! Free PDF Memoir From Antproof Case, by Mark Helprin

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An old American who lives in Brazil is writing his memoirs. An English teacher at the naval academy, he is married to a woman young enough to be his daughter and has a little son whom he loves. He sits in a mountain garden in Niterói, overlooking the ocean.

As he reminisces and writes, placing the pages carefully in his antproof case, we learn that he was a World War II ace who was shot down twice, an investment banker who met with popes and presidents, and a man who was never not in love. He was the thief of the century, a murderer, and a protector of the innocent. And all his life he waged a valiant, losing, one-man battle against the world’s most insidious enslaver: coffee.

Mark Helprin combines adventure, satire, flights of transcendence, and high comedy in this "memoir" of a man whose life reads like the song of the twentieth century.

• Sales Rank: #841756 in Books
• Brand: Helprin, Mark
• Published on: 2007-08-06
• Released on: 2007-08-06
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.16" w x 5.31" l, .95 pounds
• Binding: Paperback
• 528 pages

From Publishers Weekly
Helprin's narrator writes his "memoir" as an old man, reviewing an extravagant and occasionally perilous life spanning many of the major events of the 20th century.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
An old man climbs hills to find solace in viewing the ocean and to write a memoir for his young son (which he stores in an "antproof case"). His story moves forward in jagged fragments, with memories leading to memories-not sequentially, but leapfrogging through a dramatic life as World War II ace, investment banker, murderer, and more and looping back upon one another. As in a portrait by Picasso, the truth of his life is revealed through wildly distorted features. Helprin (A Soldier of the Great War, LJ 4/15/91) returns to his themes of love and redemptio, once again creating a tale that is rich in imagery and juxtaposes the irreverence and faith, foolishness and brilliance, of a 20th-century Don Quixote. Highly recommended.
--Jan Blodgett, Davidson Coll., Davidson, N.C.
Copyright 1995 Reed Business Information, Inc.

From Booklist
An antproof case is a meticulously crafted trunk that even the tiniest of insects can't infiltrate, a handsome antique emblematic of what was once good and true in the world, at least to the inexhaustible, idiosyncratic, wise, tender, hilarious, and poetic narrator of Helprin's spellbinding novel. This unnamed and utterly charming octogenarian is writing his meandering and episodic autobiography in a secluded mountain retreat across the bay from Rio de Janeiro and instructs us, with amusing regularity, to "please return the previous pages to the antproof case." And we would, if we could, because we wouldn't want to lose a single sheet of this magical and transcendent story. Our feisty memoirist, who claims to have been educated in a Swiss mental institution after killing a man on a New York train and to have been one of the world's richest men, a war hero, an ardent lover, and a master thief, is a veritable Scheherazade, spinning one mesmerizing but highly unlikely tale after another. As his energetic and entertaining narrative progresses, an odd fact emerges: this health-conscious adventurer vehemently believes that coffee is evil, a peculiar obsession that we eventually learn has deep roots and profound consequences. Helprin has a great gift for meaningful, dazzlingly detailed description as well as a nimble sense of humor and a keen perception of life as a jumble of the holy and the profane, a chaos that can only be tamed by the power of love. Donna Seaman

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39 of 41 people found the following review helpful.
Engrossing and hilarious
By Christopher P. Dunn
I have been prodded and cajoled into reading this book. And like many other things in life that I now appreciate, why did I wait so long? This is a poignant, hilarious, and deep novel. Yes, the reader must let go of reality and suspend belief, but what a sense of wonder I felt as I let Helprin's prose ferry me from sense to nonsense, from heaven to hell, and from love to bitterness. Our "hero" is as complicated and contradictory as are we all and serves as an ingenious metaphor of our times (greed, selfishness, humanity). Helprin's observations on money and wealth ("use it to increase vitality, not to lean on") are serious social criticism and his humor is ingenious.
Those readers who do understand and appreciate this book will also love Graham Greene's "Monsignor Quixote" and Kiran Desai's lovely "Hullabaloo in the Guava Orchard."

29 of 30 people found the following review helpful.
4.5 stars, really
By A Customer
I'd like those of you who criticized this novel to give Memoir from Antproof Case a second try. In my high school junior

English class, we have to read 2,000 pages by one author and write a literary criticism/analysis on each novel that we read, as well as a persuasive paper and a comparitive analysis, and finally a 25 page thesis. I chose Mark Helprin.

So far I have read three of his novels, and I find his idealistic, romantic, pure outlooks on the human soul and his frustration at the fact that the world is corrupt (yet full of innocent hopefuls who will never be able to change the world as a whole, no matter how hard they try) truly compelling. This novel is not my favorite novel by him, however - if you would

like to give him a second try, as I recommend, I would suggest that you read Freddy and Fredericka. It is his latest novel, published just 5 months ago, and is an anachronism on British monarchy and American government. Unlike his other novels, the entire thing has an underlying thread of immensely fun humor, as well as conveying his well-loved theme of innocence, purity,

and a hatred of corruption. My copy is a well-dog-eared book, and I think you should give it a try.

Thank you so much for your time.

