Senin, 16 Maret 2015

# PDF Download Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences, by Kitty Burns Florey, Becky Kraemer

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Sister Bernadette's Barking Dog: The Quirky History and Lost Art of Diagramming Sentences, by Kitty Burns Florey, Becky Kraemer

In its heyday, sentence diagramming was wildly popular in grammar schools across the country. Kitty Burns Florey learned the method in sixth grade from Sister Bernadette: "It was a bit like art, a bit like mathematics. It was a picture of language. I was hooked." Now, in this offbeat history, Florey explores the sentence-diagramming phenomenon, including its humble roots at the Brooklyn Polytechnic, its "balloon diagram" predecessor, and what diagrams of famous writers’ sentences reveal about them. Along the way Florey offers up her own commonsense approach to learning and using good grammar. Charming, fun, and instructive, Sister Bernadette’s Barking Dog will be treasured by all kinds of readers, from grumpy grammarians and crossword-puzzle aficionados to students of literature and lovers of language.

  • Sales Rank: #55117 in Books
  • Brand: Florey, Kitty Burns
  • Published on: 2007-11-05
  • Released on: 2007-11-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .46" w x 7.13" l, .61 pounds
  • Binding: Paperback
  • 176 pages

Review
PRAISE FOR SISTER BERNADETTE’S BARKING DOG

"Florey writes with verve about the nuns who taught her to render the English language as a mess of slanted lines, explains how diagrams work, and traces the bizarre history of the men who invented this odd pedagogical tool . . . It’s a great read."--Slate

 

"This gem from copyeditor Florey is a bracing ode to grammar: it’s laced with a survivor’s nostalgia for classrooms ruled by knuckle-cracking nuns who knew their participles."―People

From the Back Cover
A SLATE BEST BOOK OF THE YEAR
 
A PEOPLE PICK FOR WORD LOVERS
 
“This gem from copyeditor Florey is a bracing ode to grammar.”―People
 
In its heyday, sentence diagramming was wildly popular in grammar schools across the country. Kitty Burns Florey learned the method in sixth grade from Sister Bernadette: "It was a bit like art, a bit like mathematics. It was a picture of language. I was hooked.”
Now, in Sister Bernadette's Barking Dog, an offbeat history that any language lover will adore, Florey explores the sentence-diagramming phenomenon and what diagrams of famous writers' sentences reveal about them.
Along the way, she offers up her own commonsense approach to learning and using good grammar. And she answers some of literature's most pressing questions: Was Mark Twain or James Fenimore Cooper a better grammarian? Can knowing how to diagram a sentence make your life better? And what's Gertrude Stein got to do with any of it?
 
“A pleasantly discursive and affectionate tribute to an antiquated art.”―The Wall Street Journal
 
“You don't have to be over age 50 or a Catholic school graduate to enjoy Sister Bernadette's Barking Dog . . . Florey's keen memories of being schooled in this art and her humorous affection for it are contagious . . . Try it, you’ll like it."―Minneapolis Star Tribune
 
"Florey writes with verve about the nuns who taught her to render the English language as a mess of slanted lines, explains how diagrams work, and traces the bizarre history of the men who invented this odd pedagogical tool . . . It’s a great read."--Slate
 
KITTY BURNS FLOREY, a veteran copyeditor, is the author of nine novels and many short stories and essays. A longtime Brooklyn resident, she now divides her time between central Connecticut and upstate New York with her husband, Ron Savage.

About the Author
KITTY BURNS FLOREY, a veteran copyeditor, is the author of nine novels and many short stories and essays. A longtime Brooklyn resident, she now divides her time between central Connecticut and upstate New York with her husband, Ron Savage.

Most helpful customer reviews

100 of 104 people found the following review helpful.
I loved this book!
By T. MacCombie
Who would have thought one could write such a funny, and charming, and informative book on sentence diagramming? Kitty Florey weaves her own 6th grade experiences diagramming sentences under the watchful eye of Sister Bernadette, and then reflects on other writers, notably Gertrude Stein, who was passionate about grammar, and even loved diagramming, (who knew?) but then wrote sentences that obeyed her OWN rules and defied grammatical conventions. Florey's tone, throughout this delightful book, is one of spontaneous humor and warmth. She is passionate about language herself, and seeing how language has evolved, with or without the help of diagramming, is a fascinating look at ourselves, our culture, and gives us a clue about what the future may hold for the written and spoken word.

