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"We need others physically, emotionally, intellectually; we need them if we are to know anything, even ourselves."

We hear often that love is patient and kind, not envious or prideful. We hear that human love is a reflection of divine love. We hear that God is love. But how do we understand its work in our lives, its perils and rewards? Here, the incomparable C. S. Lewis examines human love in four forms: affection, the most basic, general, and emotive; friendship, the most rare, least jealous, and, in being freely chosen, perhaps the most profound; Eros, passionate love that can run counter to happiness and poses real danger; charity, the greatest, most spiritual, and least selfish. Proper love is a risk, but to bar oneself from it--to deny love--is a damning choice. Love is a need and a gift; love brings joy and laughter. We must seek to be awakened and so to find an Appreciative love through which "all things are possible."

"The Four Loves deserves to become a minor classic as a modern mirror of our souls, a mirror of the virtues and failings of human loving." —New York Times Book Review

"Lewis has a keen eye, a large measure of human sympathy, wit, and a command of simple words." —Times Literary Supplement

C. S. (Clive Staples) Lewis (1898-1963), one of the great writers of the twentieth century, also continues to be one of our most influential Christian thinkers. He wrote more than thirty books, both popular and scholarly, including The Chronicles of Narnia series, The Screwtape Letters, The Four Loves, Mere Christianity, and Surprised by Joy.

• Sales Rank: #4592 in Books
• Color: Multicolor
• Brand: Houghton Mifflin Harcourt
• Published on: 1971-09-29
• Released on: 1971-09-29
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .42" w x 5.31" l, .42 pounds
• Binding: Paperback
• 156 pages

Amazon.com Review
The Four Loves summarizes four kinds of human love--affection, friendship, erotic love, and the love of God. Masterful without being magisterial, this book's wise, gentle, candid reflections on the virtues and dangers of love draw on sources from Jane Austen to St. Augustine. The chapter on charity (love of God) may be the best thing Lewis ever wrote about Christianity. Consider his reflection on Augustine's teaching that one must love only God, because only God is eternal, and all earthly love will someday pass away: Who could conceivably begin to love God on such a prudential ground--because the security (so to speak) is better? Who could even include it among the grounds for loving? Would you choose a wife or a Friend--if it comes to that, would you choose a dog--in this spirit? One must be outside the world of love, of all loves, before one thus calculates. His description of Christianity here is no less forceful and opinionated than in Mere Christianity or The Problem of Pain, but it is far less anxious about its reader's response--and therefore more persuasive than any of his apologetics. When he begins to describe the nature of faith, Lewis writes: "Take it as one man's reverie, almost one man's myth. If anything in it is useful to you, use it; if anything is not, never give it a second thought." --Michael Joseph Gross

Review
"A rare and memorable book." —Saturday Review

"The Four Loves deserves to become a minor classic as a modern mirror of our souls, a mirror of the virtues and failings of human loving." —New York Times Book Review

"[Lewis] has never written better. Nearly every page scintillates with observations which are illuminating, provocative and original." —Church Times

"What is interesting about these chapters is the extent to which a non-believer can follow the argument and receive enlightenment … Lewis has a keen eye, a large measure of human sympathy, wit, and a command of simple words … By writing so well and so perceptively about ‘natural’ human conduct, Lewis makes the strongest case for examining his conclusions with respect. He is writing, presumably, for the unconverted as well as for Christians, and whatever the former may believe or disbelieve about God they are persuaded that he could only exist as a culmination in absolute terms of their deepest moral convictions."—Times Literary Supplement

From the Back Cover

"We need others physically, emotionally, intellectually; we need them if we are to know anything, even ourselves."

We hear often that love is patient and kind, not envious or prideful. We hear that human love is a reflection of divine love. We hear that God is love. But how do we understand its work in our lives, its perils and rewards? Here, the incomparable C. S. Lewis examines human love in four forms: affection, the most basic, general, and emotive; friendship, the most rare, least jealous, and, in being freely chosen, perhaps the most profound; Eros, passionate love that can run counter to happiness and poses real danger; charity, the greatest, most spiritual, and least selfish. Proper love is a risk, but to bar oneself from it--to deny love--is a damning choice. Love is a need and a gift; love brings joy and laughter. We must seek to be awakened and so to find an Appreciative love through which "all things are possible."

"The Four Loves deserves to become a minor classic as a modern mirror of our souls, a mirror of the virtues and failings of human loving." —New York Times Book Review

"Lewis has a keen eye, a large measure of human sympathy, wit, and a command of simple words." —Times Literary Supplement

C. S. (Clive Staples) Lewis (1898-1963), one of the great writers of the twentieth century, also continues to be one of our most influential Christian thinkers. He wrote more than thirty books, both popular and scholarly, including The Chronicles of Narnia series, The Screwtape Letters, The Four Loves, Mere Christianity, and Surprised by Joy.

