Jumat, 21 Maret 2014

^ PDF Ebook The Golden Apples, by Eudora Welty

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The Golden Apples, by Eudora Welty

Welty is on home ground in the state of Mississippi in this collection of seven stories. She portrays the MacLains, the Starks, the Moodys, and other families of the fictitious town of Morgana. “I doubt that a better book about ‘the South’-one that more completely gets the feel of the particular texture of Southern life and its special tone and pattern-has ever been written” (New Yorker).

  • Sales Rank: #561818 in Books
  • Color: Black
  • Published on: 1956-09-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .72" w x 5.25" l, .80 pounds
  • Binding: Paperback
  • 288 pages
Features
  • ISBN13: 9780156360906
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
Collection of short stories by Eudora Welty, published in 1949. The stories had all been published previously, and Welty added one novella-length story, "Main Families in Morgana." Symbolism from Greek mythology unifies the stories, all of which are set in the Mississippi Delta town of Morgana over a 40-year period. The hero of "Moon Lake" and the guitarist in "Music from Spain" are Perseus figures. King MacLain, the protagonist of "Shower of Gold," is a sexually adventurous Zeus figure. -- The Merriam-Webster Encyclopedia of Literature

From the Back Cover
Here is Eudora Welty's classic portrait of a Mississippi town-where, as one inhabitant says, "time goes like a dream no matter how hard you run." In Morgana, the young think of other places and the old know every name on every stone in the cemetery at the town's edge. Young and old, black and white, married and spinster, restless or settled, the voices that make up this collection of interrelated stories prove that Welty, as Katherine Anne Porter once wrote, had "an ear sharp, shrewd, and true as a tuning fork." Like James Joyce's Dubliners and Sherwood Anderson's Winesburg, Ohio, The Golden Apples, though it gives readers a particular time and place, is both timeless and universal.

"I doubt that a better book about 'the South'--one that more completely gets the feel of the particular texture of Southern life, and its special tone and pattern--has ever been written."-Original review, September 3, 1949, The New Yorker

"A work of art . . . the original creation of an invaluable artist."-The New York Times Book Review


Eudora Welty (1909-2001) was born in Jackson, Mississippi. She worked as a photographer during the Depression and published her first book, a collection of short stories, in 1941. In addition to short fiction, Welty wrote novels, novellas, essays, and reviews, and was the winner of both the National Book Award and the Pulitzer Prize. By the time of her death in 2001, Welty had established herself as one of the most important and beloved American writers of the twentieth century.

About the Author
EUDORA WELTY (1909-2001) was born in Jackson, Mississippi, and attended the Mississippi State College for Women, the University of Wisconsin, and Columbia University (where she studied advertising). In addition to short fiction, Welty wrote novels, novellas, essays, and reviews, and was the winner of both the National Book Award and the Pulitzer Prize.

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42 of 45 people found the following review helpful.
Beautiful, Subtle, Resonating Stories
By A Customer
"The Golden Apples" is one of the five best short story collections I've read. Welty's description of character, and its transformation throughout life (it's almost like an episodic novel) is subtle, humorous, and moving. Her style is poetic yet lucid, perfect for the emotionally complex situations she describes. The citizens of Morgana, Mississippi, with all their virtues, flaws and perversities, reminded me of Anderson's "Winesberg, Ohio." But Welty's eye seems defter, deeper, less given to easy pay-off and caricature. Similarly, she is superior to Flannary O'Connor because her tales deal with the nuances of everyday events rather than thunder-and-lightning epiphanies.
Dive into this swirling, invigorating pool and have your views of people and the world changed, as were mine.

14 of 15 people found the following review helpful.
A Book for Wanderers
By Samuel Streed
In The Golden Apples, Welty offers a cycle of subtle, complex and often hilarious stories/myths from the fictional town of Morgana, Mississippi. Told from a variety of perspectives and voices, the cycle uses southern imagery, greek mythology (sometimes via the poetry of Yeats) and musings on art and music to narrate the history of a cast of characters either absorbed by or isolated from Morgana and the surrounding world. The reader, in assembling meaning from the flood of rich narrative becomes more than a casual observer, but a participant in the ongoing mythology of Morgana.

