>> PDF Ebook Count Us In: Growing Up with Down Syndrome (A Harvest Book), by Jason Kingsley, Mitchell Levitz

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At ages nineteen and twenty-two, respectively, Jason Kingsley and Mitchell Levitz shared their innermost thoughts, feelings, hopes, and dreams, their lifelong friendship—and their experiences growing up with Down syndrome. Their frank discussion of what mattered most in their lives—careers, friendships, school, sex, marriage, finances, politics, and independence—earned Count Us In numerous national awards, including the EDI Award from the National Easter Seal Society. More important, their wit, intelligence, candor, and charm made a powerful and inspirational statement about the full potential of people with developmental disabilities, challenging prevailing stereotypes.

Now, thirteen years later, the authors discuss their lives since then—milestones and challenges, developments expected and unexpected—in a new afterword.

• Sales Rank: #545584 in Books
• Published on: 2007-03-05
• Released on: 2007-03-05
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .56" w x 5.00" l, .47 pounds
• Binding: Paperback
• 208 pages

From School Library Journal
YA-Written by two young men with Down's Syndrome, this book will open eyes and touch the heart. The interview style is involving as the authors discuss their friendship, having Down's Syndrome, marriage, children, becoming independent, and their hopes and dreams for the future. They speak openly about how people have treated them differently because of their disorder and how they feel about it. The book is occasionally a challenge to read since the authors speak in unusual syntax. Black-and-white photographs from family albums appear in a center insert. Curious teens and friends and family members of the disabled will feel the emotions of these two remarkable young men and learn how they work to cope and to succeed.
Jacqueline Craig, W.T. Woodson High School, Fairfax, VA
Copyright 1994 Reed Business Information, Inc.

From Booklist
Kingsley and Levitz write about education, employment, ambitions, families, sex and marriage, and their disability--Down syndrome--in a dialogue format. At Jason's birth, the obstetrician said that he'd never learn anything and should be institutionalized. Fortunately, the Kingsleys ignored this advice, and their son has since attended school, written poetry, registered to vote, and memorized scripts for appearances on "Sesame Street" and "The Fall Guy." Mitchell is an equally successful young man whose mother was one of the founders of the Parent Assistance Committee on Down Syndrome. Hearing about Down syndrome directly from these young men has a good deal more impact than reading any guide from a professional or even a parent. Their comments are eye-opening and heartening. Denise Perry Donavin

From Kirkus Reviews
Two young men with Down syndrome celebrate--with the support and word-processing assistance of their mothers--their successful coming of age and hard-won independence. When, three years apart in the early 1970's, Kingsley and Levitz were born and diagnosed with Down syndrome, their respective parents were advised to institutionalize the boys without even taking them home from the hospital. Fortunately, that advice was ignored, and the parents became friends through the Parent Assistance Program on Down Syndrome, founded by the Levitzes; soon, the boys became friends as well. As pioneers in the infant- stimulation program now widely approved, if not widely available, for Down syndrome children, Levitz and Kingsley entered some early special-education programs and went on to be mainstreamed in high school. Bolstered by the unusually rich cultural resources of their families, they passed their New York State Regents exams, graduated, and are now dipping their toes into college and independent living. The text here consists primarily of transcribed conversations (minus difficulties in articulation) between Kingsley and Levitz, along with their parents' occasional interjections and questions, supplemented by some written material from the young men. It's both a celebration of the pair's triumph over expectations (``we should call each other Up syndrome'') and a sometimes painful recitation of their struggles and sorrows. All the usual issues of adolescence are here--sex, girls, God, death, love, war, independence--discussed with both a realistic assessment and an idealistic innocence that typifies ``mainstream'' teenagers. Levitz, who loves politics, wants to be President; Kingsley, with the soul of a performer, wants to be a teacher, newscaster, actor, and spokesperson for the disabled. Each grudgingly accepts that they may never get driver's licenses--but, as Kingsley says, life is ``A Learning Adventure.'' Worthwhile inspiration and insight for Down syndrome children, as well as for their families, teachers, friends, and advocates. (Photographs) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

35 of 35 people found the following review helpful.
irinaz
By A Customer
I first read this book when my son with Down Syndrome was very young. It was extremely encouraging to me to read the very complex and interesting thoughts of two adult men who have Down Syndrome. I wish all teachers would read this book. I think any parent with a child who has Down Syndrome, especially a very young one, would benefit from reading this book. I really fell in love with Jason and Mitchell.