Most helpful customer reviews

345 of 351 people found the following review helpful.
a prism and a map...
By NotATameLion
C.S. Lewis' The Four Loves was not a book that I expected to reshape my thinking. I first picked it up while following the reading guide at the end of Lindskoog's Mere Christian. I thought it would be a fun read during valentine's season. One often is most vulnerable to the trap when one is not alert...
And so, once more, C.S. Lewis has changed my thought on a broad portion of life. He's done it to me before--the Narnian Books, Mere Christianity, An Experiment In Criticism--have all been books that have greatly shaped me. Now I can add the Four Loves to the list.
One does not often sit down and ponder the different kinds of love. One may have generalized "loved ones" such as family and friends, we may "love" certain activities or places, we may even say we are "in love" ... but do we stop to consider our words?
Lewis spends time surveying the lay of love's different lands. Building on blocks of seemingly deepening emotion, he moves from looking at affection to friendship to erotic love (Eros) to the love of God (Agape). Each is looked at in detail, their meaning and impact on life is explored.
The most helpful thing about this book is that Lewis allows the reader to think about how they deal with their own loves in life. Does one stress a certain kind of love in an unhealthy way? Do we ignore the possibilities of one love because another kind holds too much sway in our lives?
I believe Lewis makes the case that God's love should be primary in the lives of humans. The other loves, though they can be wonderful in their place, can be used unnaturally and ineffectively to try and fill in for Agape if it is not felt. A healthy life will involve all four loves. Yet they must be rooted and grounded in Agape.
My own favorite passage in this book is in the friendship section. Dispelling the myth that an intense friendship between two people is always the best, Lewis notes that after his friend Charles (Williams) died, his friendship with J.R.R. Tolkien was something less than it was when Charles was still around--he could no longer appreciate Tolkien through the eyes of Williams. The passage is personal, poignant, and true to my own experience.
The Four Loves is a remarkable book. I give it my full recommendation.

122 of 122 people found the following review helpful.
Amazing analysis of loves
By Jesse Rouse
I was not especially expecting to be engrossed by a book about four greek words, but I was wrong. This was one of the better books that I have ever read. Lewis overviews each of the four types of love: storge (affection), phileo (friendship), eros (romantic love), and agape (charity or God-love). Each discussion was extremely insightful, especially the friendship one.

He desribed storge as the kind of love we have for people whome we spend a lot of time with, but whom with we do not necessarily have a lot in common with. For example, if you have a sibling whom you do not share many interests with but whom you love nonetheless, it is probably storge. These are people whom you probably would not be friends with if you were not related to or neighbors to these people. Lewis notes that these are people we often do not really realize how much we loved until they are gone (or until we realize that they are those kind of people to us).

He had an amazing chapter on phileo and the gift of friendship as well. I won't go into much detail so that you can enjoy it more when you actually get around to reading it. Let me just say that it made me appreciate my friends much more, and changed my views on what a friend is. He had the amazing insight that each friend brings out a different part of you. He noted that his friendship with J. R. Tolkien was not quite the same after Charles Williams died, because Williams brought out parts of Tokien that Lewis did not. Very insightful.

Lewis' discussion of eros was very insightful as well. He discussed the nature of romantic love, and what romantic love looks like in a marriage. His main point seemed to be that eros loves the other person, and does not try to make the other person become more like himself.

Finally, Lewis discussed agape, the kind of love that gives with no expectancy to receive in return. The whole point of this book, through there may have been amazing sidenotes on the way, is that this is the only perfect love. All the other kinds of love can be twisted until they are no longer recognizable. Storge can degenerate into condescendence, phileo can consume us and destory our lives, and eros can degenerate into lust or domineering, but agape is uncorruptable.

I highly recommend this book. I can nearly guarantee that it will change the way that you think about love.

Overall grade: A+

149 of 161 people found the following review helpful.
Highly recommended
By Michael J. Wood
I own nearly 1000 books, of which a few I have multiple copies of: The Bible, Sun Tzu's The Art of War, The Prince. This book I have only one copy of, but have bought at least 5 that I can recall off-hand. That's because I loan it out, and it rarely gets returned (folks always return the Bibles, for some reason...). Anyone concerned with the nature and types of love should read this book. C.S. Lewis compares and contrasts love of God, Family, Lovers, and Friends in a way that makes good sense, is easy to understand, and is practical in real life. Should be required reading for anyone that has just started a relationship of any kind, or just ended a relationship for any reason.

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? Free Ebook America's Saints: Rise Of Mormon Power, by Robert Gottlieb, Peter Wiley

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After careful research and extensive interiviews, the authors have prepared this compelling and controversial portrait of the Mormon's organizational structure and economic empire-and the men who control both. Index.

• Sales Rank: #4049798 in Books
• Published on: 1986-05-30
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .72" w x 5.50" l, .63 pounds
• Binding: Paperback
• 280 pages

Features

• ISBN13: 9780156056588
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Robert Gottlieb teaches at the University of California at Los Angeles and lives in Santa Monica.  He is co-author of Thinking Big, a study of the Los Angeles Times.


Peter Wiley is a historian and journalist.  He lives in San Francisco.

