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Wear your gear. Bring your blades. Back your family. Fight for your life.
MLK High School has collapsed into Kung Fu High School--where Jen B. and her brother, Cue, belong to one of two gangs still standing against the puppet principal and the drug kingpin who pulls his strings. Cousin Jimmy--a world-champion martial arts master of mythic stature--arrives in town after swearing to his mother that he'll never fight again. His rep precedes him and everyone's itching to see him "kicked in"--Kung Fu's brutal initiation ritual. But he won't break his vow and defend himself, so Cue steps in when things go too far. Soon, a surprise counterstrike sends Kung Fu spinning toward one final, raging battle. Teachers flee, students break out full weaponry, and Jimmy must make a decision that will brand him a coward--or a hero.
- Sales Rank: #2106454 in Books
- Published on: 2005-09-05
- Original language: English
- Number of items: 1
- Dimensions: .65" h x 6.28" w x 8.32" l, .60 pounds
- Binding: Paperback
- 288 pages
From Publishers Weekly
The student body of the titular high school is armed, girded with armor and versed in martial arts in this ultraviolent, dystopian debut novel from Gattis, the spawn of Quentin Tarantino and Robert Cormier. With a corrupt, ineffectual administration, Kung Fu High has become a prisonlike society ruled by gangs and neglected by the law. The novel's teenage warrior narrator, Jen B., tells the story of her cousin Jimmy Chang, a world champion martial artist and hero to his peers who vows to his mother that he'll never fight again after he's arrested for drubbing a band of thugs. But Jimmy faces a brutal initiation ritual when he transfers to Kung Fu High, a beating he takes without resistance until Jen's brother, Cue, attacks Jimmy's tormenters. Cue, in turn, is murdered, and Jen must negotiate complex school politics while fighting for survival and trying to avenge her brother's death. Jimmy, her only trusted ally, must break his pacifist vow or see his cousin destroyed. With clinical detachment, Gattis splashes graphic descriptions of violence and gore throughout the novel. The " 'gangbanger' Armageddon" final chapters of this story may feel predictable, but the martial arts mayhem is as detailed and balletic as a John Woo movie. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
"Nobody wanted to believe it was real . . . that a school like ours could actually exist." Since its takeover by Ridley, a fifth-year senior who uses the school (and its administrators) to run a drug operation, MLK High School has become a "seventh ring of Hell." Daily survival depends on students' combat training, weapons, and custom-sewn, protective clothing, which Gattis illustrates in frequent drawings. Sophomore Jen describes Ridley's demise, which begins when her cousin, Jimmy, an international martial-arts champion, arrives. The inconceivably graphic violence (organs are ripped out, bodies split open) explodes with the feverish pace and clarity of a video game, but Gattis anchors the bloodshed with Jen's story at home--her sexually charged relationship with Jimmy and grief over her torn family. The gore and horror are gratuitous, but Gattis creates a nightmarish, confrontational, and fascinating world, drawing from the mystique of martial arts and comic books, that forces readers to consider societal fears about youth and violence. Like Brett Easton Ellis' American Psycho (1990), this may well attract a cult following. Gillian Engberg
Copyright © American Library Association. All rights reserved
Review
"A modern, violent epic, Kung Fu is a bloodied white-knuckle ride that never forgets the consequences of its actions." (The List (Scotland))
"Brett Easton Ellis is about to be eclipsed by another young American, Ryan Gattis." (Time Out London)
"You feel every blow, every break. Wnderful, tragic and ultimately cathartic." (Independent on Sunday)
"KFHS borrows its cartoon violence from Kill Bill, its urban decay from Fight Club, its mythic timelessness from The Crow." (Big Issue)
"[A] tense, vicious, and heartfelt affair." (Arena)
"Gripping-it feels like reading a scene from Crouching Tiger, Hidden Dragon so intricate and graceful is the fighting description." (Latest)
Gattis [is] the spawn of Tarantino and Cormier. Martial arts mayhem as detailed and balletic as a John Woo movie. (Publishers Weekly)
"Action packed and emotionally charged. In step with Chuck Palahniuk and just as damn good." (Tara O'Donnell Living Read Girl)
"Inconceivably graphic violence explodes with the feverish pace and clarity of a video game. A nightmarish, confrontational, and fascinating world." (Booklist)
"For those who love martial arts movies, such as Crouching Tiger, Hidden Dragon… exhilarating." (Rocky Mountain News)
Most helpful customer reviews
6 of 6 people found the following review helpful.
(3.5) "You're new: you lose. It's that simple."
By Luan Gaines
This is a very graphic novel, in both language and violence. Martin Luther King High School is not for the faint of heart, or, as the students call it King Joony or King Joo. "Asian, Latin European, African, Indian and every other American thing in between" contribute to the mix of students. But all of them are the color of poor, any logos that make you a target taped over or torn out. Everybody has an angle, even Principal Dermoody, who makes kickbacks to Ridley, a fifth year senior and drug lord planning a school takeover. When Jimmy Chang comes to MLK High School, he changes all that in a plot that becomes increasingly confrontational.
There is a survival list for students: get kicked in (unavoidable), don't complain, join a family, stay loyal and learn how to sew (to add Kevlar and other types of body armor worn to school for protection). This Brave New World scenario is a cross between superhero comics and a video game, saturated with brutality and vivid descriptions of injuries sustained. Jimmy Chang, known for his martial arts skills, at first refuses to engage, but is drawn into battle to protect his cousin. Jimmy thought he had seen the last of fighting, but he steps up to protect his cousin and the family.
