@ Free Ebook A Clergyman's Daughter, by George Orwell

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Dorothy, the heroine of this novel, performs good works, cultivates good thoughts, and pricks her arm with a pin when a bad thought arises. She then has a series of unexpected and degrading adventures after becoming a victim of amnesia. Though she regains her life as a clergyman’s daughter, she has lost her faith.

• Sales Rank: #358801 in Books
• Published on: 1950-01-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .81" w x 5.25" l, .85 pounds
• Binding: Paperback
• 324 pages

Features

• ISBN13: 9780156180658
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
At the distance of a half-century, this satiric social fiction is both a treasure and a disappointment. Orwell's wit is priceless--and ruthless--as he describes rural Church of England parish life; the transitory culture of the hops harvest; a brothel's soiled linen; not to mention when his heroine hobnobs with the Trafalgar Square homeless of a bitter winter's night or bullies bored students in a fourth-rate private school: "Last term the girls had behaved badly, because she had started by treating them as human beings, and later on, when the lessons that interested them were discontinued, they had rebelled like human beings. But if you are obliged to teach children rubbish, you must not treat them as human beings.... Before all else, you must teach them it is more painful to rebel than to obey."

Orwell's compassion for Dorothy Hare, ensnared by faith, birth, and gender to toil thanklessly as her minister father's unpaid curate, is admirable, and his evocation, early in the novel, of a woman's consciousness totally subsumed by the mostly trivial demands of others stands shoulder to shoulder with the best feminist fiction. The dialogues between Dorothy and her dissolute middle-aged suitor, Mr. Warburton, concerning human nature, faith, and morality, are smart and fun to read. The problem (and here Orwell commits the sort of sin he denounces in Dickens) is that the novel's plot--Dorothy's picaresque amnesiac travels through the seamy side of English life--feels manufactured for the author's satiric purposes. Orwell never relinquishes his cleverness, or his maleness, to become his heroine, with the result that the reader never surrenders wholly to the fiction. Thus A Clergyman's Daughter, while a pleasure to pick up, is not quite a book one can't put down. --Joyce Thompson

From the Publisher
7 1.5-hour cassettes

About the Author
GEORGE ORWELL (1903–1950) was born in India and served with the Imperial Police in Burma before joining the Republican Army in the Spanish Civil War. Orwell was the author of six novels as well as numerous essays and nonfiction works.

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21 of 22 people found the following review helpful.
Story by Dickens, script by Joyce, philosophy by Camus
By H. Schneider
Some say, this is the weekest of Orwell's 6 novels. I am not so sure.
But even if it is, it is still so much more interesting than most other writers' 'good' novels.
If it is a bad novel, it is still a very good book.
Sure, the text is uneven. The chapters talk a different language. So?
Chapter 1 is a 'plain' tale of a young woman in Suffolk, a spinsterish, neurotic, sex-phobic, obedient, pious, nice person, called Dorothy. She has a bad hypertrophy of sense of duty. She lets herself be exploited as an unpaid church helper. Her father, the clergyman, is maybe the biggest idiot in his profession that you can find in literature. This life happens in Knype Hill in Suffolk, the small town that you never want to get to know.
Chapter 2 is the catastrophe: Dorothy had a blackout, and at awakening, she is not in any kind of Ozish wonderland, but has lost 8 days of her life plus her memory plus her self. Who is she? She somehow joins a small band of bums who go hop-picking in Kent. This chapter is maybe the worst; Orwell grafts his own diary texts about hop picking on Dorothy's life. It is not working. A very odd text. She finds out who she is and realizes that her disappearance was a major scandal at home: her small home town thinks she eloped with an older man of disreputable morals. She appeals to her father for help and gets no answer.
Chapter 3 is brillant: Dorothy has ended up with the homeless crowd at Trafalgar Square. A Joycean text of multiple voices, which rarely attends to Dorothy, but never lets us forget where she is. Arrest is a step to salvation.
Chapter 4 and then 5 go back to straighforward narration. Father, through a relative, has somehow managed to get her saved from the street. She gets a job as a teacher, and finds herself in servitude to the worst school owner that you can find. The job is hell. She gets fired, but then there is another level of rescue: she may come home, she has been rehabilitated. Chapter 5 shows her in the dreariness of her sad prospects: unpaid church helper, a father who will leave her poor when he dies in maybe 10 years, no other prospects than oldmaidhood and poor jobs. And worst: she has lost faith, but she can not resign herself to the view that life is meaningless. Like a proper Sisyphus she keeps pushing the rock upwards on the hillside.
Yes, this is not smooth. The neurological aspects of the story (amnesia, regaining self-identification) seem dubious. (Maybe Oliver Sacks could have a look?). The text also has some of Orwell's less agreeable characteristics: he was something of a racist as a young man. This seems to have been worked out of his sytem later. Here he still writes about the gypsies, that they have 'oafish, oriental faces', that they exude 'dense stupidity, untameable cunning'. Come on, George/Eric! There is a 'Jew' who lusts after Dorothy in a way that could have been taken straight from the 'Stuermer'. Sure, Jews could have been lusting after her, but so might all the others. Where was the point here?
The novel is a highly interesting 'Bildungsroman', in a reverse sort of way. Reading my own review now I conclude that I would consider it one of Orwell's best productions.

7 of 7 people found the following review helpful.
One of Orwell's Best
By Tom
Knowing what was finally going to come of Dorothy kept me until 2:30 AM this morning...and I wasn't disappointed.
Orwell cheats right out of the chute: In realizing that he may not know enough about women to write about our protagonist, he immediatedly removes her sexuality by telling us she is disgusted by the thought of "that." Nuff said. Our hero(ine) is now pretty much asexual.
What a story though. Plumbing the depths of faith and predestiny, Orwell weaves a fairly heavy tale of the motherless daugther of a grim and dispassionate minister obsessed only with his investments and petty theological particulars.
The minister's daughter loyally fills in the gaps, acting as the heart and soul of a failling church, praying her way against impossible odds while visiting the sick, recruiting new church goers, seeing to the buildings and her father's meals...and eventually completely wigging out.
Now the fun begins.
This is a warm and rewarding book, full of human insight and only a little bit of Orwell's patented socialist soap-boxing.

6 of 6 people found the following review helpful.
I don't care what they say, I like it!
By A Customer
There is a not very active Orwell newsgroup, and from timeto time newbies wander in and ask what Orwell's best booksare. Well, everyone knows about "1984" and "Animal Farm," so I usually mention that I like "A Clergyman's Daughter." I sometimes get flamed for this. But who cares? I like it! It is a kind of picaresque novel. I think my favorite part is poor Dorothy trying to be a good teacher in a very bad school, and having the parents object, saying saying things like "We don't want her taught decimals, we want her taught ARITHMETIC." Her struggles with her monster of a father is memorable, and the ending, where she cheerfully resigns herself to her fate, seems to foreshadow the ending of "1984."