Most helpful customer reviews

2 of 3 people found the following review helpful.
AN INTERESTING STUDY OF THE MORMONS BY TWO NON-MEMBERS
By Steven H Propp
The authors write in the Preface to this 1984 book, "We soon discovered that, despite the plethora of books about the Mormon experience, nothing comprehensive had been written about the contemporary church---the rapidly expanding, spiritually influential, politically and economically powerful organization that had emerged in the post-World War II period. Further, little had been written about the dynamics of church organization ... Nor had there been much analysis of the changing of the guard... As non-Mormons and transplanted Californians, we realized that undertaking a book on the contemporary church offered hazards as well as opportunities... We also had to contend with the deep penchant among Mormon leaders for secrecy... The church encourages an internal spying system so that documents and information do not get leaked to the outside world."

They note, "(Ezra Taft) Benson was becoming increasingly vitriolic in his warnings about the dangers of Communism... Instead of bringing the (Mormon) Prophet into an alliance with the Birchers, Benson's activities set off alarm bells in church headquarters... Benson continued to work with the Birchers without becoming a member... Using his position in the church to imply that church leaders supported his views, he worked to create the impression that ... the increasingly frail (President David O.) Mckay, endorsed his activities." (Pg. 78)

They observe, "Years later, when (Nathan Eldon) Tanner became the financial leader of the church and counselor to four church presidents, questions were raised about Tanner's political philosophy. Known for his occasional support for liberal positions within the church on such matters as civil rights and opposition to the John Birch Society, Tanner, many of his liberal supporters assumed, was something of a 'socialist' in his early years." (Pg. 103)

They state, "In Latin America, the growth of the Mormon church and other Protestant fundamentlist groups has had a direct relationship to the fortunes of the Catholic church." (Pg. 143)
"The church's missionary work has brought gradual and continuous rather than dramatic growth in Indian membership." (Pg. 168) They admit, "Beliefs and paternalistic attitudes such as (Spencer) Kimball's (toward Native Americans) became an embarrassment to the church. Then in 1981, the church announced that in an 1840 edition of the Book of Mormon Joseph Smith had changed the words 'white and delightsome' to 'pure and delightsome.' But there was no modification of the passage in Nephi where the Lamanites were punished for their transgressions by being turned 'dark and loathsome.'" (Pg. 174) They state, "Right-wing Mormons took the revelation (granting blacks the priesthood) in stride. They had been carefully prepared for the eventuality of a revelation. Unlike their liberal counterparts, these more orthodox Mormons maintained a nearly absolute belief in church leadership and obedience to the General Authorities." (Pg. 185)

They say, "The BYU and church security networks were crucial to the church campaign. Files were compiled, and whenever a BYU student was thought to be gay... that student was called in to talk... Surveillance of gay bars in Salt Lake City was commonplace, and lists were drawn up that identified 'persons involved in lewd behavior.'" (Pg. 224)

This reasonably well-balanced book will be of interest to anyone studying the Latter-Day Saints.

0 of 0 people found the following review helpful.
Five Stars
By A
Comprehensive overview of the LDS in America.

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~ Ebook Free The Education of H*Y*M*A*N K*A*P*L*A*N, by Leonard Q. Ross

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The humorous adventures of Hyman Kaplan, the irrepressible student at the American Night Preparatory School for Adults, and his personal war with the English language. A classic work of american humor.

• Sales Rank: #564905 in Books
• Published on: 1968-03-20
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .41" w x 5.25" l, .45 pounds
• Binding: Paperback
• 156 pages

About the Author
Leonard Q. Ross (1908-1997), born in Lodz, Poland, was the recipient of the Freedom Foundation award and the George Polk Memorial Award. He is best known for introducing American audiences to a wealth of Jewish lexical and cultural delights. A frequent contributor to Harper's and The New Yorker, he taught and lectured in political science at several universities.

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48 of 48 people found the following review helpful.
Written Seventy Years Ago Hyman Kaplan Still Delights
By L. Young
Having just begun teaching English As A Second Language to a group of Asian adults, a relative thought I might enjoy "The Education of Hyman Kaplan". The novel takes place entirely at the American Night Preparatory School for Adults. There under the tutelage of Mr. Parkhill, Hyman Kaplan, Miss Mitnick, Miss Caravello, Mrs. Moskowitz and an assortment of Jewish and Italian immigrants struggle with the complexities of the English language, anxious to master the language and learn about the history and culture of their newly adopted home. The irrepressible Mr. Kaplan takes center stage in the classroom with his singular logic in using the English language. Abraham Lincoln becomes Abram Lincohen, King George III of England is an autocrap, and Valley Forge becomes Velly Fudges. Kaplan conjugates the tense to die as "die, dead, funeral", and when talking of the contents of a newpaper he can't understand why he must say "it said", instead of "he said", since the paper is decidedly of the masculine gender. It's the Harold Tribune after all. This is a hilarious yet touching book. We are never laughing at Hyman Kaplan's linguistic foibles but with him, as we appreciate the struggles of all immigrants, those seventy years ago, or those today to come to terms with becoming Americans and learning the language that binds us together.