Although the excessive violence and everyday battle for survival becomes a parody of guerilla warfare, the message is clear, a society defined by tribes that rule by force. These kids endure their high school years, one day at a time. The protagonist, Jimmy Chang's fifteen-year old cousin, has been hardened to this life of constant menace, armor-lined clothing, martial arts training, the conditions at MLK fast reaching a boiling point. Finally, there is a massive and bloody showdown, bodies flying, broken and bleeding. Only Jimmy, with his superior fighting skills can save the day, an exercise that results in a virtual Armageddon.
This is civilization at its most primitive, where everyone is diminished by the violence, which is so over the top that it becomes a caricature, a Tarentino-esque drama of flying arms and legs, a teen Kill Bill. Young adult readers will either be horrified or excited by the non-stop action, as mesmerizing as a video game that takes out the players one by one. Gattis never romances the truth, each page like a fist in the face, drawing blood. The problem is desensitization. Does this violence dull the senses, rationalizing a way of life, or does overkill prove the stupidity and hopelessness of such a world. Filled with graphic violence, death and despair, the author never romances the truth, but the martial arts scenes do read "cool", maybe too cool. Parental oversight is needed to determine whether this book is appropriate reading for their young adult. Luan Gaines.2005.
3 of 4 people found the following review helpful.
A Little Bit of the Old Ultraviolence
By A. Ross
First time author Gattis has taken every parent and teenager's worst fears about high school to their dystopian extreme in this explosion of exploitation ultraviolence. The combination of Columbine massacre, and films like Battle Royale, Boyz in the Hood, Bloodsport, and every Hong Kong chop-socky flick ever, would make for hilariously campy fun were it not for the relentlessly grim tone and absolutely brutal violence. Unlike most teen violence films, where the carnage is distanced through the use of guns, knives, and other tools, here the violence is almost entirely fists and feet, and the ultrarealistic effect of every single blow is detailed in almost fetishistic detail.
The dehumanized teenagers of Martin Luther King High School have no dream other than surviving from one day to the next. The kids are a complete ethnic stew, whose only common feature is that they are too poor to escape being sent to MLK. Each belongs to one of six families (gangs), no one goes anywhere without a family member watching their back, and everyone is constantly trying to improve their martial arts skills. Going to school is an exercise in vigilance, as these kids literally dress for battle and everyone wears plain, all black clothing in order to disguise their affiliation from outsiders. Their school is run by Ridley, an eighth-year senior drug lord who controls four of the six families and has the school administration and teachers in his pockets.
The story is narrated by Jen, a sophomore whose brother is the leader of the "Waves", and whose cousin Jimmy is a world-renown grandmaster who has just returned from living in Kong Kong. His arrival coincides with Ridley's move to absorb the other two families and assume ultimate control, enabling him to expand his operation. Jimmy is a kind of classic martial arts character, the heroic good guy who has pledged never to fight again -- but of course, is forced to by the Darwinian world around him. Most of the book is a kind of slow burn of escalating violence leading to an inevitable massive bloodbath at the end. There are some other little glimpses into Jen's seeded throughout, her heartache for her dead mother, her attempts to deal with her invalid father, her forbidden yearning for Jimmy, and friendship with the cool free clinic doctor who patches up the family after their various fights. But these are all rather thinly done, and are mere background to the showdown with Ridley.
There's a lot of nice detail sprinkled throughout, such as the specifics of how to sew unobtrusive body armor into your everyday clothing, how to make four-edged knives, and so on. Much of this is illustrated through nifty rough diagrams and drawings inserted amidst the text. The most striking stylistic element of the book, however, is Gattis' ability to describe martial arts combat. You don't need to be a practitioner to follow the various moves as the bodies fly, skin is shredded, and bones break. It's all vividly done to well past the point of excess. It could easily be argued that all this graphic detail serves a raw, cautionary function, or one could just as easily argue that it desensitizes the reader. Either way, it'd be hard to argue that the scenes involving Jimmy aren't pretty cool, as he balletically devastates his teen opponents one after the other in the climax. Ultimately, the book doesn't leave the reader with much -- it's more of a concept with a thin thin story than a really engrossing tale. It the kind of material could make an excellent film in the right hands, but it could also make a really horrible film in the wrong ones.
3 of 4 people found the following review helpful.
Dark and semi-sweet, like blood, not chocolate
By Jillian Perkins
Most teenagers would tell you that high school is about survival. But at Kung Fu High School, that imperative becomes literal. Drug kingpin and evil genius Ridley has created a community of ultra-violence, where everyone from cops to teachers are corrupt. Survival for students means learning to fight and joining one of the six "families," like mob gangs, who can watch your back. Strange heroes Jen and Jimmy are cousins who have no choice but to fight, and fight superlatively. The battle is for revenge, for fun, for survival, for family, and for life. Gattis captures the wild spirit of kung fu fighting, which is at once painful, awful, beautiful, and exhilarating. Choreographed as cleanly and elegantly as John Woo or Quentin Tarantino ever produced, the violence is graphic and vivid. His characters have depth and are surprisingly unpredictable. Like the blood that is so abundant throughout the novel, it is a dark exploration of what it feels like to fight for survival, but with unexpected warmth and sweetness. Kung fu movies are a genre unto themselves; Gattis has created a new genre of kung fu novels. And it is a great beginning.
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