## Free PDF Official Guide to Legal Specialties (Career Guides), by National Association of Law Placement (NALP)

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Official Guide to Legal Specialties (Career Guides), by National Association of Law Placement (NALP)

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With this product, you'll get an inside look at what it's like to practice law in 30 major specialty areas, including appellate practice, entertainment, immigration, international, tax, and telecommunications. This book gives you the insights and expertise of top practitioners-the issues they tackle every day, the people and clients they work with, what they find rewarding about their work, and what classes or work experience you need to follow in their footsteps. Over 120 government, public interest, corporate, and private attorneys are featured.

• Sales Rank: #71495 in Books
• Published on: 2008-05-06
• Released on: 2008-05-06
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.46 pounds
• Binding: Paperback
• 489 pages

From the Author
During the years I spent as an assistant dean of career services at a Chicago law school, I worked with thousands of law students and alumni. I know first hand that finding a legal job is one thing, but finding a truly satisfying job, in which there is a good fit between the student or graduate and the employer, is another.

There are many books that talk about how to look for a legal job. But until now, there has been little information about the available range of legal career options. That why the National Association for Law Placement developed this book.

We spent more than two years (including hours of fascinating face-to-face and telephone interviews) gathering the information we knew students and alumni needed most---and The Official Guide to Legal Specialties is the result.

Each chapter begins with a brief overview of the area of law, such as "What is Real Estate Law?" Then the chapters explore typical daily activities as well as advice for law students, including extensive quotes from the attorneys we interviewed.

I encourage you to explore not just the areas of law that appeal to you at first glance, but additional areas as well. When I was in law school, it never crossed my mind to explore non-litigation careers. I never learned about specialty areas that would make the most of my counseling and relationship building skills. I never even remotely considered a career in estate planning, but, after interviewing the attorneys in the estate planning chapter I learned that it would be a very good match for my skills and interests.

In reading this book, you'll learn that there are satisfied, enthusiastic lawyers in every practice specialty. And you'll be one step closer to finding a legal career that you're passionate about!

Most helpful customer reviews

121 of 126 people found the following review helpful.
Good points and bad points
By A Customer
This book contains some useful information about various practice areas. However, it also leaves out highly pertinent information.
I am an ex-litigation attorney who left litigation because it was too confrontational. There is not a word in the litigation section of this book about the necessity of confrontation in this practice area. Instead the book talks about how litigation allows lawyers to develop "relationships" with clients.
In general this book discusses the positives of each practice area without discussing the negatives. But the negatives can be highly relevant and very helpful when deciding what area of law is not for you. By reading this book you get the idea that you could enjoy numerous practice areas when this may not in fact be the case. Use the book for the information it does contain, but do so cautiuosly, keeping in mind that you need to dig further to find out the full truth about a practice area in which you are interested.

30 of 31 people found the following review helpful.
Today's Most Comprehensive Source on Legal Specialities
By Lara A. Rainhart
As a lawyer and legal recruiter I know how important it is for attorneys to find the right practice area. This book provides the most comprehensive and current information available today about what it's like to practice law and how practice areas differ. Not only does the book provide factual information about the different specialties, it also provides firsthand accounts of the daily lives of practitioners. I strongly recommend this book to current law students, anyone contemplating a career in law and any lawyer considering a practice area change.

13 of 14 people found the following review helpful.
A very useful book for yourself or to counsel others
By A Customer
I work in the career services field and have found this book very helpful in counselling law students. Most law students come into law school with a vague notion of what they want to do, but no sense of what it really means to practice a particular kind of law. Ms. Abrams book gives them a real-world account of what lawyers in each specialty do all day and what they can expect out of their careers. I'd highly recommend this to anyone considering a legal career or anyone helping those who are.

See all 24 customer reviews...

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@ Download Ebook The Collected Stories of Eudora Welty, by Eudora Welty

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With a preface written by the author especially for this edition, this is the complete collection of stories by Eudora Welty.

 

Including the earlier collections A Curtain of Green, The Wide Net, The Golden Apples, and The Bride of the Innisfallen, as well as previously uncollected ones, these forty-one stories demonstrate Eudora Welty's talent for writing from diverse points-of-view with “vision that is sweet by nature, always humanizing, uncannily objective, but never angry” (Washington Post).

• Sales Rank: #59438 in Books
• Published on: 1982-02-01
• Released on: 1982-02-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.18" w x 5.31" l,
• Binding: Paperback
• 648 pages

Features

• ISBN13: 9780156189217
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the Back Cover
One of the truly great works of twentieth-century American literature, Eudora Welty's Collected Stories confirms her place as a contemporary master of short fiction. Welty wrote novels, novellas, and reviews over the course of her long career, but the heart and soul of her literary vision lay with the short story. The forty-one pieces reproduced here, written over a period of three decades, include "A Petrified Man," "Why I Live at the P.O.,""The Wide Net," and "The Bride of Innisfallen." "I have been told," Welty writes in the introduction, "both in approval and in accusation, that I seem to love all my characters." The characters that spring to life in this masterwork reveal the depth and breadth of her love.