35 of 35 people found the following review helpful.
The Genius of H*Y*M*A*N K*A*P*L*A*N
By David Dennis
Hyman Kaplan is a leader of men, an inspiring, eloquent orator with a true sense of drama. He forges his own paths, makes his own rules.
Unfortunately, those rules only rarely coincide with those of grammar, spelling and pronunciation. And so he eternally flunks the beginners' grade in English despite awing both friend and foe.
What moves me to write a review is what the other reviewers seem to miss: H*Y*M*A*N, for all his mistakes, is a winner of a character, not a loser. This book is true testimony to the talents of immigrants as well as their tribulations.

28 of 28 people found the following review helpful.
A Closer Look
By A Customer
The Education of Hyman Kaplan is an almost lost creation of Leo Rosten, a book I discovered a few years ago. On the face this book is a comedy of language set among the immigrant students of an adult language school in New York. There is no doubt the Rosten has a flair for bringing out the hilarious subtleties of the English language, and the book moves so quickly it seems unfairly short. Mr. Parkhill's beginners grade classroom is the scene of countless battle and wars, where the students struggle against syntax, diction, and each other. Some of the botched quotes from Shakespeare are masterpieces in themselves. I had no idea a book of this kind could be such a riot, and never knew our language was so close to lunacy.
The hapless hero, Kaplan, provides a wonderful vehicle for Rosten to maneuver through the pitfalls and traps of the many idiomed English Language. However, behind the books' mangled metaphors, garbled grammar, and reinvented history, lies the world of the immigrant in New York City. The light-hearted episodes are interspersed with an occasional look into the difficult life of a brand new American. These chapters show the optimism and the will to succeed that Kaplan's fellow students brought with them to America. Kaplan himself is an emblem of endurance; forever doomed to stay in the beginners grade, yet never despairing of the always elusive verb tenses.
This book has only one "weakness": it does not cater to cynicism. It looks ahead, from the eyes of each of the characters, to a better time, a better place, with better pronunciation. This is a glimpse of the Dream of America that I had not seen, a different view that fascinated me. I think the strangest thing is that the book is never preachy. It is likely this is because Rosten wrote this book as a mature writer, with many other works under his belt. His tendency to constant revision has left this book a polished gem. Read, laugh, and enjoy.

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## Free PDF The Courage Consort, by Michel Faber

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With his elegant prose and perceptive imagination, the bestselling author of The Crimson Petal and the White creates a unique, self-contained world, where the perennial human drama plays out in all its passion and ambiguity. In these acclaimed novellas, Michel Faber takes on the interior world of inventively crafted characters. "The Courage Consort" tells of an a capella vocal ensemble sequestered in a Belgian chateau to rehearse a monstrously complicated new piece. But competing artistic temperaments and sexual needs create as much discordance as the avant-garde music. In "The Hundred and Ninety-Nine Steps," a lonely woman joins an archaeological dig at Whitby Abbey and unearths a mystery involving a long-hidden murder. In "The Fahrenheit Twins," strange children, identical in all but gender and left alone at the icy zenith of the world by their anthropologist parents, create their own ritual civilization.

• Sales Rank: #1665134 in Books
• Brand: Mariner Books
• Published on: 2005-11-07
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .60" w x 5.25" l, .50 pounds
• Binding: Paperback
• 232 pages

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Amazon.com Review
Admirers of Belgian writer Michel Faber's magnificent breakthrough novel, The Crimson Petal and the White, may be surprised by how well his taut but unhurried prose translates to shorter fiction in the three novellas of The Courage Consort. It helps, of course, that the stories--minor marvels of suspenseful pacing and atmosphere--are unified by a large, old-fashioned theme: the loss of innocence (and, in one case, the struggle to preserve it). In the title story, an English vocal ensemble travels to Belgium for a two-week residency at a rural chateau, an opportunity to rehearse a notoriously difficult and possibly pointless new composition. Catherine, the soprano--and the dependent, emotionally fragile wife of the ensemble's director--hears plangent cries from the surrounding woods each night. Like Mrs. Dalloway, Catherine feels herself approaching middle age without having achieved adulthood. If she goes into the woods--facing the ghostly legend of a simple-minded mother and her baby, lost there near the end of World War II--will she find her grown-up self? The second novella, "The Hundred and Ninety-Nine Steps," traces a paper conservator's nightly unraveling of an 18th century oil merchant's tight-scrolled deathbed confession. And the third, "The Fahreinheit Twins," is one part Angela Carter, one part Jack London: a scary fairy tale translated to a glittering ice-bound wilderness.

Events that would be sensational in the hands of most writers--gruesome nightmares, hauntings, possible murders--are serenely dispatched by Faber, who has bigger emotional game in sight. And while every writer has characteristic tics and favorite phrases, the joy here is in observing Faber's growing mastery, and how few the limits on his talent. --Regina Marler

