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Kamis, 05 Juni 2014

~ Ebook Download Just a Couple of Days, by Tony Vigorito

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"May be the most unusual, the most original novel I have ever read." --TOM ROBBINS

"A lyrical, thoughtful, viral meme of a book. Read it!" --CHRISTOPHER MOORE

Join cult favorite Tony Vigorito in his award-winning underground sensation chronicling the party at the end of time. A mischievous artist kicks off a game of graffiti tag on a local overpass by painting the simple phrase, "Uh-oh." An anonymous interlocutor writes back: "When?" Someone slyly answers: "Just a couple of days." But what happens in just a couple of days? Professor Blip Korterly is arrested, his friend Dr. Flake Fountain is drafted into a shadow-government research project to develop the ultimate biological weapon, and an accidental outbreak turns into a merry-hearted, babble-inducing apocalypse that will either destroy humankind or take it to the next step in evolution.

"Vigorito's... irreverent, whimsical style...has attracted a cult following... The final apocalyptic vision is a twist not seen since Kurt Vonnegut's Cat's Cradle. Recommended." --Library Journal

Sales Rank: #451313 in Books
Published on: 2007-04-02
Released on: 2007-04-02
Original language: English
Number of items: 1
Dimensions: 8.00" h x 1.00" w x 5.25" l, .79 pounds
Binding: Paperback
394 pages

From Publishers Weekly
Originally self-published in 2001, Vigorito's bloated first novel goes mainstream in this "newly updated" version. When Dr. Blip Korterly, the eccentric philosopher best friend of narrator and molecular biologist Dr. Flake Fountain, vandalizes a bridge with the words "uh-oh," he starts a chain reaction that ends in cataclysm. Along the way, Flake is enlisted by Tibor Tynee, the megalomaniac president and CEO of Tynee University (and Flake's boss), to create a vaccine for the Pied Piper virus, a U.S. military-designed bug that destroys humans' ability to communicate. General Kiljoy, in charge of the Pied Piper project (and very, very Gen. Ripper from Dr. Strangelove), works out a deal with the local police and the university to test the virus on prisoners. Blip, arrested after a confrontation with a raving preacher on the university green, ends up becoming one of the test subjects. The virus, of course, escapes the test facility, leading to some very bad things. Vigorito frequently delves into goofy metaphors and hippie screeds, and though his novel offers plenty of absurdity, his inability to go big with humor or vision leaves this feeling like Pynchon ultra-lite. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

PRAISE FOR JUST A COUPLE OF DAYS

"Just a Couple of Days may be the most unusual, the most original novel I have ever read. It reminds me of my own first novel, Another Roadside Attraction, in that it almost completely defies what we've been taught that a novel ought to be... If philosophical ideas were harpoons, Tony Vigorito could turn every whale in Ahab's ocean into floating pincushions..." —Tom Robbins

"A lyrical, thoughtful, viral meme of a book. Read it!"—CHRISTOPHER MOORE, author of LAMB and A DIRTY JOB

"This is the kind of literary enjoyment so many people say you shouldn’t have, and then worry about when you start to draw larger conclusions from . . . I’d go so far as to say that this novel is ‘folk heroic’ and should be read by anyone who still values their capacity to think for themselves."—KRIS SAKNUSSEMM, author of ZANESVILLE

"Like a technologically savvy modern-day Rabelais, Vigorito gives humanity a swift, playful, and long overdue slap on the ass." (Chris Genoa author of Foop!)

"A Dr. Strangelove for the biotech century. Just a Couple of Days is savvy, wickedly funny, and profoundly disturbing. " (Richard Heinberg author of Powerdown)

"Just a Couple of Days is a lyrical, thoughtful, viral meme of a book. Read it!" (Christopher Moore author of You Suck)

"This novel is "folk heroic" and should be read by anyone who still values their capacity to think for themselves." (Kris Saknussemm author of Zanesville)

"Irreverent, whimsical. The final apocalyptic vision is a twist not seen since Kurt Vonnegut's Cat's Cradle. Recommended." (Library Journal)

From the Inside Flap
BEST VISIONARY FICTION, Independent Publisher Book Awards
Just a Couple of Days is a most intriguing book; well-written and daring. It's the kind of ground-breaking work we look for in these awards.

From Library Journal
Free-spirited sociology professor Blip Korterly writes "Uh-oh" across a bridge, and our narrator and his colleague, microbiology professor Flake Fountain, traces the disastrous effects of a virus back to that moment. Although friends, Blip and Flake are polar opposites. Blip believes he is being poisoned as part of a plot against him, while Flake spends his days focusing on bits of DNA. When Blip is arrested, he's sure something sinister is going on in the town jail. Not only is that true, but Flake is being lured into taking part in it. Flake's job is to find a cure for the highly contagious Pied Piper virus, which breaks down peoples' ability to communicate. While Blip gets rearrested so that he can investigate the mystery, Flake, because of the highly secret nature of the work, is taken into total isolation. Vigorito's book was originally published in 2001, but because of its irreverent, whimsical style, it has attracted a cult following. Sprinkled throughout are philosophical rants and rhetorical questions. The final apocalyptic vision is a twist not seen since Kurt Vonnegut's Cat's Cradle. Recommended.

From Christopher Moore, bestselling author of Lamb and A Dirty Job
Just a Couple of Days is a lyrical, thoughtful, viral meme of a book. Read it!

From Kris Saknussemm, author of Zanesville
This is the kind of literary enjoyment so many people say you shouldn't have, and then worry about when you start to draw larger conclusions from. Tough luck for them. This is fun and meaningful. I'd go so far as to say that this novel is "folk heroic" and should be read by anyone who still values their capacity to think for themselves--and the ability to appreciate books that aren't neatly laid out for them by the New York mill. Real writing speaks for itself--and to us. This does.

From Richard Heinberg, author of The Party's Over and Powerdown
Tony Vigorito's brilliant novel is a Dr. Strangelove for the biotech century, a witty and wise end-of-the-world romp that manages to be optimistic - even joyous - yet cynically dystopian at the same time. Just a Couple of Days is savvy, wickedly funny, and profoundly disturbing. An absorbing, thought-provoking read.

From Chris Genoa, author of Foop!
Like a technologically-savvy modern-day Rabelais, Vigorito gives humanity a swift, playful, and long overdue slap on the ass... Just a Couple of Days is so damn good it's one of the books that made me want to be a writer.

From Wisconsin Bookwatch
An unpredictably adventurous and singularly ambitious novel. Especially recommended reading for anyone with a literary interest in the surreal...

From Columbus Alive
One is immediately impressed... Vigorito laces his writing with a satirical touch, adding levity to the heady subject matter.