Like Winesberg or Yoknapatawpha or even Middle Earth, Welty creates a world so complete and convincing that we can't help but immerse ourselves. And what lies in the gaps between the stories and known chronology becomes just as captivating as the story we're given.

Golden Apples, in its complexity, can be a lot of work. But the payoff is huge.

0 of 0 people found the following review helpful.
A Very Sophisticated Style - Probably Not For Everyone
By FCD117
The Golden Apples is a series of related short stories about a fictional town in the South and its residents. Miss Welty's style is unique. With that in mind, I feel these stories are somewhat similar in format to "Winesburg, Ohio" and "Dubliners", composed in Miss Welty's unique southern style. By the time Miss Welty had authored "The Golden Apples" she is a very mature and developed author who writes with a complicated style and a lot of symbolism that I struggle to grasp and do not really enjoy.

I have now read three series of short story collections authored by Miss Welty. I read them in chronological order. The issue for me is my personal taste is fairly basic. As Miss Welty matures and becomes more developed and modern in her writing, the less I enjoy it. I have encountered the same issue with other great authors. As an example, I prefer Virginia Woolf's earlier, somewhat forgotten work, to her later, more celebrated work. I have the same issue with poetry.

With the above in mind, thus far my personal favorite collection of short stories of Miss Welty is "A Curtain of Green". This collection, "The Golden Apples" is my second favorite. Her second collection, "The Wide Net" is my least favorite. The Wide Net is very experimental and full of symbolism that eludes me. "A Curtain of Green" is an enjoyable, straight forward series of stories that I enjoyed very much. Thank You...

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Rabu, 19 Maret 2014

# Download Ebook Legalines: Civil Procedure: Adaptable to the Fifth Edition of the Yeazell Casebook, by Roy L. Brooks

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Legalines: Civil Procedure: Adaptable to the Fifth Edition of the Yeazell Casebook, by Roy L. Brooks

Legalines gives you authoritative, detailed briefs of every major case in your casebook. You get a clear explanation of facts, the issues, the court’s holding and reasoning, and any significant concurrences or dissents. Even more importantly, you get an authoritative explanation of the significance of each case, and how it relates to other cases in your casebook. And with Legalines’ detailed table of cases, you can quickly find any case or concept you’re looking for.

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  • Sales Rank: #11423111 in Books
  • Published on: 2001-10-01
  • Binding: Paperback
  • 215 pages

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Selasa, 18 Maret 2014

>> Get Free Ebook The Diary of Virginia Woolf, Vol. 2: 1920-1924, by Virginia Woolf

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The Diary of Virginia Woolf, Vol. 2: 1920-1924, by Virginia Woolf

The second volume covers a crucial period in Woolf's development as a writer. "Her sensibility, her sensitiveness, her humor, her drama... above all her catalytic gifts as a writer seem almost too much for one remarkable woman" (Christian Science Monitor). Edited by Anne Olivier Bell, assisted by Andrew McNeillie; Index.

  • Sales Rank: #320548 in Books
  • Published on: 1980-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .98" w x 5.50" l, 1.14 pounds
  • Binding: Paperback
  • 384 pages
Features
  • ISBN13: 9780156260374
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
VIRGINIA WOOLF (1882–1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.

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2 of 2 people found the following review helpful.
Virginia Woolf at its best
By sweet beluga
If one likes Virginia Woolf writing this is just more of the same. Witty, intimate, profound... malicious at times, she is not nice, she is not tender, but why should she be? this is her diary so she is just honest with herself... she is hard, depressed, happy, interested, amused (and amusing)... Great read

1 of 1 people found the following review helpful.
A great Read (All five volumes)
By CM Fox
It a wonderful revealing account of an extraordinary woman, born in the 19th century and giving us incredible details of life and culture at that time. The list of people she knew and socialized with is mind blowing, the Huxleys, B. Shaw, Maynard Keynes,Ts Eliot, Ezra Pound,Thomas Hardy, the list goes on and on. The times she lived through, from the Boer War to WW2, and changes she helped bring about and sustain are worth the read alone. She was way ahead of her time, yet firmly rooted in it. Charlie Fox

0 of 0 people found the following review helpful.
The book itself is wonderful.
By Amazon Customer
The exterior of the book was more beat up than I anticipated.
The book itself is wonderful.