From Publishers Weekly
The loss of innocence, the urgency of sexual need and the persistence of inner demons unite these three fine novellas, further evidence of the wide-ranging imagination, ironic humor and incisive characterization Faber displayed in The Crimson Petal and the White. Siân, in "The 199 Steps," is working on an archeological dig in England when she encounters Mack, a gorgeous fitness buff. As Siân and Mack try to decipher the clues to a 1788 murder, Siân's dreams of a handsome man slitting her throat grow in intensity, paralleling the grisly facts she brings to light. The denouement is surprising—and satisfying—for what does not happen. In "The Fahrenheit Twins," Tainto'lilith and Marko'cain are pre-adolescent twin brother and sister living in the Arctic tundra with their eccentric parents, both anthropological researchers. When their mother dies, their father encourages them to voyage alone into the wilderness with her body tied to a sled. Catherine Courage, of the title story, is the soprano member of an avant-garde musical ensemble that has gathered in a Belgian chateau to rehearse a fiendishly difficult piece. Suffering through a July heat wave, Catherine is driven to desperation by an eerie cry she hears in the night. A tragedy, however, provides the reality shock she needs. While this is a slighter effort than Faber's previous work, readers will again be immersed in the intense worlds he creates.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Faber's knack for disquieting atmospherics, a la his brilliant first novel, Under the Skin (2000), distinguishes these three novellas but doesn't prevent them from ending rather happily. They are stories of healing in the au courant sense of regaining emotional equilibrium. In "The Courage Consort," the soprano of a vocal quintet her husband directs progresses from suicidal anxiety to relative equanimity as the group rehearses a difficult new piece that sudden death prevents them from premiering. In "The Hundred Ninety-Nine Steps," a woman resolves her trauma over losing a leg and her lover because of a senseless accident; by means romantic and eerie, a handsome young doctor, his late father's dog, and a manuscript in a bottle are the catalysts of her transformation. In the entrancing "The Fahrenheit Twins"--perhaps a coming-of-age parable--brother and sister Marko'cain and Tainto'lilith, born and reared in arctic isolation, quest far from home for a signal from the universe telling them what to do with their mother's corpse. Faber's literary artistry in all three pieces is consummate. Ray Olson
Copyright © American Library Association. All rights reserved

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13 of 13 people found the following review helpful.
Not up to Faber's standard
By Sebastien Pharand
There is no doubt that Faber is a great modern novelist. The Crimson Petal and the White is an amazing book, and Under the Skin is a great original tale. Faber writes original plots that take you to a place and time you've never been before. But with the Courage Consort, Faber offers us three short tales that, while usually entertaining, are not as fascinating as his novels.

The title story, The Courage Consort, is also the collection's weakest. A group of opera singers go to a mansion in the middle of the woods to practice their latest show in solitude. The story's heroine, Catherine, is a troubled and depressed woman who doesn't know what she wants out of life anymore. Or, for that matter, if she even has the will to live another day. Although the tale offers many touching moments, in the end, it ends up nowhere. This allegory of life and death isn't all that it's cracked up to be.

The Hundred and Ninety-nine Steps is a very good mystery about an archeologist's obssession with an old document that has just been recovered. She also uses this document as a pretense to let herself fall in love with a mysterious young doctor. Although the story is very entertaining, it is rather long-winded and, at times, repetitive. I wanted to know more about that mysterious document than about the characters.

The real reason to read this collection is for the last, and shortest story of the lot : The Farenheit Twins. When Tainto and Marko lose their mother, they leave on a trek into the wild winter woods to bury her body. But their father has really sent them on a suicide mission from which they are not supposed to return. This modern Hansel and Gretel tale is touching, moving and very effective. This is what a Faber story is all about.

I have to admit that I was disappointed by The Courage Consort. Yes, thewriting is beautiful, as always, and yes his characters are usually very interesting. But these qualities were not enough to save the collection. Although none of the stories are bad or not enjoyable, I've come to expect more and better from Faber. Please oh please give us another Crimson Petal or Under the Skin!

17 of 18 people found the following review helpful.
Strange Arresting Realities
By Owen Keehnen
In this collection of three wildly divergent novellas Faber creates varied and vividly imagined worlds where the central/core theme is one of survival and renewal. Each masterfully written segment is amazing in its own way - multi-layered, absorbing, rich with an air of menace (unsettling), and a recurring habit of smashing all notions of predictability. The surprises blindsided me every time. My favorite novella was 'The Hundred and Ninety-Nine Steps' about a strange isolated woman on an archaeological dig. However, all three stories left a strong impression. It must have been nice for Mr. Faber to work on some shorter pieces after his mammoth novel 'The Crimson Petal and the White'.

14 of 15 people found the following review helpful.
Faber Has A Divine Gift
By D. Mikels
Not one of these three earnest novellas really appealed to me--yet I cherished and treasured all of them. The various characters were flawed (as are all characters), and their subsequent interactions and conflict mundane, yet I still remained transfixed as I turned each page. Let's see: a singing ensemble, an insecure anthropologist, and two tiny twins above the Artic Circle. . .none of the above really interests me. Yet Michel Faber's amazing gift with the written word made his three-novella collection, named THE COURAGE CONSORT, an absolutely spellbinding, mystical, existential, and satisfying reading experience.

The "Guardian" of London says of Faber: "This is a man who could give Conrad a run at writing the perfect sentence." Darn right. Faber's writing is clean, concise, compelling--a fluid nirvana of perfectly-matched nouns, verbs, adjectives, adverbs, prepositions. The prose is nothing short of brilliant: the author manipulates the English language like a sorcerer waving an hpynotic wand. The result: reading that rolls off the tip of the tongue, like sampling a wine of inestimable value.

