Sabtu, 08 November 2014

~ Download Let Us Build Us A City: Eleven Lost Towns, by Donald Harington

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Let Us Build Us A City: Eleven Lost Towns, by Donald Harington

A book full of exquisite historical and personal detail, of authentic American lore and American speech. This is the story of eleven towns in Arkansas, relics of a time when the dreams of city builders were boundless. Photographs and maps. A Helen and Kurt Wolff Book

  • Sales Rank: #4609113 in Books
  • Published on: 1994-03-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.15" h x 6.07" w x 8.96" l,
  • Binding: Paperback
  • 512 pages

Amazon.com Review
Let Us Build Us a City is a group portrait of 11 "lost towns" in Donald Harington's native Arkansas. Yet this is no mere backwoods travelogue. His book, the author tells us, is "the story of communities that aspired to dignity and achieved serenity." These are towns, in other words, whose ambitious founders never quite managed to merge imagination with reality. "How does a once-flourishing town aspiring to call itself 'City' endure the long days of its decline?" asks Harington. The answer, in most cases, is quite well--though not perhaps in the way its inhabitants intended. One need not be familiar with Arkansas to appreciate this tour of lonely highways; there are lost towns everywhere. But seldom are they explored with such joy and wonder as in this gem of a book.

For all its brilliance, Let Us Build Us a City is nearly impossible to classify. It fuses the travel narrative with history and cultural studies--yet it reads like a novel. It's also a love story that is in no way fictional. Harington begins with a letter from a woman named Kim, who writes to praise his earlier book, Some Other Place, the Right Place. (Since the latter work is itself about a young couple's exploration of ghost towns and their subsequent romance, things immediately get off to a metafictional start.) Kim's letter leads to regular correspondence, in which she details the research she's conducting in one-horse towns throughout Arkansas. The author encourages her, she inspires him, and they agree to collaborate on a book--this one. By the time they meet, they too have learned something of expectation and hope. (Yes, they do get married, although you'll have to read the acknowledgments for details of the ceremony.)

Ultimately, Harington's book is a search for the spirit of each individual place--which is to say, the people. These lost towns are populated by dreamers, outcasts, prevaricators, drunks, madmen, and hermits. There are tales of floods, fires, gold rushes, gunshots, feuds, booms and (mostly) busts, along with other tidbits so strange they could only be true. By themselves, these would be deeply entertaining yarns. In Harington's hands, however, they amount to eloquent requiems for all his stunted cities. And perhaps these Arkansans traded in their dashed dreams for something better. After all, serenity is an admirable quality in a town, even if it happens to be an accidental one. --Shawn Carkonen

From Library Journal
Writer Harington enlisted the aid of a high school teacher, a fan of his, to tape record her way around these small Arkansas towns whose common theme is simply that their current situations do not meet former expectations. The natives, including many mayors and law enforcement officials, relate the histories and local lore about the founders, settlers, and Indians of the past and the peculiar and not so peculiar characters of today. Murders, moonshining, race relations, entrepreneurial successes and failures, and Civil War stories loom large. Some of the individual stories and several brief asides (bluegrass music, cyclones, leaving home, etc.) are riveting, but generally the interest is regional. Also, Harington too frequently repeats verbatim his partner's questions, a boring technique. Photographs and maps not seen. Roger W. Fromm, Bloomsburg Univ. of Pennsylvania Lib.
Copyright 1986 Reed Business Information, Inc.

About the Author
Although he was born and raised in Little Rock, Donald Harington spent nearly all of his early summers in the Ozark mountain hamlet of Drakes Creek, his mother's hometown, where his grandparents operated the general store and post office. There, before he lost his hearing to meningitis at the age of twelve, he listened carefully to the vanishing Ozark folk language and the old tales told by storytellers. His academic career was in art and art history because, although determined to become a novelist (he wrote his first one at six), he felt that his ultimate teaching vocation should not interfere with his writing. He has taught art history at a variety of colleges in New York, New England, South Dakota and finally at his alma mater, the University of Arkansas, Fayetteville, where he has been lecturing for fifteen years in the same room where he first took courses in art history. He lives in Fayetteville with his wife Kim. His first novel, THE CHERRY PIT, about Little Rock, was published by Random House in 1965, and since then he has published twelve other novels, most all of them set in the Ozark hamlet of his creation, Stay More, based loosely upon Drakes Creek. These include LIGHTNING BUG, SOME OTHER PLACE. THE RIGHT PLACE., THE ARCHITECTURE OF THE ARKANSAS OZARKS, THE CHOIRING OF THE TREES, and, most recently, THIRTEEN ALBATROSSES. He has also written books about artists. He won the Porter Prize in 1987, the Heasley Prize at Lyon College in 1998, was inducted into the Arkansas Writers' Hall of Fame in 1999 and that same year won the Arkansas Fiction Award of Arkansas Library Association. John Guilds in his anthology, ARKANSAS, ARKANSAS, wrote, "if Miller Williams ranks as the greatest poet born, bred, nurtured, and still living in Arkansas, Donald Harington is by the same standards Arkansas's greatest novelist." The Winter 2002 SOUTHERN QUARTERLY is a "Donald Harington Special Issue" with tributes from fellow novelists, scholarly essays, interviews, and a selection of his forty-year correspondence with William Styron.