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** Download On Violence (Harvest Book), by Hannah Arendt

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On Violence (Harvest Book), by Hannah Arendt

An analysis of the nature, causes, and significance of violence in the second half of the twentieth century. Arendt also reexamines the relationship between war, politics, violence, and power. “Incisive, deeply probing, written with clarity and grace, it provides an ideal framework for understanding the turbulence of our times”(Nation). Index.

  • Sales Rank: #93628 in Books
  • Published on: 1970-03-11
  • Released on: 1970-03-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .34" w x 5.31" l, .27 pounds
  • Binding: Paperback
  • 120 pages

About the Author
Hannah Arendt (1906-1975) was an influential German political theorist and philosopher whose works include The Origins of Totalitarianism, The Human Condition, and Eichmann in Jerusalem.

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38 of 42 people found the following review helpful.
Intelligent examination of the overlooked role of violence
By Adam Glesser
Though this book does not have the same power over me as On Revolution had, On Violence is still a very well written, witty and insightful look at the power structures most prevalent in the early 1970's. Arendt makes the intelligent claim that those with power that are losing that power will hit a point where they only see violence as a means to maintain the current power distribution, but that violence will actually cause a loss of power. The book can be read in a day (and should), but this book needs to be read 3 or 4 times to catch all of the subtle points Arendt throws in unannounced. The main criticism I have of this book is its failure at points to demonstrate the relavence of her arguments, which I find she does incredibly well in her other books. Not a must buy, but if you have the option, take it.

16 of 16 people found the following review helpful.
A destroyer of common sense myths about violence and its related concepts
By Herbert L Calhoun
Professor Arendt has again turned the commonplace on its head with her wit and piercing logic, and has used her unfiltered and unadulterated thinking to milk additional meanings and understandings from the accepted conventional wisdom. Her clean thinking and careful analysis has become a force to be reckoned with, and as a result, has acquired a life of its own.

After reaching the end of this sharply focused essay, I discovered it is best read in reverse, beginning with section III and working backwards.

It is a tutorial on the origins, use and misuse of violence, and its associated concepts of power, strength, authority, and terror, and to a much lesser extent also, influence, control, obedience, and command.

It is section III that deals with the origins of violence in both human and animal. And as is true with the other sections, existing common sense and settled sociological theology are reopened and challenged. Both Konrad Lorentz and B.F. Skinner's theories, for instance are placed anew under the microscope, in light of human, rather than just anthropomorphized animal experience, with surprisingly new understandings emerging.

Section II deals with the definitional slipperiness of these concepts as they have been used and misused -- again with surprisingly new interpretations. And again, the standard understandings are reopened for further analysis and the old authorities are challenged to redefine their often ossified and misleading meanings and interpretations.

Section I begins with the existing experience at the time the book was first written (1957) and includes analyses of violence at both the international and the national level, but not at the interpersonal level. Although these examples are anything but fresh, this in no way affects the freshness of the analysis. I was especially impressed with the way the author ripped the so-called revolutionary movements of the 60s, including the black power movement and Third World revolutionary movements in general. As she puts it so trenchantly: "The Third World is not a reality but an ideology." The section on terror however, left me cold: in light of the likes of Osama bin Laden, the role and effects of terror, could certainly use some updating.

My only other complaint is that the analysis is almost too abstract and almost too removed from the meat of contemporary experience, in the sense that the moral dimension is never brought directly into the picture. This omission makes the analyses seem almost synthetic, sterile and wholly academic, although I am sure with the author's background this could not have been her intent.