86 of 93 people found the following review helpful.
Barking for Bernadette
By Buyer
This book is a fabulous read: it is brilliant, erudite, easy-to-read, and laugh-out-loud funny. It will teach you all you never even thought to ask about diagramming sentences, but it is about far more than that. Really, it's an exploration of the evolution of the English language, the gap between those of us who MUST speak and write properly and those who say--whatever. Mostly, it'll make you laugh out loud and how many authors can do that? Move over, Lynn Truss and David Sedaris.

34 of 36 people found the following review helpful.
ok, needs some basics of diagramming
By T. Burket
This short book is a pleasant memoir of a time when many people learned sentence diagramming and, to be honest, more of the rigors of grammar. In the author's case, she clearly recalls teacher Sister Bernadette and the pleasure diagramming brought both of them. I put this on my list after an interview with Ms. Florey refreshed my own fond memories of something logical and detailed that appealed to me as a future engineer who likes to write.

We learn some about the history of diagramming and its predecessors, with a mix of specific examples largely taken from literature. The literary references (Gertrude Stein, F. Scott Fitzgerald, Jack Kerouac, etc.) allow her to tell various stories about the famous authors and shift into various riffs on English in general, such as "ain't". Those musings are interesting enough and move right along, but the net result is that I learned very little from the book.

I really wanted a modest refresher of diagramming basics in this book. Maybe 5-10 pages would have done the trick. There certainly was room. I studied the examples, thinking about how I would have done them myself or why they were done this way or that (e.g., oh, yes, that's a participle, isn't it, so it's written in that arc). For that reason, I will disagree slightly with Ms. Florey's statement that you don't learn grammar from diagramming. Perhaps diagramming forces you to think about what parts of speech those funky phrases are. The author credits Gene Moutoux for the complex diagrams, and his web site indeed has a nice introductory tutorial.

She gets full credit for pointing out weaknesses in diagramming, most notably that bad English and bad grammar often diagram just as well as the good stuff.

Even as someone who is no fan of George W. Bush, I can do without cracks about him in this type of book. The little dig against "Eats, Shoots & Leaves" fits better.

3.5 stars, rounded down

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Kamis, 12 Maret 2015

>> Fee Download Hundred Mile City, by Deyan Sudjic

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Hundred Mile City, by Deyan Sudjic

The new architectural shape of five world cities-London, Paris, New York, Tokyo, and Los Angeles. Sudjic tells how cities grow and change through their buildings and how people live and work in them. "Written with all the pace and drive of a high-speed freeway... Powerful and convincing" (J. G. Ballard). Index; photographs by Phil Sayer.

  • Sales Rank: #3254943 in Books
  • Published on: 1993-10-24
  • Released on: 1993-10-24
  • Original language: English
  • Number of items: 1
  • Dimensions: .68" h x 7.23" w x 9.21" l,
  • Binding: Paperback
  • 320 pages