Faber is good, very good; this novella collection is positively as riveting as his post-Victorian masterpiece, "The Crimson Petal And The White." As a matter of fact, Faber has demonstrated, via his surreal prose, that he has grown even more as a writer--which makes reading him the epitome of literary pleasure.
--D. Mikels, Author, WALK-ON

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* PDF Download Sleepless Days, by Jurek Becker

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An East German schoolteacher , is jolted into an awareness of his mortality by a seeming heart attack. The actions he takes afterword put him on a collisioin course with the state in which he has painlessly, if numbly, lived his life. The rusults, while harsh, are not unwelcome as he finds a new vitality in a world seen through new eyes. Translated by Leila Vennewitz.

• Sales Rank: #7303806 in Books
• Color: Other
• Published on: 1986-03-14
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .36" w x 5.50" l, .41 pounds
• Binding: Paperback
• 138 pages

Language Notes
Text: English, German (translation)

About the Author
Jurek Becker, the author of the first comic novel on the Holocaust, Jacob the Liar, and other highly acclaimed works, was one of West Germany's most famous exiles from the GDR. A survivor of the Shoah-his mother died in a Nazi death camp-and witness to the Soviet occupation of Eastern Europe, Becker endured most of the trials that Jews experienced in Europe from the onset of World War II to the end of the Cold War.In the first biography of this fascinating figure, Sander Gilman tells the story of Becker's life in five worlds: the Polish-Jewish middle-class neighborhood where Becker was born; the Warsaw ghetto and the concentration camps where Becker spent his childhood; the socialist order of the GDR, which Becker idealized, resisted, and finally was forced to leave; the isolated world of West Berlin, where he settled down to continue his writing; and the new, reunified Germany, for which Becker served as both conscience and inspiration.Gilman was close friends with Becker for nearly thirty years, and his biography is based on unprecedented access to both the man and his papers. As Gilman reveals, Becker's story encapsulates the fractured experience of life in twentieth-century Europe, a time and place in which political systems and national borders were constantly in flux. The life of Becker, we learn, was one of great literary achievement and notoriety, but it was also one of profound cultural dislocation. An important theme in the book is Becker's struggle with his Jewishness, an identity he repressed in socialist East Germany, but embraced after reunification, when he found himself at the center of Jewish culture and literature.Sander Gilman's story of Jurek Becker is biography of the highest order, a portrait of an extraordinarily gifted artist whose hope and courage are manifested in his legacy as one of the greatest German writers of the past century.

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* Download PDF The Ghost Writer, by John Harwood

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In this tantalizing tale of Victorian ghost stories and family secrets, timid, solitary librarian Gerard Freeman lives for just two things: his elusive pen pal Alice and a story he found hidden in his mother's drawer years ago. Written by his great-grandmother Viola, it hints at his mother's role in a sinister crime. As he discovers more of Viola's chilling tales, he realizes that they might hold the key to finding Alice and unveiling his family's mystery-or will they bring him the untimely death they seem to foretell?

Harwood's astonishing, assured debut shows us just how dangerous family skeletons-and stories-can be.

• Sales Rank: #1028588 in Books
• Brand: Harwood, John
• Published on: 2005-06-01
• Released on: 2005-06-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .91" w x 5.31" l,
• Binding: Paperback
• 384 pages

Amazon.com Review
The Cornish prayer: "From ghoulies and ghosties and long-leggety beasties and things that go bump in the night, Good Lord, deliver us!" is an appropriate invocation when reading The Ghost Writer, John Harwood’s debut novel. It is a rousing good ghost story, with many twists and turns, rather like taking apart a Russian matryoshka nesting doll.

Gerard Freeman, at age ten, sneaks into his mother's room and unlocks a secret drawer, only to find a picture of a woman he has never seen before, but one that he will find again and again. His mother discovers him and gives him the beating of his life. Why this excessive reaction? She is a worried, paranoid, thin, and fretful type with an "anxious, haunted look." By tale's end, we know why.

Phyllis Freeman, Gerard's mother, was happiest when speaking fondly of Staplefield, her childhood home, where there were things they "didn’t have in Mawson [Australia], chaffinches and mayflies and foxgloves and hawthorn, coopers and farriers and old Mr. Bartholomew who delivered fresh milk and eggs to their house with his horse and cart." It's the sort of childhood idyll that the timid and lonely Gerard believes in and longs for. He strikes up a correspondence with an English "penfriend," Alice Jessel, when he is 13 and a half, living in a desolate place with a frantic mother and a silent father. She is his age, her parents were killed in an accident and she has been crippled by it. She now lives in an institution, whose grounds she describes as much the way Staplefield looked. They go through young adulthood together, in letters only, thousands of miles apart, eventuallydeclaring their love for one another.

Interwoven with the narrative of Alice and Gerard's letters are real ghost stories, the creation of Gerard's great-grandmother, Viola. At first, they seem to be scary Victorian tales of the supernatural. Then, we see that they have a spooky way of mirroring, or preceding, events in real life, off the page. Gerard comes upon them, one by one, in mysterious ways, but clearly something, or someone, is leading him. The stories seem to implicate his mother in some nefarious goings-on, but the truth is far worse than Gerard imagines.