Most helpful customer reviews

32 of 33 people found the following review helpful.
An American classic.
By jrossa@javanet.com
In this odd mix of travelogue, Americana, love story and history, Donald Harington shows us not just lost cities and lost people and places, but what he calls "lost places in the heart, of vanished life in the hidden places of the soul". And the beautiful thing, the redemption, is that these places aren't lost. In Harington's elegant prose they live on, and will live on as long as this book is read. It deserves to be read in every American history class in the country, because in this book his remembrances and his curiosity open new worlds, just next to and behind this one. Towards the end, when he includes a poem by Richard Hugo, it's as if he's bottled something inside you that you felt but didn't know. A tremendous achievement of remembrance.

0 of 0 people found the following review helpful.
Different
By KD
The writing itself is excellent. The book isn't sure what kind of book it wants to be, and takes too long to figure it out. I got this as an e-book. It includes photos, which were not clear on the Kindle, and that was disappointing as the pictures were referenced in the story. I was glad to get to the end.

18 of 18 people found the following review helpful.
A Treasure Found Off the Beaten Path
By C. Ebeling
It gives me faith in the publishing industry to find this wonderful book still in print. Donald Harington was an established Arkansas novelist when a reader named Kim wrote him out of the blue expressing the inspiration she drew from one of his stories. Harington was lecturing out of state at the time but he responded with encouragement for a project looking into the history of Arkansas places that had "City" in the name and were anything but. So, Kim took off, doing the leg work and dispatching her findings to Harington who eventually shaped them into this symphony of historical fact and human tragedies and comedies. As soon has he was able, he caught up with Kim and the two became instant soul mates. Their own story is woven into this unique blend of fact and imaginative invocation of original intentions and relinquished dreams. A pleasure to read, it sparks curiosity about the cities that never grew up in your own state (the author includes a state by state list) and a desire to go learn their stories. This is a unique story, very human, very American.

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Kamis, 06 November 2014

>> Ebook Download Moments of Being, by Virginia Woolf

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Moments of Being, by Virginia Woolf

Published years after her death, Moments of Being is Virginia Woolf’s only autobiographical writing, considered by many to be her most important book.


In “Reminiscences,” the first of five pieces included in Moments of Being, Woolf focuses on the death of her mother, “the greatest disaster that could happen,” and its effect on her father, a demanding Victorian patriarch who played a crucial role in her development as an individual and a writer. Three of the essays she wrote for the purpose of reading at the Memoir Club, a postwar regrouping of Bloomsbury, and “A Sketch of the Past” the last and longest of the five essays, gives an account of Woolf's early years in her family's household at 22 Hyde Park Gate.

  • Sales Rank: #29303 in Books
  • Published on: 1985-08-23
  • Released on: 1985-08-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .64" w x 5.31" l, .52 pounds
  • Binding: Paperback
  • 240 pages

Review
"One might think, from the heaps of books, that the bones of Bloomsbury had been by now well and truly disinterred...But one would be wrong, for Moments of Being is a real delight" -- Jan Marsh Daily Telegraph "Of fascinating importance, because they are Virginia's only known autobiographical writings" -- John Lehmann Sunday Telegraph "The book must appeal to anyone interested in Virginia Woolf and her circle" -- Derek Parker The Times "Her manner of recall contains all those surprises and felicities of language we have come to expect when she writes, as it were, with her elbows on the table" -- Richard Shone Spectator

From the Publisher
8 1.5-hour cassettes

About the Author
VIRGINIA WOOLF (1882–1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.

Most helpful customer reviews

113 of 117 people found the following review helpful.
Woolf's most beautiful autobiographical writing
By A Customer
People who have enjoyed Woolf's novels or diaries will surely find her essay "A Sketch of the Past" deeply moving and helpful in illuminating her other works. In "Sketch," the longest essay in this volume, Woolf recounts her earliest childhood memories--both beautiful (hearing the waves break on the shore at her family's summer home) and sinister (her stepbrother's unwelcome sexual advances when she was a small child). She develops a theory about memory and about transcendent experience in this essay. She discusses her powerful drive to reshape and write about the past: "I feel that strong emotion must leave its trace; and it is only a question of discovering how we can get ourselves attached to it, so that we shall be able to live our lives through from the start." In this essay Woolf proposes that in moments of ecstasy we have a meaningful vision of the world itself: "it is a constant idea of mine; that behind the cotton wool is hidden a pattern; that we--I mean all human beings--are connected with this; that the whole world is a work of art; that we are parts of the work of art. Hamlet or a Beethoven quartet is the truth about this vast mass that we call the world. But there is no Shakespeare, there is no Beethoven; certainly and emphatically there is no God; we are the words, we are the music; we are the thing itself. And I see this when I have a shock."