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~~ Download Ebook Please Don't Come Back from the Moon, by Dean Bakopoulos

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T he summer Michael Smolij turns seventeen, his father DEAN BAKOPOULOS, a former book-disappears. One by one other men also vanish from the seller, was named one of America's blue-collar neighborhood outside Detroit where their fathers best new fiction writers by Virginia before them had lived, raised families, and, in a more prom-Quarterly in 2004. He lives in Madison, ising era, worked. One man props open the door to his shoe Wisconsin. store and leaves a note. "I'm going to the moon," it reads. "I took the cash."

The abandoned wives drink, brawl, and sleep around, gradually settling down to make new lives and shaking off the belief in an American dream that, like their husbands, has proven to be a thing of the past. Unable to leave the neighborhood their fathers abandoned, Michael and his friends stumble through their twenties until the restlessness of the fathers blooms in them, threatening to carry them away.

Hailed as "a triumph" by O, The Oprah Magazine, this haunting, unforgettable debut novel is for anyone who has ever been left longing.

• Sales Rank: #1012613 in Books
• Published on: 2006-01-02
• Released on: 2006-01-02
• Original language: English
• Number of items: 1
• Dimensions: 8.43" h x .72" w x 5.85" l, .60 pounds
• Binding: Paperback
• 288 pages

From Publishers Weekly
"When I was sixteen, my father went to the moon." Thus begins this debut novel about the mysterious disappearance of the men from a working-class suburb of Detroit. They go gradually, one by one, leaving for parts unknown—though more than one mentions the rocky orb up above. Michael Smolij's father is one of the last to vanish; once he's gone, Michael's musician mother plays "Norwegian Wood" on her violin, then takes two jobs to make ends meet. Michael, like all the boys in the neighborhood, has to grow up fast, working at the mall while taking community college courses. When Michael's mother remarries and moves away, leaving him the family house, Michael lands a job as a writer at a local radio station and starts dating a single mother with a five-year-old son, as if in an attempt to singlehandedly forge a new family for himself. The process of settling down, however, awakens a strange restlessness in him. Magic serves more as an emotional undercurrent than a mystery in this odd novel, part fable and part gritty realist chronicle. As Bakopoulos writes in an author's note, the book is a kind of elegy for his father's generation of downtrodden working-class men, but their disappointments are tempered by the modest hopes and ambitions of their sons in this gentle and moving tale.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
The term “heartbreaking” appears frequently in reviews of this debut novel, whose title is derived from a Charles Mingus jazz composition. With its undercurrent of magic and social satire, Michael’s coming-of-age story struck a strong chord with most critics. The main character is, at times, annoyingly indecisive, but the 12 years of his life presented in this compelling story ring true. Please Don’t Come Back From the Moon should be read as a tribute to the past generation of working-class American men.

Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
During the summer of 1991, when times were tough, the men of blue-collar Maple Rock outside Detroit disappeared one by one, with one of them leaving a note saying he was going to the moon. The women rage and weep, then start new lives--finding jobs, remarrying, moving to nicer suburbs. But the fatherless sons, among them 16-year-old Mikey Smolij, flounder for years. After an initial period of freedom and licentiousness, during which they take over the local tavern and serve as studs for older women, these teenage boys live with doubt about whether whatever caused their fathers' disappearances might get them too. Twelve years later, with Mikey's young adulthood marked by some dwindling relationships and depression, there is a mystical reunion, but how much happiness is possible in the face of a void that is never filled? This story, although less mythic, has echoes of Alice Hoffman's magic realism, and Bakopoulos' narrative can be compelling; still, unresolved questions leave this debut novel haunting but somewhat short of satisfying. Michele Leber
Copyright © American Library Association. All rights reserved

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38 of 39 people found the following review helpful.
A paean to lost fathers everywhere
By Luan Gaines
As the economy worsens in Michigan, sixteen year-old Michael Smolij watches as father after father leaves town, the men unable to face their families with no jobs, dignity evaporating with every passing day. One by one, fathers spend directionless days in the local tavern before quietly disappearing forever. So many men leave the blue-collar neighborhood outside Detroit that everyone points to the disappeared as having "gone to the moon", wives left to carry the burdens of children and part time jobs, exhausted physically and emotionally by the dual role of mother and father.

Ultimately the loss of their fathers breeds a twisted violence in the hearts of the sons left behind. With the abdication of the men, the boys are forced to become men prematurely and put away their childhoods; thus is born a smothering anger and an incalculable sadness that resides deep in their hearts.

As Michael gets older, he tries to look out for his younger brother, Kolya, but acting tough has set Michael and his cousin Nick apart from kids with fathers, incipient "bad boys", distorting both Michael and Nick's views of the world and what it has to offer to fatherless sons. Drifting into a cursory education, Michael's curiosity is partially fueled by the young women in his life, who are attracted to the brooding sensitivity of the unhappy young man.

This novel lays bare the broken hearts of desolate young men. Bakopoulos is unstintingly honest, unabashedly free with the emotional territory of abandonment, allowing a poignant view of a loss that is permanent, a tattoo on the psyche. Always they think of their fathers, remembering, wondering how they might have changed, if they are happy on the moon, if they have forgotten their sons.

The prose is beautifully rendered, tender, innocent, bruised by reality, tinged occasionally with the angry bravado of something-to-prove. In the very city where their fathers worked on assembly lines for Ford and General Motors, the only employment for Michael, Nick and their contemporaries is found at the local shopping mall, as a failing economy grinds up any opportunity for a decent life of hard work like past generations.

Please Don't Come Back from the Moon portrays the gradual unfurling of hidden promise in a life once destined for failure, haunted by the losses of the past. Yet fate intervenes for Michael Smolij. In a world where fathers, in their own distress, leave and take up residence on the moon, the sons fend for themselves, many lost along the way, casualties of society's neglect and disinterest. But Michael finds his voice, buried beneath the rage that has simmered since childhood. In sensitive and lyrical prose, with a surfeit of desolate images of towns and people forgotten, Bakoploulos delivers a thought-provoking and soulful novel on the pains of growing up fatherless, where dreams may still surface.

Along with helpless anger lodges a seed of doubt, the potential of being like their fathers. And as adolescent boys become young men, marry and start families, they cannot bear to acknowledge their unspoken fears, the legacy of their fathers...a silent call to the moon: "Like an eye, the moon follows us wherever we go." Luan Gaines/2005.

22 of 23 people found the following review helpful.
Wow.
By J. Banslaben
This book grabs the reader's attention with a powerful first chapter and then slides into a captivating rhythm that carries you through to the end. The story reveals a working class life that unfolds into what we realize is *our* reality, no matter what our social class, where we live, or how solid our family structure. We follow the life of the main character, Michael, a boy whose life is displaced when his father (and in fact all the men in town) leaves.

We learn about the hardship of a post-industrial, service based economy, where passions and dreams disappear in the haze of obligation, bills, and the comfort of the social networks, spaces, and places we consider "home". Mr. Bakopoulos gently, and brilliantly, conveys his ideas through his characters while commenting on the plight of men and society in a post-industrial economy, without being overtly political.

This book is thoughtful, well written, funny in parts and sad - you know the sad where you get a choking pit in your throat when you read - in others. Wow. Buy this book.

