Sabtu, 16 Agustus 2014

@ Ebook Download Homo Faber: A Report, by Max Frisch

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Homo Faber: A Report, by Max Frisch

Walter Faber is an emotionally detached engineer forced by a string of coincidences to embark on a journey through his past. The basis for director Volker Schlšndorff’s movie Voyager. Translated by Michael Bullock. A Helen and Kurt Wolff Book

  • Sales Rank: #480442 in Books
  • Brand: Mariner Books
  • Published on: 1994-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .58" w x 5.25" l, .60 pounds
  • Binding: Paperback
  • 228 pages
Features
  • Great product!

Language Notes
Text: English (translation)
Original Language: German

About the Author
Max Frisch was born in Zurich in 1911. His reputation rests equally on his novels and his work for the theatre. A collection of three of his most enduring and contentious plays is published by Methuen Drama. He died in 1991. 

Most helpful customer reviews

49 of 54 people found the following review helpful.
Ought to be rated PG-42...
By Mark Nadja
--because to truly appreciate this beautiful novel you really need to have lived through at least four decades or so.

It strikes me that so much great literature goes unread by those to whom it is ultimately directed. The `classics' are generally written by writers in their 40s and 50s and end up primarily being read by teenagers. Sure, you can get something out of these texts then, but theres no way a 20-year-old can really understand *Homo Faber*--a novel about a middle-aged man confronting his own mortality, decay, & disillusionment. Death is still largely an abstraction to a man of twenty, it hasnt yet entered his bones, love is still possible, youth is still a contemporary, a 20-year-old doesnt yet know what he's going to lose, what he's never going to get back, how badly he's going to miss it.

*Homo Faber* is a classic text of midlife crisis. It's a shame that so many of us have stopped reading altogether when we reach the age it can do us the most good...that we stop reading the classics, anyway, or feel they are irrelevant to our lives, or merely `stuff we already read back when we were in school.' A novel like *Homo Faber* is, to my mind, a religious text in the best sense of that term--in this case, a kind of updated Ecclesiastes.

I can only wonder what the original German text is like because this translation is absolutely stunning, rising to the level of sheer poetry. Almost every line is an ice-dagger into the heart. Such a beautiful, sad, and true book...and everything that needed saying said in 212 pages. Did Max Frisch ever win a Nobel Prize for Literature when the Nobel Prize still meant something? Cause on the basis of this book alone, he should have won two!!

17 of 18 people found the following review helpful.
The Techniker finds his soul
By A Customer
I read this book in the German and enjoyed it immensely. Walter Faber, a globe-trotting engineer, uses technology and his scientific worldview as a shield against other people and against his own humanity. When his shield fails him, he learns to open his heart and live fully. Regardless of whether you share Frisch's opinions about science, the book is beautifully written. Walter Faber is both horrifying and touchingly sympathetic. Despite the tragic plot, the strength of the novel is its small comic moments, of which there are many. If you just watch the movie (even the German-language adaptation, which is much more faithful to the book than the American film), you will miss almost everything that is worthwhile about Homo Faber. Read the book! (In German, if possible.)

12 of 12 people found the following review helpful.
A wonderful story. . . with an alarming twist
By A Customer
Like the previous reviewer, I read this book for an undergraduate German literature class and I found Frisch's writing wonderfully comic, but not without its disturbing points. One thing that is lacking in the English translation is Frisch's wonderful critiques of the "American Way of Life." So, I definately recomend trying the German version if at all possible. I also agree with the previous writer that the movie is a great disappointment. It changes the story into a pure love story and dismisses the importance of Walter Faber's transformation into someone, who for the first time in his life allows himself to truly live and love.

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Senin, 11 Agustus 2014

>> Ebook Download The Catastrophist, by Lawrence Douglas Ph.D.

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The Catastrophist, by Lawrence Douglas Ph.D.

Meet Daniel Wellington: art historian, academic star, devoted husband, and total basket case. Although Daniel has known nothing but success, he’s convinced the future promises nothing but disaster. When his wife, known simply as R., presents him with a tiny, size-XXS Yale sweatshirt, Daniel is seized by the impulse to bolt; the specter of imminent fatherhood sends him into a full-blown existential crisis. Soon this well-intentioned young professor finds himself plotting bigamy, lying about his past, imagining his pregnant wife in the arms of an androgynous grad student, and explaining to the dean his obscene e-mail to the lead in a student production of Miss Julie.