77 of 83 people found the following review helpful.
Possibly the greatest autobiographical work ever written
By R. Luo
Virginia's genius is all over this volume, esp in A Sketch of the Past. From the first sensations of childhood (waves splashing against the shore) to the tragedy of the death of her mother and sister, it is the most revealing work of creativity ever written. You'll learn about her life, her work, and even how you might become a great writer. Examine the parallels with To the Lighthouse and you'll be amazed. Yes, this is how she come to be what she is; and her life and what she writes.

45 of 48 people found the following review helpful.
One of the Great Memoirs of the 20th century
By Eric Maroney
Virginia Woolf's Moments of Being is one of the great artifacts of literary modernism -- and it also possesses the virtue of being superbly written; few writers are of the caliber of Woolf when it comes to documenting the subtle nuances of human emotion and thought. Her voice is unwavering and clear; it is analytic and critical without every sacrificing its self-effacing quality and humility - and the clarity of its emotional tone. She handles the pain and loss in her life with a kind of imaginative double barreled shotgun: she destroys those that have inflicted pain on her, while exalting those that loved her. But as she hacks away at one and beatifies the other she always places both in very real, very human terms. There are also sparks of real humor here that cannot be overlooked, like the moment in the essay "Old Bloomsbury" when Lytton Strachey walks into the room and seeing a stain on Vanessa's white dressed pronounces "Semen?" and with one word ushers in the 20th centuries fixation with discussing sexual matters. We are to believe that one word carelessly said becomes the hallmark of an entire century.

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** Download Ebook Selected Poems, by T. S. Eliot

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Selected Poems, by T. S. Eliot

Chosen by Eliot himself, the poems in this volume represent the poet’s most important work before Four Quartets. Included here is some of the most celebrated verse in modern literature-”The Love Song of J. Alfred Prufrock,” “Gerontion,” “The Waste Land,” “The Hollow Men,” and “Ash Wednesday”-as well as many other fine selections from Eliot’s early work.

  • Sales Rank: #38857 in Books
  • Color: Paperback,
  • Published on: 1967-10-18
  • Released on: 1967-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .35" w x 5.31" l, .29 pounds
  • Binding: Paperback
  • 132 pages

About the Author

Thomas Stearns Eliot was born in St Louis, Missouri, in 1888. He moved to England in 1914 and published his first book of poems in 1917. He received the Nobel Prize in Literature in 1948. Eliot died in 1965.

Most helpful customer reviews

15 of 20 people found the following review helpful.
.
By jjsnlee
Hard to reconcile Ezra Pound the poet, with such a beautiful sense for the rhythms and melodies of the English language, and so sensitive to his time and place in the literary tradition, with the man who broadcast propaganda for the Italians during the Second World War, whose preference was for the Fascists because of their sense of style. Mishima also comes to mind, with impeccable aesthetics, totalitarian politics.

In any case if the politico-poetic schism doesn't bother you, this slim collection is a wonderful introduction to this important Modernist. His Cantos were overreaching and sprawling -- some of the poems here have the glint of lyric perfection. I am especially fond of the Cathay poems, and of those Exile's Letter is my favorite. His translation is crystalline, the words flow like water, of all his poems, translations or otherwise, I feel this is among the most perfect -- not for greatness of idea or emotion, but for its subtlety and lyricism.

He reaches such moments in parts of the Pisan Cantos ("What thou lovest well remains, the rest is dross"), but it's a bit funny that he had T.S. Eliot whittle down The Waste Land, but he himself didn't have the discipline to pare down his own work. This might be why his translations (The Seafarer, The River Merchant's Wife) seem to be more anthologized, and considered the more accessible portion of his work -- the limits of these poems were already in place, holding his ambition in check, thus allowing him to concentrate on the language, which he really did so well.

5 of 6 people found the following review helpful.
I won't speak to the literary prowess of Ezra pound ...
By Mason Smith
I won't speak to the literary prowess of Ezra pound. That is for the reader to decide for themselves whether or not they are fans of his written work. To speak of the book itself, I am a huge fan. It is simple, concisely laid out, standard paper quality and the ink does not show through. It is the kind of book one can wake up in the early morning, sit on their patio with a cigarette and cup of coffee, and read through to create a feeling of pristine tranquility. Ezra Pound's poetry, combined with the top notch quality of this book itself, will take you to the place you need to be.