18 of 19 people found the following review helpful.
Excellent debut
By Candace Siegle, Greedy Reader
The crumbling of America's manufacturing sector is more than just a segment on the nightly business report as Dean Bakopolus records in this beautifully written and moving first novel. Narrator Michael Smolij's family is part of a close-knit blue collar Detroit suburb, where nearly all the fathers work in local factories. As these jobs vanish through downsizing and outsourcing, so do the dads also begin to disappear. One leaves a note: "Gone to the moon." The parish priest joins the exodus. The local bar starts serving the fourteen-year-olds who've had to step into their fathers' shoes. Mothers start working two or three jobs. Instead of growing into the good-paying factory positions their fathers' held, the kids take the only jobs available; working at the mall for $6 an hour.

Michael's family is a little better educated than some of the neighbors and he aspires to college, taking community college classes while working in the mall bookstore. His cousin and best friend move into their twenties working at mall food court jobs meant for high school kids, trying their hands at any kind of entrepreneurial enterprise that will bring in a little money. They forge new families, but as they struggle to realize a slice of the American dream they always expected to be theirs, the sons of the vanished fathers are overcome by a strange restlessness, and Michael fears that they, too, will abandon their families, leaving their own children with even less to hope for than they had.

Bakopolus infuses a touch of magic into the grit of the story with excellent effect. Where did the fathers go? No amount of detective work turns up any of them. Realizing that there was no dignified place for them in the post-industrial economy, perhaps they really did go to the moon. This is an auspicious debut from a writer who has a great deal to say and the skill to tell it well. I look forward to his next novel.

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? Free Ebook Imperialism: Part Two Of The Origins Of Totalitarianism, by Hannah Arendt

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This middle volume focuses on the curious and cruel epoch of declining European colonial imperialism from 1884 to the outbreak of the First World War in 1914. Index.

• Sales Rank: #1209551 in Books
• Published on: 1968-03-20
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .54" w x 5.50" l, .63 pounds
• Binding: Paperback
• 216 pages

Features

• ISBN13: 9780156442008
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Hannah Arendt (1906-1975) taught political science and philosophy at the New School for Social Research in New York, Brooklyn College, and the University of Chicago. She also wrote political studies "Origins of Totalitarianism" 1951, "The Human Condition" 1958, "Eichmann in Jerusalem" 1963

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1 of 1 people found the following review helpful.
THE SECOND VOLUME OF ARENDT’S “THE ORIGINS OF TOTALITARIANISM”
By Steven H Propp
Johanna "Hannah" Arendt (1906-1975) was a German-born political theorist, who wrote many books such as Antisemitism: Part One of The Origins of Totalitarianism, Totalitarianism: Part Three of The Origins of Totalitarianism, Eichmann in Jerusalem: A Report on the Banality of Evil, The Life of the Mind, On Violence, The Human Condition, etc.

She wrote in the 1967 Preface to this book [that was originally published in 1951], “This book deals only with the strictly European colonial imperialism whose end came with the liquidation of British rule in India. It tells the story of the disintegration of the nation state that proved to contain nearly all the elements necessary for the subsequent rise of totalitarian movements and governments. Before the imperialist era, there was no such thing as world politics, and without it, the totalitarian claim to global rule would not have made sense.” (Pg. ix)

She says, “Expansion as a permanent and supreme aim of politics is the central political idea of imperialism. Since it implies neither temporary looting nor the more lasting assimilation of conquest, it is an entirely new concept in the long history of political thought and action. The reason for this surprising originality… is simply that this concept is not really political at all, but has its origin in the realm of business speculation, where expansion meant the permanent broadening of industrial production and economic transactions characteristic of the nineteenth century.” (Pg. 5)

She notes, “What imperialists actually wanted was expansion of political power without the foundation of a body politic. Imperialist expansion had been touched off by a curious kind of economic crisis, the overproduction of capital and the emergence of ‘superfluous’ money, the result of oversaving, which could no longer find productive investment within the national borders. For the first time, investment of power did not pave the way for investment of money, but export of power followed meekly in the train of exported money, since uncontrollable investments in distant countries threatened to transform large strata of society into gamblers, to change the whole capitalist economy from a system of production into a system of financial speculation, and to replace the profits of production with profits in commissions.” (Pg. 15)

She states, “The alliance between capital and mob is to be found at the genesis of every consistently imperialist policy. In some countries, particularly in Great Britain, this new alliance between the much-too-rich and the much-too-poor was and remained confined to overseas possessions. The so-called hypocrisy of British policies was the result of the good sense of English statesmen who drew a sharp line between colonial methods and normal domestic policies, thereby avoiding with considerable success the feared boomerang effect of imperialism upon the homeland.” (Pg. 35)

She observes, “The fact that racism is the main ideological weapon of imperialistic politics is so obvious that it seems as though many students prefer to avoid the beaten track of truism. Instead, an old misconception of fascism as a kind of exaggerated nationalism is still given currency. Valuable works of students… who have proved that racism is not only a quite different phenomenon but tends to destroy the body politic of the nation, are generally overlooked. Witnessing the gigantic competition between race-thinking and class-thinking for dominion over the minds of modern men, some have been inclined to see in the one the expression of national and in the other the expression of international trends, to believe the one to be the mental preparation for national wars and the other to be the ideology for civil wars.” (Pg. 40-41)

She says, “Because English colonists had spread all over the earth, it happened that the most dangerous concept of nationalism, the idea of ‘national mission,’ was especially strong in England. Although national mission as such developed for a long time untinged by racial influences in all countries where peoples aspired to nationhood, it proved finally to have a peculiarly close affinity to race-thinking.” (Pg. 62)

She suggests, “As matters stand today, the Jews have against them the concerted hostility of all those who believe in race or gold---and that is practically the whole European population in South Africa. Yet they cannot and will not make common cause with the only other group which slowly and gradually is being won away from race society: the black workers who are becoming more and more aware of their humanity under the impact of regular labor and urban life. Although they, in contrast to the ‘whites,’ do have a genuine race origin, they have made no fetish of race, and the abolition of race society means only the promise of their liberation.” (Pg. 85)

She asserts, “statesmen of countries without minority obligations spoke an even plainer language: they took it for granted that the law of a country could not be responsible for persons insisting on a different nationality. They thereby admitted---and were quickly given the opportunity to prove it practically with the rise of stateless people---that the transformation of the state from in instrument of the law into an instrument of the nation had been completed; the nation had conquered the state, national interest had priority over law long before Hitler cold pronounce, ‘right is what is good for the German people.’ Here again the language of the mob was only the language of public opinion cleansed of hypocrisy and restraint.” (Pg. 155)

She laments, “The Rights of Man, supposedly inalienable, proved to be unenforceable---even in countries whose constitutions were based upon them---whenever people appeared who were no longer citizens of any sovereign state. To this fact, disturbing enough in itself, one must add the confusion created by the many recent attempts to frame a new bill of human rights, which have demonstrated that no one seems able to define with any assurance what those general human rights, as distinguished from the rights of citizens, really are. Although everyone seems to agree that the plight of these people consists precisely in their loss of the Rights of Man, no one seems to know which rights they lost when they lost these human rights.” (Pg. 173)

This is a penetrating analysis of Imperialism, that will be of great interest to anyone studying this subject.