From Publishers Weekly
This well-written book, a British import, is full of perceptive, wide-ranging observations on the evolution of the "multilayered new city"--concentrating mainly on London, Paris, New York, Tokyo and Los Angeles. Sudjic, a London editor and critic who was trained as an architect, is neither nostalgic nor pollyannish, finding both vitality and ugliness in the modern city. Pointing to London's Canary Wharf and New York's World Financial Center, he argues that the property developer--not the architect or city planner--is most responsible for shaping the city. Yet planners still have power: Sudjic limns the Grands Projets , Francois Mitterrand's attempt to remodel Paris, and discusses the need for good planning in the dystopia of Houston. Most interesting are Sudjic's expositions of how the museum has become the "replacement for the missing agora," and how the airport has become the new city square. A city's transport plan helps create its public life, and the author contrasts Tokyo's dependence on public transport with the worldwide ascendance of the automobile. We must, he concludes, learn new ways to analyze and assess life in the modern city.
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
Face it, the urban center cannot hold: This, in essence, is the message of British architecture-writer Sudjic's sweeping discussion of modern cities, especially those he deems the world's greatest: New York, Los Angeles, London, Paris, and Tokyo. Hammering away with the now familiar observation that cities are spreading beyond their old boundaries, decaying in the center and reshaping themselves on the edges, Sudjic is especially impatient with those who idealize the urban past and what he calls the ``myth'' of community, and who are obsessed with saving ``elderly buildings'' even at the cost of displacing the poor. It's not that Sudjic glorifies current trends; he has as much distaste as those he criticizes for beltway office clusters ``where it is impossible to walk out at lunch time to the pub or cafe''; the centerless city that's Houston today (``you feel an emptiness everywhere''); the museum's new commercialism; huge warehouse stores like Ikea (shopping there ``makes life just a little more brutal''); and 80's overdevelopment in general. And, like everyone else, he deplores the massive public-housing projects that have only made low-income housing problems worse. Sudjic tries hard to defend ugly L.A., for example, from lovers of the ``picturesque''; to recognize airports as what he sees as authentic urban places; even to see Houston's vast void as ``exhilarating possibility.'' Yet the tone here is far from exhilarated. Even an early rundown of urban theorists and architects consists mostly of capsule characterizations followed by dismissive negative pronouncements. And though he takes on all the obligatory topics--theme parks and festival markets; grandiose postmodern kitsch; transit and tourism; and racial tensions--often Sudjic just touches these bases while relentlessly charging on. Not notably arresting in its insights, nor as strong and coherently argued as Joel Garreau's Edge City (1991). Sudjic is up on the issues, though, and his text could be useful for its sheer coverage, especially the international. (Photos throughout) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

About the Author
Deyan Sudjic is director of the Design Museum, London, UK.

Before moving to his post at the Design Museum, he contributed to Schoolkids OZ, was the design and architecture critic for The Observer, the Dean of the Faculty of Art, Design and Architecture at Kingston University and Co-Chair of the Urban Age Advisory Board.

In 1983 he founded Blueprint, the monthly architecture magazine and went on to be first the magazine's editor and then its editorial director. From 2000 to 2004, he was the editor of Domus (magazine).

Alongside these roles, he was the Director of The Glasgow UK City of Architecture and Design program in 1999 and the Director of the Venice Architecture Biennale in 2002. He was also a juror for the design of London’s Aquatics Centre, which is to be built for the 2012 Olympics from a design by the architect Zaha Hadid.

Most helpful customer reviews

1 of 2 people found the following review helpful.
Interesting Analysis into Our Modern World
By Matthew J. Fery
Overstretched, Resource-Scarce, Unregulated. Los Angeles and other world cities are increasingly walking a tightrope that becomes harder to balance on. This book carefully outlines how cities got to this untenable situation and looks at examples of how different communities are combating these problems with mixed results. A read for anyone interested in urban politics, involved in the real estate business, or studying urban and regional planning

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The Essays of Virginia Woolf, Vol. 1: 1904-1912, by Virginia Woolf

Nonfiction pieces dating from 1904, when she was twenty-three, to 1912, the year of her marriage to Leonard Woolf. "These are polished works of literary journalism-shrewd, deft, inquisitive, graceful, and often sparkling" (Library Journal). Edited and with an Introduction by Andrew McNeillie; Index.

  • Sales Rank: #1233037 in Books
  • Color: Cream
  • Published on: 1989-11-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.12" w x 6.00" l, 1.40 pounds
  • Binding: Paperback
  • 411 pages
Features
  • ISBN13: 9780156290548
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Library Journal
Here is the first volume in another major series of Virginia Woolf's writings: her essays and reviews, arranged chronologically and annotated. Most of the pieces109 in all, 83 of which have not previously been collectedbegan as anonymous reviews in the Times Literary Supplement. Evidently, Woolf had to endure quite a lot of rubbishy fiction during these years, but she usually managed to find something positive to say, and a few essays stand out in the way they seem to point to Woolf's gestating fictional vision. Overall, these are polished works of literary journalismshrewd, deft, inquisitive, graceful, and often sparkling. They "form an invaluable record of their author's intellectual and professional life" and in the bargain survive as enjoyable reading. Keith Cushman, English Dept., Univ. of North Carolina, Greensboro
Copyright 1987 Reed Business Information, Inc.

Language Notes
Text: English (translation)
Original Language: Spanish

About the Author
VIRGINIA WOOLF (1882–1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.