Any more would be telling too much. Turn on all the lights in the house when you settle down with this one, and plan to spend a long time reading because you will be lost in the story immediately. --Valerie Ryan

From Publishers Weekly
Sly nods to spooky literary spinsters—Henry James's Miss Jessel and Dickens's Miss Havisham—set the tone for this confident debut, a gothic suspense novel with a metatextual spin. Gerard Freeman grows up on the windswept southern coast of Australia in the late 20th century with a controlling mother strangely silent about the details of her childhood in England. His only solace is steadfast English pen friend, Alice, to whom he confides everything. What was Gerard's mother, Phyllis, hoping to escape when she left England? The protagonist slowly pieces together his mother's past with the aid of short stories written by his great-grandmother, Viola. These cunning tales, filled with supernatural occurrences and séances, are seamlessly embedded in the main narrative, offering Gerard—and readers—enticing clues into his troubled family's history. After Phyllis's death, her newly liberated son travels to England, hoping to learn more and to pursue elusive Alice. As he searches through the country house his mother inhabited long ago, Gerard finds past and present fusing in horrifying fashion. In the hands of a lesser novelist, sustaining several plot lines might have been difficult. But the novel links textual investigation and sublimated passion, building to a satisfying, unexpected ending.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
With The Ghost Writer, Harwood has concocted a page-turning ghost story that has literary critics—rarely fans of the supernatural genre—heaping accolades and sleeping with the lights on. Harwood, a retired English professor, resides in Australia where he’s published several books of literary history. Perhaps this accounts for his masterful grasp of Victorian story-telling techniques. Except for Newsday, reviewers uniformly praise his authentic Gothic narratives, and compare them to Henry James’s stories and Oscar Wilde’s Dorian Gray. A few predict that the protagonist’s slow-burning dance of letters might not rumble enough for contemporary genre fans, and others note that the plot is delicately contrived. Still, most overlook these minor drawbacks and recommend Harwood’s debut.

Copyright © 2004 Phillips & Nelson Media, Inc.

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198 of 207 people found the following review helpful.
A page turner that may leave you feeling mentally deficient
By SGW
I bought "The Ghost Writer" after reading several glowing reviews in my local newspaper and online. I'm a sucker for gothic ghostie stories, and was hoping this would be worth the hardcover price.

AND IT WAS...almost. Actually, I've never had this kind of reaction to a book before. This is my first Amazon review, and I'm writing it because this book elicited enough of a passionate, if completely confused, reaction in me. So maybe that does make it worth the price.

From the first few pages, I absolutely could not put this book down. I abandoned chores, evening television and my signifcant other in pursuit of discovering the next plot revelation and how everything would tie together. Others have relayed the details of the plot, so I won't go into them here. But I found all the characters to be completely attention-worthy; at least in within the gothic genre (okay, this isn't "Atonement" or "Madame Bovary"). The "stories within the story", that is, the ghost stories written by Gerard's grandmother, Viola, are also quite wonderful. They are able to stand alone as compelling and enchanting short gothic stories.

I was turning pages as fast as I could.

And then I got to the last chapter. I read it once. Then twice. Then I went back and read the two previous chapters. I didn't get it. Sometimes, when you have been lucky enough to find a real page turner, you may be reading a little too fast and miss important stuff. That's what I assumed happened to me. I put the book down and went back to it the next day, rereading the last quarter. I was still baffled. I reread the last quarter again. What happened? What did those last few mumbled remarks by The Character In The Last Chapter mean? Did they indicate insanity? Were they revelations? If so, how were The Character In The Last Chapter's actions carried out in the past? How did The Character In The Last Chapter obtain The Important Item In The Attic? (List of more detailed, plot-revealing questions continues offline) So... I did some online research and discovered others had this same reaction. I felt a little better...sort of.

I would LOVE to go into more detail, but that would force me to basically make this review a whole bunch of evil SPOILERS. And that's just not fair. Let me just say that the ending leaves much to be desired (unless I've just suddenly suffered serious brain dysfunction and can no longer analyze plot like I used to). BUT...I suspect this would be a FANTASTIC book club book. Everybody would have their own theories, and there would be a lot of arguing and screaming and wailing, and isn't that what a good book club is all about?

61 of 63 people found the following review helpful.
One of my favorite books, EVER - (and YES the ending makes sense and has a fabulous twist that most people miss!)
By sb-lynn
This is an astounding book. It is multi-layered and moody. It is terrific fun.

The story is about a young man named Gerard, born in Australia to a very strange mother who tells the young boy stories of her childhood. When Gerard discovers a strange photo of a beautiful woman hidden in her drawer, his mother becomes horrified, and stops her stories, and the boy is left to wonder about her past and why she is so reluctant to share it with him.

This novel is full of intrique and deception, and we are told some truly frightening ghost stories written by his great-grandmother, Viola.