"Miss Welty's short stories are deceptively simple. They are concerned with ordinary people, but what happens to them and the manner of the telling are far from ordinary . . . A fine writer and a distinguished book. "--The New Yorker

"Eudora Welty is one of our purest, finest, gentlest voices and this collection is something to be treasured."--Anne Tyler

"The ironic tenderness of Chekhov, the almost feral edge of Maupassant, the ominousness of Poe and Bierce, the lacy strength of Henry Green. She is probably the finest Mozartian stylist writing in then English language."--Mary Lee Settle

"Stories as good in themselves and as influential on the aspirations of others as any since Hemingway's . . . The breadth of Welty's offering is finally most visible not in the variety of types-farce, satire, horror, lyric, pastoral, mystery-but in the clarity and solidity and absolute honesty of a lifetime's vision."--Reynolds Price



Eudora Welty (1909-2001) was born in Jackson, Mississippi. She worked as a photographer during the Depression and published her first book, a collection of short stories, in 1941. In addition to short fiction, Welty wrote novels, novellas, essays, and reviews, and was the winner of both the National Book Award and the Pulitzer Prize. By the time of her death in 2001, Welty had established herself as one of the most important and beloved American writers of the twentieth century.

About the Author
EUDORA WELTY (1909-2001) was born in Jackson, Mississippi, and attended the Mississippi State College for Women, the University of Wisconsin, and Columbia University (where she studied advertising). In addition to short fiction, Welty wrote novels, novellas, essays, and reviews, and was the winner of both the National Book Award and the Pulitzer Prize.

Most helpful customer reviews

115 of 119 people found the following review helpful.
Buy This Book And A Large Highlighter
By James L. Vickery
You will run out of highlighter ink reading this one, because there are so many passages you will surely want to reread and savor later.
This grand matriarch of Southern Writer Tradition was first discovered, praised and published by luminaries such as Robert Penn Warren when he was coeditor of The Southern Review, Edward Weeks when he was editor of The Atlantic Monthly, and Mary Louise Aswell, when she was fiction editor of Harper's Bazaar.
This collection of stories is truly worthy to be called a classic. It is sometimes tedious reading, because the stories and characters are complex. After a number of false starts over a period of years, I finally resolved to give this scholarly work the focused time and attention it deserves, and feel richly rewarded for the effort.
Ms. Welty joins the ranks of great writers who prove to us that a great writer does not have to live the experience to effectively write about it. She leaps with ease between characters as diverse as Aaron Burr, a deaf black servant boy, a traveling salesmen, eccentric Southern matrons, and countless others. She portrays them in all of their complexities as if she had lived the experiences of each. Her descriptions of scenes and settings are equally as lucid and believable as if she had first hand knowledge of each. This rare and precious gift is best described in her own words, "I have been told, both in approval and accusation, that I seem to love all of my characters. What I do in writing of any character is to try to enter into the mind, heart, and skin of a human being who is not myself. Whether this happens to be a man or a woman, old or young, with skin black or white, the primary challenge lies in making the jump itself. It is the act of a writer's imagination that I set most high."

67 of 69 people found the following review helpful.
Master of the Short Story.
By A Customer
For those who want to jump-start their introduction to southern literature, this is as fine a beginning point as you will find anywhere. The prose is so richly drawn that it feels like poetry, and the images in "A Curtain of Green" and "A Still Moment" will take your breath away. You have to slow down to savor every carefully crafted sentence. Very highly recommended.

70 of 74 people found the following review helpful.
Pure Southern Gothic
By hmraymond
If Flannery O'Connor is the Empress of Southern gothic writing, than Welty is for sure the Queen. Her stories perplex, confuse, amaze and just plain make you happy that people can write like this.
Her short stories are a given on any English professor's syllabus, and with good reason. Not only are they well written and chock full of metaphors and symbolism, but they speak a multi-generational and multi-regional dialect all their own.
Personal fave: Why I Live at the P.O.

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@ Get Free Ebook Orlando (Annotated): A Biography, by Virginia Woolf

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Begun as a "joke," Orlando is Virginia Woolf's fantastical biography of a poet who first appears as a sixteen-year-old boy at the court of Elizabeth I, and is left at the novel's end a married woman in the year 1928. Part love letter to Vita Sackville-West, part exploration of the art of biography, Orlando is one of Woolf's most popular and entertaining works. This new annotated edition will deepen readers' understanding of Woolf's brilliant creation.

Annotated and with an introduction by Maria DiBattista

• Sales Rank: #13793 in Books
• Brand: Woolf, Virginia/ Hussey, Mark/ Dibattista, Maria (INT)
• Published on: 2006-07-03
• Released on: 2006-07-03
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.02" w x 5.31" l,
• Binding: Paperback
• 384 pages

From the Back Cover
"Undoubtedly Virginia Woolf’s most intense and one of the most singular (novels) of our era."--Jorge Luis Borges

Begun as a "joke," Orlando is Virginia Woolf's fantastical biography of a poet who first appears as a sixteen-year-old boy at the court of Elizabeth I, and is left at the novel's end a married woman in the year 1928. Part love letter to Vita Sackville-West, part exploration of the art of biography, Orlando is one of Woolf's most popular and entertaining works. This new annotated edition will deepen readers' understanding of Woolf's brilliant creation.