3 of 3 people found the following review helpful.
Some of the World's Finest Poetry (In my incredibly uneducated opinion)
By Jamie Elliott
For some reason most poetry does not really resonate with me. One of the only poets I can stand is T.S. Eliot. His poetry is absurd and lyrical, providing just the barest glimpses at the underlying meaning. But the images stay with me.

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Senin, 03 November 2014

!! Download PDF The Cocktail Party, by T. S. Eliot

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The Cocktail Party, by T. S. Eliot

A modern verse play about the search for meaning, in which a psychiatrist is the catalyst for the action. “An authentic modern masterpiece” (New York Post). “Eliot really does portray real-seeming characters. He cuts down his poetic effects to the minimum, and then finally rewards us with most beautiful poetry” (Stephen Spender).

  • Sales Rank: #300826 in Books
  • Brand: Mariner Books
  • Published on: 1964-03-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .48" w x 5.25" l, .53 pounds
  • Binding: Paperback
  • 204 pages
Features
  • Great product!

About the Author

Thomas Stearns Eliot was born in St Louis, Missouri, in 1888. He moved to England in 1914 and published his first book of poems in 1917. He received the Nobel Prize in Literature in 1948. Eliot died in 1965.

Most helpful customer reviews

18 of 21 people found the following review helpful.
A fantastic drama. Tickles the brain as well as your fancy.
By A Customer
This wonderful play is ultimately entertaining while remaining completely unafraid to challengethe audience. Eliot explores the inner motives and masks that people wear while keeping you smiling the whole while. Be careful though; while you may be delighted the whole while, Eliot is busy weaving a tale that truly gets right down into everyones personal hells. Truly a drama that only he could deliver. Highly recommended.

6 of 6 people found the following review helpful.
Wonderful!
By beatrix
I am personally not a fan of Eliot, due to the fact that I, most unfortunately, started off with "The Wasteland", which is, as I am sure anyone reading this review will know, is not exactly an easy read, especially at age 12. However, "The Cocktail Party" seems to grasp me still, days after I have finished reading it. It is such a witty, humorous comedy that mocks the modern ages, and pretty much everyone who seems to be a part of this insane, chaotic world (at least as I understood it). I recommend this for anyone looking a good book to do a book report on, or someone looking for the meaning of life and/or in need of serious 'ponder' over the universe in a philosophical, poetic, aesthetic way.

8 of 10 people found the following review helpful.
Survival kit in a schizophrenic society
By Dr Jacques COULARDEAU
In a world of appearances, a new species of peace-makers has been invented. The priest of old has disappeared. The psychiatrist has replaced him. He is there to listen to secrets, to sort out situations and to propose solutions to human problems. The very few that are worth it can become the saints of today, going to foreign desolate countries and helping people out of their difficulties, fighting poverty and diseases, bringing the christian faith to pagan people, living in suffering and dire hardship. The others are helped to adapt to our society, to be successful in this society without feeling the remorse or the fear that come along with it. They just become adaptable, supple enough to fit in a deeply dishumanized society. The psychiatrist is the go-between for such people.
This play is surrealistic and yet perfectly descriptive of reality. It is full of a new type of poetry, his poetry of love and hate, of a new type of drama, his drama of conflict-solving. T. S. Eliot manages to shift from the most superficial bourgeois drama to the deepest and serenest tragedy turned comedy. The path of these people is tragic in a way, but it ends in beauty or at least in harmony.
Yet I think T.S. Eliot would have been better inspired if he had gotten away from this bourgeois aristocratic society that is nothing but vain cocktail parties and superfluous appearances. The great poet he is could have been a better playwright.
Dr Jacques COULARDEAU

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^^ Download PDF A Far-Off Place, by Laurens van der Post

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A Far-Off Place, by Laurens van der Post

The story of a long, perilous journey undertaken by four survivors of a massacre: a teenage boy of European descent, a young white girl, and two Bushmen. The basis for a major film release from Walt Disney Pictures.