30 of 30 people found the following review helpful.
Count Us In by Jason Kingsley, & Mitchell Levitz
By A Customer
This is a book written in their own words by two young men who have Down's Syndrome. They share the ups and down's of their lives . Although my son is only nine, I found this book very helpful because it gave me some preview of things to come. Because the book was written in the boys' own words, it gives a unique picture into the minds and lives of older children with Down syndrome. It also gave some insight into familiar problems, as well as some events that were unique to these boys who authored the book. I found myself wishing that my own son had a close friend to help guide him through the ups and downs that await him in his teenage years. Then I realised that I could actively seek out peers for him to become friendly with at my local Down syndrome chapter, and maybe I could find some friends that he could become close with in a similar fashion to the authors of this book. I highly recommend this book to all parents, caregivers, teachers and other professionals who work with children who have disabliities similar to Down Syndrome, because the experiences of these boys could cover a broad spectrum of disabilities, not only Down Syndrome. So many books are written from an outsider's prespective. This book comes straight from the sourcel.

14 of 14 people found the following review helpful.
very educational
By Jessica Green
i think this book should go to individuals to learn about issues that might be dealing with. these two advocates have learned a lot and how their parents has taught them i think i definitively recommend this book to go to many libraries and bookstores so that other men can learn how to do things on their own just like any other men. i am a women and i have down syndrome to i have read this it made me realize that having down syndrome is a celebration

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## Get Free Ebook Film Form: Essays in Film Theory, by Sergei Eisenstein

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Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.

• Sales Rank: #99911 in Books
• Published on: 1969-03-19
• Released on: 1969-03-19
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .74" w x 5.31" l, .71 pounds
• Binding: Paperback
• 279 pages

Features

• Great book!

Amazon.com Review
After D.W. Griffith, the most important figure in the history of the international cinema is Sergei Eisenstein. Both men died in 1948, but Eisenstein left a double legacy: not only was he one of the greatest filmmakers of all time, but he was also a magnificent film theorist, perhaps the most important one ever. This book of his essays, superbly translated and edited by Jay Leyda, reprints some of his most vital writings on the art of the cinema, including articles on the language and structure of the movies, the differences between theater and film, and the author's efforts to adapt Theodore Dreiser's An American Tragedy for the screen. In "The Cinematic Principle and the Ideogram," Eisenstein analyzes the written symbols of the Japanese language as a model for film editing. "Dickens, Griffith, and the Film Today," one of the author's most famous pieces, speaks of Griffith as a Dickensian director and then argues for a kind of filmmaking that transcends Griffith's literal style in order to touch its audience on an ideological and metaphorical level. This volume also includes the notorious "statement" on sound movies, which argues against the use of synchronous sound and in favor of jarring, contrapuntal audio that Eisenstein believed would add new dimensions to the talking picture. Idiosyncratic, engrossing, and brilliant, Eisenstein's essays will inspire you to reevaluate everything you thought you knew about the movies.

Review
After D.W. Griffith, the most important figure in the history of the international cinema is Sergei Eisenstein. Both men died in 1948, but Eisenstein left a double legacy: not only was he one of the greatest filmmakers of all time, but he was also a magnificent film theorist, perhaps the most important one ever. This book of his essays, superbly translated and edited by Jay Leyda, reprints some of his most vital writings on the art of the cinema, including articles on the language and structure of the movies, the differences between theater and film, and the author's efforts to adapt Theodore Dreiser's An American Tragedy for the screen. In "The Cinematic Principle and the Ideogram," Eisenstein analyzes the written symbols of the Japanese language as a model for film editing. "Dickens, Griffith, and the Film Today," one of the author's most famous pieces, speaks of Griffith as a Dickensian director and then argues for a kind of filmmaking that transcends Griffith's literal style in order to touch its audience on an ideological and metaphorical level. This volume also includes the notorious "statement" on sound movies, which argues against the use of synchronous sound and in favor of jarring, contrapuntal audio that Eisenstein believed would add new dimensions to the talking picture. Idiosyncratic, engrossing, and brilliant, Eisenstein's essays will inspire you to reevaluate everything you thought you knew about the movies. (Amazon.com Review )

About the Author
Sergei Eisenstein was a leading film director and theorist of the Soviet era. Richard Taylor is a Senior Lecturer in Politics and Russian Studies at University College, Swansea, and General Editor of "Eisenstein's Selected Works,"