Still, even if one has to imagine how to factor her analyses back into contemporary situations, the wisdom contained in this short volume and the intellectual skill with which it is done, are priceless. Five stars

16 of 17 people found the following review helpful.
Twentieth Century Violence
By A Certain Bibliophile
Arendt's book begins by commenting on the paradoxical nature of violence during the Cold War. She says, "The technical development of the implements of violence has now reached the point where no political goal could conceivably correspond to their destructive potential or justify their actual use in armed conflict." She is, of course, referring to the advent of the atomic age. In an age, then, when the victory of one party of another means the virtual annihilation of both, what political and ideological redress does one have?

The first part of "On Violence" argues that the United States is no longer a country which can feel the sharp throes of political populism; she argues that individual action has been deadened by an institutionalized bureaucracy, aided by brain trusters in the illustrious think tanks whose hypotheses eventually turn into "facts," which in turn beget other "facts," and whose magical thinking has a way of hypnotizing us. The most common countervailing force to this phenomenon was the group of student protests in the 1960s whose use of violent resistance was often Marxian or Leninist in orientation. These were often set off in the name of "participatory democracy." Yet what makes this a bit of bittersweet irony is that neither Marx nor Lenin advocated any such like a participatory democracy. Especially in Leninism, the socialist utopia would have been run by a one-party, top-down system which would have rendered both political participation and democracy superfluous.

In the second part, Arendt adduces some very interesting, if semantically peculiar, distinctions that I would agree are fundamental to understanding the politics of the twentieth century. She differentiates between "power," "force," "strength," "authority," and "violence," which she says are often - mistakably - used interchangeably. Here is a short apercu of some of her definitions. Power applies uniquely to the ability to act not alone, but in concert with others; it can only be maintained by a group, and as soon as the group dissolves (physically or ideologically), so does the power. Strength is what the individual has, and applies only to a single person. Authority is most frequently abused, and "can be vested in persons - there is such a thing as personal authority, as, for instance, between teacher and pupil - or it can be vested in offices, as, for instance, in the Roman senate, or in the hierarchical offices of the Church (a priest can grant valid absolution even though he is drunk.)" Finally, violence is characterized by its instrumental character, i.e., that we use an object to commit violence other than the physical force of the individual or the group.

Most interestingly, Arendt intimates that while using radical tactics and espousing antiestablishment means, the student protesters of the 1960s had bourgeois, Enlightenment, technocratic ideas of "progress" and "betterment" in mind. That the means and the ends of these protests were out of synch, for Arendt, posts one of the most interesting questions of twentieth-century American protest politics.

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!! Download Many Moons, by James Thurber

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Many Moons, by James Thurber

A wise tale of a little princess who wanted the moon and got it. “Grown-ups themselves will find the book hilariously funny. . . . The lovely, squiggly illustrations in color are exactly right.”--The New Yorker

  • Sales Rank: #177587 in Books
  • Brand: Sandpiper
  • Published on: 1973-04-18
  • Released on: 1973-04-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x .22" w x 8.75" l, .52 pounds
  • Binding: Paperback
  • 48 pages
Features
  • Great product!

From Publishers Weekly
The charming Caldecott Medal-winning fable of a sickly princess who knows she will be well if only she can have the moon in the sky. Ages 4-8.
Copyright 1987 Reed Business Information, Inc.

From School Library Journal
PreSchool-Grade 3-- Although the Caldecott-winning edition illustrated by Louis Slobodkin (HBJ, 1943) is the one that many parents and librarians grew up with, this new full-color version by Simont has a charm of its own. His illustrations are more modern in appearance, although the essentially periodless style of dress on the characters has the timeless look that this literary fairy tale demands. Backgrounds are generally sketchy, giving the characters center stage. The clever Jester, dressed in fool's motley, is still the only one of the King's advisors who has the sense to ask Princess Lenore just what she expects when she asks for the moon. The pompous Lord High Chamberlain, the skatty Wizard, and the absent-minded Mathematician are as helpless as ever, and the little princess with her common sense and gap-toothed smile is charming. This will delight a whole new generation of children. --Rosanne Cerny, Queens Borough Public Library, NY
Copyright 1991 Reed Business Information, Inc.