Virginia Woolf (1882-1941), one of the major literary figures of the twentieth century, transformed the art of the novel. The author of numerous novels, collections of letters, journals, and short stories, she was an admired literary critic and a master of the essay form.

Mark Hussey, general editor of Harcourt's annotated Woolf series, is professor of English at Pace University in New York City and editor of the Woolf Studies Annual.

Maria DiBattista, professor of English and comparative literature at Princeton University, has written numerous articles on modern literature and film. Her books include Virginia Woolf: The Fables of Anon, First Love: The Affections of Modern Fiction, and, as coeditor and contributor, High and Low Moderns: British Literature and Culture 1889-1939. Her most recent book is Fast Talking Dames.

About the Author
VIRGINIA WOOLF (1882–1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.

Excerpt. © Reprinted by permission. All rights reserved.
CHAPTER ONE
HE—FOR THERE could be no doubt of his sex, though the fashion of the time did something to disguise it—was in the act of slicing at the head of a Moor which swung from the rafters. It was the colour of an old football, and more or less the shape of one, save for the sunken cheeks and a strand or two of coarse, dry hair, like the hair on a cocoanut. Orlando’s father, or perhaps his grandfather, had struck it from the shoulders of a vast Pagan who had started up under the moon in the barbarian fields of Africa; and now it swung, gently, perpetually, in the breeze which never ceased blowing through the attic rooms of the gigantic house of the lord who had slain him.

 Orlando’s fathers had ridden in fields of asphodel, and stony fields, and fields watered by strange rivers, and they had struck many heads of many colours off many shoulders, and brought them back to hang from the rafters. So too would Orlando, he vowed. But since he was sixteen only, and too young to ride with them in Africa or France, he would steal away from his mother and the peacocks in the garden and go to his attic room and there lunge and plunge and slice the air with his blade. Sometimes he cut the cord so that the skull bumped on the floor and he had to string it up again, fastening it with some chivalry almost out of reach so that his enemy grinned at him through shrunk, black lips triumphantly. The skull swung to and fro, for the house, at the top of which he lived, was so vast that there seemed trapped in it the wind itself, blowing this way, blowing that way, winter or summer. The green arras with the hunters on it moved perpetually. His fathers had been noble since they had been at all. They came out of the northern mists wearing coronets on their heads. Were not the bars of darkness in the room, and the yellow pools which chequered the floor, made by the sun falling through the stained glass of a vast coat of arms in the window? Orlando stood now in the midst of the yellow body of an heraldic leopard. When he put his hand on the window-sill to push the window open, it was instantly coloured red, blue, and yellow like a butterfly’s wing. Thus, those who like symbols, and have a turn for the deciphering of them, might observe that though the shapely legs, the handsome body, and the well-set shoulders were all of them decorated with various tints of heraldic light, Orlando’s face, as he threw the window open, was lit solely by the sun itself. A more candid, sullen face it would be impossible to find. Happy the mother who bears, happier still the biographer who records the life of such a one! Never need she vex herself, nor he invoke the help of novelist or poet. From deed to deed, from glory to glory, from office to office he must go, his scribe following after, till they reach what ever seat it may be that is the height of their desire. Orlando, to look at, was cut out precisely for some such career. The red of the cheeks was covered with peach down; the down on the lips was only a little thicker than the down on the cheeks. The lips themselves were short and slightly drawn back over teeth of an exquisite and almond whiteness. Nothing disturbed the arrowy nose in its short, tense flight; the hair was dark, the ears small, and fitted closely to the head. But, alas, that these catalogues of youthful beauty cannot end without mentioning forehead and eyes. Alas, that people are seldom born devoid of all three; for directly we glance at Orlando standing by the window, we must admit that he had eyes like drenched violets, so large that the water seemed to have brimmed in them and widened them; and a brow like the swelling of a marble dome pressed between the two blank medallions which were his temples. Directly we glance at eyes and forehead, thus do we rhapsodise. Directly we glance at eyes and forehead, we have to admit a thousand disagreeables which it is the aim of every good biographer to ignore. Sights disturbed him, like that of his mother, a very beautiful lady in green walking out to feed the peacocks with Twitchett, her maid, behind her; sights exalted him—the birds and the trees; and made him in love with death—the evening sky, the homing rooks; and so, mounting up the spiral stairway into his brain—which was a roomy one—all these sights, and the garden sounds too, the hammer beating, the wood chopping, began that riot and confusion of the passions and emotions which every good biographer detests. But to continue—Orlando slowly drew in his head, sat down at the table, and, with the half-conscious air of one doing what they do every day of their lives at this hour, took out a writing book labelled “Æthelbert: A Tragedy in Five Acts,” and dipped an old stained goose quill in the ink.
 