Okay, here is the thing....when I first read this book, I was confused as to the ending, like so many reviewers here. So I read it again, and I figured it out. This story does makes sense, the author doesn't cheat, and there are answers to most of the big questions. It is a brilliant story filled with twists and full of irony and chilling retribution.

Each ghost story has a relevance to the book, and the overall tone and use of layering and deception is stunning. This book will stay with you for a long time.

This is my favorite book this year, and I am going to recommend it to everyone. Read it carefully, and if you are still confused, read it again. I promise you it will be worth it, and you will agree with me that this is a brilliant, complex novel deserving of a big audience.

83 of 90 people found the following review helpful.
A Stylish, Atmospheric Ghost Story
By Debbie Lee Wesselmann
In his debut novel, John Harwood creates an eerily psychological horror story with a nod (and a wave) to Victorian literature. As the novel begins in Australia, young Gerard discovers hidden away in his mother's possessions a strange photograph and a book. His mother swoops down on him with fury, snatching the belongings from him and hiding them away where Gerard cannot find them, refusing to tell him of her past. Soon thereafter, he begins a secret correspondence with a crippled English girl named Alice, and her letters rescue him emotionally from the bleak surroundings in his Australian home. As he matures, he falls in love with Alice, who won't let him see her for fear he'll feel sorry for her. As he learns that the book his mother has hidden away contained a ghost story written by his grandmother Viola, which Harwood presents in full, Gerard confides even more deeply in Alice. Viola's lengthy - and thoroughly creepy - stories seem like separate entities until Gerard discovers some disturbing connections. Upon his mother's death, he sets out to England to finally meet up with his almost-healed Alice and to settle family matters. What he doesn't count on, however, is that nothing, not even his own senses, can be trusted. Even if the reader solves much of the mystery before it is revealed, the ending has all the force it should, thanks to Harwood's highly visual description and talent with suspense.
Harwood does a marvelous job of embedding the mannered ghost stories within Gerard's story, and the stories-within-a-story works exceptionally well in his hands. The tales are so throat-grabbing by themselves that I forgot at times that they were but segments of the whole. The effect is truly eerie as details from them begin to surface in Gerard's plot. Because the author's debt to Henry James' THE TURN OF THE SCREW is obvious well before he makes reference to it, I wished he had just let the style and the allusions to speak for themselves instead of pointing them out. His acknowledgment of Dickens' GREAT EXPECTATIONS is even less successful. I overlooked these lapses simply because I could not willingly put this novel aside.
This is not Stephen King-type horror but something more elegant and literary. This moody, stylish debut will capture your imagination for hours at a time. Especially if you like creepiness, you'll love this tale of multiple hauntings and mystery.

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^^ PDF Download Big Anthony and the Magic Ring, by Tomie dePaola

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In this sequel to Caldecott Honor winner Strega Nona, “Big Anthony romps through a case of spring fever with an ill-gotten magic ring, against the architectural background and blue skies of la bella Italia.”--Booklist

• Sales Rank: #98879 in Books
• Brand: Sandpiper
• Model: FBA-|291087
• Published on: 1979-04-25
• Released on: 1979-04-25
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .14" w x 8.50" l, .35 pounds
• Binding: Paperback
• 32 pages

Features

• Great product!

About the Author
Tomie dePaola is one of the most popular children s book authors and illustrators of our time. His humor, insight, and gentle art delight all readers. A Newbery Honoree, he has written and illustrated a number of books for Simon & Schuster, including Caldecott Honor Book "Strega Nona" as well as "Andy, That s My Name";" Watch Out for the Chicken Feet in Your Soup"; and "Charlie Needs a Cloak". A native of Connecticut, Mr. dePaola studied at the Pratt Institute in Brooklyn, New York, and lives in New London, New Hampshire.

Tomie dePaola is one of the most popular children s book authors and illustrators of our time. His humor, insight, and gentle art delight all readers. A Newbery Honoree, he has written and illustrated a number of books for Simon & Schuster, including Caldecott Honor Book "Strega Nona" as well as "Andy, That s My Name";" Watch Out for the Chicken Feet in Your Soup"; and "Charlie Needs a Cloak". A native of Connecticut, Mr. dePaola studied at the Pratt Institute in Brooklyn, New York, and lives in New London, New Hampshire.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Sally Boy
great item

5 of 5 people found the following review helpful.
Big Anthony is my hero!
By A Customer
Big Anthony is a great character. He has the "want to" but lacks the necessary skills. However, his efforts at accomplishing magic feats will delight any child and adult. Big Anthony is one of my favorite Tomie de Paolo characters and this book is a great one.

0 of 0 people found the following review helpful.
Great Story for Kids
By Julia
Tomie dePaola has been one of my favorite authors since childhood, and Strega Nona was always one of my favorite books. I also spent about 2 weeks doing lessons with my 3rd graders using different Strega Nona books. I had never heard of this book so I was really excited to get it and read it to the students, who LOVE this series. The kids really enjoyed the story and thought it was hilarious when the ladies were chasing him up a tree. Great book for teaching, a lot of open ended questions you can ask kids about this and has a really nice moral of being happy with the way you are and not needing to be perfect.

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