21 of 22 people found the following review helpful.
Hilarious and brilliant
By M. H. Bayliss
Unlike the elegiac Winter's Tale (which no one should miss)and the memorable Soldier of the Great War, this book will have you laughing out loud. If you have any coffee addicted friends, you should pass this along to them immediately. Helprin is one of the truly great writers of our time and this book showcases his powers in a more comical light than his other books. Still, he manages to be profound and compelling. Parts of this book are reminscent of scenes from 100 years of Solitude. Not surprising since Helprin uses a kind of magic realism too (but his own brand) in many of his works.

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~~ Free PDF The Club Dumas, by Arturo Perez-Reverte

Free PDF The Club Dumas, by Arturo Perez-Reverte

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A provocative literary thriller that playfully pays tribute to classic tales of mystery and adventure

 

Lucas Corso is a book detective, a middle-aged mercenary hired to hunt down rare editions for wealthy and unscrupulous clients. When a well-known bibliophile is found dead, leaving behind part of the original manuscript of Alexandre Dumas's The Three Musketeers, Corso is brought in to authenticate the fragment. He is soon drawn into a swirling plot involving devil worship, occult practices, and swashbuckling derring-do among a cast of characters bearing a suspicious resemblance to those of Dumas's masterpiece. Aided by a mysterious beauty named for a Conan Doyle heroine, Corso travels from Madrid to Toledo to Paris on the killer's trail in this twisty intellectual romp through the book world.

• Sales Rank: #129995 in Books
• Brand: Mariner Books
• Published on: 2006-05-01
• Released on: 2006-05-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .92" w x 5.31" l, .90 pounds
• Binding: Paperback
• 368 pages

Features

• Great product!

Amazon.com Review
Fallen angels, satanic manuals, and a passion for the works of Raphael Sabatini and Alexandre Dumas among others--this is the stuff of Spanish author Arturo Pérez-Reverte's engrossing novel The Club Dumas. Set in a world of antiquarian booksellers where dealers would gladly betray their own mothers to get their hands on a rare volume, The Club Dumas is a thinking person's thriller: in addition to a riveting plot, the book is full of intriguing details that range from the working habits of Alexandre Dumas to how one might go about forging a 17th-century text. Woven through these meditations is enough murder, sex, and the occult to keep both the hero, Lucas Corso, and the reader hopping.

As in his previous novel, The Flanders Panel, set in the world of art restoration, Mr. Pérez-Reverte has written a literary thriller to tease both the intellect and adrenaline gland. Lucas Corso makes a complex, ultimately sympathetic hero, and there's plenty to delight in the intricate twists and turns the story takes before the mystery of The Club Dumas is finally solved.

From Publishers Weekly
The hero of Spanish author Perez-Reverte's freewheeling, ambitious literary mystery is Lucas Corso, an itinerant rare-book hunter who'd gladly sell his grandmother for a first edition. When a wealthy cookbook publisher and bibliophile is found hanged in his study, leaving behind an original handwritten chapter from Alexandre Dumas's The Three Musketeers, antiquarian book dealer Flavio LaPorte asks his friend Corso to authenticate the manuscript. What begins as a straightforward assignment soon complicates into a bewildering tangle of literary gamesmanship as the book detective finds himself swept into a real-life adventure-serial and crime novel rolled into one. As the action shifts from Madrid to Portugal to Paris, the intrepid, bad-tempered, gin-swilling Corso encounters a host of intriguing characters, including devil worshippers, obsessed book collectors and a hypnotically appealing femme fatale. Suspense-filled and ingenious, Perez-Reverte's latest (after The Flanders Panel) is also something of a primer on the rare-book business and a witty meditation on the relationship between book lovers and the texts they adore. Rights: Howard Morhaim.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
Perez-Reverte, who proved with The Flanders Panel (LJ 6/15/94) that art history and chess can mix to create suspense, is back with another literate mystery. Here the focus is on literature, particularly the world of antiquarian books, which proves much less stuffy than one might expect. Lucas Corso, a "mercenary of the book world [who hunted] down books for other people," gets more than he bargained for when he seeks to authenticate a manuscript of Chapter 42 of Alexandre Dumas's The Three Musketeers. The manuscript was purchased from Enrique Taillefer, a publisher subsequently found hanged, and it leads him on a search for the original of The Book of the Nine Doors to the Kingdom of Darkness, a work of the occult that was banned in the 17th century. So why is a man with a scar trying to kill Corso, and why is Taillefer's lubricious widow using her wiles to get back the Dumas chapter? This book takes a little longer to heat up than The Flanders Panel, possibly because the misansthropic Corso is not as as attractive a protagonist as Flanders's heroine, but soon the chase is on?and it's as suspenseful as any mystery buff could want. The learned detail about early printing, the occult, and Dumas is just as stimulating. Highly recommended for readers who want their thrills a cut above the average.?Barbara Hoffert, "Library Journal"
Copyright 1996 Reed Business Information, Inc.