2 of 2 people found the following review helpful.
THE SECOND VOLUME OF ARENDT’S “THE ORIGINS OF TOTALITARIANISM”
By Steven H Propp
Johanna "Hannah" Arendt (1906-1975) was a German-born political theorist, who wrote many books such as Antisemitism: Part One of The Origins of Totalitarianism, Totalitarianism: Part Three of The Origins of Totalitarianism, Eichmann in Jerusalem: A Report on the Banality of Evil, The Life of the Mind, On Violence, The Human Condition, etc.

She wrote in the 1967 Preface to this book [that was originally published in 1951], “This book deals only with the strictly European colonial imperialism whose end came with the liquidation of British rule in India. It tells the story of the disintegration of the nation state that proved to contain nearly all the elements necessary for the subsequent rise of totalitarian movements and governments. Before the imperialist era, there was no such thing as world politics, and without it, the totalitarian claim to global rule would not have made sense.” (Pg. ix)

She says, “Expansion as a permanent and supreme aim of politics is the central political idea of imperialism. Since it implies neither temporary looting nor the more lasting assimilation of conquest, it is an entirely new concept in the long history of political thought and action. The reason for this surprising originality… is simply that this concept is not really political at all, but has its origin in the realm of business speculation, where expansion meant the permanent broadening of industrial production and economic transactions characteristic of the nineteenth century.” (Pg. 5)

She notes, “What imperialists actually wanted was expansion of political power without the foundation of a body politic. Imperialist expansion had been touched off by a curious kind of economic crisis, the overproduction of capital and the emergence of ‘superfluous’ money, the result of oversaving, which could no longer find productive investment within the national borders. For the first time, investment of power did not pave the way for investment of money, but export of power followed meekly in the train of exported money, since uncontrollable investments in distant countries threatened to transform large strata of society into gamblers, to change the whole capitalist economy from a system of production into a system of financial speculation, and to replace the profits of production with profits in commissions.” (Pg. 15)

She states, “The alliance between capital and mob is to be found at the genesis of every consistently imperialist policy. In some countries, particularly in Great Britain, this new alliance between the much-too-rich and the much-too-poor was and remained confined to overseas possessions. The so-called hypocrisy of British policies was the result of the good sense of English statesmen who drew a sharp line between colonial methods and normal domestic policies, thereby avoiding with considerable success the feared boomerang effect of imperialism upon the homeland.” (Pg. 35)

She observes, “The fact that racism is the main ideological weapon of imperialistic politics is so obvious that it seems as though many students prefer to avoid the beaten track of truism. Instead, an old misconception of fascism as a kind of exaggerated nationalism is still given currency. Valuable works of students… who have proved that racism is not only a quite different phenomenon but tends to destroy the body politic of the nation, are generally overlooked. Witnessing the gigantic competition between race-thinking and class-thinking for dominion over the minds of modern men, some have been inclined to see in the one the expression of national and in the other the expression of international trends, to believe the one to be the mental preparation for national wars and the other to be the ideology for civil wars.” (Pg. 40-41)

She says, “Because English colonists had spread all over the earth, it happened that the most dangerous concept of nationalism, the idea of ‘national mission,’ was especially strong in England. Although national mission as such developed for a long time untinged by racial influences in all countries where peoples aspired to nationhood, it proved finally to have a peculiarly close affinity to race-thinking.” (Pg. 62)

She suggests, “As matters stand today, the Jews have against them the concerted hostility of all those who believe in race or gold---and that is practically the whole European population in South Africa. Yet they cannot and will not make common cause with the only other group which slowly and gradually is being won away from race society: the black workers who are becoming more and more aware of their humanity under the impact of regular labor and urban life. Although they, in contrast to the ‘whites,’ do have a genuine race origin, they have made no fetish of race, and the abolition of race society means only the promise of their liberation.” (Pg. 85)

She asserts, “statesmen of countries without minority obligations spoke an even plainer language: they took it for granted that the law of a country could not be responsible for persons insisting on a different nationality. They thereby admitted---and were quickly given the opportunity to prove it practically with the rise of stateless people---that the transformation of the state from in instrument of the law into an instrument of the nation had been completed; the nation had conquered the state, national interest had priority over law long before Hitler cold pronounce, ‘right is what is good for the German people.’ Here again the language of the mob was only the language of public opinion cleansed of hypocrisy and restraint.” (Pg. 155)

She laments, “The Rights of Man, supposedly inalienable, proved to be unenforceable---even in countries whose constitutions were based upon them---whenever people appeared who were no longer citizens of any sovereign state. To this fact, disturbing enough in itself, one must add the confusion created by the many recent attempts to frame a new bill of human rights, which have demonstrated that no one seems able to define with any assurance what those general human rights, as distinguished from the rights of citizens, really are. Although everyone seems to agree that the plight of these people consists precisely in their loss of the Rights of Man, no one seems to know which rights they lost when they lost these human rights.” (Pg. 173)

This is a penetrating analysis of Imperialism, that will be of great interest to anyone studying this subject.

1 of 2 people found the following review helpful.
A Warning to Western Civilization
By Cato
Hannah Arendt is a philosopher, political historian, and one of the few truly expert scholars on the subject of tyrannical governments. While she is controversial, her first hand observations and analysis of Nazi Germany show that she's truly an expert. She is the first to distinguish between despotism and totalitarianism; as dictionaries seldom make the distinction. Totalitarian governments are those despotic government that not only control its people in their actions, but totalitarian governments control the minds of its citizens as well.

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A female rat engages the narrator in a series of dialogues-convincingly demonstrating to him that the rats will inherit a devastated earth. Dreams alternate with reality in this story within a story within a story. Translated by Ralph Manheim. A Helen and Kurt Wolff Book

• Sales Rank: #629763 in Books
• Published on: 1989-05-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .96" w x 6.00" l, 1.07 pounds
• Binding: Paperback
• 371 pages

Features

• ISBN13: 9780156758307
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Publishers Weekly
"A melange of fable, history, polemic, diatribe and jeremiad, its prose interspersed with verse, The Rat . . . defies brief description and amply displays Grass's fecund imagination," stated PW . The flounder and the tin drummer of previous works reappear and "Manheim's heroic translation lucidly conveys Grass's linguistic idiosyncrasies, bizarre neologisms and madcap eccentricities."
Copyright 1989 Reed Business Information, Inc.

From Library Journal
And the rats shall inherit the earth, or so Grass concludes in this wonderful work of speculative virtuosity. With no less a subject before him than the ultimate fate of humankind, this superb German writer weaves together stories to produce an imaginative whole. As the oracular She-rat tells of humanity's demise and the rat's ultimate dominion, Grass himself fights back with memories and dreams, seeking to establish a better future through the acts of history and mind. Meanwhile, a barge crewed by women plies the Baltic Sea. And Oscar Matzerath, the drummer of Grass's early novel The Tin Drum, now appears as a 60-year-old film producer with a plan to film the natural world before it dies in chemical offal. Wildly entertaining as well as thought provoking. Paul E. Hutchison, English Dept., Pennsylvania State Univ., University Park
Copyright 1987 Reed Business Information, Inc.