From Zenzibar Alternative Culture
[A] humorous apocalyptic novel...reminiscent of Tom Robbins...Vigorito has a similar facility in putting together colorful and creative metaphors. The pace is quick and engaging with occasional diversions into deep philosophical thought...hilarious...a parody of society, particularly the institutions of control...Just a Couple of Days provokes thought and laughter and shows that freedom is, indeed, a bigger game than power.

From Armchair Interviews
If you enjoy quirky characters, twists you didn't see coming, a story you will think about long after you've closed the book and find you can't wait for the author's next novel, this one is for you... Vigorito has an imagination you'll want to examine.

Most helpful customer reviews

155 of 178 people found the following review helpful.
THIS BOOK WILL BLOW YOUR MIND!
By A Customer
I usually cringe at gushy superlatives, but this time it cannot be helped. This is absolutely the best book I've ever read. To be certain, it would be inaccessible to folks with a fifth-grade reading level. It would also be incomprehensible to people who cannot think on an allegorical level. But for anyone who knows how to think, THIS BOOK WILL BLOW YOUR MIND! Every element of the story is tightly crafted. I wish I could describe the story but I've already tried with my friends and find myself fumbling about trying to describe it. Let me try this: It's a hilarious and hallucinogenic apocalypse, but apocalypse doesn't mean what you think it means. The story and the main characters are so engaging that after the first forty pages I couldn't put it down to answer the phone. The writing has layer upon wonderful layer of allegory and metaphor reminiscient of Thomas Pynchon or Tom Robbins, and the epilogue left me with an afterglow that I've yet to come down from.

51 of 58 people found the following review helpful.
One of those books that you just can't put down
By Kristen Talley
I normally do not write reviews. But, it's been quite awhile since I've read a book that engrossed me as much as this one did. It took me through a wide array of emotions; humor, anger, sadness, and joy. Even as I'm writing now, I am almost speechless. Almost. I love how smoothly the book flows; the story itself is beautiful. I recommend it to everyone I know, and all have thanked me profusely for it. So, I guess the real reason for writing this is to recommend this book to all of the people that I don't know. Read it. You won't regret it.

40 of 46 people found the following review helpful.
cool cool cool
By Andrea
First of all, this is one of the coolest books I've ever read. A review on the front cover calls it a "Dr. Strangelove for the biotech century," but I would also compare it to Cat's Cradle, one of my favorite books, although Just a Couple of Days is a good deal more lighthearted.
Second, it was very difficult to put this book down since the chapters are short. I found myself always wanting to read just one more chapter, until the next thing I knew I had read fifty more pages.
Third, the tangents are fascinating and hilarious. The writing got a little voluptuous at times, but that was one of my favorite things. It was clear that he was enjoying himself.
Finally, the philosophy of language and communication implied by this story left me engrossed in thought for hours. This book is a celebration of life. You'd have to be a jaded cynic to not like it.

See all 139 customer reviews...

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Minggu, 01 Juni 2014

## Free Ebook Refiner's Fire, by Mark Helprin

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An orphaned immigrant's experiences take him from the Hudson River Valley to Harvard, off to sea on a British merchant ship, then finally back to his birthplace, where he serves as an Israeli soldier in the Yom Kippur War.

Sales Rank: #794172 in Books
Brand: Helprin, Mark
Published on: 2005-06-01
Released on: 2005-06-01
Original language: English
Number of items: 1
Dimensions: 8.00" h x 1.10" w x 5.31" l,
Binding: Paperback
560 pages

From the Back Cover
"That best of all possible novels: read ten pages and you can't put it down; finish it and you'll feel it haunt your days and nights." - The San Francisco Examiner & Chronicle

Refiner's Fire is the story of Marshall Pearl, orphaned at birth aboard an illegal immigrant ship off the coast of Palestine in 1947 and brought as an infant into the "ardent unlimitedness" of America. Determined to see the world in its beauty, ferocity, and ultimate justice, he does so, in scenes of gorgeous color and great excitement, as a child in the Hudson Valley, fighting Rastifarians in Jamaica, at Harvard, in a slaughterhouse on the Great Plains, in the Mexican desert, on the sea, and in the Alps. Finally he is drawn to Israel to confront the logic of his birth, in a crucible of war, magic, suffering, and grace. At the opening of the book, he is one of the dying wounded being transported to Haifa during the 1973 war. We follow him as he dreams, reconstructing his life, until, by the strength of what he has learned, suffered, and hoped, Marshall Pearl rises.

"Every once in a while a book appears that engulfs you in its limitless beauty. This is such a book. Helprin's use of language and imagery is an ineffable joy." - The Philadelphia Inquirer

"Refiner's Fire is an experience, like being shot out of a cannon - exhilarating, extravagant, vertiginous." - The Boston Globe

Educated at Harvard, Princeton, and Oxford, Mark Helprin served in the Israeli army, Israeli Air Force, and British Merchant Navy. He is the author of, among other titles, Refiner's Fire, Ellis Island and Other Stories, Winter's Tale, A Soldier of the Great War, Memoir from Antproof Case, The Pacific and Other Stories, and Freddy and Fredericka.

About the Author

MARK HELPRIN is the acclaimed author of Winter's Tale, A Soldier of the Great War, Freddy and Fredericka, The Pacific, Ellis Island, Memoir from Antproof Case, and numerous other works. His novels are read around the world, translated into over twenty languages.

Excerpt. © Reprinted by permission. All rights reserved.
RIDING IN a new 1938 Ford through the March countryside of North Carolina, Paul Levy was astonished by the tranquillity and depth of the blue above. Every tree and field was sheathed in gentle, clear, warm light. Smoke from clearing fires rose straight and slow, and the speed and air were perfect as the car wound through the back roads, sounding like a perpetual chain of little firecrackers. He was sixteen, the son of a Norfolk ship provisioner, and in love with the Navy and its ships. His father saw them as delivery points for canned tomatoes and brass polish, but his father's son was struck as if by lightning at the sight of one steaming up the roads, bent forward, pressing on-a squinting bridge, high black masts and angled guns, smoke, wake, urgency, and water pulsing off the bows. And when they turned, with claxons and bells, and the stern seeming to sweep like a skater over mottled ice, he saw in them the history for which his tranquil boyhood had been created. And in the North Carolina countryside, joyriding in his father's car solo for the first time, he could not help glancing through the windows at the sky and thinking of the sea.