 Soon he had covered ten pages and more with poetry. He was fluent, evidently, but he was abstract. Vice, Crime, Misery were the personages of his drama; there were Kings and Queens of impossible territories; horrid plots confounded them; noble sentiments suffused them; there was never a word said as he himself would have said it, but all was turned with a fluency and sweetness which, considering his age—he was not yet seventeen—and that the sixteenth century had still some years of its course to run, were remarkable enough. At last, however, he came to a halt. He was describing, as all young poets are for ever describing, nature, and in order to match the shade of green precisely he looked (and here he showed more audacity than most) at the thing itself, which happened to be a laurel bush growing beneath the window. After that, of course, he could write no more. Green in nature is one thing, green in literature another. Nature and letters seem to have a natural antipathy; bring them together and they tear each other to pieces. The shade of green Orlando now saw spoilt his rhyme and split his metre. Moreover, nature has tricks of her own. Once look out of a window at bees among flowers, at a yawning dog, at the sun setting, once think “how many more suns shall I see set,” etc., etc. (the thought is too well known to be worth writing out) and one drops the pen, takes one’s cloak, strides out of the room, and catches one’s foot on a painted chest as one does so. For Orlando was a trifle clumsy. 
 
Copyright 1928 by Virginia Woolf
Copyright renewed 1956 by Leonard Woolf
Annotated Edition copyright © 2006 by Harcourt, Inc.
Preface copyright © 2005 by Mark Hussey
Introduction copyright © 2006 by Maria DiBattista

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.

Requests for permission to make copies of any part of the work should be submitted online at www.harcourt.com/contact or mailed to the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

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14 of 15 people found the following review helpful.
"The very fabric of life was magic."
By Mary Whipple
In her most playful and exuberant novel, Virginia Woolf writes the "historical biography" of Orlando, a young boy of nobility during the reign of Queen Elizabeth I. A wild ride through four centuries, the novel shows Orlando aging, magically, only thirty-six years between 1588 and 1928. Even more magically, he also changes from a man to a woman. As she explores Orlando's life, Woolf also explores the differing roles of men and women in society during various periods, ultimately concluding that one's role as a man or woman is determined by society, rather than by birth.

From the Elizabethan period, during which Orlando works as a steward for the queen and also serves as her lover, he progresses to the reign of James I, experiencing a profound love for a Russian princess, Sasha, who is herself exploring the role of a man. When the relationship ends, he retreats, devastated, to his estate, with its 365 rooms and 52 staircases, which he redecorates over the next few years. An interlude in which he is wooed by the Archduchess Harriet/Archduke Harry leads to his ambassadorship to Constantinople, a period spent with the gypsies, and his eventual return to England--as a woman. New experiences and observations await her there.

Throughout the novel, Woolf matches her prose style to the literary style of the period in which Orlando lives, creating always-changing moods and sheer delight for the reader. Some constants continue throughout the four centuries of Orlando's life. Orlando is always a writer, always recording his thoughts, and always adding to a poem he has begun as a child entitled "The Oak Tree." He is always returning to his 365-room house whenever he needs to recuperate from his experiences, and some characters repeat through time. (Orlando is betrayed by Nick Greene during the reign of James I, but he is encouraged by Nicholas Greene in the Victorian period.)

Literary historians make much of the fact that Woolf modeled Orlando on Vita Sackville-West, Woolf's lover, and that this study of gender roles was an early exploration of lesbianism, bisexuality, cross-dressing, and transgender identities. The novel is pure fun to read, however, and though it raises serious and thoughtful questions about sexuality and the ways that it controls our lives, there is no sense that Woolf wrote the novel specifically to make a public statement or prove a point. Her themes of gender and its relation to social expectations, of imagination and its relation to reality, of the importance of history in our lives, and of the unlimited potential of all humans, regardless of their sex, transcend the specific circumstances under which Woolf may have written the book. A playful and delightful novel, which broke new ground with its publication. Mary Whipple

Mrs. Dalloway
To The Lighthouse
A Room of One's Own (Annotated)
Jacob's Room
Flush: A Biography

8 of 8 people found the following review helpful.
I shall dream wild dreams
By EA Solinas
No lover in the world ever wrote a valentine more exquisite than Virginia Woolf's tribute to her lover Vita Sackville-West. That tribute was "Orlando: A Biography," a magical-realism tale about a perpetually youthful, charming hero/ine who traverses three centuries and both genders -- and Woolf's writing reaches a new peak as she explores the hauntingly sensuous world of Orlando.

Orlando was born a young aristocratic man in the time of Queen Elizabeth I, and when the dying monarch visited his home she became his new court favorite (and briefly lover). His passionate, curious personality attracted many other women over the years -- until he fell in love with Sasha, a mercurial but faithless Russian princess (supposedly based on Sackville-West's ex-girlfriend). Bereft of true love, he devoted himself to poetry and entertainment.

But then he's assigned to be an ambassador to Constantinople, and something strange happens -- while a bloody revolution rages, he sleeps for a full week... and wakes newly metamorphosed into a woman. With the same mind and soul but a female body, Orlando sets out on a new life -- and discovers that women aren't quite as different from men as she once thought.

"Orlando: A Biography" is a very weird book, and was even more so when it was written since "magical realism" didn't exist as a literary style in 1928. Virginia Woolf makes no explanations about Orlando's immortality or unexpected gender switch. It's simply accepted that once he was a man, and then she became a woman, and that s/he has lived from the Elizabethan era until at least the 1920s (and who knows, maybe Orlando still wanders among us?).