Most helpful customer reviews

20 of 27 people found the following review helpful.
Film Form: Marxism, Montage and the Hegelian Dialectic
By A Customer
As many of the early film theorists, Eisenstein has a tendency to propose as universals the principles of a specific school. The Soviet school of montage, whose heyday was in the late 20s, finds its most brilliant auteur here expounding not only upon its philosophy of cinema, but on ways in which this philosophy is in fitting with Marxism, the Hegelian dialectic and science. As such, it is a brilliant manifesto, a seminal work of greater value than any of those by Kuleshov, Pudovkin, Vertov, Dovzhenko or other montagists.
Nonetheless, it is problematic in several ways, and an understanding of the nature of its idiosyncrasies is extremely valuable. First, in an effort to "prove" his hypotheses, Eisenstein often attempts to reconcile film and physics in ways that are inappropriate and pseudo-scientific. He presents himself, in that sense, as both Eisenstein and amateur Einstein. Further, case studies are often chosen from his own work, in effect limiting the reader's freedom to disagree with his conclusions. Finally, the manner in which he expresses his thoughts is beyond elliptical. At times, it appears that one would have had to have been living in Russia at the time that these essays were written and to have been thinking about the same issues that Eisenstein was to comprehend what he is getting at. [On the other hand, for those who have had the joy of reading Wittgenstein, for example, this should be a good book to take to the beach.]
As indicated above, these problems can be explained. Communists have always had a complex relationship with the Social Darwinists. On one hand, Marxism was born out of progressive, evolutionary thinking; on the other hand, Marxists dismiss the idea of "survival of the fittest" as primitive and untenable. Soviet biologists often found themselves in the unique position of having to reconcile their theories with the party line, supported by hand selected data. In the end, of course, the value of art and science were measured by the rigid slide rule of the Communist Party. Science that did not promote its agenda was considered "anti-revolutionary."
Eisenstein is the Comrade Lysenko of cinema. He hoists high the myth of science (i.e., the systematic study of physical Truth), reduced essentially to propaganda, and borne along on the shoulders of dubious examples. The most convenient (and most incontrovertible) of these are taken from his own films, the full meanings of which belong to his own demesne. The language Eisenstein uses to construct his arguments is wisely selected: The more clearly one understands his propagandist averments and the less clearly the logic upon which they are based, the more likely one is to accept them as fact. Somewhat hypocritically, then, Eisenstein selects the voice of the intellectual elite to speak to the masses, hiding his true political intentions behind a veil of empty esotericism. Like the soothsayer, the illusionist and the ringleader, "Film Form" operates in the realm of baseless belief in which arguments gain validity relative not to WHAT they say but the WAY in which they say it. For this very reason, it is an important read... the very dogma of Bolshevik art.

8 of 10 people found the following review helpful.
Theories on Cinema
By Kuassivi Mensah
This is not a how to for wannabe movie directors, the essays revolve around the cinematic medium and its creation, and not so much on its content. Not unlike McLuhan, Eisenstein proposes to understand cinema as an extension of our senses ( hence, his following book, Film Sense ), and retraces the evolution from theather to cinema to sound cinema with a focus on Japanese influence ( Kabuki ) and a revolutionary ( for its time ) approach to montage. Cryptic at times, but a goldmine of insights into the nature of the silver screen.

2 of 3 people found the following review helpful.
Advanced
By John Mervin
This is an excelent book that go's into sergei's concept of what a movie is.
the only reason its not five stars is that its not really an easy read, its actually quite dificult to understand.
i would have to read a page 2 or 3 times until I understood what he was trying to communicate. often having a dictionary opened beside me. its quite advanced.

but nonetheless its still worth it if your willing to use your little gray cells.

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• Sales Rank: #3135239 in Books
• Published on: 1982-03
• Original language: English
• Number of items: 1
• Binding: Paperback
• 194 pages

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Winner of the Prix de Rome and the National Jewish Book Award, these ten stories and the title novella, "Ellis Island," exhibit tremendous range and versatility of style and technique, yet are closely unified in their beauty and in their concern with enduring and universal questions.