From an idyllic New England campus to the rarefied art worlds of Berlin and London, The Catastrophist charts the rise and fall and partial rebound of an ambivalent but endearing Everyman and heralds the appearance of a major new comedic voice in American fiction.

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  • Sales Rank: #3946963 in Books
  • Published on: 2007-05-07
  • Released on: 2007-05-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .65" w x 5.25" l,
  • Binding: Paperback
  • 288 pages

From Publishers Weekly
The narrator of this morbidly comic debut novel is Daniel Wellington, a 30-something art historian recounting the arc of his own self-destruction. Married, tenured, a rising star at Massachusetts's fictional Franklin College, Daniel falls apart piece by piece, beginning with the onset of "prepartum dread" when his wife "R." gets pregnant. He briefly recovers when she loses the baby, but the damage to their marriage is already done. The hapless Daniel proceeds to make a series of personal and professional misjudgments, including several unconsummated affairs. An expert on war memorials (he's at work on a manuscript titled Art and Atrocity), Daniel is appointed to the commission for a Berlin Holocaust Memorial, a position he jeopardizes by impulsively and falsely claiming to be the child of Holocaust survivors. Though Douglas covers familiar territory—the insularity of academia and the neurotic male in crisis—he does so with arch homage to Philip Roth. Even if the novel's landscape feels derivative, Daniel's maddening, pitiable voice is all his own. (May 16)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
With a wit so dry that, at times, it comes off as flat, and with inspired touches of tomfoolery, this first novel, which is part midlife-crisis story and part academic satire, will reward patient readers. Academic superstar Daniel Wellington is on the fast track and is very happily married. However, when his wife informs him that she is pregnant, he is stricken with a catastrophic fear of the responsibilities of fatherhood. His behavior becomes increasingly erratic. While working as a consultant on a project to build a Holocaust memorial in Berlin, he finds himself compulsively lying in interviews, claiming to be the child of survivors. He accuses his wife of infidelity and then makes a lewd comment to a former student, who reports him to the administration. As Daniel's life implodes on all fronts, Douglas takes increasingly funny shots at marriage, academia, and modern art. But his most sublime comic creation is wildly eccentric English professor Rosalind Roth, who offers Daniel whimsical and encouraging words while clad in a Swedish air force T-shirt and vintage hot pants. Joanne Wilkinson
Copyright © American Library Association. All rights reserved

Review
PRAISE FOR THE CATASTROPHIST

"That we enjoy the company of this walking disaster is a tribute to Douglas’s witty prose; that we love R.―practical, attentive, and shrewd―can be chalked up to the author’s bedrock understanding of what constitutes an appealing human being. A-."―ENTERTAINMENT WEEKLY

"Deploying wit and humor and an acute, darker insight, Lawrence Douglas leads us through Freudian fields with an antihero we can’t help but fall for immoderately."―THE BOSTON GLOBE

Most helpful customer reviews

5 of 7 people found the following review helpful.
Author of ones fears
By M. Galishoff
A catastrophic reaction is defined as the disorganized behavior that is the response to a severe shock or threatening situation with which the person cannot cope. In Lawrence Douglas' "Catastrophist," the protagonist, Daniel Wellington, experiences a series of subtle catastrophic-type reactions to everyday life stressors (family, career, travel etc.). It is not entirely clear why Daniel is having these reactions. The author suggests that these may be part of the protagonist's generalized anxiety. The reactions are not violent displays of emotional turmoil such as predicting the end of the world, seeing unrealistic danger or doom in a situation or a total psychiatric breakdown. Rather, these catastrophic reactions are introspective and eat away at Daniel until they ooze out in the form of self-destructive behavior that is never consummated but yet harmful. Most of this behavior is in the form of flirtations that lead nowhere until one day he foolishly sends a sexually explicit e-mail to a former student and gets in trouble at work for possible sexual harassment. Another such "ooze" is Daniel's careless lies to the press and public about being a child of a Holocaust survivor. He does this at the pinnacle of his career in Berlin after making an important speech and being named to a prestigious Holocaust Memorial Board of Directors. He is eventually found out and forced to resign. The worst of these episodes is falsely leading his wife to believe that he was having affairs. In each of these three areas, he reacts to his fear of the worst (professional failure, sexual harassment charges and jealousy over his wife) by a disorganized, passive-aggressive and self-destructive behavior that paradoxically causes the worst to happen where it would not have been otherwise. Funny and tragic, the novel explores our fear of failure and loss and how our responses to these fears, if dysfunctional, can actually bring them into being. The author's technique is subtle, plot patiently developed and main characters realistic. This is also a real syndrome and the story is plausible and sound, full of humor and pathos.

