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Bored with their work, three Milanese editors cook up "the Plan," a hoax that connects the medieval Knights Templar with other occult groups from ancient to modern times. This produces a map indicating the geographical point from which all the powers of the earth can be controlled―a point located in Paris, France, at Foucault’s Pendulum. But in a fateful turn the joke becomes all too real, and when occult groups, including Satanists, get wind of the Plan, they go so far as to kill one of the editors in their quest to gain control of the earth.
Orchestrating these and other diverse characters into his multilayered semiotic adventure, Eco has created a superb cerebral entertainment.
- Sales Rank: #72818 in Books
- Published on: 2007-03-05
- Released on: 2007-03-05
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.14" w x 5.31" l, 1.15 pounds
- Binding: Paperback
- 640 pages
From Publishers Weekly
If a copy (often unread) of The Name of the Rose on the coffee table was a badge of intellectual superiority in 1983, Eco's second novel--also an intellectual blockbuster--should prove more accessible. This complex psychological thriller chronicles the development of a literary joke that plunges its perpetrators into deadly peril. The narrator, Casaubon, an expert on the medieval Knights Templars, and two editors working in a branch of a vanity press publishing house in Milan, are told about a purported coded message revealing a secret plan set in motion by the Knights Templars centuries ago when the society was forced underground. As a lark, the three decide to invent a history of the occult tying a variety of phenomena to the mysterious machinations of the Order. Feeding their inspirations into a computer, they become obsessed with their story, dreaming up links between the Templars and just about every occult manifestation throughout history, and predicting that culmination of the Templars' scheme to take over the world is close at hand. The plan becomes real to them--and eventually to the mysterious They, who want the information the trio has "discovered." Dense, packed with meaning, often startlingly provocative, the novel is a mixture of metaphysical meditation, detective story, computer handbook, introduction to physics and philosophy, historical survey, mathematical puzzle, compendium of religious and cultural mythology, guide to the Torah (Hebrew, rather than Latin contributes to the puzzle here, but is restricted mainly to chapter headings), reference manual to the occult, the hermetic mysteries, the Rosicrucians, the Jesuits, the Freemasons-- ad infinitum . The narrative eventually becomes heavy with the accumulated weight of data and supposition, and overwrought with implication, and its climax may leave readers underwhelmed. Until that point, however, this is an intriguing cerebral exercise in which Eco slyly suggests that intellectual arrogance can come to no good end.
Copyright 1989 Reed Business Information, Inc.
From Library Journal
Student of philology in 1970s Milan, Casaubon is completing a thesis on the Templars, a monastic knighthood disbanded in the 1300s for questionable practices. At Pilades Bar, he meets up with Jacopo Belbo, an editor of obscure texts at Garamond Press. Together with Belbo's colleague Diotallevi, they scrutinize the fantastic theories of a prospective author, Colonel Ardenti, who claims that for seven centuries the Templars have been carrying out a complex scheme of revenge. When Ardenti disappears mysteriously, the three begin using their detailed knowledge of the occult sciences to construct a Plan for the Templars[...] In his compulsively readable new novel, Eco plays with "the notion that everything might be mysteriously related to everything else," suggesting that we ourselves create the connections that make up reality. As in his best-selling The Name of the Rose, he relies on abstruse reasoning without losing the reader, for he knows how to use "the polyphony of ideas" as much for effect as for content. Indeed, with its investigation of the ever-popular occult, this highly entertaining novel should be every bit as successful as its predecessor. Previewed in Prepub Alert, LJ 6/1/89. -- Barbara Hoffert, "Library Journal"
Copyright 1989 Reed Business Information, Inc.
Review
PRAISE FOR FOUCAULT’S PENDULUM
Most helpful customer reviews
221 of 231 people found the following review helpful.
Knowingly clever, badly translated.
By Amazon Customer
I'm currently reading Foucault's Pendulum in English, but being both an English mother-tongue and a proficient Italian speaker and reader (as well as a language teacher and translator) I would like to add a little observation about this book. One of the reasons for the akwardness of the prose style and ambiguity is the translation. Many times I found the characters rammbling on at lengths about something which seemed irrelevant, but, when I translated it in my head into Italian, it made sense. One example is the recounting of a dream about a trumpet. The character says that he dreamt of the trumpet which he wanted as a child but instead received a clarinet, which he never played. Another character then asks him if he didn't dream about the clarinet...to which he replies no I played it. This all seems so stupid until you realise that the Italian for 'dream' and 'play' are very similar sounding and the whole dialogue is a play on words.
A book of this nature needs an expert translator. A good translator will translate what is there. An expert would have tried to reword the conversation to find two similarly confusing words in English such as 'knew' and 'blew'. "I knew of a trumpet but I never blew it" for example. The plodding unnaturally pompous prose style is a result of this type of direct translation. Italian prose is full of sub-clauses and spliced lines: English written this way sounds stilted and disjointed. So you end up with sentences such as "I, in the morning, after waking from a dream, went, with great haste, to the bar, which is near my house, for a, as always, coffee." [that's not in the book by the way :)]
To sum up, the book could do with a retranslation.
336 of 355 people found the following review helpful.
My favorite book ever... who knew it was so controversial?
By Three Crows
I first read Foucoult's Pendulum back in college when it was first published. It was recommended by my bofriend, and I spent half of Spring Break plowing through it. Hard work. One of the few books that absolutely necessitates having a dictionary at hand to really absorb it, and it better be the OED because Webster's doesn't have all the words. Seriously. And in the end, I was floored, absorbed, and used the remaining days of vacation to read it again. I had found a new "Favorite Book Ever!"
I guess I understand why so many are so full of vitriolic loathing when they discuss "Foucault's Pendulum". It isn't really a thriller, nor a consipiracy theory text, nor a philosophical treatise, nor an easy read. If you really want some brain candy (and I certainly do a lot of the time--PG Wodehouse forever!) this is not the book to pick up.
It was, however, probably the first work of fiction I had ever read that made me think about the nature of reality... what is real, what is knowledge, how do we know and who decides. I loved the historical mind games, the twisted conspiracy plots, the flights of fanciful speculation. I found the language dense, yes, but dense like the best kind of rich, dark, brownies--intense and flavorful. For me the climax of the novel had nothing to do with the plot, it was the moment when I went "ah-ha!" and actually "Got It!" An intellectual pleasure in the extreme, but a genuine joy nonetheless.
Twelve years later I own three copies of this book (my tattered original paperback, a hardcover I've read once because I felt this was a book I wanted to own in hardcover, and another paperback for lending out). I've read "Foucault" three additional times... it would be more, but, as I said, it's a tough read and you have to be in the right mood. Every time I've experienced again that first wonderful "Ah-ha!" moment, though perhaps a little less intense since I know it is coming. The boyfriend who recommended it is now my husband. And hundreds of books later, it's still my favorite book.
135 of 141 people found the following review helpful.
Skip The Da Vinci Code, please.
By Jason
Dan Brown should be bludgeoned about the head and neck area for writing The Da Vinci Code without acknowledging that he essentially stole and dumbed down the plot of Eco's earlier, brainier mystery. FC is a world-spanning thriller packed with all of the elements that made Brown's book alluring (secret societies, cryptic religious symbolism, grand conspiracies, etc.). The twisting, turning thread of the plot is enough reason to keep reading, but what makes the book shine are all of Eco's philosophical, historical, and mythological/religious asides, crammed with detail. The kind of book where you sense the author checking and rechecking every line to make sure it's ... just the way he wants it.
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