• Sales Rank: #708924 in Books
• Brand: Helprin, Mark
• Published on: 2005-09-05
• Released on: 2005-09-05
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .52" w x 5.31" l, .46 pounds
• Binding: Paperback
• 216 pages

Features

• ISBN13: 9780156030601
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
PRAISE FOR ELLIS ISLAND
"It's genius. . . . Ellis Island ascends to the peak of literary achievement." - The Boston Globe

"Such an ambitious reach is almost unheard of in our short fiction." - The New York Times Book Review

"Constant brilliance . . . Rarely less than breathtaking . . . every single story sings with purity, vibrates with light."- The Plain Dealer (Cleveland)

From the Back Cover
These ten stories and the title novella, Ellis Island, exhibit a tremendous range and versatility of style and technique and yet are closely unified in their beauty and in their concern with enduring and universal questions.

"It's genius . . . Ellis Island ascends to the peak of literary achievement." -- The Boston Globe

"Such an ambitious reach is almost unheard of in our short fiction." -- New York Times Book Review

"Constant brilliance . . . Rarely less than heartbreaking . . . every single story sings with purity, vibrates with light." -- Cleveland Plain Dealer

"Stories beyond compare . . . [Helprin's] imagination should be protected by some intellectual equivalent of the National Park Service." -- Philadelphia Inquirer

Mark Helprin is the author of, among other titles, the New York Times best-sellers Winter's Tale and A Soldier of the Great War.

About the Author

MARK HELPRIN is the acclaimed author of Winter's Tale, A Soldier of the Great War, Freddy and Fredericka, The Pacific, Ellis Island, Memoir from Antproof Case, and numerous other works. His novels are read around the world, translated into over twenty languages.

Most helpful customer reviews

26 of 27 people found the following review helpful.
Brilliant Beautiful Stories
By A Customer
My first encounter with Mark Helprin was his long novel, Winter's Tale. I thought it was perfect: glorious and mysterious, realistic and magical, funny and fantastic and wondrous and sad. It was almost too much of a good thing; sort of like chocolate decadence topped with mocha ice-cream and drenched in hot fudge sauce.
The stories in Ellis Island and Other Stories offer the same enticing overdose of goodness but in smaller doses. Lest you be thrown off by the cover or the title, these stories are definitely not history or even historical fiction. They are not exclusively about immigrants, Europe or the War, although threads of these subjects do run through them.
The title story, Ellis Island is the longest and the last. It is about the Ellis Island and immigration, of course, but it is also fantastic fantasy complete with a wonderful machine that melts the snow from the streets supported only by its own jets of fire, the Saromsker Rabbi and his glorious sermon on bees, the lovely Hava, and Elise, whose hair is nothing less than a pillar of fire. Of the eleven stories, Ellis Island comes closest to Winter's Tale in its spirit of fantasy, although A Vermont Winter best describes the perfection of a deep Northeastern snow. As in Winter's Tale, in Ellis Island, Helprin is not averse to destroying beautiful things for the sake of a larger good, even if the logic of his narrative does not demand that he do so. But that, you see, is Helprin; for him death is just another part of art.
All of these stories are brilliant and all of them are beautiful. In The Schreuderspitze, a photographer deals with tragedy in the luminous beauty of the Alps; in Letters from the Samantha, questions of humanity and guilt are dealt with on an iron-hulled sailing ship in 1879; in Martin Bayer, we get to know a small boy on the eve of war; in North Light and A Room of Frail Dancers, we glimpse the devastating effects of battle on soldiers. La Volpaia is wonderful, wise and witty and Tamar is nothing if not lovely in the extreme. White Gardens and Palais de Justice defy any sort of description; you simply must read them and then savor them yourself.
Anyone who has read any of Helprin's other works knows he certainly has a way with words. Here are words from the end of Tamar that not only describe the story's beautiful seventeen year old protagonist, but serve to sum up this volume as a whole: Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider; and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when for want of connection, the world deepens and becomes art.
These stories are nothing if they are not art.

22 of 23 people found the following review helpful.
A Prelude to Great Works
By E.S. Kraay
I am not a regular reader of short stories. In general, I do not like them. Still, as a Mark Helprin fan, this is one of his few works that I had not read. I pressed on ... when I concluded the final story, Ellis Island, I felt completely satisfied with the journey. If you've never read Helprin, I believe "Ellis Island" and "A Vermont Tale" are most representative of his longer works. Each story will tempt you to read his novels, all of which are poetic magic. As I read through these stories, I saw glimpses of each subsequent novel, particularly my favorite, "A Winter's Tale." If you've read Helprin before, you owe yourself the time to read this collection. If you are new to Helprin, this work will encourage you to read more.