4 of 6 people found the following review helpful.
smart and funny
By Elizabeth Bennett
This is a hilarious romp through male mid-life crisis told with dry comic wit by its intelligent, neurotic protagonist. While the setting (and the butt of several acerbic jokes) is academia, the theme is universal and the focus is the personal life of Professor Daniel Wellington. It is the unique comic voice of this character that makes this story so entertaining.

0 of 0 people found the following review helpful.
A funny and refreshing debut.
By R. E. Kelly
A good beach read for those who can't stomach mass-market paperback pap. This is an often funny, sometimes fiercely sad, tale of the fairly likeable Daniel Ben Wellington who cannot seem to make the correct move in almost anything he undertakes. It speaks to anyone who has been mildly aware of how "chance" tends to rule our lives to a greater degree than most self-help poseurs acknowledge.

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Jumat, 08 Agustus 2014

? Download Where or When, by Anita Shreve, Virginia Barber

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Where or When, by Anita Shreve, Virginia Barber

What would you do if out of the blue, you received a letter from your first love? Siân Richards sees no reason why she can't write back to Charles Callahan. After all, it's been thirty years and they are both married with families. But when they decide to meet again, an innocent correspondence becomes a dangerous intimacy. Swept up in the past and consumed by an obsessive love, Charles and Siân risk everything to be together. A heart-wrenching, suspenseful story with an unforgettable conclusion, Where or When is also a 'thoughtful, beautifully written contemporary romance' (The Washington Post).

  • Sales Rank: #167979 in Books
  • Brand: Mariner Books
  • Published on: 2005-10-04
  • Released on: 2005-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .62" w x 5.31" l, .50 pounds
  • Binding: Paperback
  • 252 pages
Features
  • Great product!

From Publishers Weekly
The author of the well-received Eden Close and Strange Fits of Passion exhibits an enhanced mastery of her craft in this potent tale of middle-aged passion. An affecting novel that will probably attract readers of The Bridges of Madison County , it offers the further rewards of psychologically nuanced characterizations and a thoughtful exploration of the relationship between sexuality and time. When 44-year-old real estate insurance salesman Charles Callahan sees a photograph of poet Sian Richards, he recognizes her as the young woman he met three decades earlier at a Catholic camp for teenagers. Impulsively, he writes Sian, and sets in motion the love affair they were destined to have. Though both are married and have children, each is unfulfilled, craving true partnership. Parallels between their lives are evident but not forced: Charles's Rhode Island fishing community is suffering badly from the recession, and he is about to lose his office building and his home; Sian's husband cannot scratch a living from their Pennsylvania onion farm. Charles attended a seminary for two years; Sian considered taking orders. Significantly, though each has fallen away from the Church, they still think and speak in religious imagery: Charles calls himself "an insurer of life, a kind of secular priest," and such terms as venial sins, sacrilege, epiphany, state of grace, guilt and absolution come naturally to both of them. Shreve makes the vortex of their obsession entirely believable, controlling the narrative with authority and restraint. The haunting song of the title provides a leitmotif for a lyrical and increasingly suspenseful narrative told in clear and evocative prose. Author tour.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
Sian Richards and Charles Callahan met 31 years ago at camp and had a summer romance. Charles sees Sian's picture in a newspaper advertising her new book. He is in a loveless marriage and is facing the failure of his business. Charles writes to Sian and discovers that she is in a similar situation. They decide to meet and-despite grave misgivings-soon have an affair. Predictably, the affair brings destruction instead of happiness to our lovers. The first half of this audiobook, which features the pair's correspondence, makes for great listening. However, the narrative becomes confusing shortly after the two meet: the listener must keep track of numerous conversations, letters, and remembrances about camp. Gregory Harrison and Judith Ivey alternate as narrators as the action shifts from Charles's perspective to Sian's. Both readers give creditable performances. Recommended for large audio collections or wherever Shreve is popular.
Danna C. Bell-Russel, Dist. of Columbia P.L.
Copyright 1994 Reed Business Information, Inc.