  • Sales Rank: #356523 in Books
  • Published on: 1978-11-08
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .81" w x 5.25" l, .83 pounds
  • Binding: Paperback
  • 324 pages
Features
  • ISBN13: 9780156301985
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
'With a loving, mystical awareness of the physical world, Colonel van der Post creates a compelling vision of small human creatures against a vast landscape...An infinitely subtle book' (Sunday Telegraph - Janice Elliot)

About the Author
The extraordinary life of Laurens van der Post is not easily capsulized. Author of of many books, farmer, soldier, prisoner of war, political adviser to British heads of state, educator, humanitarian, philosopher, explorer, and conservationist are titles that barely indicate the depth and breadth of this rare individual. Born in 1906 in the interior of southern Africa, he lived among the people who created the first blueprint for life on earth, becoming the principal chronicler of the Stone Age Kalahari Bushmen. He was also one of C.G. Jung's closest friends for sixteen years. Van der Post dedicated his life to teaching the meaning and value of indigenous cultures in the modern world, a world he felt is in danger of losing its spiritual identity to technology, prejudice, empty values, and a lack of understanding of the interconnectedness of all life on earth. Awarded a knighthood (the C.B.E.) in 1981, Sir Laurens died after his 90th birthday, in December, 1996.

He has written the following books:
A Far Off Place
The Heart of the Hunter‎
A Story Like the Wind

Most helpful customer reviews

59 of 69 people found the following review helpful.
Story of Courage, Hope and Love
By Gary Selikow
A Far Off Place is the sequel to the bestseller by Laurens Van der Post, 'A Story Like The Wind'. Hunters Drift is a farm in Matabeleland (today part of Zimbabwe)
It is the home of Pierre Paul Joubert known affectionately by all who live there as 'Ouwa', where European, Matabele and Bushmen live in harmony with each other , and with the great flora and fauna of Africa.
This is before the forces of destruction and death, Marxist terrorists, massacre the whole population of Hunter's Drift , as they carve a path of blood through Southern Africa.
The only survivors are Ouwa's teenage son, Francois, Nonnie, the young daughter of a colonial governor and his Portuguese wife, both murdered by the terrorists and Francois' beloved hunting dog, Hintza. They are joined by a young Bushman, Xhabbo, and his wife, Nuin Tarra.
The four young people and brave dog , must pass through bush and desert , to safety , while pursued by the cold-blooded killers.
'A Far Off Place' is a heartwarming story of love hope and courage, and of survival against overwhelming odds. It is about the fine balance between all living creatures.
Not least it highlights the death and suffering caused so many times by those forces of evil that hide behind the slogans of revolution and 'Liberation'.

8 of 8 people found the following review helpful.
Action packed adventure and coming of age story!
By Hogan@inet.net
This book, along with "A Story Like the Wind" are my two favoite books of all time. "A Far Off Place" is the sequel and you'll want to read them in order. The charactors are truly memorable. The action is almost non-stop, but in between this exciting flight across Africa, you'll learn much about the Bushmen, the wildlife, and the hearts of two young teenagers who are required to grow up amidst a terrifying backdrop of violence. This is so well-written, I don't know why it isn't better known. Do yourself a favor and buy both these books - actually, buy 2 sets because you'll be loaning these out frequently!

17 of 20 people found the following review helpful.
Great Book!!!
By Carolyntbj
I read A Far Off Place while on a trip to Africa. Wow! I'm hooked on Vander Post! I read A Far off Place before I read A Story Like the Wind. A Far Off Place moves faster - the first book sort of sets the story up and gets the characters ready. Also try Flamingo Feather by Laurens Van Der Post.

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Jumat, 31 Oktober 2014

# Free PDF The Heart of the Hunter: Customs and Myths of the African Bushman, by Laurens van der Post

Free PDF The Heart of the Hunter: Customs and Myths of the African Bushman, by Laurens van der Post

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The Heart of the Hunter: Customs and Myths of the African Bushman, by Laurens van der Post

The author’s passionate concern for Africa and for the human spirit is evident in this portrait of the “First People” of southern Africa, the Bushmen. Van der Post describes his desert travels, the splendid landscape and wildlife, and his encounters with the Bushman, an elusive culture. Drawings by Maurice Wilson.

  • Sales Rank: #1436999 in Books
  • Published on: 1980-09-12
  • Original language: English
  • Number of items: 1
  • Dimensions: .74" h x 5.34" w x 8.01" l,
  • Binding: Paperback
  • 268 pages

Review
“The Bushmen’s legends are sheer poetry; their imaginative power is tremendous, their humour and compassion deeply moving.” – Listener

From the Inside Flap
In this stirring sequel to The Lost World of the Kalahari Laurens van der Post records everything he has learned of the life and lore of Africa?s first inhabitants. He explores the very sources of the Bushmen?s spirit and imagination - their dreams and stories, the legends that guide them and inspire them in their daily battles with that harshest of environments, the Kalahari.

From the Back Cover
“The Bushmen’s legends are sheer poetry; their imaginative power is tremendous, their humour and compassion deeply moving.” – Listener

Most helpful customer reviews

18 of 22 people found the following review helpful.
Feel the passion, hear the experiences of the Bushman.
By FSW360
Sir Laurens van der Post has a gift for story telling that we should all explore. The customs and myths of the Bushmen are simple, complex, spiritual, entertaining but always there is a lesson to be learned. This book will feed your mind and you will find yourself through Laurens' craft eager for more. If you have shut down your heart and your imagination, feel the beat of this book and get your pulse back.