And Woolf's writing is at its peak here. Her prose is soaked in luxurious descriptions that constantly tease the senses -- silver and gold, frozen flowers, crystalline ice, starlight and the exquisite expanses of nature's beauty. At times the sensual writing seems almost feverish, and Woolf adds an almost mythic quality by inserting spirits of feminine virtues (Modesty, Purity and Chastity appear to try to hide Orlando's feminine body), and by having her hero/ine encounter great poets, queens and men of the sea.

And Orlando him/herself is a truly fascinating character -- s/he can be sweet, passionate, romantic, wild and melancholy, and s/he has an almost magnetic charisma. He starts off the story as an elusive romantic teenager, suffers a heartbreak that matures him as an artist, and post-metamorphosis she becomes a woman of the modern world. Both in mind and body, Orlando is a very different woman at the end than the boy s/he began as.

"Orlando: A Biography" is a truly spellbinding book -- Virginia Woolf's prose enthralls the senses while her main character explores the boundaries of gender. A must-read, for everyone.

7 of 7 people found the following review helpful.
Review of Hussey's 'Orlando'
By Ryan Mease
A fine work of scholarship with a very thorough-going introduction that has much to say about the context and content of the work. The endnotes tend to be very helpful for providing context in even greater detail. I wish they would have been footnotes, but... oh, well...

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? PDF Download Thirteen Stories (Harvest Book), by Eudora Welty

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Thirteen Stories (Harvest Book), by Eudora Welty

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In getting this Thirteen Stories (Harvest Book), By Eudora Welty, you may not constantly go by strolling or riding your electric motors to guide stores. Obtain the queuing, under the rain or hot light, and still look for the unidentified book to be in that publication shop. By visiting this web page, you could just search for the Thirteen Stories (Harvest Book), By Eudora Welty as well as you can discover it. So currently, this moment is for you to opt for the download link as well as acquisition Thirteen Stories (Harvest Book), By Eudora Welty as your personal soft documents book. You can read this publication Thirteen Stories (Harvest Book), By Eudora Welty in soft file only and save it as yours. So, you don't need to fast put guide Thirteen Stories (Harvest Book), By Eudora Welty right into your bag all over.

Thirteen outstanding short stories by Welty, written between 1937 and 1951. “Miss Welty has written some of the finest short stories of modern times” (Orville Prescott, New York Times). Selected and with an Introduction by Ruth M. Vande Kieft.

• Sales Rank: #629989 in Books
• Brand: Mariner Books
• Published on: 1965-03-17
• Released on: 1965-03-17
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .63" w x 5.25" l, .51 pounds
• Binding: Paperback
• 252 pages

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• Great product!

About the Author
EUDORA WELTY (1909-2001) was born in Jackson, Mississippi, and attended the Mississippi State College for Women, the University of Wisconsin, and Columbia University (where she studied advertising). In addition to short fiction, Welty wrote novels, novellas, essays, and reviews, and was the winner of both the National Book Award and the Pulitzer Prize.

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8 of 8 people found the following review helpful.
Here, Thirteen Is Lucky
By Mark Valentine
I know that Welty has several editions out of her stories. I know that these stories have been anthologized a lot ("A Worn Path," "A Wide Net," and "The Hitch-Hikers"). So it doesn't matter to me what edition of her stories that you buy, as long as you read them.
This edition is my first exposure to her collected stories (after I first read her autobiographical book, "One Writer's Beginnings") and I must admit that I am fascinated. She includes an incredible about in the settings, in the agile characterizations, and in her own unique, point of view. She is a master storyteller.
My personal favorites include "A Wide Net," "A Worn Path," and "Why I Sleep At The P.O."

4 of 4 people found the following review helpful.
Good Introduction to Welty's Work
By R. Albin
This is a representative collection of the late Eudora Welty's short stories. While Welty wrote several novels, including the entertaining Robber Bridegroom, her reputation rests mainly on her short stories. This collection contains many of her most famous stories and shows well the range of her writing. Welty was an extremely skilful writer who could vary her writing style from the lyrical to the concise. Welty's work seems to inspire dichotomous reactions; either rapture or dislike. I find her work interesting but not compelling. This book is an excellent means to decide whether or not you wish to invest the a significant amount of time in reading Welty.

2 of 2 people found the following review helpful.
Some of Welty's Best Works
By Fairbanks Reader - Bonnie Brody
This collection of short stories by Eudora Welty contains two of my all-time favorite short stories: 'Why I live in the P.O.' and 'The Worn Path'. Not only have I read each of these stories several times, but I have listened to them on tape performed by the author. They have been so popular in my family that one of my children knows 'Why I Live in the P.O.' by heart and has performed it for us many a time.

'The Worn Path' is a poignant and tragic tale about a grandmother who is trying desperately to get medicine in time to save her grandson's life. 'Why I live in the P.O.' is a comic tale about a young woman who feels that she is not appreciated enough by her family so she leaves her home, moving to the post office where she serves as post mistress for her small town. The story is so funny that I laugh out loud every time I read it or hear it.

I can't say enough about the brilliance of Eudora Welty's writing. She masters tragedy and comedy both. This collection contains some of her best works.