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7 of 7 people found the following review helpful.
Reading reviews
By Merricart
Reading a book of reviews is an odd experience. Many of the works reviewed here were then contemporary novels and biographies which have since faded from popular knowledge. One is more interested in what Virginia Woolf had to say about these books than the books themselves.

Admittedly, Woolf's writing style was more straight-forward journalistic than the ingenious panache of later years. However, scattered here and there were gems of literary flair which showcased the writer's maturing voice. As a glimpse of Virginia Woolf before her fame, this is a worthwhile collection.

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Senin, 09 Maret 2015

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The Fencing Master, by Arturo Perez-Reverte

The unstoppable thrust is the arcane fencing technique known only by Don Jaime—and the deadly maneuver that a beautiful young woman wants him to teach her.What begins as a rather bold request leads Don Jaime into the shadowy politics and violence of mid-nineteenth-century Madrid.

  • Sales Rank: #212478 in Books
  • Brand: Mariner Books
  • Published on: 2004-06-07
  • Released on: 2004-06-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.06" h x .65" w x 5.24" l, .54 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Great product!

Amazon.com Review
In The Club Dumas, Arturo Pérez-Reverte explored the labyrinthine world of antiquarian book dealers, spicing his tale of mystery and murder with characters straight out of Paradise Lost and The Three Musketeers. Next came The Flanders Panel, a brilliant puzzle comprised of art, chess, and untimely death whose resolution lies in a painting by a Flemish master. In The Seville Communion, Pérez-Reverte turned his sights on the tangled politics of the Roman Catholic Church as an appropriate backdrop--for murder. In his fourth novel translated into English, the Spanish writer changes centuries (if not his focus on homicide), returning to the mid-1800s to follow the exploits of Don Jaime Astarloa, the eponymous fencing master.

The year is 1866 and revolution is brewing in Spain. The corrupt Bourbon queen, Isabella II, is slowly losing her grip on power as equally corrupt exiled politicians vie to be her successor in a new republic. Against this background of political upheaval, Don Jaime goes about his business, teaching a dying art to a dwindling number of students. This is a man who resists changing times; to a friend he explains, "I have spent my whole life trying to preserve a certain idea of myself, and that is all. You have to cling to a set of values that do not depreciate with time. Everything else is the fashion of the moment, fleeting, mutable. In a word, nonsense." But then Adela de Otero--a woman with a mysterious past and an amazing talent for swordplay--comes into his life, and Don Jaime's world is turned upside down. As always, Pérez-Reverte offers literary excellence, a thumping good mystery, and fascinating insight into an arcane practice, in this case, fencing. Though the 19th-century politics in the book may resonate more with a Spanish audience than with English readers, the moral at the heart of The Fencing Master is universal: "to be honest, or at least honorable--anything, indeed, that has its roots in the word honor." In this, Don Jaime and Arturo Pérez-Reverte both succeed. --Alix Wilber

From Publishers Weekly
Spain's bestselling novelist follows three polished and erudite thrillers (The Flanders Panel; The Club Dumas; The Seville Communion) with a fourth that combines the classic art of fencing, 19th-century Spanish monarchical politics and the eternal lure of the femme fatale. Don Jaime Astarloa, aging and solitary, is Madrid's greatest fencing master, eking out a threadbare living in this age of the pistol by teaching the sons of the nobility. In the hot summer of 1868, while rumors abound in Madrid of possible insurrection and the forced abdication of Queen Isabelle II, Don Jaime is visited by a beautiful young woman calling herself Adela de Otero, who offers him double his usual fee to teach her a secret, famously difficult sword thrust. At first Don Jaime refuses to consider a woman as a student; but with her intricate knowledge of fencing and the mysterious, tiny scar at the corner of her mouth, Adela wins him over and proves to be an expert fencer, gifted, disciplined and determined. Soon she is winning Don Jaime's heart as well. Thus is set into motion a complex succession of plots and counterplots analogous to the thrust and parry of a fencing match. P?rez-Reverte is a master of lushly atmospheric suspense, and his prose is as spellbinding in the fencing gallery as it is in the arcane realm of honor and loyalty that shapes Don Jaime's world. The mysteries unravel to the final pages, as Don Jaime pursues his lifelong dream of discovering "the unstoppable thrust," not in politics, contemplation of his art or even romance, but on the floor of battle. 100,000 first printing; $100,000 ad/promo; author tour. (June) FYI: The Ninth Gate, the film of P?rez-Reverte's The Club Dumas, directed by Roman Polanski and starring Johnny Depp, will open in April.
Copyright 1999 Reed Business Information, Inc.