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173 of 179 people found the following review helpful.
Mind Candy (not to be swallowed by everyone)
By Natalia (tals@fastmail.i-next.net
"The Club Dumas" kept me at home, curled up in bed the whole weekend despite a long-awaited Saturday rave. It was THAT good.
The plot is enough to keep you on edge until the last line. It starts of with an investigation on the suicide of a well-known bookseller, who had left a manuscript of "The Anjou Wine", a chapter of Alexander Dumas' "The Three Musketeers". Lucas Corso, the central character of the novel, is a book detective hired to authenticate the manuscript. His investigation leads him to a vortex of mysterious events, and he becomes involved in puzzling murder scenes and even demonology. To add to his stange experiences are the people he meets, who bear a puzzling resemblance to characters in the Dumas masterpiece.
This book was so interesting. It had twists and surprises that didn't use tired formulas of old mystery novels. I must add, though, that this book may not be enjoyed by everyone. If you're looking for an easy, fast read, well, you might have to think twice before reading this. There are various allusions to classic literature (particularly 19th century French literature), medieval history, religion and demonology. A reader not versed in Dumas' works may get confused. (And I haven't even mentioned all the Latin phrases yet). I DO recommend this book, however, to all bibliophiles, fans of classic literature and murder mystery genres. All the little literary tidbits, particularly on Alexander Dumas, will be mind candy, indeed. The author, Perez-Reverte, was compared by some critics to Umberto Eco in this novel. I have to disagree a bit, though...for although "The Club Dumas" resembles "Foucault's Pendulum" in that it freely alludes to history, ancient texts and esoteria, finding connections to otherwise unrelated events, I think that Perez-Reverte's writing is easier to take in. ( I didn't need a dictionary for the first sentence). The plot of "Club Dumas" also reminds me of another, not-very-known book, "The Eight" by Catherine Neville, because of the protagonist's entanglement with juicy puzzles and references to historical figures. I was also particularly impressed by the ending of the novel, which I thought was clever. Not a lot of books I've read these days have endings that satisfy me. (Hell, not a lot of books can keep me antisocial for the weekend!)

38 of 40 people found the following review helpful.
Stunning & Original
By Lev Raphael
Lucas Corso is an unusual kind of private detective. He's "a mercenary of the book world," hunting down rare books for wealthy collectors. If that includes arranging for a theft and having confederates disguise the book's provenance, so be it. Corso knows all the angles.
In The Club Dumas, however, his latest case unexpectedly takes detours into violence and satanism. Corso has twin tasks: verifying the authenticity of a manuscript chapter of Dumas's The Three Musketeers and discovering whether a medieval volume, The Nine Doors, is a forgery. This book supposedly holds the secret of calling up Satan, and copies were burned during the Inquisition.
As he plumbs the murky depths of The Nine Doors and delves into the world of Alexander Dumas, Corso's case grows more and more phantasmagorical. He's stalked, beaten, becomes an accessory to murder, falls in love with a mysterious young woman who may be a devil, and becomes convinced someone has enmeshed him in a bizarre re- enactment of The Three Musketeers.
Critics have compared the author to Umberto Eco, but The Club Dumas lacks the heavy hand of the literary critic. It's a fast-paced, joyously complex and inventive book, imbued with a passion for literature. Prepare to be amused and amazed by this funny, bizarre set of puzzles within puzzles. And if you're a book lover, or have a special fondness for The Three Musketeers, this novel is an unforgettable feast.

29 of 31 people found the following review helpful.
Kindle version is full of mistakes.
By J. Rossbach
Amazon should be ashamed to sell this on Kindle.
There are so many OCR mistakes that it becomes hard to read at times.
For instance, every single instance of "rain" in the book is spelled "ram".
Lots of missing punctuation that often causes you to double take as well.
There really should be some sort of quality control as they rush to convert
all their books to Kindle.

By the way, the story is good. I hate to give it a bad rating, but I feel something must be said.

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** Download Maigret and the Headless Corpse, by Georges Simenon

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A decapitated corpse, found in a Paris canal, leads Inspector Maigret to visit the eccentric owner of a small bistro

• Sales Rank: #1673172 in Books
• Published on: 1985-06-26
• Original language: English
• Number of items: 1
• Dimensions: .47" h x 4.21" w x 7.02" l,
• Binding: Paperback
• 196 pages

Language Notes
Text: English, French (translation)

About the Author
Georges Simenon (1903-1989) was born in Lie`ge, Belgium. As a young man he worked as a baker, journalist, and bookseller and published his first novel at seventeen. He went on to write more than two hundred novels, becoming one of the world's most prolific and bestselling authors. His books have sold more than 500 million copies and have been translated into fifty languages.

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2 of 2 people found the following review helpful.
Crime and forgiveness
By Phillip Kay
Maigret and the Headless Corpse was first published as Maigret et le corps sans tête in 1955. It was translated by Eileen Ellenbogen. Body parts of a dismembered corpse are found in the Seine when a coal barge goes aground, and Maigret is called in to investigate. On the very first day he stumbles across the solution, quite by accident. Perhaps for that reason, he feels compelled to investigate the causes of the crime, hidden deep in the past of the people concerned.