From Kirkus Reviews
Shreve, who mixed up such a potent brew of love and tragedy in her earlier Eden Close (1989) and Strange Fits of Passion (1991), serves us something else here--slightly sweeter but also thinner, something that for all its fizz feels flat by the end. Charles Callahan, a 44-year-old Rhode Island insurance broker, is a man who has deep feelings but finds himself emotionally thwarted in the life he leads. He loves his three children, but his marriage to Harriet is passionless. He also knows too many sad, painful secrets about friends and acquaintances, and he's powerless to help. When he chances upon a photograph of poet SiÆ’n Richards in the Sunday newspaper, his life changes. SiÆ’n was his first love, 31 years ago at summer camp. Now, at Charles's instigation, the two childhood sweethearts begin corresponding and, before long, resume their old romance. SiÆ’n, married to melancholy, reserved Stephen, has suffered the loss of a child, and, after some hesitation, she allows herself to turn to Charles with the same urgency he feels for her. Shreve evokes this emotional buildup deftly, complete with stirring old songs and flashbacks to teenaged love, unforgettable in its combination of innocence and intensity. What never does come through here, though, is any real sense of Charles's and SiÆ’n's marriages. Stephen remains a shadow figure, and Harriet is almost cartoonish--a parody of middle-aged housewife in her pink sweatsuit. There's no real conflict, then--we root for the adulterous lovers. That's why, when tragedy strikes at the end, turning the story into a morality play, it seems all wrong--it's irritating rather than tragic. Love, lust, and redemption all too quickly reduced to sinners who must pay for their sins--but, still, a seductive parable with great mood music. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

30 of 31 people found the following review helpful.
High romance, not yet perfected
By B. McEwan
While this is certainly not the strongest of Anita Shreve's novels, it does offer some lovely writing and some tasteful, quite sexy, scenes involving its two heroes -- a middle aged man and woman whose affection for one another has been rekindled after 30 years apart.
Some reviewers have asserted that this novel lacks adequate character development. I have a contrarian point of view in that I think Shreve deliberately omits describing the internal moral struggles of her characters because they really don't experience much moral struggle. I see them as being caught up in the powerful flow of emotion, of a love that they believe was destined to occur, and suspect that what drives other reviewers' antipathy toward this novel is not lack of character development, but the characters' lack of self-recrimination.
In any case, I rather enjoyed this book and, as a big Shreve fan, fancy that I can see the budding of her considerable talents in this early example of her work. It is also a refreshing change to read about middle-aged characters who are coping with the effects of aging on their bodies, and the awkward feelings that arise when one engages in a romantic relationship at an age where physical beauty is on the wane. These are challenging issues for many people that are not often addressed in popular fiction.
So while I do not recommend this novel without reservation, I do recommend it to those who have enjoyed the more sophisticated Shreve books and are now down to reading her earlier works while awaiting a new book from her.

25 of 26 people found the following review helpful.
Flirting With Disaster
By Ladyslott
I am a big fan of Anita Shreve, but feel this is not among her best books. The story of the adulterous affair of Charles Callahan and his long lost childhood love, Sian Richards captured my attention, but not my heart. While one does believe that these two are deeply attracted to each other, there was not a deeply felt feeling of consuming love, which is what they are supposed to have. The tale of the childhood love rang far truer for me than the adult love. While we are given some idea of why Charles and Sian are attracted to one another, their respective spouses are not fully developed, and so there is very little understanding of why the two would sacrifice so much of their lives to an obsessive love affair. Ms. Shreve's writing manages to evoke sympathy for the lovers, and there is an overwhelming feeling of longing in the book, but the conclusion to the story is a jolt, and leaves one with an equally overwhelming feeling of sadness. If you want to read an outstanding Shreve book, start with The Weight of Water, or The Piolt's Wife, which in my opinion were far better books.