From Library Journal
Chess, antiquarian books, the Catholic ChurchAall have figured in P?rez-Reverte's richly entertaining mysteries. Now he's picked another intricate and demanding subject, fencing. There's political unrest in 1868 Madrid, but Don Jaime goes about his business as fencing master while trying to conceive of the perfect thrust. When the beautiful and mysterious Adela de Otero approaches him, asking for lessons, he at first refuses indignantly but soon discovers that she is relentlessAand already a magnificent swordswoman. It's not long before Don Jaime is in love with Adela, but shortly thereafter she is taken over by one of his aristocratic clients, Luis de Ayala. And then de Ayala is found dead, killed by the merciless two-hundred-escudo thrust that Don Jaime himself has invented and taught to just a few peopleAincluding Adela. What follows is a fine tale of political intrigue with a lot of fencing lore deftly mixed in. Figuring out the political mess behind the killer's motivations might take a reread, but this will delight anyone who enjoys swashbucklersAthough as one might expect, the book is more literate than any Hollywood film. For all mystery collections.ABarbara Hoffert, "Library Journal"
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

34 of 34 people found the following review helpful.
A mystery within a historical novel within a character study
By A Customer
The Fencing master was a bit of a surprise, as it finds success more as a character study and exploration of personal ethics, unlike earlier novels Flanders Panel and Club Dumas, which were intricate and playful mysteries. Nontheless, this was a satisfying and enjoyable read. The book is built around a memorable figure, the fencing master, a Quixote like man of remarkable ethical consistency and dignity, but with a self awareness and sense of irony lacking in the man from La Mancha. Riverte also treats us to thrilling fencing sequences, political and moral intrigues of 19th century Spain, and a femme fatale to rival m'lady in the Three Musketeers. A worthy novel from one of the most interesting and intellectually diverse writers working.

25 of 27 people found the following review helpful.
An elegant, powerful, period thriller - A gem of a book!
By Matthew Krichman
What a gem of a book! This is a splendidly original, elegantly written, period thriller that is near impossible to put down. The tale is set in 19th century Madrid, a time of political instability and intrigue, against the backdrop of rumored coup plots against the Spanish queen. Don Jaime Astarloa, a proud, aging, master fencer and teacher, practices his noble art which he sees slowly losing its place within aristocratic society. He is approached one day by a beautiful yet mysterious young woman who requests that he take her on as a student. Though reluctant at first to instruct a woman, Don Jaime soon discovers that she is a skilled fencer. The mystery surrounding her grows, however, when she abruptly discontinues her lessons after learning an arcane yet deadly technique that only a select few fencers can perform. Soon thereafter, a series of murders takes place that forces Don Jaime to question whom he can trust and whether he himself is safe.
The Fencing Master combines a gripping plot, elegant prose, and intense, powerful descriptions of fencing duels that may at times leave you breathless. Think of the grace and beauty in Hemingway's depiction of bullfighting in The Sun Also Rises, and you may have some sense of how masterfully Perez-Reverte has captured the essence of the art of fencing. With each turn of the page you will feel transported to a different time and place. The stylish prose and authoritative narrative voice fill this novel with an authentic period feel. And each sentence conveys an understated sense of strength, pride, honor, integrity, and passion that make this book and its hero simply unforgettable.