5 of 5 people found the following review helpful.
Friend of the Bushmen
By Richard Reese (author of Understanding Sustainability)
Laurens van der Post (1906-1996) was born in South Africa and grew up to be a reporter, dairy farmer, soldier, writer, and television personality. He was the godfather of Prince William, and was sometimes referred to as "Prince Charles' guru," because he was a mystical visionary with a wise old soul, quite skilled at thinking outside the box.

He took great pleasure in creating fascinating stories intended to wake up people whose thinkers had fallen asleep. The transformative power of his stories was far more important to him than 100% factual accuracy, and he sometimes "embellished" them to make them more forceful. This was the storyteller's job: creating amazing stories -- not rigidly accurate scientific discourses.

Laurens was not universally loved by white South Africans, because he had an annoying habit of criticizing segregation, racism, and oppression. He had special fondness for the Bushmen, who were sharply mistreated by everyone, both black and white. Bushmen once inhabited all of southern Africa, but black and white newcomers drove them off their best lands, forcing them into the Kalahari Desert, an extremely harsh place.

In 1955, Laurens did a documentary on the Bushmen for the BBC, and it was the second most popular program ever, only the queen's coronation had a bigger audience. He went on to write several books on Bushmen themes, including The Heart of the Hunter. Passages from this book are often quoted by writers of the counterculture, because Laurens had profound respect for the ability of simpler societies to live lightly on the Earth, with great reverence. He also had a robust contempt for modern industrial society, and he did not hesitate to express this. He had a front row seat for World War II, and this adventure in industrial warfare took much of the shine off of civilization's reputation.

Laurens introduced us to his beloved wild Bushmen, people of "irrepressible gaiety." One elder was "utterly at one with all the life that was and could ever be." Bushmen were incredibly in tune with nature, and could feel the presence of unseen animals. They could sense danger from far away. They could communicate telepathically. They didn't work hard, they didn't have jobs, they didn't have leaders, and they were free. Free! They had a culture that worked. John Reader once wrote that the Bushmen were able to live in their ordinary manner during the third year of extreme drought that killed 180,000 people and 250,000 cattle.

Unfortunately, the Bantu and European newcomers were farmers, herders, and assorted moneymakers -- property freaks -- and the way they treated Bushmen was similar to the relationship between Montana ranchers and prairie dogs. Consequently, the Bushmen avoided all contact with the outside world, because the dominant culture treated them like sub-human vermin, or no-cost slaves, or future tax-paying peasants or diamond miners.

Laurens lamented modern society, with its vast hordes of property freaks, the tragic innocent victims of arrested development. Because of our estrangement from nature, our minds had lost contact with core human instincts, we had lost our souls, we were starved for meaning, and we were mindlessly destroying system after system. He decreed: "One look at the identical towns we are building all over the world ought to be enough to show us that this kind of progress is like the proliferation of a single cell at the expense of the rest, which produces the cancer that kills the whole body."

In 1961, Laurens did not think like the herd. He celebrated wild freedom, and denounced the destructive insanity of industrial civilization. Yet he was a popular and respected celebrity in Britain, and he sipped champagne with the richest and most powerful. He was knighted in 1981, becoming Sir Laurens van der Post, an extraordinary achievement for someone who was so at odds with mainstream thinking.

The power of this book lies in its rebellious and unconventional attitude. It's OK to think. It's OK to question. It's OK to shout "Wolf!" when there are wolves as far as the eye can see. It's OK to be different, to prefer integrity over trendiness, to seek truth instead of mindless conformity. If your heart is screaming about the senseless destruction of life on Earth, you aren't crazy, you're awake. What's crazy is our way of life, our culture. This is an important concept to understand.

Creative people have a primary role to play in influencing the path of our society, because society permits them to think outside the box. Popes, politicians, tycoons, and educators aren't allowed to do this, because they have an obligation to protect and preserve the pathological belief system that is laying waste to the world. Everything we need for healing can only be found outside the box, and creative people can help us find them, with luck.

The weakness of the book is that it doesn't teach us a great deal about the Bushmen way of life. Laurens knew few Bushmen, spent little time with them, and didn't know their language. The BBC documentary was almost aborted because Laurens and his team had a very hard time finding any Bushmen to film. Finally they found one band, who allowed themselves to be seen, because they were close to dying from dehydration. You could learn much more about the Bushmen by reading Elizabeth Marshall Thomas.