By darkness when he returned to Norfolk he had decided to join the Navy, which, after a year or so of arguments and heated wanderings in and out of the dance places at Virginia Beach, he did. At first he went to sea as almost a child, and the little experience he had he used badly, awkwardly, making more mistakes than he could count. But at nineteen he was an ensign in the Battle of the Atlantic. He used to come home every few months or weeks, and each time he was more solid, stronger, wiser. Being on the sea was miserable, especially in winter, and it wore him down. But it developed into his calling and during the war he had been off Africa, Normandy, and Japan. Because he learned fast and loved the sea he became a lieutenant-commander by the end of 1946, taking a year's leave of absence to rest and prepare: he intended upon a career in the Navy, but did not want to be entirely brought up in it. He thought that a year of peace-maybe some farming, a trip across the country to San Francisco, a month at home-would do it. His father had become prosperous, especially since the fleet had not been decimated and would not be dismantled as had been the custom after other wars. They lived in a big house and it was planned that the younger sister and brother would go to college.

Paul, though, was lost to the Navy; he was an officer with Southern ways and a fighting man's demeanor. They were proud of him, but having left early and against their wishes, he was not very much like them. He had forgotten his Jewishness, almost lost it in the rush and conviviality of war. No one knew he was a Jew if they didn't know his name. Even when he said his name, everyone did not immediately know his origins, since he pronounced Levy like the tax, or the embankment which holds back a river. He was by appearance and dialect a Virginia or North Carolina farmer-and this delighted him. He was free as his father had never been to blend into the country and be whatever he wished, except for his name and except for his regret, as he saw his father growing older, that he as first son would do little in continuing what began to appear to him in the quiet spring days of his extended leave, riding again in the Carolinas, as a very important line of passage, a crucial tradition.

It took him a day to go from the balm of the internal Carolina lakes and bays to Washington Square. New York seemed to him like rows of gray teeth and he could not understand how people chose to live inside files of concrete boxes in a city which was really not a city but a machine. To him it seemed about the same as building a great engine, a thousand times greater than the Corliss Engine, and then living inside. London too had gray teeth, but in circles and enflowered by trees and promenades. This city on the Hudson was like a shark's jaw-monotonous serrations thick and hard.

He had intended to seek out Jews, for the ones in Norfolk were in his eyes predictable and Virginianized. But to his great surprise, the Jews in New York would have nothing whatsoever to do with him. First, his approach was confused. He walked into restaurants and ordered familiar dishes. In this way he ate much and discovered that one does not retrieve receding history through gastronomy. He sat next to an old man and looked into his face, about to ask a momentous Jewish question, when the man said, "Go avay, cowboy." He explained that his name was Paul Levy, but when the old man heard the way he spoke, he fled. Paul kept on trying.

He chose a synagogue and went to pray, but when he entered they looked at him as if he were a raccoon or a possum who had wandered in from the Louisiana Bayou. He went to see a rabbi, whose advice consisted of coldly instructing him to purify his pots and pans by boiling water in them and dropping in a hot brick. "A hot brick?" asked Paul in disbelief. "Let me get this straight. You want me to boil water in my nonexistent pots and pans, and then drop in a hot brick? A hot brick! Rabbi, one of us is nuts, and it's not me."

After a week or more of seeking out Jews in New York he found himself at the house of a Roman Catholic law professor, lying on the floor of the library, which looked out on a cold Washington Square where snow was falling for the last time that spring, and next to the sooty buildings it telescoped itself into a salt-and-pepper image like the tweeds in the livingroom downstairs at the party. But the snow was twisting in cold whirlwinds like the warm viscous air above the fire. He was roundly, rotatingly drunk, davening in his drunkenness before the fire, and next to him was a Palestinian Jewess whom he had beguiled upstairs to kiss; but she wasn't drunk at all. She liked him though and had never heard a Jew who talked as he did. When he told her he was a Navy captain (he blushed at the lie) she leaned over on the Persian rug and kissed him on his mouth in such a wet sexual way and with such great affection that he said, "Would you believe that I'm really an admiral?"

"No, I don't believe you," she answered. "But I want you to tell me about that you are a captain."

And he did, starting with his revelation in Carolina about the Navy and the sea, his love for the sea, how in the war he had fought and endured, how his father had not known him but had seen instead a tough stranger who did pushups and could fight, and how for him being a Jew was impossible since he could not get either in or out and seemed to be hanging in between worlds which would not have him.

They stayed together for two weeks until she took him in a turtle-backed taxi to Idlewild and saw him off on his way to becoming a captain, as he had said he was. He felt that he did not know his own mind. He was apprehensive about not returning in time to resume his commission, apprehensive about leaving the silent city which he had come to like and respect, apprehensive about rising above shafts of sunlight and clouds on a straining airplane past the rows of gray buildings in new prosperity-a good quiet place for infants after the war-apprehensive of rising into an empyrean of blue, apprehensive of heading east, apprehensive of challenging the British cordon with an old coastal freighter, and apprehensive of the dreamlike frame of mind into which he had fallen. He hardly knew what had happened, but he felt as if he were certainly rising upward.

Copyright © 1977 by Mark Helprin

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical,
including photocopy, recording, or any information storage and retrieval
system, without permission in writing from the publisher.

Requests for permission to make copies of any part of the work should be mailed to the following address: Permissions Department, Harcourt, Inc.,
6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

Most helpful customer reviews

52 of 58 people found the following review helpful.
Fire burns, language soothes
By J. Guberman
This is the best Fiction I have read in English since I read the translation of Milan Kundera's "Unbearable Lightness of Being". The beauty of the language is such that it would not be surprising if one required grief counseling after completing this book. The experience and beauty gained in the reading, is mourned soon after you have turned the last page and a feeling of loss descends upon you. Though the book is not sad. Completing it is. It is alive with the joy of lively and interesting characters who take you with them in their dreams and hopes for the future. It is only this that one loses by turning the last page. Intellectually a stimulating story and linguistically one of the best examples of how English should be written with an appreciation of the natural poetic imagery of the language.

13 of 13 people found the following review helpful.
A dazzling and original work
By D. Hodges
Mark Helprin's "Refiner's Fire" is one of the most original fictional books I have ever read. Written in a whimsical, almost magical, style, the book begins with the main character, Marshall Pearl, ailing in a Haifa Hospital, gravely wounded from an artillery shell fired near Mount Hermon in the opening salvo of the Yom Kippur War. From there, the book tells the story of his life, from being born an orphan on a refugee ship in Palestine to fighting Rastas in Jamaica and searching for the story of his father amidst the frozen crevices of Mount Chamonix.

While adventuring through the world, Marshall goes through tests small and large, each of which will help make him into a man. Although the reader begins the book knowing that there will be some point at which Marshall goes through the refiner's fire, Helprin makes the story up to that moment both full and complex. Rather than just letting the big events do the shaping, Helprin shows how a person like Marshall, naturally brave and independent, can be tested in all sorts of ways, knowingly and unknowingly, and then draw upon the results of those tests for when it really counts.