Review
[Simont's] buoyant watercolors, full of poignancy and subtle merriment, more than do justice to Thurber's beloved tale.-Publishers Weekly

Most helpful customer reviews

51 of 52 people found the following review helpful.
Buy the Edition with the Original Illustrations
By Christina Connell
Despite Rosemary Thurber's reassurances in the introduction to the reillustrated edition that a "new artist's point of view could be exciting," this new version is very disappointing. Louis Slobodkin's weird and wiggly drawings tinged in red and aqua have been replaced by Simont's conventional watercolor illustrations. While they are attractive, they are not, as Booklist describes them, a "bright, refreshing interpretation." Simont duplicates many of the scenes from the original, such as the doctor and king at the bedside of the princess or the princess skipping rope in the garden-though the text does not mention a jump rope. In the original, as the Lord High Chamberlain lists all the things he has gotten for the King, Slobodkin has the items frame the page as the Chamberlain unrolls a scroll in his hand; Simont does the same thing. When the Chamberlain says that the moon is bigger than the Princess's room, Slobodkin places the room inside the moon; Simont does the same thing. A scene-by-scene comparison reveals that Simont simply updates most of the original drawings. The two-page layout of the Princess holding her thumbnail up against the moon viewed through an arched window is an exact duplicate of the 1943 edition. Even the text on the two pages differs by only two sentences. I just do not accept the validity of this so-called "new" interpretation. Simont's literal and conventional depictions of the characters and setting actually move the story to a more ordinary level, while Slobodkin's strange squiggles keep the story in the realm of the imagination and give the tale a dream-like quality. Stick with the original.

28 of 29 people found the following review helpful.
Never mind the blue poodles
By E. R. Bird
The witty picture book is often considered to be a relatively new phenomenon. In this day and age there's an abundance of sly hip little books like "Olivia" or "Don't Let the Pigeon Drive the Bus" everywhere you look. But clever picture books are by no means a new creation. I invite you to take a gander at the 1940s Caldecott winner, "Many Moons". If you don't find it the most sublime little work of art, I daresay I'll eat my hat.
In this story a little princess of ten years (going on eleven) become ill from eating, "a surfeit of raspberry tarts". The only cure she wishes for is for someone to get her the moon. Her father, the king, calls in his cleverest advisors, but no one can think of a way to bring the princess the moon. The court jester comes up with the answer, though by the end of the tale it is the princess who has shown true wisdom.
Author James Thurber is as equally well known for his witty cartoons in the "New Yorker" as he is for his books and articles. In this little gem he has taken his audience down a notch. Recognizing that wit and long words are just as appropriate for a five year old as a person of fifty, the book contains a series of delightful asides and ideas. For example, after listing his brilliant accomplishments to the king, the Royal Wizard points out that he also gave the king a cloak of invisibility.
"It didn't work," said the King. "The cloak of invisibility didn't work."
"Yes, it did," said the Royal Wizard.
"No, it didn't," said the King. "I kept bumping into things, the same as ever."
"The cloak is supposed to make you invisible," said the Royal Wizard. "It is not supposed to keep you from bumping into things."
"All I know is, I kept bumping into thing," said the King.
That's the kind of stuff I'm talking about. It's funny. It's well-thought out. And it's a joy to read. Coupled with a series of splendid illustrations by Louis Slobodkin (whose style is suspiciously reminiscent of Thurber's own) the text is complimented excellently. If you're ready to read words to your children that consist of lines like, "midgets, and mermaids, frankincense, ambergris, and myrrh", then you're in good hands with this author. To be perfectly frank, rather than write this review I'd love to just copy down the entire book word for word and show you myself how good it is. But then you wouldn't see the pretty pictures and this WAS a Caldecott winner, after all. So I'm just going to have to trust that you understand how supremely good this book is and that you'll rush right out this very minute and get it for yourself. Few books are worth such efforts, but this is one of the few.