The Bushmen finally got their own official home when the Central Kalahari Game Reserve was created in 1961. This Denmark-sized park was located in the middle of what is now Botswana. But diamonds were discovered on the reserve in the early `80s, and this inspired the government to remove the Bushmen from their land. In 2006, they won the right to return, but were forbidden to hunt or drink water. In 2011, they won the right to drink water.

Botswana promotes safari tours at the reserve, and this generates a lot of income for an extremely poor country. Rich tourists want to enjoy a pure wilderness experience, gazing at giraffes from their hot tubs, and wild, naked, blood-spattered savages would simply spoil this demented fantasy. Laurens would have a different opinion, of course.

Richard Adrian Reese
Author of What Is Sustainable

10 of 12 people found the following review helpful.
The great divide
By P. Micocci
I again with the earlier reviewer who pointed out the noticeable difference between the first part of this book and the latter; when Van der Post is recounting his experiences with the Bushmen (or San, if you prefer) and with various other folk who have come to inhabit the Kalahari the book is very interesting and informative. However, in the second half he feels the need to reinterpret the Bushmen's legends or myths through a Jungian perspective, a treatment I found neither compelling nor convincing. While the fragments of the Bushmen's tales are interesting and Van der Post's ruminations are occasionally thought provoking, I didn't particularly enjoy his technique of intercutting between a few sentences of the one and heavy doses of the other. I suppose that for the reader who cares to interpret everything by archetypes and quests it might prove intriguing, but I soon came to find it rather annoying and distracting.

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## Ebook Download Microworlds, by Stanislaw Lem

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Microworlds, by Stanislaw Lem

Microworlds, by Stanislaw Lem



Microworlds, by Stanislaw Lem

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Microworlds, by Stanislaw Lem

In this bold and controversial examination of the past, present, and future of science fiction, Lem informs the raging debate over the literary merit of the genre with ten arch, incisive, provocative essays. Edited and with an Introduction by Franz Rottensteiner. Translated by Rottensteiner and others. A Helen and Kurt Wolff Book

  • Sales Rank: #295185 in Books
  • Published on: 1986-11-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .78" w x 5.50" l, .89 pounds
  • Binding: Paperback
  • 312 pages
Features
  • ISBN13: 9780156594431
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
Ten essays, 1971-83: ranging from autobiography through analyses of the underpinnings of sf to examinations of specific authors and works - delivered in thunderous yet calculated tones, and a welter of academic polysyllables. The autobiographical piece is most engaging and revealing - with Lem candidly discussing his upbringing, his Jewish heritage, the German and Russian occupations of Poland, his own sf. Elsewhere, he demonstrates his formidable intellect and his self-imposed conceptual limitations: he finds fiction without intellectual challenge boring (and has no patience with the notion of fiction as entertainment); in his view, sf works in which neither the objects nor the ideas have any basis in reality are merely "empty games." Later, however, Lem cogently discusses sf's various time-travel motifs - notwithstanding his previous denunciation of "empty games" where "impossible time-travel machines are used to point out impossible time-travel paradoxes." "The primary unsolved problem" of sf, he writes, is "the lack of a theoretical typology of its paradigmatic structures" - yet he fails to demonstrate why this lack is so damaging. On the incestuous nature of Western sf, he's devastating: "critiques are not produced independently, but are written by either the authors or the editors of anthologies, who evaluate each other's works." (He also blasts publishers and editors for camouflaging advertising as criticism.) For all these reasons, sf is trashy and apt to remain so. Moving on to specifics, Lem shows himself to be a penetrating but often arbitrary and petulant critic. Just about the only Western sf author he approves of (Ballard and Bradbury rate a maybe) is Philip K. Dick - who "tries to probe the neglected, latent, untouched, as-yet-unrealized potentialities of human existence." A. E. van Vogt's work is condemned as "stupid lies" without a shred of evidence or analysis; Borges, Lem determines, "has suffered from a lack of a free and rich imagination." He criticizes Daniel Keyes' Flowers for Algernon for what Leto thinks Keyes' should have written; the Strugatsky brothers' Roadside Picnic - which Leto not only analyzes brilliantly, but finds enjoyable - comes in for similar treatment. Clearly, there's some ax-grinding going on. In sum: guaranteed to offend and provoke. (Kirkus Reviews)

About the Author
Stanislaw Lem is the most widely translated and best known science fiction author writing outside of the English language. Winner of the Kafka Prize, he is a contributor to many magazines, including the New Yorker, and he is the author of numerous works, including Solaris.