17 of 18 people found the following review helpful.
All Helprin fans should run and buy this collection
By M. H. Bayliss
I read this beautiful short story collection after just finishing all of Helprin's lengthy novels. I was surprised that a writer who produced such brilliant long works of fiction (A Winter's Tale and Soldier of the Great War) could write just as well in a short story format. These stories are incredible. The one about the loons in Vermont is one of the most devastatingly haunting stories I have ever read. The opening story is one of my favorites as well. After finishing all of Helprin's works, I'm convinced that he's one of those rare writers that inspires you to want to walk around in his mind for a day to see how he pens such memorable works.

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! Ebook Download All Souls, by Christine Schutt

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In 1997, at the distinguished Siddons School on Manhattan's Upper East Side, the school year opens with distressing news: Astra Dell is suffering from a rare disease. Astra's friends try to reconcile the sick girl's suffering with their own fierce longings and impetuous attachments. Car writes unsparing letters, which the dirty Marlene, in her devotion, then steals. Other classmates carry on: The silly team of Suki and Alex pursue Will Bliss while the subversive Lisa Van de Ven makes dates with Miss Wilkes. The world of private schools and privilege in New York City is funny, poignant, cruel, and at its heart is a sick girl, Astra Dell, "that pale girl from the senior class, the dancer with all the hair, the red hair, knotted or braided or let to fall to her waist, a fever and she consumed."

National Book Award Finalist Christine Schutt has created a wickedly original tale of innocence, daring and illness.

• Sales Rank: #570635 in Books
• Brand: Mariner Books
• Published on: 2009-06-08
• Released on: 2009-06-08
• Original language: English
• Number of items: 1
• Dimensions: 7.90" h x .60" w x 5.20" l,
• Binding: Paperback
• 240 pages

Features

• Great product!

From Publishers Weekly
The brutal, materialistic and dysfunctional underbelly of prep schools and the females who live in it create the foundation for Schutt's beautifully written but light-on-substance novel (following 2004's National Book Award finalist Florida). In the midst of 1997 Manhattan, all-girl prep school Siddons churns out ladies with a wide spectrum of academic skills, mental problems and severe insecurities, all of whom have been touched in some way by the novel's saintly lynchpin, Astra Dell, who leaves her studies behind to fight her rare cancer. Schutt introduces a large cast of characters who are dealing with Astra's absence and their own personal problems: Astra's best friend, anorexic Car; dirty girl Marlene; the inseparable and insensitive Alex and Suki; lesbian outcast Lisa; and their beloved instructors, the awkward Anna Mazur and Tim Weeks, the handsome colleague Anna's in love with. Unfortunately, Schutt shoehorns too many characters into a relatively thin book, and though there isn't a boring sentence in here, Schutt doesn't do enough with the familiar prep school setting to make the story resonate. (Apr.)
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From School Library Journal
Adult/High School—Set in a girls' school on Manhattan's Upper East Side, this book is a wonderfully written, touching story. Popular Astra Dell spends much of her senior year in the hospital with a rare form of tissue cancer. A young teacher visits Astra and considers her own brother who died young, while doubting her role as teacher and her potential relationship with a colleague who loves being unattached almost as much as he enjoys the students' crushes on him. Astra's friend Car is too busy with a multitude of issues to visit, but sends angst-filled letters that are sometimes stolen by Marlene, the unpopular girl who visits every day and considers Astra her new best friend. Astra's widowed father finds it hard to speak with his own daughter. Like E. R. Frank's Life Is Funny (Puffin, 2002), All Souls is written from the perspectives of several characters. Schutt, who herself teaches at a New York girls' school, mines those hallways for an extraordinarily captivating take on the teachers', parents', and teens' troubled worlds. At times she evokes Virginia Woolf's style in the immediacy of her characters' thoughts. All Souls may at first remind teens of formulaic novels such as Cecily von Ziegesar's "Gossip Girl" series (Little, Brown), but they will quickly discover a style and depth to the writing that is refreshing for this genre.—Jennifer Waters, Red Deer Public Library, Alberta, Canada
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Beautiful, talented Astra Dell is the unequivocal star of her senior class at the Siddons School, a private, all-girls’ establishment on Manhattan’s Upper East Side. But illness is no respecter of privilege or popularity, and Astra is hospitalized with a rare, potentially fatal disease as the school year begins. Schutt, who was a National Book Award finalist for her novel Florida (2003), is herself a teacher at a girls’ prep school in New York and clearly knows her setting inside out. Her examination of the impact of the absent Astra on the lives of her classmates, their teachers, and their parents is acute and often moving. She also has an uncanny gift for finding the telling detail that makes the lives she so closely observes multidimensional while stripping them of pretense, pomp, and, well, circumstance. A few of her characters—a Peter Pan-ish sixth-grade history teacher and the “unattached” young colleague who longs for a relationship with him—may verge on the overfamiliar, but Schutt’s impressionistic style, with its extraordinary gift for exquisite economy, carries the day and creates a mood and tone that are hauntingly unforgettable. --Michael Cart