17 of 17 people found the following review helpful.
haunting .........
By A Customer
I read this book many many months ago and yet I still can't get it out of my mind. I loved the book so much while reading it ... actually a measure of how much I love a book is when I slow down in the reading of it ... you see, I don't want it to end.
So this small paperback became a book that took me weeks to read. I thought the characters were very well drawn w/the exception of their respective spouses ... I agree with the NY Times review in that they seemed at times to be parodies. And yet ... I was captivated by this book.
Sian and Charles were very vividly drawn ... and yes, I was hoping against hope for them. But as life usually turns out unfortunately ... things don't always work out as you'd like them to.
You may not like the ending of this book ... you may throw it away when you finish it and curse the time and emotions that you invested in it ... but I guarantee you ... you won't be able to get it out of your mind.

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Senin, 04 Agustus 2014

* Free PDF The Futurological Congress: From the Memoirs of Ijon Tichy, by Stanislaw Lem

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The Futurological Congress: From the Memoirs of Ijon Tichy, by Stanislaw Lem

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The Futurological Congress: From the Memoirs of Ijon Tichy, by Stanislaw Lem

Bringing his twin gifts of scientific speculation and scathing satire to bear on that hapless planet, Earth, Lem sends his unlucky cosmonaut, Ijon Tichy, to the Eighth Futurological Congress. Caught up in local revolution, Tichy is shot and so critically wounded that he is flashfrozen to await a future cure. Translated by Michael Kandel.

  • Sales Rank: #109500 in Books
  • Published on: 1985-10-28
  • Released on: 1985-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .47" w x 5.31" l,
  • Binding: Paperback
  • 156 pages

Review
The futurologists of the world have gathered at their Eighth World Congress at the Costa Rica Hilton to discuss the problem of overpopulation. Their deliberations, however, are interrupted by a revolution which the government attempts to quell with chemical weapons. The air and water are laden with "benignimizers" and other exotic drags which send futurologist Tichy careening into a hallucinatory tomorrow. Lem's view of the overcrowded future is original and disturbing. A pessimistic, mordantly funny book, well translated from the Polish by Michael Kandel. (Kirkus Reviews )

Language Notes
Text: English, Polish (translation)

About the Author
Stanislaw Lem is the most widely translated and best known science fiction author writing outside of the English language. Winner of the Kafka Prize, he is a contributor to many magazines, including the New Yorker, and he is the author of numerous works, including Solaris.

Most helpful customer reviews

66 of 68 people found the following review helpful.
The Word Is ... Unreal!
By James Paris
Here I am sitting on a chair and pecking at a keyboard with a monitor and computer in front of me. At least I think so. But what if the sushi I had for lunch was spiked with a psychotropic drug that makes me believe that this typing at the keyboard activity is real? Especially when, in actual reality, I may be strung up stark naked and upside-down in a subterranean dungeon with rats gnawing at my vitals while happily thinking up what to write about Stanislaw Lem's greatest book, THE FUTUROLOGICAL CONGRESS.
The reason why I believe that some of the best sci-fi since WW2 came from Eastern Europe (Lem from Poland and Boris and Arkady Strugatsky from Russia) is that the mind set of communism was conducive toward what is referred to as "aesopic writing" (The term comes from Solzhenitsyn.) If you protested anything, you were regarded as a traitor to the state; but if you wrote fables as the Greek writer Aesop did which were not set in a particular unnamed repressive regime at a particular time, you might be able to get away with it scot free.
Lem had a field day by speculating on a congress who members are drugged into thinking they are drugged into acting as if they were drugged ... it goes on and on. The more or less classical beginning descends into multiple levels of questioning every level into reality, until even the most utterly solipsistic stance is questioned. By that time, you are either confused or, if you're like me, laughing your head off. As they say in another context, unreal!

37 of 37 people found the following review helpful.
A masterpiece by a great master
By Sergey Mashchenko (syam@phy.ulaval.ca)
I have been for a long time a fan of the Stanislaw Lem works. I got acquainted with some of his novels (Solaris, Star Diaries and Eden) when I was a kid, and without any doubt the great master has shaped my world outlook. I have been lucky enough to be able to read the Lem's works in Russian (my native language), which is of course much closer to the original Polish than English. I have heard that the Lem's translations by Michel Kandel to English are simply great. Luckily enough he has also translated this book - the Futurological Congress, which I consider to be one of the best works written by Stanislaw Lem. Futurological Congress is a bright example of the great master's ability to combine "uncombinable": SF spirit, deep philosophy and inflammatory humor. I don't want to retell here the content of the book - it is immeasurably funnier to read the novel itself. I dare to rate the novel higher than for example the celebrated Rendezvous with Rama by A.Clark. The latter is unique in its detailed trustworthiness, but is left far behind by the Futurological Congress' spectrum of adventures for the reader's mind.