16 of 16 people found the following review helpful.
A Wish Come True
By Wendy Kaplan
Princess Lenore wants the moon for her very own. And no amount of persuasion, cajolery, or distraction can dissuade her. Being a princess, she is used to getting what she wants...but this requests stumps the king and all his courtiers. Lenore grows ill waiting for the moon to be hers.
How many times did I read this charming book to my daughter? More than we can count. Long after she could read for herself, it was a favorite. My daughter is now 17 and thinking about college. And yet to this day, when we see a crescent moon shining brightly in the sky, we say, "It's Lenore's moon!"
A beautiful, timeless classic, short, sweet, and unforgettable.

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Senin, 17 Maret 2014

^^ PDF Ebook The Tyranny Of Words, by Stuart Chase

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The Tyranny Of Words, by Stuart Chase

A popular approach to semantics in which the author discussess how to clarify the meaning of words and achieve more exact communication. Index

  • Sales Rank: #426705 in Books
  • Published on: 1959-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.04" w x 5.50" l, 1.12 pounds
  • Binding: Paperback
  • 420 pages
Features
  • ISBN13: 9780156923941
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Stuart Chase (1888-1985) Born in Somersworth, New Hampshire was an American economist and engineer trained at MIT. His writings covered topics as diverse as general semantics and physical economy. His hybrid background of engineering and economics places him in the same philosophical camp as R. Buckminster Fuller. It has been suggested that he was the originator of the expression a New Deal, which became identified with the economic programs of American president Franklin Delano Roosevelt. He had a cover story in The New Republic entitled "A New Deal for America," during the week that FDR gave his 1932 acceptance speech promising a new deal, but whether FDR speechwriter Samuel Rosenman saw the magazine is not clear.

He was a member of the Technical Alliance, and involved with the Technocracy movement. In The Economy of Abundance Chase suggests that the facts behind the ideas of Technocracy Incorporated remain more important than whether Howard Scott was a degreed engineer or not.

His 1938 book The Tyranny of Words was an early (perhaps the earliest, predating Hayakawa) and influential popularization of Alfred Korzybski's general semantics which can still be read with profit.

Partial booklist

  • Your Money's Worth: A study in the waste of the consumer's dollar 1928
  • The Tragedy of Waste 1925
  • Men and Machines 1929
  • A New Deal 1932
  • A Generation of Industrial Peace;: Thirty years of labor relations at Standard Oil Company 1941
  • The Proper Study of Mankind Harper & Brothers 1948
  • Roads to Agreement: Successful methods in the science of human relations 1951
  • For This We Fought;: Guide lines to America's future as reported to the Twentieth Century Fund
  • Danger--Men Talking! a Background Book on Semantics and Communication
  • Rich Land, Poor Land
  • The Proper Study of Mankind Harper Colophon Books, 1956
  • American Credos 1962
  • Guides to Straight Thinking, With 13 Common Fallacies
  • The Economy of Abundance
  • Tyranny of Words

Most helpful customer reviews

75 of 76 people found the following review helpful.
Let Me Frame the Argument...
By John A. Goodson
The book is dated but fascinating. It introduces the notion that much of what we argue about is really not an argument about facts but one about definitions. It is fascinating also to note the players in the 1930s and to see what their predictions became. A wonderful introduction to semantics with the caution that if you let an enemy select the terms of the argument, he has already won it.

22 of 23 people found the following review helpful.
Perspective on language...
By The Other Guy
Language or Words (if you will) may be the most significant distinction that the human species has. It has provided man with a creative medium almost beyond compare and at the same time in our innocence we have allowed our selves to assign words an importance or value that has become destructive, misleading, perverted, etc. This book could get you on the road to recovery. Mr. Chase is not nearly as philosophical about these issues as I tend to be but it may be to his credit. I loved the book anyhow...give it a try it may change how you think and speak.

26 of 28 people found the following review helpful.
Still a useful book
By Robert B. Makinson
Still a useful book after all these years. It was first published in 1938. The author is strong on scientific method and objectivity. But on page 168 of the edition I have, he tells us that "Simile, metaphor and poetry are legitimate and useful methods of communication, provided speaker and hearer are conscious that they are being employed."
All kinds of things can be done with words and it is the author's wish that they be used for the good of the individual and the good of society. But people still continue to differ on the meaning of the word "good."