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^^ Free PDF How to win at Othello (A Harvest/HBJ book), by Goro Hasegawa

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• Sales Rank: #1946123 in Books
• Published on: 1977
• Number of items: 1
• Binding: Paperback
• 222 pages

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35 of 37 people found the following review helpful.
Goro Hasegawa was the Japanese re-discoverer of Othello
By A Customer
Goro Hasegawa was the Japanese rediscoverer of Othello. Originally, the game was known as Reversi. Two rival Englishmen each claimed to have invented the game late 19th century. Hasegawa modified the rules slightly and his father, a Shakespearean scholar game it the name Othello, because the reversals in the game reminded him of the plot of the play. This book is the only widely distributed manual of Othello strategy. Although it may have some value for the collector, unfortunately most Othello players regard the strategies discussed in the book as being obsolete and even misleading. Readers who are interested in the game should look for resources on the Internet.

17 of 18 people found the following review helpful.
Beginners would do well to avoid it...
By 68000
Othello, devised by Hasegawa-san in the 1970s, is an improved version of the century-old English game, reversi. [What is called reversi on-line is almost always Othello rather than reversi].

This book was written soon after Othello was devised, before anyone understood much about the game. Unfortunately it shows, and beginners would do well to avoid it - at least as a source of ideas on strategy and tactics - because it will lead them down a deceptively appealing blind alley.

Because of its many diagrams, however, it may be of use to those who know enough to recognise where it goes wrong but otherwise I recommend it for historical interest only.

Better resources can be found free on the Web, in the form of strategy guides, illustrative applets and programs that can beat even the best humans. A printed alternative is Othello: Brief & Basic by Ted Landau, which is old but still excellent (as far as it goes).

0 of 1 people found the following review helpful.
Older book about Othello strategy.
By tom
A very old book. Not many of these around. Good for beginners learning Othello strategy.

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!! Ebook Download The Chinese Opium Wars, by Jack Beeching

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An enlightening account of a notorious period in nineteenth-century imperialism, when an effort by the Chinese government to stamp out the country's profitable opium trade resulted in a series of conflicts known as the Opium Wars. Index; illustrations and map.

• Sales Rank: #389220 in Books
• Color: Multicolor
• Published on: 1977-04-06
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .93" w x 5.50" l, 1.09 pounds
• Binding: Paperback
• 352 pages

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• ISBN13: 9780156170949
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Jack Beeching (born John Charles Stuart Beeching) (1922-2001) was an English poet. As a poet he was prominent in the third quarter of the century, but his works thereafter fell into neglect.

Beeching was born in Hastings, Sussex, England, on May 8, 1922, and died in Palma de Mallorca, Spain, on December 27, 2001. He served in the Fleet Air Arm during World War II. He married author and translator Alexis Brown in 1950. They were divorced in 1970, and shared the rest of his life with Charlotte Mensforth, the painter. He had four children.

In 1956, he suffered serious chest injuries in an automobile accident. As a result, he had severe respiratory problems that forced him to live in warmer climates.

Beeching's poetry is considered moving, original, clear-sighted, compressed, and funny. A view expressed by the editor of Qualm in 2003, and a high opinion shared by the editors at Penguin circa 1970, and very much reflected in his obituary in The Independent thirty years later, whose author speaks also of Beeching's 'disciplined metre, subtle half-rhyme and a luxuriant syntax which expressed at times distinctly "difficult" metaphysical concerns'. His writing in old age was perhaps at least as strong and trenchant as that of any of his peers of a similar age.

Although he continued to write with dedication and erudition until his death, during the second half of his life his work fell into neglect. This neglect was partly attributable to his having to live, because of his damaged lung, abroad in drier climates, including Greece, Turkey, Guatemala, Lucca, Genoa, Menton, and Majorca. It was a life of near-poverty in tiny apartments.

He was published in Penguin Modern Poets No. 16 in 1970, and near the end of his life brought out a collection, Poems 1940-2000 (Art Ojo Nuevo). He was also a novelist and writer of historical books, but stated "Poetry is my avocation; the other forms of writing are a means of livelihood".

Beeching also translated poetry from French and Spanish, and wrote several plays for the London stage. He contributed to The New York Times and The Times.

The Arts Council of Great Britain gave him their Award to a Living Artist in 1967, and he was later granted a Civil List pension for "services to literature".

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43 of 45 people found the following review helpful.
British Arrogance Explicated
By R. E. Rieder
The opium wars in China were a contest between the Chinese and the British which extended from 1840 to 1842, and were renewed in 1857. What these wars were about is a matter of contention. Jack Beeching, in this engaging and detailed book about the conflicts takes the position that they really were about what the name implies, smuggling opium into China in violation of its laws. An analogy today, would be if Columbia or Mexico were to invade the U.S. in order to open our markets to cocaine regardless of the fact that our laws prohibit its sale. Britain had the sea power and disciplined troops to do it and did.

British and American commentators at the time and since have strongly urged the view that in 1839 the real issue was not opium but extra-territoriality - or, sometimes, the Open Door in China. The argument is respectable, but it must be recognized that the British government laid down from the start a policy and a strategy which corresponded very closely to the declared needs of the big opium smugglers."