17 of 18 people found the following review helpful.
Predates his much better other books
By A. Ross
Although this is the fourth of Pérez-Reverte's book to appear in English, it actually predates The Flanders Panel, The Club Dumas, and The Seville Communion. Originally published in 1988, this earlier book is an entirely historical thriller set in Madrid in 1868 amidst Spain's September Revolution, which apparently heralds the end of the monarchy as plots abound and the Bourbon Queen Isabella II is rapidly losing control and influence. One of the novel's flaws is that this period of turmoil is so chaotic and confusing that, although the reader knows the political machinations and plots will somehow prove integral, it's presented rather tediously and is hard to follow. On the whole, the prose is not nearly as rich and accomplished as in his other books.
The story follows an aging fencing instructor, Don Jamie, whose personal code of honor defines him as he attempts to live outside the "real" world around him. He is a rigid and exacting "maestro" to the few remaining pupils he has (guns have all but supplanted swords), and an amusingly old-fashioned expert to the wealthy nobleman he spars with every day. His only other human contact is with a group of yammering men who gather every day in a café to argue politics-and whose main function is to deliver the political background the reader requires to understand the rest of the story (although as indicated above, their arguments are not very effective in this).
Don Jamie is a portrait of a faded gentleman, with all his best experiences behind him, he almost revels in his self-constructed persona of a man of honor (and little else). When a beautiful woman comes to his door and demands instruction in the male-only art of fencing, it catapults him into a dark intrigue. It's another flaw of this early Pérez-Reverte work that readers will see what's coming almost from the moment she first steps onto the page, and only the details need to be revealed. Indeed, those who have reader his intricately plotted other books, will likely be disappointed by the relative simplicity of the story. What is perhaps more intriguing are the timeless questions raised about honor and its role in a world where honor means little. Don Jamie's disengagement from the world around him has tragic consequences, so is he a failure for clinging to tattered ideals, or should he be lauded for his commitment? In that sense, this book has a more moral center than any of Pérez-Reverte's others.
One other minor flaw is the lack of a fencing glossary or any diagrams. The terminology of fencing and its maneuvers are so integral to the story and so arcane to most modern readers that the publisher does both the book and the reader a major disservice by not providing any supplementary material. For those with access to a video store with a good selection of international titles, the book was made into a film in Spain called El Maestro de Escgrima.

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The American Presidency, by Clinton Rossiter

The American Presidency

  • Sales Rank: #1614239 in Books
  • Published on: 1963-09
  • Number of items: 1
  • Binding: Paperback
  • 256 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Very insightful and informative.
By Mattsplat1975
Probably the best literature I have ever read on the subject of the American Revolution. Insightful and full of quotes and extracts from letters, pamphlets, sermons, and newspaper articles of the era. The author uses these sources to create a clear sense of the political thought that fueled the revolution.
I wish every American would read this book and better understand how our nation came about so we can be more aware of the direction we are going away from the founding principles of our founders.

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Minggu, 08 Maret 2015

# Ebook Download Invisible Cities, by Italo Calvino

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Invisible Cities, by Italo Calvino

“Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.” — from Invisible Cities

In a garden sit the aged Kublai Khan and the young Marco Polo — Mongol emperor and Venetian traveler. Kublai Khan has sensed the end of his empire coming soon. Marco Polo diverts his host with stories of the cities he has seen in his travels around the empire: cities and memory, cities and desire, cities and designs, cities and the dead, cities and the sky, trading cities, hidden cities. As Marco Polo unspools his tales, the emperor detects these fantastic places are more than they appear.

“Invisible Cities changed the way we read and what is possible in the balance between poetry and prose . . . The book I would choose as pillow and plate, alone on a desert island.” — Jeanette Winterson

  • Sales Rank: #5402 in Books
  • Brand: Harcourt Brace Jovanovich
  • Published on: 1978-05-03
  • Released on: 1978-05-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .46" w x 5.31" l, .39 pounds
  • Binding: Paperback
  • 165 pages
Features
  • Great product!

Amazon.com Review
"Kublai Khan does not necessarily believe everything Marco Polo says when he describes the cities visited on his expeditions, but the emperor of the Tartars does continue listening to the young Venetian with greater attention and curiosity than he shows any other messenger or explorer of his." So begins Italo Calvino's compilation of fragmentary urban images. As Marco tells the khan about Armilla, which "has nothing that makes it seem a city, except the water pipes that rise vertically where the houses should be and spread out horizontally where the floors should be," the spider-web city of Octavia, and other marvelous burgs, it may be that he is creating them all out of his imagination, or perhaps he is recreating details of his native Venice over and over again, or perhaps he is simply recounting some of the myriad possible forms a city might take.

Review
Of all tasks, describing the contents of a book is the most difficult and in the case of a marvelous invention like Invisible Cities, perfectly irrelevant. -- Gore Vidal, The New York Review of Books

Language Notes
Text: English, Italian (translation)

Most helpful customer reviews

186 of 191 people found the following review helpful.
Good book, bad Kindle edition
By T. Tezer
Obviously my review is as much about the Kindle edition of this book as it is about the book itself. I found the novel poetic, beautiful, deep, and thought provoking. I am not a fan of magical realism, but this is an enjoyable read, and having traveled extensively, I can identify with descriptions that touch upon the less-than-concrete impressions that are left by each new place seen or experienced.