Most helpful customer reviews

22 of 23 people found the following review helpful.
For SF writers who want to be real writers
By Philip Challinor
One of the essays in this book got the author's honorary membership of the American SF Association revoked. Or rather, some of it did, in a way. "Science Fiction - A Hopeless Case with Exceptions" was published in the US in a mutilated "translation" under the tactful title "A Scientist's Choice of the World's Worst Writing", and Lem was unceremoniously booted out of the organisation. The essay in question is in fact a harsh, but in its essentials accurate, dissection of the deplorable state of science fiction and science fiction criticism as compared with the rest of literature, and deserves serious attention. (The exception discussed, by the way, is the work of Philip K Dick, and a detailed review of Dick's Ubik, justifying its claim to be taken as serious fiction, also appears in Microworlds.) There is also a fine review of the Strugatsky brothers' extraordinary novella Roadside Picnic, which was the basis for Andrei Tarkovsky's equally extraordinary though somewhat different film Stalker; an interesting essay on Jorge Luis Borges, noting the unique qualities and the limitations apparent in his stories; and, perhaps most valuably, a couple of long essays on what science fiction could be if it could only kick its maleficient Star Wars-style good-guy/bad-guy simplemindedness. Lem is precise, logical, detailed, cantankerous and fascinating. The world's greatest writer of grown-up science fiction and fantasy is once again pointing the way for the rest of us.

11 of 12 people found the following review helpful.
Lem argues for intelligent sci-fi
By Neil Ford
I found this book totally by accident, while browsing the sf&f shelves of one of the big bookstores without much hope, and I'm glad I did, because Lem's essay, "Science-fiction : a hopeless case - with exceptions", really crystallised a lot of the things that concerned me about science fiction, and showed that at least one other person thought that sf should at least try to be literature. (Although written in 1970, and from the isolated position of Communist Poland, this essay is still depressingly accurate - although things have improved since his time.)
The guy is a heavy thinker, and come from a European tradition of taking science fiction seriously as a literature of ideas (Lem wrote the classic Solaris, which was made into a Russian movie). He is quite readable, however, and is obviously passionate about his subject. This book is essential for any academic study of science fiction, and for any reader who takes the genre's potential seriously.

5 of 7 people found the following review helpful.
The Unitas Oppositorum of Stanislaw Lem
By Muhammad Pyran Hewitt
Although the book in its entirety is highly recommended for fans of Lem, I would like to present some comments extracted from the essay entitled Unitas Oppositorum: The Prose of Jorge Luis Borges.

Lem states: "In each story we can find the same kind of method: Borges transforms a firmly established part of some cultural system by means of the terms of the system itself. In the fields of religious belief, in ontology, in literary theory, the author "continues" what mankind has "only begun to make." Using this tour d'adresse Borges makes comical and absurd those things which we revere because of their current cultural value."

"However, each of these tales has in addition another - wholly serious - hidden meaning. At base, his curious fantasy is, I claim, quite realistic. The author therefore has the courage to deal with the most valuable goals of mankind just as mankind himself does. The only difference is that Borges continues these combinatory operations to their utmost logical conclusions."

"Considered from a formal point of view, the creative method of Borges is very simple. It might be called unitas oppositorum, the unity of mutually exclusive opposites. What allegedly must be kept separate for all time (that which is considered irreconcilable) is joined before our very eyes, and without distorting logic. The structural content of nearly all of Borges's stories is built up by this elegant and precise unity."

"In the beginning he was a librarian, and he has remained one, although the most brilliant manifestation of one. He had to search in libraries for sources of inspiration, and he restricted himself wholly to cultural-mythical sources. They were deep, multifarious, rich sources - for they contain the total reservoir of the mythical thought of mankind.

But in our age they are on the decline, dying off as far as their power to interpret and explain a world undergoing further changes is concerned. In his paradigmatic structures, and even in his greatest achievements, Borges is located near the end of a descending curve which had its culmination centuries ago. Therefore he is forced to play with the sacral, the awe-inspiring, the sublime, and the mysterious from our grandfathers. Only in rare cases does he succeed in continuing this game in a serious way. Only then does he break through the paradigmatically and culturally caused incarceration which is its limitations, and which is quite contrary to the freedom of artistic creation he strives for. He is one of the great men, but at the same time he is an epigone. Perhaps for the last time. He has lit up - given a paradoxical resurrection to - the treasures transmitted to us from the past. But he will not succeed in keeping them alive for any long period of time. Not because he has a second-rate mind, but because, I believe such a resurrection of transitory things is in our time quite impossible. His work, admirable though it may be, is located in its entirety at the opposite pole from the direction of our fate. Even this great master of the logically immaculate paradox cannot "alloy" our world's fate with his own work. He has explicated to us paradises and hells; but in his books Borges knows nothing about them."

"If Schopenhauer had never existed, and if Borges presented to us the ontological doctrine of "The World As Will," we would never accept it as a philosophical system that must be taken seriously; we would take it as an example of a "fantastic philosophy." As soon as nobody assents to it, a philosophy becomes automatically fantastic literature."

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