Beeching is up against some fairly strong "respectable" opposition. For example, Peter Ward Fay, a professor emeritus of history at the California Institute of Technology, wrote a book about the first opium war, evidently intending to satisfy what he and Beeching must both have realized at the time they wrote, both books being published in 1975: "There does not exist, for the West's first major intrusion into China, what the subject deserves and a reader is entitled to. The popular books on the war leave it a piece in the larger story of the `awakening dragon' or treat it decidedly hurriedly. The scholarly monographs approach it from one angle or another, rarely making much of an effort at narrative." (Fay, Peter Ward, The Opium War, 1840-1842, 1975, The University of North Carolina Press, Chapel Hill, 1997, Paperback Edition. Evidently Fay did not think much of Beeching's narrative. Writing a preface in a new edition in 1997, he said: ... "Nothing has been added to the existing Notes on Sources, in part because in the years since it was drawn up, nothing that seriously added to or challenged the narrative has to my knowledge appeared.") Fay subscribes to the other "respectable" argument. "Readers may discover that though I am quite aware what damage opium did, I do not believe that the Opium War was really about opium at all. It was about other particular things, shaped by circumstances as most history is; and it was, if you look for an overarching principle, about somehow getting the Chinese to open up. The desire is still very much with us today."

This view is echoed by John King Fairbank and Merle Goldman. They argue that the British expeditionary force led by the new paddle wheel steamer, Nemesis, was intended "...to secure privileges of general commercial and diplomatic intercourse on a Western basis of equality, and not especially to aid the expansion of the opium trade. The latter was expanding rapidly of its own accord and was only one point of friction in the general antagonism between the Chinese and British schemes of international relations." (Fairbank, John King, Goldman, Merle, China a New History, 2nd Edition, Belknap Press of Harvard University Press, Cambridge, Massachusetts, 2006. It should be noted that Fairbank's review of both Fay's and Beeching's books in The New York Times is cited on the cover of each.) The objective being in dispute even today, what happened in China?

The background of the conflict is complex, but the central aspect of it is generally agreed. In the eighteenth century the British had developed a substantial liking for tea. They obtained it from China for which they paid in silver. As the consumption grew the balance of payments with China tilted more and more in favor of the Chinese. For example, between 1710 and 1759 Britain bought 26,833,614 Pounds Sterling worth of tea and sold only 9,248,396 Pounds worth of goods to the Chinese.

That the Chinese did not admire British goods or want them is a frequently told story. Lord Macartney took a representative selection of British goods when he went to the Summer Palace in 1793 to establish an embassy. The Emperor took one look at them and said: "I set no value on strange objects and ingenious (sic.) and have no use for your country's manufactures." They languished in a warehouse only to be discovered in their crates at the end of the Boxer Rebellion in 1900. The British simply could not afford to continue buying tea and not selling anything. In India the British were growing opium (a white poppy which produces a milk from which opium is derived). While there was no market for it in 1782, the British thought they could purchase it cheaply in India where they were selling textiles and develop a market for it in China to offset their tea purchases. A couple of British firms did just that. "By 1830, the opium trade there was probably the largest commerce of its time in any single commodity, anywhere in the world." But the Chinese banned the sale and tried to shut down the sellers and importers. While the emperor had issued an edict against its sale in 1799 and closed outlets by force in 1821-3, the trade persisted. The proximate cause of the war was the righteous action of the incorruptible Chinese Imperial Commissioner, Lin Zixu, in 1839, to arrest the Chinese opium dealers in Canton and to quarantine the foreign suppliers and seize their supplies of opium. The British responded by forcibly "opening the door," but the door was to the opium den.

The arrogance of the British at that time cannot be overstated. Disraeli, opposing war, challenged Palmerston, the Prime Minister to put the matter to a vote of the nation. Palmerston did just that. He dissolved Parliament and appealed to the electorate calling Commisioner Lin "an insolent barbarian." Evidently gunboat diplomacy was more popular with the people than the House of Commons, for his government was returned with a majority. It should be noted, that during this time opium was not prohibited in Britain and many there regarded it as less harmful than alcohol and, indeed, used it for medical purposes.

Beeching describes the ensuing war in detail, recognizing that it was not an even contest. The British had disciplined troops and modern weapons. In one instance, after the British had captured Ningpo, the Chinese massed a force and invaded the city. They broke through a city gate and attacked down the street toward the market. The British brought up one howitzer, and a platoon of infantry which barred the only side street of escape. It was a slaughter. "No British were killed that night, but over 500 Chinese dead were counted. All units of the Chinese army which had been in action at Ningpo were permanently demoralized from the effect on their minds of grapeshot and musketry at close quarters. Henceforth, against any European army, they were defeated in advance." The treaty of Nanking ended the war and granted the British the right to resume trade on an expanded basis and other concessions.

The personalities involved on both sides seem to be caricatures of their time. The British Victorian statesmen and soldiers were conquerors and the Chinese mandarins were still the foundation of Chinese society. Both empires had cracks, and Beeching describes them. However, the Chinese, being isolated compared to the British, did not recognize their weeknesses. A new emperor in 1850, Hsien Feng, was not a match for the time. There were disasters, the Yellow River altered its course and the Taiping rebellion swept the country. Parts of the treaty of Nanking were not honored. The British wanted what the treaty provided and more. They concentrated their fleet on Chinese waters after the Crimean War was over. An excuse came when the Arrow, a British flag vessel, was boarded by Chinese marines who arrested the Chinese crew. The following clash, in 1859, was even more one sided than the previous one. After another treaty was negotiated but not honored by the Chinese, the British captured Beijing. They looted and destroyed the Summer Palace and opened up the interior of China to trade and missionary activity.