The book demands the attention of the reader and, if it is given, the reader is rewarded with a lovely, intricate tale replete with beautiful language and thoughtful observations. For instance, while in the hills of the West Bank, Helprin observes that, "It was easy to die near Jerusalem, as easy as falling in the undertow of a history which surged in tides and currents and was unknown, but left its marks like wind eroding the rock. All things conspired there on a high part of the stage upon which they had come at their risk."

At the same time, however, although the majority of the book was involving, there were stretches in which the writing was a little too dream-like and detached, a bit distracting from the plot. Had the book contained fewer cluttered sentences and focused more on the difficulties and trials that cause "steel and gold and silver [to] spring from the previously soft souls of the tried," I believe it would have been an even stronger effort.

Still, the book is a great achievement and its sometimes-crowded and reaching sentences can be overlooked in a story of great beauty, told by a dazzling writer. Highly recommended.

21 of 25 people found the following review helpful.
Best living writer of fiction alive today.
By archer
I started life reading all of the works of William Faulkner -- The best American writer of the 20th Century. Richard Powers is obviously a genius and a great writer. Don Dillio, John Irving, and especially Wallace Stegner are all great writers. But Mark Helprin is a true genius with language. After reading four of Mark Helprin's books, he comes closest to the magic writing of Gabriel Garcia Marquez, except I end up caring a gread deal more about his characters. "Winter's Tale" is remarkable. Just the language in "A Soldier of the Great War"; and "Memoir from Antproof Case" are worth reading. The brillance of the later works are evident in "Refiner's Fire".

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Jumat, 30 Mei 2014

@ Ebook Modern Man in Search of a Soul, by C.G. Jung

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Modern Man in Search of a Soul, by C.G. Jung

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A provocative and enlightening look at spiritual unease and its contribution to the void in modern civilization

Considered by many to be one of the most important books in the field of psychology, Modern Man in Search of a Soul is a comprehensive introduction to the thought of Carl Gustav Jung. In this book, Jung examines some of the most contested and crucial areas in the field of analytical psychology, including dream analysis, the primitive unconscious, and the relationship between psychology and religion. Additionally, Jung looks at the differences between his theories and those of Sigmund Freud, providing a valuable basis for anyone interested in the fundamentals of psychoanalysis.

Sales Rank: #22754 in Books
Published on: 1955-08-04
Released on: 1955-08-04
Original language: English
Number of items: 1
Dimensions: 8.00" h x .70" w x 5.31" l, .53 pounds
Binding: Paperback
244 pages

Review
'He was more than a psychological or scientific phenomenon; he was to my mind one of the greatest religious phenomena the world has ever experienced.' - Laurens van der Post 'His psychological approach is deeply interesting and should stimulate many who are today more ready to trust a doctor than a clergyman, to help them to rediscover the meaning of life.' - The Guardian 'Jung was the first to see that, of all the crises facing humanity, the lack of any sense of meaning in life is the crisis that guarantees all the rest. Whether the reader self-defines as modern, late modern of post-modern, the predicament that Jung lays out in bleak detail still strikes a chord. His suggestion that any possible solutions - political ecological, philosophical or religious - must include and respect elements of what lies deep within the psyche ('the soul') continues to challenge and to inspire.' - Andrew Samuels, Professor of Analytical Psychology, University of Essex 'This slim volume contains the quintessence of Jung's thinking. Originally published in 1933, it was the first readily accessible presentation in English of the great psychologist's basic ideas about psychotherapy, dream interpretation, psychological types, the stages of life and his differences with Sigmund Freud. His observations on the relationship between the "archaic man" and "modern man" anticipate those of contemporary evolutionary psychiatry, while his diagnosis of what alls western culture has been endorsed by subsequent history. An invaluable book for those seeking an introduction to Jungian psychology, expressed - with unusual clarity - in the master's own words.' - Anthony Stevens

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Most helpful customer reviews

93 of 96 people found the following review helpful.
Insightful Analytical Psychology
By R. Schwartz
A very insightful and meaningful book, 11 intriguing essays in 244 pages. Jung is a deeper thinker, and I think not reductive like Freud and Adler tended to be. He makes no claim to dogmatism or absolutes. Jung really hits on the psyche and transcends the borders of rational intelligence into areas of the unconscious expressions in symbolism and images.

I am going to argue against another reviewer here that gave this book 4 stars as being outdated. When I look at the present collective societal structure and current cultural pattern apart from the minority of advanced individuals, I can see the postmodern man has regressed far from the modern man of the 1930's in search of a soul. Of course there as been advances individually, but on a collective level; fundamentalism, religious literalism, nationalism, patriotism and one-sided thinking This has grown in major proportions as opposed to the other way around and it is far more serious than most even realize and patterns after historical events of very similiar nature.

The first essay on dream-analysis hits on the idea that dreams are very hard to interpret and suggests that understanding the circumstances and conditions of the conscious life is significant in relation to the dreams of the unconscious life.

On the problems of psychotherapy, Jung relates four stages of analytical psychology, the confessional, explanation, education and transformation

"The great decisions of human life have as a rule far more to do with the instincts and other mysterious unconscious factors than with conscious will and well-meaning reasonableness. The shoe that fits one person pinches another; there is no recipe for living that suits all cases. Each of us carries his own life-form - an indeterminable form which cannot be superseded by any other." p. 61

The essay on the personality types is short, non-exhaustive and briefly relates Jung's ideas of the introvert, the extrovert and the 4 basic types consisting of those persons who are thinkers, feelers, sensory and intuitive.

In his essay on the stages of life, Jung ventures beyond childhood into early adulthood and the expansion of the self into sexual desires and masculine and feminine traits and how after somewhere in the 40's there begins a contraction of the self where men may acquire more feminine traits and women more masculine. In the second half of life less is needed to educate his conscious will but more aim towards the inner being, until old age where one leaves the rational self and retreats into the psyche as children yet in a different sense.

Jung acknowledges the validity of Freud and Adler and their valuable contributions, yet Jung sees Freud's sexual reduction to all neurosis as limiting, as well as Adler's will to power over inferiority as the sole cause. Both views have proven themselves as valid in many cases, yet Jung finds there is far much more levels in what he calls "value intensities," which underlie many complexes.

Jung also briefly goes into the archaic man's interpretation of all chance events having external meanings and causes, or as causal occurrences and the contrast of the modern man's ability to see the majority of chance and unexplainable events as the human imagination, as the perception of the human. Also the same ability of assumptions in the archaic man, can be seen in the modern who uses science as the foundation over the supernatural.

Jung's essay on psychology and literature is my favorite essay. It hits on something I both think of and am affected by almost every day. I found this entirely meaningful and very much profound. In this he writes of two types of writers; those that explain all they write of and those that have visions where their writing is obscure and needs the psychologist to read into. It is those visionaries that are the most inspiring. Here there exists those as in The Shepherd of Hermas, in Dante, in the second part of Faust, in Nietzsche's Dionysian exuberance, in Wagner's Nihelungenriing, in Spitteler's Olympischer Fruhling, in the poetry of William Blake, in the lpnerotomachia of the monk Francesco Colonna, and in Jacob Boehme's philosophic and poetic stammerings.