Review
"A melange of fable, history, polemic, diatribe and jeremiad, its prose interspersed with verse, The Rat . . . defies brief description and amply displays Grass's fecund imagination," stated PW . The flounder and the tin drummer of previous works reappear and "Manheim's heroic translation lucidly conveys Grass's linguistic idiosyncrasies, bizarre neologisms and madcap eccentricities."
(Publishers Weekly)

And the rats shall inherit the earth, or so Grass concludes in this wonderful work of speculative virtuosity. With no less a subject before him than the ultimate fate of humankind, this superb German writer weaves together stories to produce an imaginative whole. As the oracular She-rat tells of humanity's demise and the rat's ultimate dominion, Grass himself fights back with memories and dreams, seeking to establish a better future through the acts of history and mind. Meanwhile, a barge crewed by women plies the Baltic Sea. And Oscar Matzerath, the drummer of Grass's early novel The Tin Drum, now appears as a 60-year-old film producer with a plan to film the natural world before it dies in chemical offal. Wildly entertaining as well as thought provoking. Paul E. Hutchison, English Dept., Pennsylvania State Univ., University Park
(Library Journal)

Most helpful customer reviews

11 of 11 people found the following review helpful.
Apocalypse Then
By Manuel Haas
In the early 1980s the Cold War was on its last legs, but at the time it did not quite feel that way. Especially in Europe, many people were afraid that the new more sophisticated nuclear missiles would sooner or later destroy humanity. At the same time there were growing worries about the environment, as trees and whole forests seemed to be dying from the exposure to pollution. That is the background of Grass' novel "The Rat", which is his own version of the Apocalypse.
The construction of the novel is very intricate, poems and prose interweave several plots. The rat of the title is a pet which the narrator keeps, and which suddenly starts telling him about the end of humanity in a nuclear war; rats survive and found a new civilisation. The narrator does not want to accept this and starts telling stories to prove to the rat that he still exists. There definitely is a feeling of endgame about the novel, as Grass summons characters from earlier novels (such as Oskar from "The Tin Drum"), all the women he has loved (the five of them corss the Baltic Sea in a boat) and his native Danzig-Gdansk as if to say goodbye to them all. In another subplot, characters from well-known fairytales try to start a kind of revolution to save the German forests.
Much of this is very poignant, some of it full of brilliant black humour, yet somehow I get the impression that maybe Grass tried to do too much here. The novel is far from being a page turner. As both the rat and the narrator insist on their points of view, some annoying repetitions occur. - To me it seemed quite dated, too. Even Grass himself seems to be less worried about the end of the world today, as his recent novels are more concerned with the injustices of German unification. That said, "The Rat" is representative of its time - and it is a daring vision which few writers of Grass' standing have attempted. Maybe it will prove a case of greatness which was not recognized in its own time.

8 of 8 people found the following review helpful.
One of his best
By Ross James Browne
_The Rat_ is my favorite novel by Gunter Grass. It is miserly and potent, with very little wasted space or filler. It is an almost continuous stream-of-conscience monologue; it is the nonstop ranting and raving of an angst-ridden person in the midst of a spiritual crisis, venting his frustration and confusion. Overall, this technique proves to be a very successful literary device. It reads almost like nonfiction philosophy, and because Grass does not get bogged down with an absurd plot and characterization, this novel provides an ideal vehicle for his undiluted spiritual-philosophical beliefs. Keep in mind, however, that there is very little in the way of action, charaterization, and concrete plot events in this novel. If you are looking for a more traditional novel, you may want to look elsewhere. Nevertheless, I still believe this is Grass' best work because it is personal and revealing with regards to his deepest sources of philosophical angst and spiritual misgivings. I recommend this book to anyone who really wants to know what is going on in the mind of Gunter Grass.

6 of 6 people found the following review helpful.
A Remarkable Book
By A Customer
One of the best books I have read in a long time. I agree that this book is very dense with symbolism, but I think that this is a virtue, not a fault. Grass orchestrates an amazing chaos through out the book, tying together themes as diverse as the death of fairy-tales, the destruction of the environment, human attitudes toward rats, and a host of other ideas, and somehow turns them into something remarkable. For all its different plot lines, I felt a unity running through this book that few authors could have achieved.
This book is certainly not for everyone, and I would not advise reading it until after you have read "The Tin Drum" and "The Flounder" both by Grass, but for me this book was a remarkable reading experience.

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A synthesis of biology and psychology that examines man's institutional structures, and the interaction of the individual and society.

• Sales Rank: #1143576 in Books
• Color: Blue
• Published on: 1964-10-07
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.15" w x 5.51" l, 1.41 pounds
• Binding: Paperback
• 514 pages

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• ISBN13: 9780156167598
• Condition: New
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About the Author
Hans Gerth is Professor of Sociology at the University of Wisconsin.

Charles Wright Mills (August 28, 1916, Waco, Texas – March 20, 1962, West Nyack, New York) was an American sociologist. Mills is best remembered for his 1959 book The Sociological Imagination in which he lays out a view of the proper relationship between biography and history, theory and method in sociological scholarship. He is also known for studying the structures of power and class in the U.S. in his book The Power Elite. Mills was concerned with the responsibilities of intellectuals in post-World War II society, and advocated public, political engagement over disinterested observation.

Mills initially attended Texas A&M University but left after his first year and subsequently graduated from the University of Texas at Austin in 1939 and received his Ph.D. from the University of Wisconsin-Madison in 1941. After a stint at the University of Maryland, College Park, he took a faculty position at Columbia University in 1946, which he kept, despite controversy, until his untimely death by heart attack. In the mid-1940s, together with Paul Goodman, he contributed to Politics, the journal edited during the 1940s by Dwight Macdonald.

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A fascinating and intimate novel of the life of Mary Todd Lincoln, narrated by the First Lady herself

 

Mary Todd Lincoln is one of history’s most misunderstood and enigmatic women. She was a political strategist, a supporter of emancipation, and a mother who survived the loss of three children and the assassination of her beloved husband. She also ran her family into debt, held seances in the White House, and was committed to an insane asylum—which is where Janis Cooke Newman’s debut novel begins. From her room in Bellevue Place, Mary chronicles her tempestuous childhood in a slaveholding Southern family and takes readers through the years after her husband’s death, revealing the ebbs and flows of her passion and depression, her poverty and ridicule, and her ultimate redemption.

• Sales Rank: #709316 in Books
• Brand: Newman, Janis Cooke
• Published on: 2007-10-01
• Released on: 2007-10-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.08" w x 5.31" l,
• Binding: Paperback
• 636 pages

Amazon.com Review
Mary is a novel written in the first person, comprised of notes composed by Mary Todd Lincoln when she was an inmate of a lunatic asylum. She takes up her pen to block out the screams and moans of the other inmates and to save her own sanity. According to these notes, although she held séances in the White House and drove her family deeply into debt because of compulsive shopping, she was perfectly sane. She makes a good case for herself, despite occasional manic behavior and often uncontrollable grief.