The Chinese Opium Wars has remained in print for the last thirty years because it is readable and its scope is extensive, from 1798 to 1864. Furthermore, Beeching dwells upon the personalities and turmoil in China along with British aggression. It may well be that the isolation the Chinese imposed upon themselves from the time of Zheng He would have dissipated over time without foreign intervention. However, Chinese social and governmental structure, which did not lend itself to change, was anachronistic. Gentry were selected to command troops without having received training other than in Confucian texts. Official promotions from ninth grade, and later eighth grade, were offered for cash starting in 1838. And the revolutions in China did not include the industrial one.

Beeching describes his modest intent in a postscript referring to his sources:
"Materials for the serious academic history of the Chinese Opium wars which has not yet been written are abundant. For instance there are over 2000 books and articles, many in Chinese or Russian, on the Taiping Rising alone. To append a scholarly apparatus of references to an essay in popular narrative history, compiled from less than a hundred sources, all secondary, and in only two languages, would be willfully misleading. Yet the narrative historian writing for the man in the street has valid standards of his own - corresponding to those of the responsible journalist. History is the resurrection of the dead; this book is only a sketch of a possible beginning."

Given that objective, Beeching successfully outlined the conflicts.

38 of 42 people found the following review helpful.
How the British plagued the Chinese with opium.
By Kevin M Quigg
Oh the wonders of free trade. The Americans grow King Cotton with slaves. They then export it to Manchester to be made into textiles. These textiles are produced with child labor. These textiles are then exported to India, where they wipe out the local clothes trade. The Indians then discover a great crop that has great potential--opium. The only problem with opium is that it is addictive and eventually kills those using it. The British want products from China such as tea and silk. The Chinese desire no Western made goods, so the British introduce opium. The Chinese government under the detested Manchu rulers want no part of opium, so the British fight two wars to open China up to free trade, including opium. They seize an island and part of a peninsula to protect the merchant houses that deal in this drug. They name this Hong Kong. Other grim business includes the coolie trade (similar to slavery, but only for long periods of time), and the Chinese version of Christianity--the Taipings. The French and the Americans are also involved in the opium and coolie trade.
Beeching does a good job of detailing how the British and to a lesser extent the Americans were not always so noble in their dealings with Third World people. As detailed above, we exploited their economy, made off with millions of coolies, made others opium addicts, and burned one of their prized monuments--the Summer Palace (looting it in the process). The men that did this thought the Chinese were the barbarians. I think Beeching was fair to both sides. I liked his reference section in which he listed his sources, and then summarized what the opinion was--pro British, pro Chinese. An excellent work.

35 of 41 people found the following review helpful.
An Early Embarrassment for Free Trade
By doomsdayer520
This is a highly enjoyable history by Jack Beeching into an embarrassing episode from the 19th century that holds many lessons for today's world. The Opium Wars in China seem to have been forgotten by the West, especially by those who don't want to confront the more ignoble actions by European powers. By the early 1800's England had been exporting large quantities of opium into the Chinese black market. The Chinese emperor tried to outlaw opium because it was leading to large numbers of addicts and was destroying the social fabric of several cities. This was anathema to British merchants who were surely willing to overlook the horrific consequences of their trade in light of the handsome profits they were making. In fact, in Chapter 9 of this book a British official is quoted as saying, "Free trade is Jesus Christ, and Jesus Christ is free trade." England then went to war twice with China (with help from France, Russia, and the U.S.) to keep the opium market open. It was even official policy during these wars to force more opium into the Chinese interior and create millions more addicts, and to pressure the Chinese into legalizing the drug, all because free trade and profits were more important than the destruction of a sovereign society.
Beeching makes great use of historical analysis, and a bit of sarcastic humor, to describe these two opium wars and the surrounding historical context. He does a good job outlining the cultural misunderstandings that made things worse (both sides always called the other crude barbarians), and he does a fine job covering all sides of the story within the context of concurrent British and Chinese history. On the British side, the book does occasionally get bogged down in Parliamentary politics back in London, but on the Chinese side there is good coverage of native culture and an interesting foray into the Taiping rebellion.
The most useful outcome of this fascinating book is its lessons about free trade between Western and non-Western economies, which was even a troublesome issue back in the 19th century. In modern times, a common criticism of globalization is its destructive effect on foreign cultures. Any proponent of unrestricted free trade, before condemning such concerns as politically correct nonsense, would be wise to consider the old Opium Wars. The British and their western allies justified the ruination of a society by the profits it generated, and conveniently forgot any religious or political scruples about trading in illegal drugs. Meanwhile the East's distrust for the West was intensified and still remains to this day. One has to wonder if Columbia currently has that attitude about exporting drugs to the U.S. They're just practicing free trade and western capitalism, after all.

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• Sales Rank: #4577484 in Books
• Published on: 1997-01-01
• Original language: English
• Number of items: 1
• Dimensions: .40" h x 8.40" w x 10.80" l, .85 pounds
• Binding: Paperback
• 118 pages

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By Karl
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