delta, ostensibly to attend Cousin Dabney's wedding. Miss Welty has a true gift for evoking the smells, tastes, and sounds of the rural south. You will feel that you have spent the summer with the Fairchild clan. Not to be missed as a benchmark in southern literature. Yankees will vow to move south.

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Selasa, 21 April 2015

> Get Free Ebook Algernon, Charlie, and I: A Writer's Journey, by Daniel Keyes

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Algernon, Charlie, and I: A Writer's Journey, by Daniel Keyes

In Flowers for Algernon, Daniel Keyes created an unlikely duo-a laboratory mouse and a man-who captured the hearts of millions of readers around the world. Now, in Algernon, Charlie, and I, Keyes reveals his methods of creating fiction as well as the heartbreaks and joys of being published. With admirable insight he shares with readers, writers, teachers, and students the creative life behind his classic novel, included here in its original short-story form.
All those who love stories, storytelling, and the remarkable characters of Charlie and Algernon will delight in accompanying their creator on this inspirational voyage of discovery.

  • Sales Rank: #1146412 in Books
  • Published on: 2004-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .59" w x 5.50" l, .65 pounds
  • Binding: Paperback
  • 228 pages
Features
  • ISBN13: 9780156029995
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
PRAISE FOR ALGERNON, CHARLIE, AND I

"A fascinating and highly engaging look at the creative process and development of an author . . . An insightful first-person account of the difficulties and joys of the writing life, [and] one of the most useful writers' manuals to be published in a long time." -School Library Journal

From the Back Cover

In his bestselling novel Flowers for Algernon, Daniel Keyes created an unlikely duo--a laboratory mouse and a man--who captured the hearts of millions of readers around the world. Now, in Algernon, Charlie, and I, Keyes reveals his methods of creating fiction as well as the heartbreaks and joys of being published. For the first time, readers, writers, teachers, and students can glimpse the creative life behind this cherished novel.


Including the original novelette version of Flowers for Algernon


"An insightful first-person account of the difficulties and joys of the writing life, and . . . one of the most useful writers' manuals to be published in a long time. " --School Library Journal


Daniel Keyes, the author of eight books, was born in Brooklyn, New York, and received his B.A. and M.A. degrees from Brooklyn College. Professor emeritus at Ohio University, he lives in Boca Raton, Florida.

About the Author
Daniel Keyes, the author of eight books, has worked as a fiction editor, high school teacher, and university professor. He lives in Boca Raton, Florida.

Most helpful customer reviews

31 of 32 people found the following review helpful.
Secret of "Flowers for Algernon"
By A Customer
The main charm of "Algernon, Charlie and I" is the revealed episodes behind "Flowers for Algernon", which make you understand (at least partly) why "Flowers's for Algernon", the author's acclaimed novel, is so increadibly compelling and moving.
By reading this book, you will find that the "Flowers for Algernon" is not a product of pure fantasy, but is based on so actual facts, emotions and feelings, that the author had been observing and experiencing himself. Charlie's desire to become smart comes from the author's experience while working with mentally retarded children, who wanted to become smart. Charlie's feeling toward the professor, while becoming smarter than the professor who created him, comes from the author's experience of suddently over-growing his parents, immigrants who did not speak English fluently.
After reading this book, you will realise that it is the author's sensitivity, warmness toward other people and his candidness about his own feeling what make his extraordinary novel so warm and moving. In the end, "Flowers for Algernon" is not about this poor guy who has gone through extraordinary experience, but about all of us.

20 of 20 people found the following review helpful.
What it takes . . .
By CV Rick
What it takes to write one great book is a lifetime of preparation. It seems that every element of Daniel Keyes' life, up to the writing of Flowers for Algernon, was gearing toward that one great book. Every piece of Charlie's life, and every phrase spoken by his coworkers and the scientists who changed him came from Keyes' experience.

Half of this autobiography is the set-up to his great novel, the one work that would define his life. The other half is the aftermath. Thrust into fame and the machine that profits off other's works, Keyes' found himself tossed to and fro.

A writer wants to write, not to examine contracts and make decisions about rights. A writer wants to create and then to own his creations, not to see what came from his mind as property to be arbitrated. Daniel Keyes' found himself in the fortunate position of creating a work of beauty and then wrestling with ownership of that beauty for many years afterward.

What I loved about this autobiography is the journey which prepared him to write a great novel - showing the work and creativity and effort that goes into an instance of genius. What I also loved was the life's lessons learned that he put down on paper so that another person might have an easier journey.

- CV Rick

4 of 4 people found the following review helpful.
A HIGHLY ENJOYABLE READ ABOUT AN AUTHOR WHOSE WORK IS SCORED UPON MY HEART
By The Literacy Advocate
Daniel Keyes changed my life. Specifically, when I read Flowers for Algernon, I understood for the first time in my (then) young life that the written word...a book...had the power to change the world, or at the very least, the way we see or understand it. The lovely journey which Daniel Keyes takes in ALGERNON, CHARLIE, AND I: A WRITER'S JOURNEY, is an informative, charming look at the process this author took as he became the writer who could create Charlie, Algernon, and their story. Originally written as a science fiction story, FLOWERS FOR ALGERNON was later expanded by Keyes into a full-length novel after the story received so much critical acclaim. If you enjoyed the novel and/or the movie CHARLIE (the 1968 version of the film starred Cliff Robertson in his Oscar-winning role as Charlie) of the later version of the book-to-film starring Matthew Modine, you will find this book both illuminating and satisfying. A highly enjoyable read about an author whose work is scored upon my heart.

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