Jung speaks of the human intuition that points to things that are unknown and hidden, and by our very nature are secret and that throughout human history this unfathomable primordial source of creative experience been expressed in images, as in the sun-wheel, in attempting to point to this. The artist and poet will resort to mythology and images which only appear to occur in dreams, cases of insanity, narcotic states and eclipses of consciousness.

"A great work of art is like a dream; for all its apparent obviousness it does not explain itself and is never unequivocal. A dream never says; "you ought," or "this is the truth." It presents an image in much the same way as nature allows a plant to grow, and we must draw our own conclusions." p. 171

I really can't even begin to touch on all the vital, significant and soul inspiring information that is loaded in the pages of this book and I think as I try I am taking away from what's written far better than what I'll ever write. I recommend this book.

120 of 129 people found the following review helpful.
Soul searcing
By D. Roberts
I have always been deeply suspicious of the field of psychology. While I may not go so far as Richard Feynman did when he referred to them as the "modern day counterparts to witchdoctors," the discipline does make me rather nervous (if pushed to extremes).
That said, I have always respected Jung as an intellectually honest scientist. I may not agree with all his views, but I appreciate that fact that he is not the usual run-of-the-mill sterotyping pigeon-holer (as most psychologists are). His concept of the collective unconscious (whether it is correct or not) is rather fascinating. I do believe there is something to it, as these common archetypal images incessantly end up in our dreams and mythologies. It is not by chance that Joseph Campbell was so influenced by Jung's ideas as to incorporate many of them into his exegesis of mythology.
The present book is my all-time favorite book that is written in the psychology field. The book covers a diverse set of topics which Jung engages with his remarkable acumen. Some of the issues raised are the problems with psychotherapy, the contrasts between his views and those of Freud's (which led to their falling out), psychology and literature, and the spiritual problems of modern man.
One of the most interesting chapters of the book is entitled "Archaic Man." Jung details the psyche of tribes in such places as sub-Saharan Africa and New Guinea. Many of these cultures live the same way today that their ancestors lived thousands of years ago. Their psychological state, like their way of life, has been frozen in time. In essence, they are much the same as primitive man; the same as our own forefathers. Jung dicusses how they tend to explain everything via supernatural happenings. Much of the "reasoning" is anti-logic and extremely ad-hoc. However, Jung points out how such a dangerous and volatile envioronment as the jungle may coerce most anyone into thinking in ways which we "civilized" people would interpret as superstitous.
One of the underlying themes of the book is how we as a human race have become overly-logical today. It may be that primitive tribes may have something to teach us, after all. Somehow, we have descended into apathy after existing for thousands of years as a race that explained everything via the supernatural. This book is a wonderful dissection of the post-modern current state. It is highly recommend for any modern man in search of a soul.

38 of 39 people found the following review helpful.
The best place to start reading Jung
By Ross James Browne
_Modern Man in Search of a Soul_ is the first book you should read by Jung. That is not to say that it is particularly easy; it is by no means a watered-down layman's version of Jung. This is Jung at full intensity. It is an ideal introduction simply because it deals with his more accessable concepts, such as the actual practice of psychotherapy, the doctor-patient relationship, the types of things a doctor should say to his patients, ect. It also deals with broader sociological issues and does not get bogged down with esoteric concepts such as alchemy and ancient mythology. Overall, I would say this is a perfectly crafted philosophical/psychological work. It is potent, miserly, well-written, well-translated, and never gets bogged down with unreadable, esoteric sections. It is not as far-reaching and revolutionary as some of Jung's works, but it is a magnificent work of art pared down to the absolute essentials. Overall it is one of the top five books ever written, by any author, from any genre or time period. Also, as a side note, I would recomend _Psychotherapy East and West_ by the American author Alan Watts as a companion piece to Jung's _Modern Man in Search of a Soul_.

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Senin, 26 Mei 2014

## Ebook Free North to the Orient (Harvest Book), by Anne Morrow Lindbergh

Ebook Free North to the Orient (Harvest Book), by Anne Morrow Lindbergh

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North to the Orient (Harvest Book), by Anne Morrow Lindbergh

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In 1931 Charles and Anne Morrow Lindbergh set off on a flight to the Orient by the Great Circle Route. The classic North to the Orient is the beautifully written account of the trip.

Sales Rank: #251925 in Books
Published on: 1966-09-28
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 8.00" h x .41" w x 5.25" l, .36 pounds
Binding: Paperback
168 pages

Features

ISBN13: 9780156671408
Condition: New
Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Anne Morrow Lindbergh, born Anne Spencer Morrow (June 22, 1906 - February 7, 2001) was a pioneering American aviator, author, and the spouse of fellow aviator Charles Lindbergh. She resided in Connecticut. Books by Anne M. Lindbergh North to the Orient (1935) The Wave of the Future (1940) The Steep Ascent (1944) Gift from the Sea (1955) The Unicorn and other Poems (1956) Dearly Beloved (1962) Earth Shine (1969) Bring Me a Unicorn Hour of Gold, Hour of Lead (1973) Locked Rooms and Open Doors (1974) The Flower and the Nettle (1976) War Within and Without (1980)

Most helpful customer reviews

73 of 73 people found the following review helpful.
The best flying memoir ever written.
By A Customer
Three years after her marriage to Charles Lindbergh, Anne Morrow Lindbergh left her infant son with her mother and a nanny in North Haven, Maine, strapped herself into the open cockpit of a Sirius floatplane, and flew with her husband to the Orient, following the Northwest Passage through arctic Canada and Alaska that her husband was surveying for the airlines. Her literate, supremely controlled prose is remarkable quite beyond the adventure itself. A year after her return, Anne Morrow faced the horror of her child's kidnapping and its aftermath and quite understandably fell into a prolonged depression. She wrote "North to the Orient" partly to rescue herself from the isolation and despair of those circumstances. The memoir went on to win the National Book Award and launch a celebrated career. You will not believe how gracefully she writes, what suspense she contains in her tight chapters. Finishing it, Anne Morrow Lindbergh not only contributed a literary adventure tale on a par with Wilfred Thesiger's "Arabian Sands." The writing of the book itself was a courageous act. This is one of the great neglected works of American nonfiction.

1 of 1 people found the following review helpful.
Anne Morrow Lindbergh would, I feel, have been ...
By Carol Browning
Anne Morrow Lindbergh would, I feel, have been a successful, published writer eventually even if she had never married Charles Lindbergh. This book, of course, is about one of her trips with him, so it is doubly interesting. She writes extremely well. It is still worth reading and reflecting on people's adventures to see what motivated them to try and what they did to succeed once they had the idea.