Quite unlike most conventional mysteries, where the solution is the main point of the story, here it is the motive that is investigated. Maigret delves several generations into the past, and finds a repellent nouveau riche, and a daughter deeply divided between adoration, and hatred and contempt. The daughter Aline, perhaps feeling an incestuous passion like Simenon's own daughter, and mired in self hatred, elopes with a peasant retainer on her father's estate and shuts herself up in a canal side bistro with him, where each lives their own life. Her rationale, if she has one, is to mortify and hurt her father through her own degradation. Now Omer Calas, her husband, has disappeared. Could he be the man whose body was found in the canal?

Maigret and Aline feel their way to some kind of understanding as the investigation continues. Maigret, like Simenon, knows there is no crime, and there should be no punishment. He desperately tries to understand, in the belief that with understanding will come forgiveness, and with forgiveness, the troubles that drive people to crime will be somehow lessened.

9 of 10 people found the following review helpful.
The 'perfect' Maigret
By A Customer
If you're curious about Simenon's unique style and his great character Maigret, this is the one to start with. More than any of the other 50 Maigrets I've read, this one epitomizes the qualities that make these books so remarkable; Maigret solves crimes, like this one, not so much by the regular procedure of detection, but by trying to understand the circumstances of the crime and the lives of the people involved. In this book, the crime becomes almost irrelevant compared to the study of character and human unhappiness.

2 of 2 people found the following review helpful.
Grim title, charming narrative
By Patto
I've been avoiding buying this book because of the grisly images conjured up by the title. But I finally succumbed - and was rewarded with a delightful Maigret.

Something gets caught in the propeller of a barge in the St. Martin Canal. The bargemen fish up a human arm with a boat hook. After that, the police recover all the body parts except the head. The absence of the head makes identification very difficult.

While seeking refreshment in the neighborhood of the murder, Maigret happens to visit a bar where the proprietor is suspiciously absent. Aline Calas has no idea when her husband will return: "He never tells me anything." Maigret is fascinated by the listless, taciturn Madame Calas, who drinks steadily and sleeps with any man who asks, and not even for money.

Maigret's compulsion to understand character drives his circuitous investigation.

Throughout the story, the fresh and luminous spring weather contrasts with gloomy drinking dens, the odorous waters of the canal and the stench of the neatly packaged body parts.

Simenon is at his casual best in this book. The subtle humor and seductive cadence of the dialog is a treat, as is the rather offhand unfolding of plot and motive.

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> Ebook Gilbert Law Summaries: Property, by Dukeminier

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<p> This highly respected and widely used casebook -- long recognized by both students and instructors as one of the best available for any course -- continues to offer a dynamic and distinctive introduction to the law of property. Carefully preserving the excellent foundation created by original authors the late Jesse Dukeminier and James Krier, PROPERTY, Sixth Edition, incorporates a wealth of new material. </p> <p> What makes PROPERTY such an ideal casebook? </p> <ul> <li> a unique blend of wit, erudition, insight, and playfulness </li> <li> engaging structure that encompasses cases, text, questions, problems, visual illustrations, and examples </li> <li> modular organization makes the book highly adaptable to a range of syllabi and equally well suited for use in property courses with different emphases and credit hours </li> <li> distinctive sense of humor and human-interest perspective </li> <li> comprehensive coverage of property topics, including in-depth treatment of estates and future interests, servitudes, and land-use controls </li> <li> cases are enhanced and connected to broader legal principles by well-written notes, questions, and problems </li> <li> the authors employ an accessible 'economic lens' as a tool for thinking critically about property -- with the caveat that 'the economics in the book can be managed easily... even by the totally uninitiated; it can also be ignored or even scorned.' </li> <li> extensive Teacher's Manual that answers every question and problem in the casebook, provides brief comments, and offers deeper analysis and observations </li> </ul> <p> Changes for the Sixth Edition reflect meticulous updating: </p> <ul> <li> James Krier is joined by new coauthors Gregory Alexander and Michael Schill in integrating new developments while carefully retaining the distinctive character of this highly successful casebook </li> <li> Intellectual Property materials are substantially revised to incorporate cases recommended by users and decrease the emphasis on cyberspace </li> <li> the Takings chapter is fully updated with new developments and recent Supreme Court cases, including Tahoe Sierra and Kelo v. New London </li> <li> chapters on Estates and Future Interests are shortened by deleting older materials on the Rule Against Perpetuities (RAP) and adding newer materials on the RAP and Dynastic Trusts </li> <li> real estate transaction coverage is enhanced by: a shorter, more up-to-date description of a typical transaction; an updated sales contract; a new section on brokers with a case on broker fiduciary duty; new text on multiple listing services, antitrust implications, and broker commissions; e-signatures and the statute of frauds; remedies for breach of real estate sales contracts, including two new cases on the calculation of damages, rescission, and retention of deposit; and new emphasis on how the law of real property differs from the law of contracts and the UCC </li> <li> prudent trimming of the materials on Equitable Servitudes, particularly on touch and concern and vertical privity requirements </li> <li> for professors who prefer to devote less time to future interests, a new, optional 'short form' version appears in the completely updated Teacher's Manual </li> </ul> <p> <a href="http://www.aspenlawschool.com/dukeminier_property6/" target="_blank"> Visit the companion website for Property, Sixth Edition</a>, where you can find more information about the book and authors. </p> <p> </p> <p> </p>