29 of 30 people found the following review helpful.
Comical vision of a drugged-out dystopia
By D. Cloyce Smith
Written when Poland was under the grip of Communism, "The Futurological Congress" is a powerful parable of a totalitarian state that uses psychotropic drugs not only to subdue its citizens but also to make them believe things are better than they are. The first third of the book reads almost like an adventure story: Ijon Tichy is attending a convention of futurologists in Central America, when he and his colleagues are caught up in a bizarre coup d`etat. When Tichy's cryogenically frozen corpse is reanimated decades later, the entire overpopulated world is hooked on drugs.
Unlike most pieces of dystopian fiction, Lem's novel is funny and brainy rather than depressing and catastrophic, but it is still scarily prophetic. At times, though, the prose threatens to collapse into a pun-laden Physician's Desk Reference for the Year 2039: "they give the children throttlepops, then develop their character with opinionates, uncompromil, rebellium, allaying their passions with sordidan and practicol; no police, and who needs them when you have constabuline. . . ?" (These passages must have been a nightmare to translate and, remarkably, they never lose their fluency.) But Lem keeps the reader's interest by alternating his pharmocological laundry lists with clever plot twists and bizarre visions, and the novel's pace continuously accelerates until its frenzied, over-the-top climax.

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Pen on Fire: A Busy Woman's Guide to Igniting the Writer Within, by Barbara DeMarco-Barrett

In her fifteen years of teaching, Barbara DeMarco-Barrett has found that the biggest stumbling block for aspiring writers (especially women) is not fear of the blank page but frustration with the lack of time. What woman doesn't have too much to do and too little time? Finding an hour free of work, children, or obligations can seem impossible.

But anyone can find fifteen minutes, whether you're sitting in traffic, waiting at a child's soccer practice, or watching the coffee drip. DeMarco-Barrett has created a practical, inspirational guide for fitting serious writing into those stolen moments. She offers writing exercises and techniques for generating ideas, as well as pragmatic advice from the well-known authors who appear on her radio show. With fifteen minutes a day, she can help you to ignite your pen and become the writer you have always wanted to be.

  • Sales Rank: #566512 in Books
  • Published on: 2004-10-04
  • Released on: 2004-10-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .71" w x 5.31" l, .61 pounds
  • Binding: Paperback
  • 288 pages

From Booklist
Finally, someone has come along to tell would-be writers the two words they desperately need to hear: get real! Women, especially, entertain fantasies of quitting their day jobs to spend countless uninterrupted hours at the keyboard, whereas the reality is that in today's hectic world, they're lucky to get 15 minutes. But, the author advises, if you plan it right, those 15 minutes should be all you need. A professor of creative writing, editor, and journalist, DeMarco-Barrett has developed a wealth of 15-minute plans, each one designed to help aspiring writers find not only the time but the focus they need to hone their writing skills while juggling the rest of their daily demands. Through challenging exercises, tips from established authors, and her own personal experiences, DeMarco-Barrett demonstrates precisely how writing-on-the-run can produce satisfying results. With an encouraging attitude and inspirational approach, DeMarco-Barrett covers everything writer-wannabes want to know, from finding an agent to finding your voice. The result is a supremely relevant guide to the writing life. Carol Haggas
Copyright © American Library Association. All rights reserved

Review
ADVANCE PRAISE FOR PEN ON FIRE
"Pen on Fire is a gym for writers with Barbara DeMarco-Barrett, who teaches, coaxes, and cheers us on." -Diane Leslie, author of Fleur de Leigh's Life of Crime

"A wonderful mix of the practical and the inspirational." -T. Jefferson Parker, author of Cold Pursuit



"Barbara DeMarco-Barrett's wonderful, practical guide teaches us to value our craft and, thus, ourselves."
(Ayelet Waldman)

"With an encouraging attitude and inspirational approach…everything writer-wannabes want to know, from finding an agent to finding your voice."
(Booklist)

"Soars with inspiration and crackles with joy. It's a blessing for anyone going crazy trying to find time to write."
(Carolyn See)