34 of 40 people found the following review helpful.
A Journey Through Uncharted Skies--Through Anne's Eyes...
By A Customer
Anne Morrow Lindbergh's own description of her life, and that of her husband Charles Augustus, is as great a love story as has ever been told... ...and "North to the Orient" but a mere chapter!
They seemed destined to be at each other's side, living tales such as this.
Anne describes best her attempt to chronicle this aerial and literary journey for her reader:
"I have not written a technical account of a survey flight on the great circle route from New York to Tokyo. I do not know enough to write one, and if I did, the time for doing so would be past. Aviation moves a long way in four years. No geographical knowledge can be gained from reading my story. We constructed no maps or charts, and I have not even kept a scientific record of all the territory passed. It is not in any sense a guidebook. Our stops were so short and hurried that only a superficial picture remains. Nor is each point on our route portrayed, but only those which seem to warrant description for the vividness of impression."
She adds pointedly that, "It was not that we arrived in Baker Lake on August third by plane, but that three hours of flying had brought us from the modern port of Churchill to a place where no white woman had ever been before...", concluding that:
"One has only to see the chasm between accessibility and isolation--narrow, so one could reach across, but deep as time--to appreciate what can bridge it."
In "North to the Orient", we gain the opportunity to see air travel pioneered "first person"--through the eyes of a woman--yes:
...riding along...
...but not as baggage or ballast, but rather, as a working participant in an important expedition.
...one who crews not only a primitive, tandem-cockpit aircraft of wood and fabric, but also operates its radio of tubes and coils where transmissions are made via a Morse Code key.
...and one who also flies this wooden wonder into the unknown, as her companion silently rests--trusting, and not fearing--while she takes him to places he too, has never known.
I think that is where the beauty lies--not in the journey or the adventure itself--but how she somehow manages to remain side-by-side with her companion in life; how he responds and thrives just by being in her eyes; and how she is needed.
How no one dares question this soulfully-dependant relationship between the two!
Rather, all the world endeavors in its attempt to understand these two lovers and adventurers...
...and in understanding her, in particular.
One marvels at her words from the confines of the cockpit, as they embark from North Haven on the first leg of their dangerous journey, leaving friends, family, and even their baby behind, on this remarkable, selfless quest:
"The day was hard and clear and bright, like the light slanting off a white farmhouse. The island falling away under us as we rose in the air lay still and perfect, cut out in starched clarity against a dark sea. I had the keenest satisfaction in embracing it all with my eye. It was mine as though I held it, an apple in my hand. All the various parts of it were mine at the same moment; the crowd on the pier, the little rocking boat in the harbor where my family waved, the white farmhouse on the point where my baby was. What a joy to hold them all in my eyes at once, as one tries, saying good-by to a person, to possess all of them in one look."
She, this tiny Columbus, venturing out toward the excitement of the unknown, and yet--stopping for just a moment to glance back, longing for one more memory of the present day, before advancing toward the night.
On this day--and on this journey--no longer were mankind's accomplishments to be measured by the acts of hundred-man crews in vessels of wood and sail, to be led by a single commander.
Nor would an "Eagle" venture forward in a small, frail craft, alone.
For now a woman was unconfined...untethered...rendered equal.
On this day, a husband-and-wife team would dare brave the worst of nature's elements--fragile in the moment--as they were but two souls alone in uncharted skies, living both a love and an adventure...ethereal.
Thus, here is where Anne's story truly begins:
"Our route was new; the air untraveled; the conditions unknown; the stories mythical; the maps, pale, pink, and indefinite, except for a few names, far to the east of our course, to show that someone before us pointed his ship, also, 'North to the Orient'."
And as Anne re-lives this modern-day "Odyssey", descriptive images follow, taking us on a journey not so much involving destinations, but rather, a journey of adventure; a journey of rare natural and human gifts that she came to experience, and of an even rarer selection of people they met along the way.
Thus, "North to the Orient" becomes a reiteration of "life lived at its fullest"...
...an awakening for those who read this story, and no doubt...
...a hope within Anne that--by having written this masterpiece chapter in the love story of her life--she will inspire others to go forth!
"North to the Orient", along with all the writings of Anne Morrow Lindbergh, come with the highest recommendations of this reviewer.
I consider all her works to be a "must-reading" for men in particular, if one should ever hope to comprehend the true beauty that exists within women...
...those who, like Anne, possess their own sense of liberty, and who follow their own paths of maturity to womanhood, while rejoicing in the adventure that is the human experience.

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!! Download Four Quartets, by T. S. Eliot

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The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work

Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.

Sales Rank: #38640 in Books
Published on: 1968-03-20
Released on: 1968-03-20
Original language: English
Number of items: 1
Dimensions: 8.00" h x .19" w x 5.31" l, .0 pounds
Binding: Paperback
64 pages

Amazon.com Review
Published in the fiery days of World War II, Four Quartets stands as a testament to the power of poetry amid the chaos of the time. Let the words speak for themselves: "The dove descending breaks the air/With flame of incandescent terror/Of which the tongues declare/The only discharge from sin and error/The only hope, or the despair/Lies in the choice of pyre or pyre--/To be redeemed from fire by fire./Who then devised this torment?/Love/Love is the unfamiliar Name/Behind the hands that wave/The intolerable shirt of flame/Which human power cannot remove./We only live, only suspire/Consumed by either fire or fire."

Review
Series of four poems by T.S. Eliot, published individually from 1936 to 1942, and in book form in 1943; the work is considered to be Eliot's masterpiece. Each of the quartets has five "movements" and each is titled by a place name--BURNT NORTON (1936), EAST COKER (1940), THE DRY SALVAGES (1941), and LITTLE GIDDING (1942). Eliot's insights into the cyclical nature of life are revealed through themes and images deftly woven throughout the four poems. The work addresses the connections of the personal and historical present and past, spiritual renewal, and the very nature of experience; it is considered the poet's clearest exposition of his Christian beliefs. -- The Merriam-Webster Encyclopedia of Literature

About the Author

Thomas Stearns Eliot was born in St Louis, Missouri, in 1888. He moved to England in 1914 and published his first book of poems in 1917. He received the Nobel Prize in Literature in 1948. Eliot died in 1965.