Mary was born to southern slaveholders in Kentucky, moved to Illinois when she was 20 to live with her sister and met Abe at a cotillion. His opening line was "Miss Todd, I want to dance with you the worst way." Their relationship was odd, to say the least. Lincoln, as portrayed by Janis Cooke Newman, was sexually repressed and feared Mary's passion. She was in an almost constant state of trying to seduce him, usually without success. Despite his gawky, angular, unlovely looks, she adored him--even when she had an affair with another to defuse some of her heat. How much of the bedroom scene is fact and how much fancy must be left to the reader to decide, but it does give credence to Mary's very forward manner and her later "passionate" approach to shopping.

She used her shopping expeditions to accumulate things that would "protect" her family--and finally herself, when she felt her son Robert's growing disapproval of her. In his statement to the "insanity" lawyer, Robert said, "I have no doubt my mother is insane. She has long been a source of great anxiety to me. She has no home and no reason to make these purchases." Mary saw them as talismans against disaster, and she certainly had suffered disasters in abundance. She buried three sons and was holding her husband's hand when he was assassinated by a bullet to the head. Her eldest son, Robert, was a cold, unfeeling, haughty shell of a man to whom Mary did not speak after she was released from the asylum to her sister's care. She spent four years in Europe and, when her health failed, returned to her sister's house, where she received her son once before she died.

"First Lady" is a term that was coined to describe Mary Todd Lincoln, while she was the President's wife. It was meant as a backhanded compliment, because she was front and center during much of Lincoln's term. Presidential wives usually stuck to their knitting, but not Mary. Her unconventional ways did her husband a great deal of good; indeed, it was her ambition for him that finally ignited his own ambition. She also helped him to become a great orator. Ultimately, her "unsexed" manner contributed to her being judged insane in 1865 and committed to Bellevue Place, an asylum in Batavia, Illinois, outside Chicago. No President has been more praised nor any first lady more vilified than Abraham and Mary Lincoln. Janis Cooke Newman brings a time, a place and a person to life in a wholly believable and compelling manner. --Valerie Ryan

From Publishers Weekly
Abraham Lincoln's widow was committed by her son in 1875; kept awake by the bedlam of her fellow inmates, she takes up a pen. Newman, author of the memoir The Russian Word for Snow, portrays Mary Todd Lincoln (1818– 1882) as a proto-feminist: she seduces poor Illinois lawyer Lincoln; kick-starts his career; draws his attention to the slavery issue; corrects his elocution before the Lincoln-Douglas debates; and lobbies behind the scenes (she also has an affair). After the 1860 election, the narrative returns to accepted history, dominated by Mary's crushing misery after a son's death in 1862, her husband's assassination and another son's death in 1872, punctuated by lavish shopping expeditions and an occasional psychotic break. Not introspective and demonstrative, Mary presents a challenge for any historical novelist. Newman makes a good choice in telling the story through Mary's eyes and drawing readers into her perspective. Lincoln buffs can give this a pass because he comes across as a shadowy figure, but readers looking for a vivid, mostly flattering (and rather massive) account of his once-notorious spouse, whose letters are becoming more read, will not be disappointed—and those who simply come upon it will be happily surprised. (Sept. 8)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Mary Todd Lincoln ranks as one of the most maligned First Ladies in U.S. history. Her husband has been written about over and over again in fiction and nonfiction, but Mary Lincoln not so much. The conceit of this novel, obviously the result of extensive research, is that while the widow Mary frustratingly languishes in a mental hospital, committed by her only surviving son, Robert, she puts pen to paper to compose her memoirs, to set the otherwise distorted record straight, and to keep a reassuring handle on her sanity. Mary alternates between events in her dramatic past and those in her humiliating present, proffering credible reasons for her individualistic ways, which included, contrary to generally accepted behavior for women back then, an active political consciousness. Mary also reveals a bold sexuality, which may surprise readers. From her words, recounting the exceptional circumstances in which she participated as a president's wife and widow, arises a poignant understanding of how she took advantage of the opportunities extended to her to fulfill her destiny. Brad Hooper
Copyright © American Library Association. All rights reserved

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79 of 81 people found the following review helpful.
A Terrific Historical Novel
By Candace Siegle, Greedy Reader
Janis Cooke Newman's novel is should please lovers of historical fiction as well as Lincoln aficionados, women's history readers, and civil war buffs. It is a cracking good read; rich in detail, engrossing, and an interesting take on an historical figure who continues to be controversial. Like Margaret George's "Autobiography of Henry VIII"--another great example of looking at familiar events through the eyes of its often-maligned main character--Newman allows Mary Todd Lincoln writes her own story, this time from the asylum where her son Robert has committed her.

Like so many 19th century women, Mary had more physical desire than she was supposed to, and was starved for affection on top of it. Her losses were staggering--three sons dead, a husband shot to death while sitting next to her at Ford's Theater, and betrayal by a beloved friend---but while we might say that this would be enough to unbalance anyone, the 19th century was not so forgiving. Many women experienced this depth of loss and were expected to just get on with it. Mary could not.

Her "appetites" for love and shopping (her desire to improve the look for the dirty, seedy White House and the resulting shopping sprees in New York) lead to debts and scandal. She believed that things would keep her and her family safe. She was not loved by the nation, nor by her only surviving son, Robert, a man born with little affection to give. But was she insane? She did lack the moderation and balance expected of women of her period. Newman's novel presents up a complex personality, someone of her time but not well suited to it. This rich and absorbing novel is highly recommended.

32 of 32 people found the following review helpful.
"Unsettled by the ten year anniversary of my husband's killing. But not deranged."
By Luan Gaines
A few scant years after Abraham Lincoln's assassination, his widow, Mary, passes the lonely days incarcerated at Bellevue Place Sanitarium, under the care of an arrogant physician with the usual chauvinistic prejudices of the era. The doctor announces that Mary's "bladder is hysterical" and that she is "possessed of an irritated spine." Later he will blame her state on the "unfavorable humors of an older woman's womb". Subject to the determination of the doctor and her eldest son that she is restored to reason, Mary, at fifty-six, knows only that she must please them to hope of ever gaining her freedom. An easy target of the tabloid since her time as First Lady, Mrs. Lincoln has been driven, in her incarceration, to put pen to paper, filling the sleepless hours of the night with her memories, to "make me forget that I am locked in a madhouse... and keep me sane."

Beginning with her mother's death in Lexington, Kentucky, when Mary is six, she writes of a life cursed with excess and loss: her first meeting with the man who would be president; their tumultuous courtship and marriage; Lincoln's congressional career; the Civil War, the loss of three of her four sons; a long flirtation with Spiritualism; a short foray into infidelity and its consequences; the fated night at Ford's theater, the Chicago fire, years of prescribed drug therapy (chloral hydrate and laudanum) and her distressing stay at Bellevue. Notably emotional, Mary assuages her fearful insecurity during the war years with overzealous spending, a habit that brings her much grief. But aside from the events that mark the passing decades, Mary's life is suffused with an overabundance of passion, unacceptable in her position, coupled with the raging grief of her unbearable losses. Even her husband is intimidated by the strength of Mary's passion.