• Sales Rank: #6197723 in Books
• Brand: Brand: Harcourt Brace Legal and Professional Publica
• Published on: 1991
• Number of items: 1
• Binding: Paperback
• 439 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

41 of 45 people found the following review helpful.
Supplements don't get better than this!
By Egyptienne
As you may already know, Dukeminier (the author of this supplement) is the author of the premier textbook on Property, used by 90% of law schools in the country. If that right there doesn't convince you that this supplement is AWESOME, let me further explain. This book is a MUST HAVE for any student looking to fully understand the concepts of Property Law. It provides concise explanations of the rules derived from the cases in the casebook, and gives WONDERFUL charts and graphs to show the relationship of one concept to another (like future interests, equitable servitudes and easements, etc.). Additionally, he provides examples and explanations of how to get to the answers and the answers themselves. I think I would've lost my mind in Property if it weren't for this book, and with this book, you will not need to invest in any other supplements. Trust me on this one...this book is essential.

15 of 15 people found the following review helpful.
he may be the Duke, but...
By David Martens
As other reviewers have mentioned, Dukeminier's textbook is the most common book for property, leading one to believe that his outline should be a natural choice.

In light of how much I pay for law school tuition, I decided to get some insurance by purchasing Gilbert's and Emanuel's outlines for most classes, and use the best of each for my course work.

As a side effect of that, I was able to do a comparison between the two and I was surprised that Emanuel's consistently gave deeper and broader treatment of subjects, especially in Property and Contracts.

Although Duke's outline is certainly useful, I strongly believe that you can do better with Emanuel's, which is also keyed to Duke's textbook.

13 of 13 people found the following review helpful.
Great Help
By A Customer
I felt this was a great reference tool for my 1L property class, more concise than the Treatise, better black letter than the case briefs. Would recommend it as help with a very heavy subject.

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^ Ebook Danzig Trilogy Of Gunter Grass: A Study of the Tin Drum, Cat and Mouse, and Dog Years, by John Reddick

Ebook Danzig Trilogy Of Gunter Grass: A Study of the Tin Drum, Cat and Mouse, and Dog Years, by John Reddick

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A critical examination of Grass's work offers overwhelming evidence that Cat and Mouse and Dog Years are part of a unified structure begun by The Tin Drum and that they continue to explore the same key figures, themes, and symbols. A Helen and Kurt Wolff Book.

• Sales Rank: #1396925 in Books
• Color: White
• Published on: 1975-10-15
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .78" w x 5.50" l, .90 pounds
• Binding: Paperback
• 290 pages

Features

• ISBN13: 9780156238298
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Language Notes
Text: English, German

About the Author
John Reddick, Professor of German and Head of Department of German, University of Liverpool. 

Most helpful customer reviews

1 of 2 people found the following review helpful.
This is not the Trilogy
By Jane W.
I thought I was ordering the trilogy itself. Instead this was a review/critique of the trilogy. Thus I was disappointed. I hoped to find the trilogy in one volume. Apparently it is necessary to order each of the three novels individually. I reordered the Tin Drum and thus have had to pay twice to get what I really wanted

3 of 3 people found the following review helpful.
The rest of these reviews are about the subject of this book--this one is about this book (and Dog Years).
By Robert Beveridge
Günter Grass, Dog Years (Fawcett Crest, 1963)
John Reddick, The Danzig Trilogy of Günter Grass (Harcourt Brace Jovanovich, 1974)
[originally posted 22Mar2000]

First: If you decide to tackle the Danzig Trilogy, Reddick's critical analysis is indispensable. I suggest tackling it the same way I did: read The Tin Drum, start Reddick's book at the same time you start Cat and Mouse (Reddick reads faster than Grass, and you'll get through a lot of Reddick while tackling Grass), and when you've caught up, read Reddick's section on Dog Years and the actual novel concurrently.

Those of you who feel the revelation of anything having to do with a book before you get to that part in the book is a spoiler should probably avoid this technique; Reddick reveals the major "mystery" in Dog Years towards the end of his section on Cat and Mouse. However, one cannot really consider Dog Years a mystery, despite the various things that happen within it; while there are some elements to it that keep the reader guessing, Dog Years is, more than anything, a savage satire on Germany during the WW2 years. And as such, finding out the main mystery-that's-not-a-mystery should not detract at all from one's appreciation of the book itself.

Dog Years can also stand on its own, without being read as a part of the Danzig Trilogy, but the reader's appreciation of many facets of this novel-- most notably Edouard Amsel's character and the satire itself--are more easily appreciated when you have The Tin Drum and Cat and Mouse under your belt as comparisons. Amsel, the main protagonist of Dog Years, stands as a direct comparison to both Oskar and Mahlke, and his character is more easily understood when those two have already been assimilated by the reader.