Most helpful customer reviews

80 of 84 people found the following review helpful.
Eliot's greatest and final poetic acheivement
By Christopher Culver
FOUR QUARTETS marks T.S. Eliot's crowning acheivement as a poet. It is the last substantial poetry he wrote before turning to drama and consists of four poems each with a five-part structure. The work as a whole is concerned with the perception of time, linked with the importance of poetic art and the place of Christianity in deciphering the meaning of one's lifetime.
After two quotations from Heraclitus, "Burnt Norton" opens the collection. Here Eliot muses on the idea that all possible outcomes of any event are secretly around us, unseen and unperceived. An empty pool is, in some other reality, filled with water and a blooming lotus. Eliot's metaphysical insight here is reminiscent of quantum theory that was then beginning to become the rage in physics circles. These speculations are tricky and difficult to get one's head around, and even more difficult to plainly put into words, but Eliot manages to succeed.
"East Coker", named after the town in England from where Eliot's Puritan ancestor emigrated to America, deals with the cyclical nature of time. Here the poet surveys the tendency for all earthly things to rise and ultimately fall. Christianity with its emphasis on eternal life, asserts Eliot, promises a way to change one's end to one's beginning and escape the fall into oblivion that dooms everything.
"The Dry Salvages", in reference to a place on the New England shore which Eliot visited as a youth, is the weak point of the collection. A rumination with a nautical theme, the poem suffers from meandering phrasing and peculiar wording. Its Marian devotion is inconsistent with the Puritan/Anglican tradition of the rest of FOUR QUARTETS. Most would attack "The Dry Salvages" for its oft-maligned line "I sometimes wonder if this is what Krishna meant", seen by some as overly haugty intellectualism. I think this is unfair, and in fact the section which that line begins is the one bit that redeems the poem. Eliot's Harvard education, where he first became familiar with Eastern thought, was 30 years in the past, but the subject still preoccupied him in this poem.
"Little Gidding" superbly ends FOUR QUARTETS. It was written in the height of the Blitz, a time of fear and doubt in England, but it counters Hitler's madness with a note of hope and spiritual triumph. Eliot calls back to an earlier conflict, England's Civil War, and seeks any lesson it might teach his generation. "The communication of the dead," he writes, "is tongued with fire beyond the language of the living." As the poem ends, he has acheived inner peace in a time of pandemonium, through the realisation that the pain of the present is escapable by reaching to the past - what poets have done before - and the future - what is still left to be written.
FOUR QUARTETS is a complicated and vast work. While not as full of obvious quotations as his earlier, more popular work "The Waste Land", it does work in inspiration and material from Christian thinkers such as St. John of the Cross and Julian of Norwich, and contains many illusions to 17th century England. As a result, the work is incredibly deep and one can find something new with each reading. But FOUR QUARTETS is also an entertaining work for the casual reader. A combination of smooth and engaging sound with the great themes of all time is a remarkable combination. Eliot's greatest work, I'd wholeheartedly recommend it.

80 of 87 people found the following review helpful.
T.S. Eliot for Sikhs
By Michael J. Telanoff
I am a deeply religious Sikh living in America. The Four Quartets is to me a shining example of a man of deep understanding of God and reality. I have read this poem many times since I first read it back in college. It speaks directly to my soul. There is no passage, no phrase, which does not work for me.

I read some sections to my wife when we were first married, and she thought that it was an English translation of the Sikh holy texts.

"We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time"

There is no better explanation of Eastern religion than this. I am eternally grateful for this work.

42 of 44 people found the following review helpful.
Of all the books I've ever read, this is the one!
By The Masked Marauder
A kind friend introduced me to this book 25 years ago. It is so full of real life, as it is. In grasping for words to describe what cannot be described by words, T.S.Eliot has written a masterpiece that will endure for as long as there are people to read books. Each reading takes you inside, yet out of time a space. If I could pick the most meaningful book I have ever encountered, this would be it... the one you take to that desert island; the one you take with you through your life. Don't analyze this book, let it reach out to you, allow it to become an old friend, and it will enrich your life.

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Sabtu, 24 Mei 2014

> Ebook Free Remembrance Rock, by Carl Sandburg

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A monumental novel that follows the growth of the American dream through more than three centuries. A saga, chronicle, and miscellany on folk themes, it is Sandburg's passionate testament of American life.

Sales Rank: #1313416 in Books
Published on: 1991-11-15
Released on: 1991-11-15
Original language: English
Number of items: 1
Dimensions: 1.58" h x 5.99" w x 8.99" l,
Binding: Paperback
1088 pages

Review
Novel by Carl Sandburg, published in 1948. Sandburg's only novel, the work is a massive chronicle that uses historical facts and both historical and fictional characters to depict American history from 1607 to 1945 in a mythic, passionate tribute to the American people. -- The Merriam-Webster Encyclopedia of Literature

About the Author

CARL SANDBURG (1878–1967) was twice awarded the Pulitzer Prize, first in 1940 for his biography of Abraham Lincoln and again in 1951 for Complete Poems. Before becoming known as a poet, he worked as a milkman, an ice harvester, a dishwasher, a salesman, a fireman, and a journalist. Among his classics are the Rootabaga Stories, which he wrote for his young daughters at the beginning of his long and distinguished literary career.

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15 of 15 people found the following review helpful.
Remembrance Rock - or, "Why We Fight", the epic novel
By Camperdude
Well, you certainly cannot accuse Carl Sandburg of not being ambitious in his one and only novel.

Remembrance Rock is nearly 1100 pages, and weighs about 2 pounds (hardcover version). In it, Sandburg attempts to explain to the reader what freedom is (to Americans, anyway). What freedom is... the lengths people will go to get it, and, above all, the grave and sobering fact that freedom is not free; the freedoms that we enjoy as Americans have been won with the blood and suffering of many many of our ancestors - great and small - throught the ages from before our country was born, to the dropping of the atomic bomb. The book explores 3 of these American ages.

In the first 'book' Sandburg follows the trials and tribulations of the Pilgrims; not just the well-documented problems that they faced once they got to Plymouth in 1620, but a whole host of problems during the 12 years prior to their leaving! Like I said... Sandburg is nothing but thorough. We follow in particular the Spong family, who try to hold to their religious faith as their little community of Plymouth grows, faces Indians, hordes of uncouth newcomers, and the threatening ideas of Roger Williams.

The second book takes place during the Revolutionary War. In the years leading up to the conflict, Loyalist loyalties are tested, reinforced, and cast aside, a small band of printers stirs up trouble, and Marintha Wilming - a seamstress in a Loyalist dress shop - must decide how far her loyalties go with her rebel beau, Robert Winshore. William Pitt and Thomas Payne's ideas lurk in the background while Sam Adams and John Hancock make cameos.

The third book deals with - you guessed it - the Civil War. Brother against brother. This part is really the strongest part of Sandburg's book... for a while. Sandburg does a really good job of showing the extent that the Civil War and the question of slavery tore the country apart. He shows the zealots and bigots on both sides, perhaps more so showing the abolishinists as the "inflexible warmongers."