Her days take on nightmarish proportions after Lincoln's death, until her release from Bellevue through the offices of a Suffragette lawyer, the tale resonating with the history of a democracy still in its infancy. Most striking is the revelation of one woman's fate when she veers from what is acceptable with no man to protect her, her every move monitored by those who determine her sanity. That she survives at all is amazing. A victim of her own insecurities and the prevailing male predilection for denying female participation of any significance beyond the home, Mary is most assuredly a woman of her times, albeit a famous one. This is a telling portrait, Mary's male contemporaries suffering her excesses, importuned by a "weaker sex" desirous of equality in an unending battle of the sexes. Luan Gaines/2006.

26 of 27 people found the following review helpful.
A real page turner
By F. Jasmine
I grew up in Illinois and all I ever learned was the standard party line about Mary Todd Lincoln: that she'd been committed to an insane asylum after her husband was assassinated. And that was where my knowledge stood until Janis's book came along to give a more compassionate take on why Mary might have done what she did (compulsive shopping, erratic behavior, seances, etc.)

Many of us know that Mary Todd Lincoln lost three sons as well as her husband--but history gave her a bum rap because when she didn't behave in a manner that was considered seemly for a former First Lady. With the understanding of psychology and pharmacology we have now, Mary's actions make a lot more sense to us than they did 130 years ago.

And it is the process of seeing how her actions unfolded that makes this such a page turner--though this book may seem long, it doesn't read that way at all. There is no bogging down in exposition; dialogue flows, and things happen on practically every page. I can't imagine a more compelling way to learn a little-told historical tale!

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!! Ebook The Letters of Virginia Woolf, Volume IV, 1929-1931, by Virginia Woolf

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These years were dominated by one woman and one book. The woman was Ethel Smyth; the book was The Waves. This volume's "unerringly human and confessional tone makes Woolf, at last, a real person" (San Francisco Chronicle). Edited by Nigel Nicolson and Joanne Trautmann; Introduction by Nigel Nicolson; Index; photographs.

• Sales Rank: #2052199 in Books
• Color: Yellow
• Published on: 1981-05-15
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.20" w x 5.50" l, 1.35 pounds
• Binding: Paperback
• 442 pages

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• ISBN13: 9780156508841
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About the Author
VIRGINIA WOOLF (1882–1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.

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Yambo, a sixtyish rare-book dealer who lives in Milan, has suffered a loss of memory-he can remember the plot of every book he has ever read, every line of poetry, but he no longer knows his own name, doesn't recognize his wife or his daughters, and remembers nothing about his parents or his childhood. In an effort to retrieve his past, he withdraws to the family home somewhere in the hills between Milan and Turin. There, in the sprawling attic, he searches through boxes of old newspapers, comics, records, photo albums, and adolescent diaries. And so Yambo relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Fred Astaire. His memories run wild, and the life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to capture one simple, innocent image: that of his first love.

A fascinating, abundant new novel-wide-ranging, nostalgic, funny, full of heart-from the incomparable Eco.

• Sales Rank: #495816 in Books
• Brand: Harvest Books
• Published on: 2006-06-05
• Released on: 2006-06-05
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.19" w x 5.31" l,
• Binding: Paperback
• 469 pages

Amazon.com Review
The premise of Umberto Eco's The Mysterious Flame of Queen Loana, may strike some readers as laughably unpromising, and others as breathtakingly rich. A sixty-ish Milanese antiquarian bookseller nicknamed Yambo suffers a stroke and loses his memory of everything but the words he has read: poems, scenes from novels, miscellaneous quotations. His wife Paola fills in the bare essentials of his family history, but in order to trigger original memories, Yambo retreats alone to his ancestral home at Solara, a large country house with an improbably intact collection of family papers, books, gramophone records, and photographs. The house is a museum of Yambo's childhood, conventiently empty of people, except of course for one old family servant with a long memory--an apt metaphor for the mind. Yambo submerges himself in these artifacts, rereading almost everything he read as a school boy, blazing a meandering, sometimes misguided, often enchanting trail of words. Flares of recognition do come, like "mysterious flames," but these only signal that Yambo remembers something; they do not return that memory to him. It is like being handed a wrapped package, the contents of which he can only guess.

Within the limitations of Yambo's handicap and quest, Eco creates wondrous variety, wringing surprise and delight from such shamelessly hackneyed plot twists as the discovery of a hidden room. Illustrated with the cartoons, sheet music covers, and book jackets that Yambo uncovers in his search, The Mysterious Flame of Queen Loana can be read as a love letter to literature, a layered excavation of an Italian boyhood of the 1940s, and a sly meditation on human consciousness. Both playful and reverent, it stands with The Name of the Rose and The Island of the Day Before as among Eco's most successful novels. --Regina Marler

From Publishers Weekly
Guidall gives a polished, Masterpiece Theatre–worthy sheen to Eco's odd, funny tale of Yambo, a man who discovers that while remembering the plots and details of all the books and films he's ever read or seen, he has no recollection of his own life or his name. His sonorous tones are soothing, lending Eco's prose a certain hushed aura, but there is something strangely off about the marriage of the Italian author's intellectual mystery story and Guidall's rolling British cadences. It is as if Guidall's Oxbridge enunciation were thought necessary to gussy up Eco's novel, something it is distinctly not in need of. Overemoting, Guidall turns Yambo into a ham actor rather than a slightly comic figure befuddled by a world full of mysterious and alluring signs. Guidall does do a solid job capturing the quicksilver changes in emotional temperature of the volatile protagonist, who is unable to comprehend the confusing new world he finds himself in. Even in this, though, Guidall is more like an actor professing befuddlement than someone actually finding himself disoriented by his mind's empty spaces.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Eco, known for his philosophical musings, witty allusions, historical and literary criticism, and play with the postmodern world of signs and semiotics, writes with deep intelligence in this novel of ideas. For those who haven’t memorized Bartlett’s Familiar Quotations, Queen Loana is, at heart, a simple detective story. Awaking from a coma, a man seeks to recover his identity (not to become a better person, as the more clichéd version might have it, but to relive the memory of Italians who lived under Mussolini).

Readers interested in literary allusions and the fine line between fantasy and reality will find Queen Loana both fun and erudite; Eco knows just as much about Fred Astaire as he does Marcel Proust. A survey of Italian pop culture of the 1930s and ‘40s, together with recollections of Piedmontese Italy and Fascism, will delight those interested in the intersection of history and literature. Yet this time Eco’s esoteric musings may have maimed the narrative. A few critics accused Eco of embracing semiotics over storytelling, of introducing narrative possibilities with no resolution, of over intellectualizing, period. Connections between Yambo’s reading and the small revelations relating to his sexual awakening, Catholic guilt, and wartime experiences fail to cohere. As a result, some reviewers saw Yambo as an abstruse, "annoying pedant" (San Francisco Chronicle). Others, noting biographical parallels between Yambo and Eco, wondered why the author chose not to write a straight memoir that came more from the heart than the brain. Despite these flaws, readers interested in following one man’s journey through his befuddled psyche will not be disappointed—as long as you’re up on your literature and pop culture.