The plot of Dog Years is a simple enough one; it charts, through the use of three narrators, the friendship of Edouard Amsel and Walter Matern from grade school through their early thirties. Amsel, the intellectual one, is picked on constantly by his classmates (including Matern) until one day, for no apparent reason, Matern befriends Amsel and chases away the others. It's a typical buddy-relationship in that Amsel is the brains and Matern is the brawn, but we don't get the bonding we've come to expect from seeing too many Hollywood buddy films. The relationship between Matern and Amsel is far more complex than that, and Reddick has done a passable job of interpreting it, one which I won't attempt to recreate here (it would be ludicrous to attempt something that complex in such a forum as a review). In an odd lapse, though--especially given how much emphasis Reddick has put on Grass' enmity and satire of the Roman Catholic Church in the previous two books-- Reddick seems to have overlooked one of the most obvious interpretations of Amsel's character (and also that of the more minor protagonist Jenny Brunies), as a christ figure. In the novel's central scene, both Amsel and Brunies (who are both made out, in the first half of the novel, to be almost comically fat) undergo a transformation that transforms Brunies into a ballet sensation and Amsel into another character entirely, the omnipotent Goldmouth; while there is no physical crucifixion here, the path taken by Amsel's character through the rest of the novel certainly implies the path of christ after the resurrection, until his assumption into, in this case, Berlin. For the next hundred or so pages, Goldmouth is never actually seen, only referred to in the good deeds he does for others, and he achieves an almost legendary status among the rank and file for his goodness, his power (in postwar Germany, his power is in his connections; who he knows), and the fact that no one really sees him much, but everyone is aware of his presence and his acts. However, Reddick, in his attempt to (successfully) parallel Amsel's character with that of Grass himself, never examines this aspect of Amsel.

This lack also leads to Reddick drawing the conclusion that Dog Years is the weakest of the three books, while still proclaiming that as a whole they rank as the finest piece of modern German literature extant today. I feel Reddick is giving Dog Years short shrift here; while the book does, in fact, have its faults, they are faults shared by the other two novels as well, and I came away from Dog Years thinking that, to the contrary, it was the strongest and most absorbing of the three. While it was more difficult than the other two, it was also more rewarding and more absorbing; it's not often I'll put in three months on one novel, but at no time did I feel that it ever stopped moving me along, and at no time did I ever feel that it was time to put the book down for good.

Keeping this seeming oversight of Reddick's in mind, I still have to recommend his book as a perfect accompaniment to Grass' most famous three novels, and all four of them deserve the attention of every serious student of literature.

Dog Years: **** 1/2
The Danzig Trilogy of Gunter Grass: ****

4 of 7 people found the following review helpful.
The Tin Drum
By Liviu Ivanov
I can't say that it's the kind of book I read without putting down. It took me four years to read it in German, it was a project from which I learned more German, to like Gunther Grass and to look at midgets or short people in a different way. For me they now stand for Oskar, the main character of the book a boy who shatters windows and glasses of his teacher, makes the Nazis dance to the wrong tune, loves nurses and much more. It's a wonderful book. I recently read a list of the 50 favorite books of Germans. This one was number 48 for them. It's close to number one for me. It's a wonderful book -whether it takes you a week or 4 years.

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• Sales Rank: #3062951 in Books
• Published on: 1994-01
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 7.25" w x 1.25" l,
• Binding: Audio Cassette

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3 of 3 people found the following review helpful.
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By A Customer
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1 of 1 people found the following review helpful.
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0 of 0 people found the following review helpful.
Five Stars
By Jason Nabors
Very good lecturer in evidence.

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? Ebook Murder in the Cathedral, by T. S. Eliot

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T. S. Eliot's verse dramatization of the murder of Thomas Becket at Canterbury, winner of the Nobel Prize for Literature

 

The Archbishop Thomas Becket speaks fatal words before he is martyred in T. S. Eliot's best-known drama, based on the murder of the Archbishop of Canterbury in 1170. Praised for its poetically masterful handling of issues of faith, politics, and the common good, T. S. Eliot's play bolstered his reputation as the most significant poet of his time.

• Sales Rank: #28771 in Books
• Color: Red
• Brand: Harcourt
• Published on: 1964-03-18
• Released on: 1964-03-18
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .32" w x 5.31" l, .27 pounds
• Binding: Paperback
• 88 pages

Features

• Great product!

Review
Murder in the Cathedral revives the awesome 1953 Old Vic performance of Eliot's play about the power struggle between Henry II and Thomas Becket, originally performed in the cathedral itself at the 1935 Canterbury Festival. In it you will hear echoes - 'Humankind cannot bear very much reality' - taken up in 'Burnt Norton'...this was Robert Donat's finest performance. - Christina Hardyment, The Times

About the Author

Thomas Stearns Eliot was born in St Louis, Missouri, in 1888. He moved to England in 1914 and published his first book of poems in 1917. He received the Nobel Prize in Literature in 1948. Eliot died in 1965.

