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Drive, by James Sallis
Ebook Drive, by James Sallis
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Much later, as he sat with his back against an inside wall of a Motel 6 just north of Phoenix, watching the pool of blood lap toward him, Driver would wonder whether he had made a terrible mistake. Later still, of course, there’d be no doubt. But for now Driver is, as they say, in the moment. And the moment includes this blood lapping toward him, the pressure of dawn’s late light at windows and door, traffic sounds from the interstate nearby, the sound of someone weeping in the next room . . . Thus begins Drive , the story of a man who works as a stunt driver by day and a getaway driver by night. He drives, that’s all—until he’s double-crossed. Powerful and stylistically brilliant, Drive has been hailed by critics as the "perfect piece of noir fiction" ( The New York Times Book Review ) and an instant classic.
- Sales Rank: #415614 in Books
- Published on: 2006-09-05
- Released on: 2006-09-05
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .38" w x 5.25" l, .41 pounds
- Binding: Paperback
- 158 pages
From Publishers Weekly
Starred Review. I drive. That's what I do. All I do." So declares the enigmatic Driver in this masterfully convoluted neo-noir, which ranges from the dive bars and flyblown motels of Los Angeles to seedy strip malls dotting the Arizona desert. A stunt driver for movies, Driver finds more excitement as a wheelman during robberies, but when a heist goes sour, a contract is put on his head and his survival skills burn up the pavement. Author of the popular six-novel series set in New Orleans featuring detective Lew Griffin (The Long-Legged Fly, etc.) and such stand-alone crime novels as Cypress Grove, Sallis won't disappoint fans who enjoy his usual quirky literary stylings. Reading a crime paperback, Driver covers "a few more lines till he fetched up on the word desuetude. What the hell kind of word was that?" Lines such as "Time went by, which is what time does, what it is" provide the perfect existential touch. In this short novel, expanded from his story in Dennis McMillan's monumental anthology Measures of Poison, Sallis gives us his most tightly written mystery to date, worthy of comparison to the compact, exciting oeuvre of French noir giant Jean-Patrick Manchette.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Critics agree that James Sallis, author of the Lew Griffin mystery series, "may be one of the best mystery writers that most readers have never heard of" (Knight Ridder Tribune). In Drive, he combines murder, treachery, and payback in a sinister plot resembling 1940s pulp fiction and film noir. Told through a complex, cinematic narrative that weaves back and forth through time and place, the story explores Driver’s near-existential moral foundations while revisiting its root cause: his hardscrabble, troubled childhood. Dark and gripping, Drive packs a powerful punch.
Copyright © 2004 Phillips & Nelson Media, Inc.
From Booklist
*Starred Review* Sallis has a bloodhound's nose for noir. Whether in the celebrated Lew Griffin novels or in his several stand-alones, his characters are always trapped--trapped by their inability to effect change in a malign world, trapped by their own character flaws, trapped by the wrong girl, trapped by walking into the wrong place at the wrong time. Sometimes they know they're trapped, and sometimes they are the last ones to know, but Sallis always knows; he can smell it in their pores, and he makes us smell it, too. So it is with Driver, the antihero of this quintessential noir novella about a loner with a passion for driving fast cars. He's a Hollywood stunt driver by day and a getaway car driver by night, but he has no interest in either movies or crime: he just wants to drive. Life won't let him, of course, and eventually he figures that out, as he sits in a Motel 6 near Phoenix, "watching the pool of blood lap toward him." Sallis shows us how he got there in one crisply written, spot-on scene after another. At one point, near the end of the book, Driver reflects that we neither choose our lives nor have them thrust at us. Instead, "they're forever seeping up under our feet." You won't find a better definition of the noir worldview than that, and you won't find a more textbook example of how to express that view in fiction than in this hypnotic little story about driving circles around your life. Bill Ott
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
22 of 27 people found the following review helpful.
Noir classic: short, dark, lingering.
By Jerry Saperstein
A few paragraphs in and you can smell the musty 40s. Gooseneck lamps, gently rounded cars, double-breasted suits. Everyone smoked. Everyone drank. Everyone ate steak.
But it's the modern day in LA. Driver leaves his foster home at 16. Makes it to L.A. Becomes a stunt driver. Along the way he develops a sideline of driving getaway cars.
A robbery goes wrong. Driver escapes with the loot and a woman robber. Someone tries to kill Driver: doesn't succeed, but takes out the woman.
Driver is a gentle soul. I drive, that's all is his ethic. But someone wants more and Driver doesn't like anyone on his trail.
Sallis is a master of noir. In 158 pages, he bangs out a complete morality play in which there is no good, no bad: just is, just what is there. Driver doesn't have a past or a future. Just a moment that demands certain things be done. Rootless, but not souless, Sallis paints his portrait in subtle strokes, all the more telling for that.
Sallis dedicates this work to Ed McBain, Donald Westlake and Larry Block, three great American writers. Sallis is, in my opinion, matched only by Block. McBain was great, but Sallis is better at noir.
"Drive" is a pleasant escape into a different reality, a true gem.
Jerry
18 of 22 people found the following review helpful.
Every word counts
By The Pro From Dover
Every word counts in this "sunshine noir" by noted mystery writer James Sallis. Drive is that rare thing, the proverbial novel you cannot put down. Yet, Sallis never cheats by loading up on worn plot devices. Instead, this slim volume pares the story down to its barest essestials, just plot and character, stripped of artifice. And drive. Yes, the story hurtles along, moving fast, but always under control. Do you think you have seen it all with noir? If you think so, then you owe it to yourself to pick up Drive. Sallis uses some familiar devices, but the story he tells and the character he tells it through, the "Driver," are new. Drive will keep you hanging until the last sentence. That's drive enough for anyone.
17 of 21 people found the following review helpful.
a marvelously dark read!
By woodstock_ap
Readers who delight in noir have a treat in store.
This short novel moves back and forth in both time and place, following a few weeks in the life of Driver - a character who provides no other name. He has a double career - first as a stunt driver for the LA film industry, self trained and among the best in the highly skilled group of specialists. And in the evenings and between film jobs he drives for thieves and con men. But that is all he does - drive. No burglary, no guns, no other participation.
A moonlighting venture goes wrong and sends Driver in search of those who double crossed him. In spare prose, important people in Driver's past and present life are clearly drawn and believable, some presented only as traces from Driver's memory. Although fragmentary, these brief references provide perfect motivation for Driver's actions as he moves toward his moments of revenge. He is a man not always on the right side of the law, or even of a just society, yet in Sallis' hands he becomes a man worthy of respect.
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