"PEN ON FIRE is a fitness gym for writers with Barbara DeMarco-Barrett, who teaches, coaxes, and cheers us on."
(Diane Leslie)

"The simple tips and easy lessons herein will provide inspiration to beginning and seasoned writers alike. I recommend it highly."
(Jo-Ann Mapson)

"PEN ON FIRE is a beginning writer's dream cocktail of fortitude: equal parts compassion, inspiration, and fabulous limbering exercises. "
(Jodi Picoult)

DeMarco-Barrett knows the writerly type. Her book perfectly combines inspiration and practical advice.
(Library Journal)

"A creative dynamo, a true writer's writer."
(Pages Magazine)

"What a little gem! Gulp down this cocktail of compassion, inspiration, and wizard limbering-up exercises."
(poisonedpen.com)

"PEN ON FIRE has got a wonderful mix of the practical and the inspirational."
(T. Jefferson Parker)

From the Back Cover
"PEN ON FIRE soars with inspiration and crackles with joy. It's a blessing for anyone going crazy trying to find time to write." --Carolyn See, author of Making a Literary Life

In her years of teaching, Barbara DeMarco-Barrett has found aspiring writers (especially women) blocked not by fear of the blank page but by the lack of time. We're sure we need an afternoon to do any real writing, but finding even an hour free of work, children, or chores can seem impossible.

But you don't need an hour. Start looking for just fifteen minutes a day -- minutes spent stalled in traffic, waiting for water to boil, stuck on hold with the phone company - and DeMarco-Barrett will help you turn them into productive sessions that get and keep your creativity flowing. In short, inspiring chapters, she offers classroom-tested exercises and innovative techniques for generating ideas, as well as advice from well-known authors. Give her fifteen minutes: She'll ignite your pen and help you become the writer you have always wanted to be.

"So many people have told me they are burning to write, but can't seem to find a spare moment. I wish I could track them all down now and hand each of them a copy of Pen on Fire." --Gayle Brandeis, author of Fruitflesh: Seeds of Inspiration for Women Who
Write

Barbara DeMarco-Barrett teaches creative writing at the University of California Irvine. She also hosts and produces "Writers on Writing," a radio show on KUCI-FM on which she interviews authors. She is a contributor to the Los Angeles Times and The Writer magazine, and edits The ASJA Monthly, the official publication for the American Society of Journalists and Authors. She lives in Southern California with her family. She can be reached through www.penonfire.com.

Most helpful customer reviews

36 of 38 people found the following review helpful.
Get Ready to Be Inspired
By Amy Senk
Writing guides are tricky: They can be pompous, they can be technical, they can too basic or too specific. But in Pen on Fire, author Barbara DeMarco-Barrett has combined inspiration and practicality, creating one of the best how-to writing books I've ever read.

The subtitle of the book is "A Busy Woman's Guide to Igniting the Writer Within," and some of the text definitely has a feminine slant. Women who work, who raise children, who have trouble taking time for themselves, are encouraged to write in any and all available chunks of time. Waiting for red lights, for the water to boil, in the dentist's waiting room, all can be opportunities to get words on paper, or in laptop.

But make no mistake - any aspiring writer, male or female, at almost any level, will benefit from spending time with Pen on Fire. DeMarco-Barrett begins on a gentle note, cajoling and urging and promising to guide us into a writer's life, even if it's in 15-minute chunks. She offers suggestions for mining your own life for ideas, for developing your knack for dialog by eavesdropping.

She even tackles the touchy issues of whether you should write about friends and family. How much should you make up? How much should you show them in advance? What if they read a journal and take offense? DeMarco-Barrett covers it all.

One of the greatest features in this book are the extensive use of interviews of well-known authors, whom DeMarco-Barrett meets while producing a Southern California radio show called Writers on Writing. There may be no absolutes when it comes to, say, discussing a work in progress, or how much plotting needs to be done in advance, or how much research is too much. But it's fascinating to hear from successful writers about how they manage their craft.

Each chapter includes a writing exercise, a manageable 15-minute task designed to tackle a specific writing issue. Some focus on possible first lines for a book, on descriptions, and on being more supportive of our efforts. After reading a chapter, some of the exercises are so tempting that it would be nice if this book were produced in journal form, so you could just start scrawling right then and there, without worrying about making notes in the margins or having to find a notebook.