From AudioFile
This re-release of the 1953 recording of Eliot's poetic drama is a real treasure. Robert Donat plays the pious Archbishop Thomas Becket as he struggles with his instinctive knowledge that King Henry II's loose tongue will make Thomas a martyr. Donat's Thomas is sensitive and resigned, without being annoyingly sanctimonious. Also of note are the excellent performances of Thomas's tempters and of the Chorus. A knowledge of the history is essential to understanding the story as Eliot's playwriting is a bit demanding for the casual listener. Unfortunately, the liner notes don't explain quite enough to satisfy the curiosity of a listener who last read about Thomas Becket in a religious studies course. This should not, however, detract from enjoying the smooth, clean production and performance. A.H.A. [Not available in the U.S.] © AudioFile 2010, Portland, Maine

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24 of 24 people found the following review helpful.
Thomas Beckett as martyr philosopher; Shakespearean genius
By Daniel P. Baker
The audiobook version of "Murder in the Cathedral" (with Robert Donat playing Thomas Beckett) is a surprising delight, especially for those who love rich language and philosophical musings.

Centered around the age-old story of how Thomas Beckett, the Archbishop of Canterbury, was murdered by knights for defying the king's authority, the play explores a variety of themes: church vs. state, the quest for power, the pursuit of pleasure, the heroism or vanity of martyrs, and the search for life's meaning in the face of death and the "void".

The performances of the actors in this audiobook are superb, especially that of Robert Donat. Hearing his deep resonating voice, you truly feel the charismatic power of the archbishop and former chancellor to the king.

The performance alternates between straight dialogue, poetry, and the Gregorian style chanting of monks. While the poetry and chanting is tedious in parts, it at least breaks up the dialogue into digestable chunks and moves the plot along.

Readers shouldn't be put off by the medieval theme of this piece. The substance of the play is as modern and relevant as any play you'll find. The plot contains a novel twist as well.

With its many poetic and philosophical flourishes, there's more than a trace of Shakespeare in this work. And here's a little known fact: another T.S. Eliot work, "The Old Possum's Book of Practical Cats", was the inspiration for Cats, the longest running Broadway musical.

So push the rewind for me. Time to visit that bloody cathedral again.

16 of 17 people found the following review helpful.
Murder in the Cathedral
By Tom Cannon
The play is about Thomas Becket, the Archbishop of Canterbury and is not worth reading if you like a literal story, where what you read is what you get and reading between the lines is unnecessary. That is what I liked about this play. It allows you to interpret the dialogue so that you develop your own understanding behind the plot.
Thomas Becket lived in the 12th century and rose to power because of his friend King Henry. Becket at first had been a Chancellor in Henry’s court and had then been given the title of Archbishop. Henry wanted him to have both the titles whereas Becket refused because he felt he could not perform both jobs to the same expectations. This was because Henry had radical views about the separation of the church and the state and Becket did not agree with these views because he did not believe he could serve two very opposite masters. The result was an argument between the two.
Literally, Henry and Becket are in a skirmish during the play, but the actual conflict is between Becket and his conscience. The play goes deep into Christianity and the Catholic faith, which I found to be enjoyable. Just as Christ had tempters, so does Becket. They offer him power and material wealth, when all they want in return is for Becket to alter and transform his principles.
I liked how you saw main characters in this play, such as the Chorus, progress from fearing the unknown to joyfully accepting God. While the play has Christian connotations within, it stresses primarily on universal human values such as humility and devotion.
The entire play is written in verse and Eliot managed to capture such complex themes and dialogue in such concise yet poetic words.