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Minggu, 16 Maret 2014

!! PDF Ebook Facing Unpleasant Facts, by George Orwell

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Facing Unpleasant Facts, by George Orwell

George Orwell was first and foremost an essayist, producing throughout his life an extraordinary array of short nonfiction that reflected--and illuminated--the fraught times in which he lived. "As soon as he began to write something," comments George Packer in his foreword, "it was as natural for Orwell to propose, generalize, qualify, argue, judge--in short, to think--as it was for Yeats to versify or Dickens to invent."

Facing Unpleasant Facts charts Orwell's development as a master of the narrative-essay form and unites such classics as "Shooting an Elephant" with lesser-known journalism and passages from his wartime diary. Whether detailing the horrors of Orwell's boyhood in an English boarding school or bringing to life the sights, sounds, and smells of the Spanish Civil War, these essays weave together the personal and the political in an unmistakable style that is at once plainspoken and brilliantly complex.

  • Sales Rank: #59938 in Books
  • Brand: Orwell, George/ Packer, George (COM)
  • Published on: 2009-10-14
  • Released on: 2009-10-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .80" w x 5.31" l, .69 pounds
  • Binding: Paperback
  • 308 pages

From Publishers Weekly
Starred Review. Best known for his late-career classics Animal Farm and 1984, George Orwell—who used his given name, Eric Blair, in the earliest pieces of this collection aimed at the aficionado as well as the general reader—was above all a polemicist of the first rank. Organized chronologically, from 1931 through the late 1940s, these in-your-face writings showcase the power of this literary form. The range of subjects is considerable, from Shooting an Elephant to remembrances of working in a bookshop (The combines can never squeeze the small independent bookseller out of existence...); from recollections of fighting in the Spanish Civil War to culinary oddities such as a Defence of English Cooking and A Nice Cup of Tea; to the broad-stroke masterwork of boarding-school irony, Such, Such Were the Joys. New Yorker contributor Packer (The Assassins' Gate) keenly assembles and introduces this selection, bringing into high relief Orwell's range of experience and committed humanism, showing how, as Orwell put it, to make political writing into an art. (Oct. 13)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"The edition is a national treasure" -- Michael Shelden Daily Telegraph "A scholarly edition of world class" -- Bernard Crick New Statesman "One of the great triumphs of late 20th-century publishing" -- D J Taylor Independent "The edition is a wonder" -- Bevis Hillier Spectator

From the Inside Flap
Volume 11 from The Complete Works of George Orwell

The most important document that has come to light regarding Orwell's Spanish experiences is the deposition charging him and Eileen with espionage and high treason, a charge unknown to them. This is fully analyzed and can now be read in the context of the disputes that then divided the Left, well illustrated by the letters and documents printed here, notably his bitter response to Authors Take Sides on the Spanish War. This volume also includes a sequence of letters that throws a completely new light on Orwell's personal relationships.

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66 of 66 people found the following review helpful.
A nice sample of Orwell's essays
By Stephen R. Laniel
George Orwell is unavoidably associated with 1984, as well he should be. And if that's what it takes to keep the man's reputation going through another generation, then by all means let that be his main claim to fame. Orwell should be almost as famous for Homage To Catalonia, his heartbreaking report on the Spanish Civil War. Like many Europeans and some Americans (Hemingway among them), Orwell was on the losing side, fighting the fascists and losing much of his idealism along the way.

Most of the essays in Facing Unpleasant Facts come after Homage to Catalonia, so they all have a realist and rather bleak view of the world. The message throughout is that we all know certain facts about the world, but that somehow people have just avoided saying them; hence the title of the collection. Elsewhere, in his famous essay "Politics and the English Language," Orwell notes that the language itself has become impoverished and calcified; without someone to sandblast off the rubbish, it will be impossible to talk straightforwardly about the way the world actually is.