That said, the Kindle edition is an embarassment. The publisher rushed a part-time intern into a room with a scanner and an OCR program and made sure they clocked out on time. Maybe they should have thought about proof reading? Italicized words appear randomly throughhout the text, obviously not intentionally. Perhaps that's supposed to be a tribute to the author's first name? But the words that are simply mis-recognized by the OCR software are the worst: "faces" becomes "feces" tipping us off to the standard of quality the publisher had in mind for this edition. Come on you cheap bastards, just hire someone to proofread it before you throw it out there as a Kindle edition.

152 of 160 people found the following review helpful.
A Fantasia of the Imagination
By Mark Valentine
Once more, I have grown in my appreciation and respect for Calvino's works. He writes using precise words and never quits until he has portrayed an image in sentences. He is inventive, an original. This short novel has incredible power not for plot, but for characterization, imagery, and sheer force contained in the words.
The characterization works like a photographic negative. He never tells us of Genghis Khan or Marco Polo; no descriptions or personality traits given. What he uses is their ideas and the things that they talk of to describe what kind of people they are. Thus, it is through their impressions on the template that I could tell what kind of characters they are. That is good, confident writing, I think.
The imagery is powerful too. Calvino strives to make his cities visible in the imagination. This is one trait that I think will make him be read years and years from now.
Take your time with this novel. In fact, I don't think that it is possible to even race through it. It's shortness is misleading, it is very dense and laden with vitality and deserves to be savored in enjoyment and not raced through in the reading. But if you can slow down and enjoy it, I think you will find it to be well worth the effort.

57 of 60 people found the following review helpful.
subtle, rich, textured literative patterns
By A Customer
So here I was, flying north, thinking about themes such as axioms, storytelling, pattern recognition, and facilitation from the grandest, most broad vantage point. Before me, this short book of short stories based upon conversations between Marco Polo and Kublai Khan. Invisible Cities is very simple on the surface. It contains several series' of short stories - 1 to 3 pages in length - that chronicle Polo's excursions into cities throughout the domain of The Khan. The stage is Khan's garden, where Polo has been summoned to report on his journies. Each series of stories is bound by a brief contextual passage, usually a dialogue between Polo and Khan about the nature of Polo's journies and their meaning. From this simple structure, Calvino weaves a rich tapestry of patterns, some obvious (take a look at the table of contents) some very subtle (read between the lines when you read the passages that bridge one section to the next).
Calvino is a masterful story teller - with an uncanny abililty to create space, setting, scene and mood. I found Invisible Cities a personal, intimate read. Marvelous.

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Sabtu, 07 Maret 2015

** Ebook Download Tangled Vines: A Collection Of Mother And Daughter PoemsFrom Mariner Books

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Tangled Vines: A Collection Of Mother And Daughter PoemsFrom Mariner Books

No relationship in a woman's life encompasses the same joy and anger as that between mother and daughter. Lifshin has gathered poems from some of the finest women writers, including Sharon Olds, Adrienne Rich, Alice Walker, Anne Sexton, Sylvia Plath, and Marge Piercy.

  • Sales Rank: #2451007 in Books
  • Published on: 1992-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: .43" h x 5.32" w x 7.97" l,
  • Binding: Paperback
  • 164 pages

About the Author
Lyn Lifshin is a contributor for the following Houghton Mifflin Company Title: Tangled Vines

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9 of 9 people found the following review helpful.
A loving book
By Susanna Lang
Tangled Vines is a very personal, and very lovely collection of poems about the difficult and essential relationship between mother and daughter. Poems are grouped around themes which are lived as much as they are literary: care for an infant, sorrow for a mother's death, anger at her interference. The emotions cover the entire range that we all experience in these relationships. The formal range is almost as great, although there are few poems in traditional forms. The poems are accessible, so that readers who do not usually read poetry will find much to love, while those of us who live with poetry as we live with our mothers will also find much to challenge us. It's a book I've had by my bed for a month, and a book I intend to give my mother for her birthday.

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Two Stars
By Deborah A. Martin
hate poetry - poor coice for me

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