On either side of the body of the work are a prologue and epilogue - set in the final days of WW II - sort of the set up and take down for the whole idea, where the main themes of the book are brought forth and expounded upon. And it is here, sadly, where the book falls flat. The prologue sets up the story: a former Supreme Court Justice writes this big ol' book and puts it in a box for his grandson, Ray, (who is back from the war suffering from shell-shock) and his wife (who is trying to drag him out of it).

The main themes he tries to hammer home are played out in the epilogue between Ray, Mimah, and several of their friends - other WWII vets in various stages of injury and recovery.

I give this book 4 stars... 4.5 for effort and 3.5 for execution. Sandburg gets too tied to his grandiose metaphors and ultimately gets tripped up by them. If I were to edit this book (HA! Like I'm in any position to tell the great Carl Sandburg what to do!) I would say "either strip the prologue/epilogue down, or expand on it and make it a fourth book."

All in all, though, it is an inspiring read, it will make you proud to be an American (and God knows we need more of that and, no, I am NOT being sarcastic), and it will make you appreciate what past generations have sacrificed to make this great country... The United States of America... The greatest country on Earth.

And what is Remembrance Rock? Well... it ain't a Saturday morning kids show! You'll just have to read it.

11 of 11 people found the following review helpful.
Ambitious, but . . .
By Bomojaz
Carl Sandburg is best remembered for his poetry and his multi-volume biography of Abraham Lincoln. In addition, he also wrote an excellent memoir about his childhood years and this 1,000 page novel (among other things). The theme of the book is America, mainly the Pilgrims, the Revolutionary War, and the Civil War. It's a sprawling book as it deals with each period, so sprawling that the characters, and there are many of them, never really come to life. Sandburg writes well, and much of the novel takes on a poetic feel. But the novel seems more about the American Dream than the flesh-and-blood people who actually dream (and live) it.

5 of 5 people found the following review helpful.
Simply a great novel.
By James Crawford
If you like historical fiction you will love this novel. Carl Sandburg's saga of America covers four major eras of our history: the Puritan's founding of the Plymouth colony;the Revolutionary War; the Civil War; and World War Two. Sandburg makes the characters come alive as they struggle with individual life circumstances and major issues of their respective historical periods. As a reader you will be saddened by their failures and revel in their accomplishments. This is one of the best novels I have ever read.

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Jumat, 23 Mei 2014

## Free Ebook The Star Thrower, by Loren Eiseley

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A collection of the author’s favorite essays and poems. This volume includes selections that span Eiseley’s entire writing career and provide a sampling of the author as naturalist, poet, scientist, and humanist. “Loren Eiseley’s work changed my life” (Ray Bradbury). Introduction by W. H. Auden.

Sales Rank: #443497 in Books
Published on: 1979-09-26
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 8.00" h x .81" w x 5.25" l, .85 pounds
Binding: Paperback
324 pages

Features

ISBN13: 9780156849098
Condition: New
Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Loren Eiseley’s many works include The Night Country, The Invisible Pyramid, The Immense Journey and The Firmament of Time, all available in Bison Books editions. He worked at the University of Pennsylvania until his death.

Most helpful customer reviews

109 of 112 people found the following review helpful.
A gem from a truly complex writer
By Adam
Loren Eisley has been described as the 20th century's answer to Henry David Thoreau, and when reading this book it's hard to doubt the description. Eisley writes in a thought-provoking, almost mystical style unlike few authors I've ever read...he has a gift for seeing both the heights and limits of science like no other scientist I have known of. He is a naturalist, poet, realist, existentialist, haunted mystic, evolutionary anthropologist, environmental advocate, historian, and human being, 200 proof. Few have lived their lives so fully; few have left us such a legacy of poetry and prose. This book is an anthology of his best work, selected from several past publications including "The Immense Journey" and others, as well as including a few rare gems like his poetry. His reflections upon humankind, time, evolution, the Earth, the natural world, the unknown, and even the very nature of existence itself are more powerful than the most dense scientific formulae or the most sacred tomes of Scripture. He looks at our mysterious universe with the eyes of a human being, and he looks at his own soul in the process...and along the way, he helps us to find our own. Make no mistake; this is not the work of a theologian or a secularist; if one is looking for affirmations of either God's glory or dry theses of a devout Darwinist, look elsewhere. These are the stories of a complex human being who, first to himself and then to the rest of us, admits that there is far more in heaven and earth than is dreamed of in our philosophy.

53 of 54 people found the following review helpful.
"the mundane world gives way to quite another dimension..."
By Customer
I was sitting in a coffeeshop, when a guy I had been talking to earlier placed Loren Eiseley's "The Star Thrower" in front of me. "Read it," he said.
And so I did.
The title initially intrigued me, but my interest was held by the poetic quality to Eiseley's stories. Seeing the natural world through his eyes is a departure into another realm. His words cast new light onto seemingly simple ideas in nature. He sees a moth pass by while watching an outdoor opera and wonders, "whose is the real play?" Eiseley's writings capture the sheer beauty and innocence of nature. Only he can turn a chance encounter in the woods with a fox into a spiritual event. Only he can gain confidence by coming across a web-spinning spider: "the mind, it came to me as I slowly descended the ladder, is a very remarkable thing; it has gotten a kind of courage by looking at a spider in a street lamp."
So I shall give the simple advice I have been given: read it.

43 of 44 people found the following review helpful.
a unique read for any deep thinkers
By Crystal C. Loh
I first encountered this book when I was looking for an author to do a high school english project on, and I was immediately drawn to this little-known author through the expressive style of his writing and the deeply unique philosophy inherent in every piece of work. Eiseley was not just a talented writer but a deeply emotional naturalist and his profound respect for all things living is apparent throughout his works. As he walks us through his close brushes with nature we are allowed a glimpse of the vast poetic world that we so often ignore.
Eiseley writes intimately of his natural encounters, and we get a feeling that he is a rare man who felt somewhat out of place in the busy, fallible human world, and dwelled more along the indistinct boundary whose edges blur first into the natural world and then into the world we have made our own. An old adage has often gone "Every minute is precious" and Eiseley holds to this with an energy that turns every second, be it spent on a balcony bathed in early morning sunlight, or watching the jeweled webs of a spider into an infinitely precious memory never to be forgotten.
This is without a doubt one of the most lyrical and insightful works on nature that you will ever read. If you are an avid naturalist you will be even more appreciative of all things that grow when you have finished reading this book. With a flourish of his pen, Eiseley reminds us that there is another life we may live, one where money, which has come to be central to our societies, and the essential human weakness, has no place beside the whisper of leaves drifting to the forest floor and the silken flow of crystal waters.

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Kamis, 05 Juni 2014

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Sabtu, 24 Mei 2014

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Jumat, 23 Mei 2014

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