Most helpful customer reviews

8 of 9 people found the following review helpful.
"People make the most impact on the lives of others by being absent."
By Luan Gaines
Schutt is a master of the incidental, those small moments, some brittle, some brilliant, revealing the human psyche in all its flaws; the briefest glimpse of what we conceal from others, is here exposed. The author brings a fresh, incisive perspective to this novel, in this case the rarified environment of the Siddons School in Manhattan's Upper East Side. To be sure, these students are privileged, their world barely marred by the harsh reality that plagues the less well off. Their sensibilities honed on the classics, diverse languages and the experiences of world travel, these senior girls grapple with which colleges to attend and the angst of bidding farewell to the sheltered years of their expensive education. Through the mysterious illness (an obscure cancer?) that has struck one of the most popular students, Astra Dell, a particular poignancy imbues the novel. The elegant Astra, with her sheaf of glowing red hair, is a symbol of Siddons perfection, struck down by the cruel blow of an indifferent fate.

Astra's slow fall into devastating illness is solemnly monitored by Mr. Dell, his wife lost to a freak accident before Astra's illness; he longs for his wife's certitude and comfort in this grueling time, as he watches his daughter's slender form evaporate under the attack of the disease that can only be fought by extreme measures. Her spare hospital room a testament to the magnitude of the battle, a table is filled with cards bearing well wishes from classmates, a gentle chorus of "get well soon" and "we miss you" crushed by the violence of harsh treatments, as painful and ominous as Astra's disease. It is the haunting voices of these others, classmates, teachers, that create the narrative beyond Astra's hospital bed. It is difficult to allocate emotion to Astra's suffering in lives fraught with the petty dramas of adolescence on the cusp of a new beginning.

A lonely female teacher visits with the students' favorite bachelor teacher. Over the months, Anna Mazur hopes for more, but he clings to the constraints of friendship. Marlene Kovacs, who never fit in with the other girls, is a regular visitor, compelled to return to Astra's bedside, giving in to impulsive theft, letters from Astra's best friend, Car. In a fugue state of her own, Car Forester pens truths that transcend the usual discourse that passes for encouragement, mirroring Astra's dilemma in a frail grasp of life's daily disappointments. Pregnant with the egocentric imaginations of teenaged girls who cannot forget Astra, the characters are increasingly drawn to the demands of approaching graduation. Isolated in the unique self-centeredness of Astra's friends and acquaintances, the pall of death hovers, a shadow of what the world has so far only hinted at, one girl's easy journey through privilege shattered by a random stroke of fate. In this place, truth flickers like a candle. Luan Gaines/ 2008.

4 of 4 people found the following review helpful.
Riveting
By Becky Sharp
I just read about All Souls in the NYTBR this past weekend and read it this week -- it was really riveting, great writing, an intricate web of a story. The self interestedness was made really compelling. Good book.

5 of 6 people found the following review helpful.
Really Didn't Care for It
By Amazon Customer
I began reading this book with high hopes - Christine Schutt is an award winning novelist, and All Souls was a 2009 Pulitzer finalist for fiction. Unfortunately, it was a huge let down. The "bones" of the story are good, but it is extremely disjointed and could have been better with either twice the pages or half the characters involved. The excessive cast of characters come across as one-dimensional, clichéd, and poorly developed.

There are some beautiful passages in All Souls, but most of the writing is clumsy and difficult to trudge through. Schutt's style takes some getting used to and the story just wasn't long enough to get me there. I am glad that I checked this one out at the library and did not purchase it.

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## Download PDF Christianity and Culture, by T. S. Eliot

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Two long essays: “The Idea of a Christian Society” on the direction of religious thought toward criticism of political and economic systems; and “Notes towards the Definition of Culture” on culture, its meaning, and the dangers threatening the legacy of the Western world.

• Sales Rank: #81544 in Books
• Published on: 1977-04-11
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .54" w x 5.25" l, .55 pounds
• Binding: Paperback
• 216 pages

Features

• ISBN13: 9780156177351
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author

Thomas Stearns Eliot was born in St Louis, Missouri, in 1888. He moved to England in 1914 and published his first book of poems in 1917. He received the Nobel Prize in Literature in 1948. Eliot died in 1965.