50 of 60 people found the following review helpful.
not quite up to A Man for all Seasons
By Orrin C. Judd
T. S. Eliot's short play, Murder in the Cathedral, was originally written for the Canterbury festival and tells the story of the murder of Archbishop Thomas Beckett (1118-70) by Henry II's henchmen. It is essentially an extended lyrical consideration of the proper residence of temporal and spiritual power, of the obligations of religious believers to the commands of the State, and of the possibility that piety can be selfish unto sin.
Beckett is one of the more interesting characters from history. Rising from a lowly birth in the Cheapside section of London, largely thanks to the patronage of Theobald, Archbishop of Canterbury, in 1154 he became both archdeacon of Canterbury and Henry's chancellor. Theobald expected him to defend the prerogatives of the Church, but instead he became fast friends with Henry, partook of a sybaritic lifestyle, and extended the power of the State at the expense of the Church. So when Theobald was succeeded by Beckett, Henry expected to have a compliant ally running the Church, but instead Beckett adopted an ascetic lifestyle and became a fearsome defender of the rights of the Church. After dividing on many minor issues, matters came to a head when Henry tried exerting the authority of Crown courts to punish clerics who had been convicted by ecclesiastical courts. Henry determined to reign him in, put Beckett on trial for misappropriating funds while serving as Chancellor, and Beckett was forced to flee to France.
The play opens as Beckett returns to Canterbury in December of 1170, after seven years in exile. Four Tempters approach him, separately, and offer him reasons why he should cease to resist Henry. The first Tempter offers the prospect of physical safety if he will go along to get along :
The safest beast is not the one that roars most loud, This was not the way of the King our master! You were not used to be so hard upon sinners When they were your friends. Be easy, man! The easy man lives to eat the best dinners. Take a friend's advice. Leave well alone, Or your goose may be cooked and eaten to the bone.
The second offers worldly power, riches and fame in the service of the King :
King commands. Chancellor richly rules, This is a sentence not taught in schools. To set down the great, protect the poor, Beneath the throne of God can man do more? Disarm the ruffian, strengthen the laws, Rule for the good of the better cause, Dispensing justice make all even, Is thrive on earth, and perhaps in heaven.
The third offers him an alliance with the barons and the opportunity to work against the King :
For a powerful party Which has turned its eyes in your direction-- To gain from you, your Lordship asks. For us, Church favour would be an advantage, Blessing of Pope powerful protection In the fight for liberty. You, my Lord, In being with us, would fight a good stroke At once, for England and for Rome, Ending the tyrannous jurisdiction Of king's court over bishop's court, Of king's court over baron's court.
The final Tempter, who may be the Devil himself, offers Beckett the chance to supplant the King, but with a caveat :
Fare forward to the end. all other ways are closed to you Except the way already chosen. But what is pleasure, kingly rule, Or rule of men beneath a king, With craft in corners, stealthy stratagem, To general grasp of spiritual power? Man oppressed by sin, since Adam fell-- You hold the keys of heaven and hell. Power to bind and loose : bind, Thomas, bin, King and bishop under your heel. King, emperor, bishop, baron, king : Uncertain mastery of melting armies, War, plague, and revolution, New conspiracies, broken pacts; To be master or servant within an hour, This is the course of temporal power. The Old King shall know it, when at last breath, No sons, no empire, he bites broken teeth. You hold the skein : wind, Thomas, wind The thread of eternal life and death. You hold this power, hold it.
THOMAS :
Supreme, in this land?
TEMPTER :
Supreme, but for one.
And so Beckett resists this blandishment just as he has the others, but then the fourth Tempter cannily tempts him with his own dream, the desire for martyrdom :
What can compare with glory of Saints Dwelling forever in presence of God? What earthly glory, of king or emperor, what earthly pride, that is not poverty Compared with richness of heavenly grandeur? Seek the way of martyrdom, make yourself the lowest On earth, to be high in heaven. And see far off below you, where the gulf is fixed, Your persecutors, in timeless torment, Parched passion, beyond expiation.
Here Thomas Beckett realizes the peril of his own soul :
Now is my way clear, now is the meaning plain: Temptation shall not come in this kind again. The last temptation is the greatest treason To do the right deed for the wrong reason.
If he selfishly seeks martyrdom out of a personal desire for immortality, rather than selflessly accepting the risk of death while defending what he believes is right, then he will commit treason against the very Lord he is supposedly serving.
In Part Two of the play Beckett is confronted and murdered by Four Knights, acting at the behest, explicit or otherwise, of Henry. Beckett had further antagonized Henry, upon his return, by opposing the coronation of Henry's son. This prompted the King to his infamous utterance : "Who will rid me of this turbulent priest?" On December 29, 1170, four knights of his court assassinated Beckett inside the Canterbury cathedral, turning an already heinous act into a cause celebre throughout Christendom. Eliot uses this section of the play to explore the possibility that Beckett was actually wrong in his argument with Henry.
In their initial confrontation the Knights are quite worked up, but Beckett answers reasonably :
THE THREE KNIGHTS :
You are the Archbishop in revolt against the King; in rebellion to the King and the law of the land; You are the Archbishop who was made by the King; whom he set in your place to carry out his command. You are his servant, his tool, and his jack, You wore his favors on your back, You had your honours all from his hand; from him you had the power, the seal and the ring. This is the man who was the tradesman's son : the back- stairs brat who was born in Cheapside; This is the creature that crawled upon the King; swollen with blood and swollen with pride. Creeping out of the London dirt, Crawling up like a louse on your shirt, The man who cheated, swindled, lied; broke his oath and betrayed his King.
THOMAS :
This is not true. Both before and after I received the ring I have been a loyal subject to the King. Saving my order, I am at his command, As his most faithful vassal in the land.
But is that "Saving my order" which sticks in the craw of royalists, the idea that Beckett owes a higher duty to the Church, on some things, than to the Crown. Just as the Knights are about to strike him down they are interrupted by some priests and Beckett has time to prepare himself for the now inevitable end, though the priests urge him to hide :
PRIESTS (Severally) :
My Lord you must not stop here. To the minster. Through the cloister. No time to waste. They are com- ing back, armed. To the altar, to the altar.
THOMAS :
All my life they have been coming, these feet. All my life I have waited. Death will come only when I am worthy, And if I am worthy, there is no danger. I have therefore only to make perfect my will.
Beckett can now sense that he is approaching the proper attitude of selflessness, that he is truly accepting martyrdom in defense of the ideas and ideals of the Church, rather than selfishly seeking martyrdom for personal reasons of fame and glory. So when the Knights return and the priests propose barring the doors, he says :
Unbar the doors! throw open the doors! I will not have the house of prayer, the church of Christ, The sanctuary, turned into a fortress. The Church shall protect her own, in her own way, not As oak and stone; stone and oak decay, Give no stay, but the Church shall endure. The church shall be open, even to our enemies. Open the door!
Indeed, so long as the Church stood for a higher set of ideals, separate from petty political concerns, it did endure and served a vital function in society. This endurance depended on the willingness of men like Beckett to sacrifice their all for these ideals, eschewing political power and wealth and running the risk of offending the temporal powers.
Eliot, however, does not leave it at that. He also allows the murd

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