Anyone who is interested in stoking their creativity, or finding a muse, or even in how "real" writers work on their craft will enjoy Pen on Fire. Those who give in and fall under DeMarco-Barrett's spell might even find themselves living a writer's life.

76 of 95 people found the following review helpful.
Learn-to-write-Lite
By Luan Gaines
For this reader, this how-to book on writing is sufficient for anyone (particularly a woman) who aspires to Chic-Lit or magazine articles in women's publications, but this author's approach belies the serious nature of a woman who truly desires the discipline to write professionally. Starting with the obligatory 15 minutes a day suggested by most teachers, the groundwork for any writing is universally understood to be that critical designated amount of time.

The author puts her finger directly on the pulse of the problem in the chapter on obstacles to writing. For example, she says that she had her cable TV removed from her home, because to have "a writing life", you must "spend all spare moments writing to get momentum going". This in itself is a major obstacle when for anyone with an active family.

My guess is that few families would be willing to give up access to television for their writer-in-residence. That discipline may be up to the writer; certainly it is possible to write in a location that is far removed from the family entertainment center.

DeMarco-Barrett also discusses the problem of housework vs. writing, but this, too is a specious argument. Add to this list the author's confessed addiction to email and whatever other incidentals interfere with the scheduled writing. It isn't helpful, once I am this far into the book, to address such issues so simplistically. The chatty format is user-friendly, but hasn't the weight of serious discussion, although I am aware that the author is appealing to her reader in this fashion by design.

DeMarco-Barrett mentions such details as the importance of rituals, workspace, and the chapter-by-chapter reminder to "set your timer". Unfortunately, chapter after chapter is written anecdotally, with an abundance of personal information, what comes very close to a patronizing approach. The criteria for me: does this author inspire me to start writing, to make that daily commitment to the daily ritual that will yield the success I desire. If not, this isn't the book for me. This then is the key, for the reader: if this book inspires you, you are on target and will find the impetus to begin actively practicing the writing life.

These are considerations each reader must decide. If writing is a new and tantalizing concept, this book can stimulate the reader to take the appropriate steps. For others, there are many other books to offer similar advice, albeit in a different format. In any case, writing is an intensely personal journey. We all need help, but at some point will have to fly alone. My one caveat: anyone can learn to write well, but not all of us are meant to be published writers. There is a real difference between good writing skills and the passion of the true writer. The point is not to be afraid, given the basic skills, to take the risk and find out. Again a very personal decision. Luan Gaines/2004.

14 of 16 people found the following review helpful.
How to Be a Writer Every Day
By Shena Crane
Barbara DeMarco-Barrett's book is stuffed with tools for generating ideas, getting going, and staying with it. She not only gives excellent `big issue' advice-how to find time, physically sit down and write, persist when you can't see the road-but also shows how to live life with the awareness of a writer. Chapter after chapter contain information and tips on how to keep track of ideas, collect words you want to use, read with a writer's perspective, and other daily habits to help a new writer "be" a writer every day.

The 15-minute exercises at the end of each chapter are particularly wonderful, akin to practical meditations.

This book is aimed at busy women who want to start writing, but I think busy men and anyone who already writes can benefit as well. It is a great book, one that should live on the desk rather than the bookshelf.

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Jumat, 01 Agustus 2014

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Complete Mary Poppins: Mary Poppins; Mary Poppins Comes Back; Mary Poppins Opens the Door; Mary Poppins in the Park, by Pamela L. Travers



Complete Mary Poppins: Mary Poppins; Mary Poppins Comes Back; Mary Poppins Opens the Door; Mary Poppins in the Park, by Pamela L. Travers

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Complete Mary Poppins: Mary Poppins; Mary Poppins Comes Back; Mary Poppins Opens the Door; Mary Poppins in the Park, by Pamela L. Travers

Book by Pamela L. Travers

  • Sales Rank: #5859463 in Books
  • Brand: Brand: Harcourt
  • Published on: 1976-10
  • Number of items: 1
  • Binding: Paperback
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 1 people found the following review helpful.
NOT the Complete Mary Poppins!
By Jenna
There are eight Mary Poppins books, so any listing that contains only four titles is far from complete, and is trying to screw people.

See all 1 customer reviews...

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