Copyright © 2004 Phillips & Nelson Media, Inc.

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119 of 123 people found the following review helpful.
"Memory and forgetfulness are as life and death
By Lonya
to one another. To live is to remember and to remember is to live. To die is to forget and to forget is to die." Samuel Butler

I approached Umberto Eco's new novel, The Mysterious Flame of Queen Loana, with some trepidation. I have sometime found Eco's work to be a bit difficult to get through. It became very apparent that I would have no such problems with this book. The Mysterious Flame of Queen Loana was not only a very accessible book but, more importantly, it was at once both immensely enjoyable and thought-provoking.

Before turning to the book itself, I found it interesting that the book is filled with illustrations. Throughout the book World War Two propaganda posters, newspaper clippings, comic book pages, and ads from Italian fashion magazines are printed alongside the text. Some might assert that Eco's reliance on illustrations may detract from the text or represent something of a gimmick. I think the illustrations are visually stunning and serve to recreate the social and political atmosphere of Italy in the 1930s and 1940s during which time much of the book takes place. They add a visual punch to the thoughts of Eco's narrator.

The book opens with Giambattista Boldoni, a 59-year old rare book dealer, awaking from a light coma in a hospital after suffering a stroke. It is determined quickly that Boldoni, known to his friends and family since childhood as Yambo, is suffering from partial amnesia. Although he has a vivid memory of social and cultural events through his life he has no memory of anything relating to his personal life. The first chapter is a classic of pop-culture allusions and metaphors. Yambo's sentences come out in stream of consciousness fashion with no personal context at all. Yambo's sentences consist of a series of bits of quotations from Poe, Conan-Doyle, Robert Lewis Stevenson, songs, ad slogans and other reference that I could spend weeks trying to identify. The rest of the book, like Eco's Name of the Rose of The Island of the Day before is something of a detective story. Yambo turns sleuth and sets out to discover who he is and how he came to be him.

Yambo and his wife agree in short order that this mystery would best be solved if Yambo moves back to his family's country home were Yambo spent most of his childhood. He arrives to find that most of his possessions and those of his parents and grandparents are stored in the attic or in various locations throughout the house. He begins opening boxes to find old phonograph records, school notebooks, photographs, Italian and American comic books and newspaper clippings dating back to the 30s and 40s'. Some of these items ignite a little spark in his head (as Eco puts it) but nothing really serves to restore his memories. Those little sparks seem futile and frustrate Yambo, like a butane cigarette lighter on a windy day must frustrate a smoker just dying to light up a smoke. Nevertheless, Yambo makes some progress. About halfway through the book Eco introduces a dramatic twist in the plot (which will not be divulged) that changes the nature of Yambo's quest.

The second half of the book is devoted to Yambo's examination of his life as he now remembers it and the meaning of his quest for his identity. Answer to questions raised in the first half of the book, such as Yambo's strange attraction for foggy days, are explained. The tone of the narrative in this half of the book is quite different from the narrative in the first. As more information is revealed to Yambo, and to the reader, the focus turns not just to Yambo's quest for memory but the importance of memory in one's life. At the same time, what we choose to forget is sometimes just as important to the structure of our lives as that which we choose to remember.

The intricate thought processes of Yambo as he seeks to recreate his life are set out beautifully by Eco. It is hard to describe the impact of Eco's writing except to refer back to the sentences that Samuel Butler wrote after those lines that started this review:

"Everything is so much involved in and is so much a process of its opposite that, as it is almost fair to call death a process of life and life a process of death, so it is to call memory a process of forgetting and forgetting a process of remembering." Memory and forgetfulness are as life and death to one another, for Yambo and, through Yambo's thoughts, to the reader.

The Mysterious Flame of Queen Loana is well worth reading.
L. Fleisig

66 of 69 people found the following review helpful.
Eco at His Best & Worst
By Timothy Haugh
Umberto Eco is one of the few writers whose incredible intelligence blazes on every page of his books. Fortunately, despite the fact that his intelligence cannot be ignored, he generally doesn't make his reader feel small and stupid. In fact, when Eco is at his best, the fascinations of the story draw you in and make you forget the challenges of what you are reading. When he is at his worst, the going gets tougher, like listening to a professor who is interesting but not really entertaining. In The Mysterious Flame of Queen Loana we get Eco at his best and worst.

This novel is divided into three parts and the first part is as good as anything Eco's written since The Name of the Rose. We are given the interesting premise of a man, Yambo, who has lost the memory of the events of his life while retaining the memory of the things he has learned--the books he has read, the music he has heard, etc. Eco is able to believably evoke the experience of this man whose mind is like a textbook, full of facts but with no connection to the people who sees before him. It is a fascinating point of view. As the story progresses, he and his family and friends attempt to figure out ways to bring back his personal memories. To that end, he is packed off alone to his childhood home in Solara.

It is in part two, the stay in Solara, where the going gets tougher. This section is basically a review of the music and literature of pre- and post-WWII Italy. Not being Italian, I had very little connection to the bulk of the material described though it did evoke some memories of my own childhood literary experiences. It is amazing how much literature really does become universal in Western culture. Still, this section basically came across as Eco's own stroll down memory lane and I think, even for an Italian of similar vintage, it goes on rather long.

In section three, Eco gets back on track with his story. Yambo has had another "episode" but this time his personal memories are returning. We hear Yambo's unconscious mind answer some of the questions about his life that have been raised, the bulk of which centers around a great story of the young Yambo helping some Partisans escape capture during the war. I was less than thrilled by Eco's version of the "going into the light" death at the end of the book but he gained back a lot of my goodwill in this closing section.

In the final analysis, this is a pretty good novel. Eco's work will forever suffer in comparison to his truly great first novel, The Name of the Rose. I have read all of his novels since then and this is without a doubt the best complete novel he's written since Foucault's Pendulum. Some of the writing in section one may be the best he's ever done. It is definitely worth reading.

18 of 18 people found the following review helpful.
Richly Eco
By Robert Busko
The Mysterious Flame of Queen Loana is one of Eco's richest novels in a while...perhaps the richest since The Name of the Rose. Each of his novels, all of them, have provided the patient reader with rewards aplenty. The Mysterioius Flame, you will find, is worth the effort it takes to read it.

Yambo, a 60ish antiquarian book seller has a stroke that virtually wipes his mind clean...clean as if someone had erased a chalk board. The only memory he has is of the words he has read...all of them. His personal life, the fine points of reference we all need to know who we are...to define ourselves is gone. No recollection of family, friends, history....gone.

Yambo retreats to the family estate, Solara, where he has kept virtually every scrap of paper, every photograph...all the things we all keep to keep track of ourselves. He hopes that by surrounding himself with this material he will be able to regain his memory.

Eco is a superbly rick novelist. His stories are made up of various layers, each supporting and enhancing the other. The characters are memorable, the story well weaved. Even his setting, Solara is a treat. I can't help but believe that part of the difficulty in reading his work is due to the translating. Certainly Eco is several levels above most of his contemporaries. Does America have anyone like him.

You'll love the Mysterious Flame.

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