Most helpful customer reviews

101 of 103 people found the following review helpful.
T.S. Eliot: an astounding writer
By Brian Douglas
T.S. Eliot is known as one of the world's foremost poets and playwrights, but this book shows him as a brilliant essayist, philosopher, and theologian as well. This book consists of two essays: "The Idea of a Christian Society" and "Notes Toward the Definition of Culture." In these two essays, Eliot displays his mental prowess by cutting to the heart of the issues of culture in general in the second essay and specifically Christian culture in the first. His analysis of these subjects is very orderly, well-thought, and deeper than most any written today, even by sociologists and the like who make a career of studying these things. Eliot breaks culture down into three subclasses: individual, group/class, and whole society. He begins with the individual level of society, analyzing personality characteristics and the like, and moves his way up into group/class and then to the whole society, giving an extremely thoughtful and insightful argument into how these elements relate. Although this book was written over 50 years ago and isn't the most conventional look at these subjects, many of the things Eliot asserts are becoming obvious in today's society, proving him as not only a great writer but also as an accomplished thinker. He goes into great detail on class, geographic regions, sects, politics, religion, and education in relation to culture and society. While the writing is a bit more verbose and difficult than the average modern reader is used to, it is extremely logical; Eliot carefully builds each argument one step at a time. This order makes it possible to gain a great deal of understanding if the reader is willing to wade through the text and ponder what is written. I guarantee that even though many readers won't necessarily understand initially or perhaps agree with everything Eliot asserts in this book, anyone who reads it will end up with a far greater understanding of the workings of society. I recommend this book to anyone who is willing to be stretched in an intellectual way and anyone who seeks to gain a great insight into culture at its various levels and as a whole.

56 of 58 people found the following review helpful.
What a fascinating book!
By A Customer
I bought this book unsure of how 'enlightened' it would be. To my surprise and delight I have found the book alarmingly courageous and specific in its ideas of the Christian person within a secular society. His writing is profoundly moving and expressive, but then again, he is one of the greatest modern poets. I literally had to refrain myself from highlighting every other line of this book, it is that original. I felt as though I were reading a classic novel instead of a book on cultural ideas. A life-changing book to be sure!

0 of 0 people found the following review helpful.
The words of a genius.
By mfpm
The words of a genius who spent his life pondering its true meaning. One would never expect Eliot to "dumb it down" for we mere plodding mortals, and he doesn't. What you do derive from it is profound.

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>> Free PDF Blue Arabesque: A Search for the Sublime, by Patricia Hampl

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Just out of college, Patricia Hampl was mesmerized by a Matisse painting in the Art Institute of Chicago: an aloof woman gazing at goldfish in a bowl, a Moroccan screen behind her. In Blue Arabesque, Hampl explores the allure of this lounging woman, immersed in leisure, so at odds with the rush of the modern era. Hampl’s meditation takes us to the Cote d’Azur and to North Africa, from cloister to harem, pondering figures as diverse as Eugene Delacroix, F. Scott Fitzgerald, and Katherine Mansfield. Returning always to Matisse’s portraits of languid women, she discovers they were not decorative indulgences but something much more. Moving with the life force that Matisse sought in his work, Blue Arabesque is Hampl’s dazzling and critically acclaimed tour de force.

• Sales Rank: #1092152 in Books
• Published on: 2007-10-01
• Released on: 2007-10-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .62" w x 5.31" l, .58 pounds
• Binding: Paperback
• 224 pages