Orwell honors that goal in Facing Unpleasant Facts. He is the master of the common English sentence. He tells stories about British colonialism that are devastating and to the point, as in "Shooting an Elephant" -- a perfect little gem of an essay, in which Orwell recounts killing the beast just so that he won't look like a fool before his Burmese subjects. In this sort of essay, the story doesn't spin very far from Orwell himself; he lets the audience draw its own inferences about the nature of colonialism. In others -- quite a few others -- he's more impersonal but just as concise: "England, Your England" is a series of flicks of the knife directed at the British government. The acid bubbles:

And yet somehow the ruling class decayed, lost its ability, its daring, finally even its ruthlessness, until a time came when stuffed shirts like [Anthony] Eden or [Lord] Halifax could stand out as men of exceptional talent. As for [Stanley] Baldwin , one could not even dignify him with the name of stuffed shirt. He was simply a hole in the air.

Beneath it all is a visceral sadness for the suffering of mankind. Orwell fought in the Spanish Civil War because he wanted to help people. In "Clink," he gets liquored up and tries to get arrested, so that he might document the viciousness of the police. (Perhaps to his dismay, they weren't all that vicious.) In "How The Poor Die," he recounts a few weeks he spent recuperating in a public hospital for the poor in France; the doctors hardly noticed that the sacks of flesh they were working on were human beings. In "Such, Such Were The Joys," we get a Roald Dahlish taste of the barbarity of British schools. Orwell sees great potential in the world, and much suffering; those further up in the hierarchy, whether deliberately or not (mostly deliberately) force those below them to suffer.

Facing Unpleasant Facts also contains some trifles not really connected to the collection's title. For instance, there's a little essay on how to make a proper English cup of tea. There are a few pages in defense of British food. There's a charming essay on the return of spring; I have to imagine that essay rescued a few London moods at the height of the Blitz. A man can't argue the virtues of socialism all the time. I think it's safe to say, though, that socialism is where Orwell's heart lay; the springtime merely paid the bills.

Facing Unpleasant Facts is a fun, quick read. Its staying power lies in understanding Orwell more than it lies in understanding Britain, or socialism, though it's valuable on those as well. It's most valuable to budding essayists, who want to study at the feet of a master.

0 of 0 people found the following review helpful.
early now
By Marshal Berthier
I came of age as a writer in the 1970s, at the time of the emergence of what Tom Wolfe called 'The New Journalism'. Now, it's called Literary Journalism, but ultimately it's all just writing of the form that Orwell was master of - except that he was doing it in the 1930s. No surprise, his is still fresh and original.

Our civilization misses him. So much of journalism now is an exercise in wading thru badly disguised bias and blatant fallicies in logic and reasoning. Orwell also has his biases, but he is too honest to consider hiding them. I can find no fallicies in his reasoning, even when I disagree with him. On Socialism, for example, he gets the benefits, but misses the failings. On Capitalism it's the inverse. We can see that all more clearly now because of the passage of time, tho this is written the week after Brexit, and clarity is in short supply. I do find myself wondering how much was a true commitment to Socialism, and how much was simply a profound dislike for the British upper class.

One area where I particularly love him is on his analysis of the process of history. I have a history degree, and find most of the commonly used historical references painfully ignorant. No, Trump is not like Hitler, no, Putin is not like Stalin, no, history does not repeat itself. One I hate the most is "History is written by the victors". In fact there are whole libraries of histories written by the losers. Two of the earliest works in the western canon are Herodotus' Histories, and Thucydides' Peloponnesian War. Both men were commanders in the (losing) Athenian army. History is written by the literate, and Mr. Orwell is most wonderfully literate.

Note that this is a two volume set, and if you get through this one, you will want to read the second. Doing so will be well worth your time.

8 of 8 people found the following review helpful.
I doubt we will ever have a more lucid essayist /novelist in this century or any other.
By WA Ridley
These essays are as good as his novels; because you get to see things close-up in his mind ... a treat if there ever was one. George Orwell lets you in on it all, and tells the screeching posers what they don't want to hear.

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