From Publishers Weekly
Starred Review. In this discursive and absorbing interdisciplinary work, Hampl (A Romantic Education) explores the artistic life from an impressively diverse number of perspectives. Her starting place is Matisse's Woman Before an Aquarium, a painting that, to her, represents the languid, inward-looking life of the mind that leads to great art. From this image, Hampl sets off on an intellectual journey that leads her from Matisse's odalisques to those of Delacroix and Ingres, then outward to the larger notions of orientalism and exoticism that pervade such works. The pleasure of reading this book comes from following Hampl as she skips swiftly from one subject to another while maintaining a perfect consistency of tone and theme. In one particularly illuminating sequence, Hampl discusses the career of Jerome Hill, a documentary filmmaker from her hometown of St. Paul, Minn., who chronicled the minutiae of his life in his final film; the hometown connection allows Hampl to explore aspects of her own life as well. Whether discussing the journals of Katherine Mansfield or the harems of the 18th century, Hampl proves to be an authoritative and beguiling guide to the joys of leisure and the intellect. (Nov.)
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From Booklist
*Starred Review* Hampl's memoirs of discovery are exhilarating. Writing of both earthly pilgrimages and the inner journeys they provoke, she brings a poet's love of language, fluency in patterns and modulations, and fascination with the life of the mind to unusual aesthetic, spiritual, and cultural inquiries. Her most sensuous, sinuous, and radiant book to date arcs from contemplation of a painting by Matisse. Woman before an Aquarium has served as icon and lodestar for Hampl ever since she was first "apprehended" by it in Chicago in 1972. Matisse's arresting image of a self-possessed woman gazing at goldfish in a fishbowl in a room with a blue Moroccan screen inspires Hampl to compose scintillating and spiraling reflections on containment, the nature of time, the significance of leisure, Matisse's love of fabric, European fantasies about harems, and a little-known filmmaker from Hampl's hometown, St. Paul, Minnesota. Entwining the gold gleaned from her inspired research with bright strands of autobiography and unforeseen turns of thought to create finely filigreed prose, Hampl does with words what Matisse does with line and color, that is, reaches to the essence of perception, "not simply what was seen, but how seeing was experienced." Donna Seaman
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Review
PRAISE FOR BLUE ARABESQUE
 
"Ultimately, Blue Arabesque isn't a memoir so much as it is a paean to the act of seeing, celebrating our capacity to be transformed by the truths art holds, recognizing them as holy . . . Read Blue Arabesque and you too might mistake--or exchange--art museums for churches." --The New York Times Book Review
 
"Blue Arabesque is a marvel--so free, so inventive, and so unpretentiously deep." --Phyllis Rose, author of Parallel Lives

Most helpful customer reviews

13 of 14 people found the following review helpful.
Vivid imagery
By Armchair Interviews
Blue Arabesque by the inspired Patricia Hampl is as much a work of art as the paintings she describes. Her story begins in the spring of 1972 at the Chicago Art Institute. There she is held spellbound by a profound piece of artwork created by Henri Matisse. She describes her enchantment of his painting of a woman gazing into a fishbowl. The author's remembrance of this finding is much more detailed. Her imagery is that of a poet describing a chance encounter with an object whose beauty has to be seen full and in the flesh. She uses vivid mastery of words to keep the readers haunting interest.

Patricia introduces us to Henri Matisse and delights over his use of Moroccan and African influences in his artistry. She explores his use of young women who modeled for him and gives an interesting eye into the life of Henriette Darricarrere who posed from 1920 to 1927. The author also describes the limited though profound life of Jerome Hill whose documentary "Film Portrait" won the 1972 London Film Festival award shortly after his death from cancer in 1971.

In order to truly understand and appreciate the talents of this author, you must read the book. Her journeys are portraits in themselves. She tells of her travels, not like an author or a writer, but like a griot* whose stories are often woven with greatness and sheer excitement. I enjoyed my voyage with Patricia Hampl in her search for the sublime. I have only touched on a fraction of the stories this book encompasses. I urge all to allow this author to share her colorful and delightful experiences with you--a trip well taken.

(* gri*ot -- a member of a caste of professional oral historians in the Mali Empire)

Armchair Interviews says: Truly a "trip well taken."

8 of 10 people found the following review helpful.
Subtle and Beautiful
By M. J. Costello
This slim volume was packed with imagery and reflections worth a reread. The author has a real gift in drawing from many sources - art, travel, family and spirituality - and creating a rich narrative. It compelled me to read another of her books.

4 of 5 people found the following review helpful.
Deserves a permanent place in my bookcase
By Helen Gallagher
Blue Arabesque is a memoir with an ethereal quality, as the author shares her experiences in understanding Matisse, his models, and the personal journey of being absorbed by a painting. How many of us take the time to follow and contemplate and sort out the mysteries of what intrigues us? Yet, the energy, passion, and art education packed into this delightful little book reveal even more...like what it means to the author to be traveling, contemplating, sorting out who we are ~ when we have the "leisure" of time. I had the pleasure of hearing the author speak and believe me, this is a very thoughtful book.

I'm sharing my thoughts, but won't share this beautiful book. It will have a permanent home on my shelves.

Helen Gallagher, Release Your Writing: Book Publishing, Your Way

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