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Packed with hundreds of proven strategies that work time and again.

• Sales Rank: #1349655 in Books
• Published on: 1997-02-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l,
• Binding: Paperback
• 556 pages

Most helpful customer reviews

108 of 116 people found the following review helpful.
Mixed Feelings
By Deh
I have read this book, and admittedly not employed all of its suggestions. However, from what I have read and tried, my feelings are mixed. First of all, I'm a graduate from the bottom of the class of a "Top 10" law school. I could not get into any firm, thus I don't have the problem of having to explain not receiving an offer after my summer (I'm interested in gov't at this point).
Grades/school: this book is great for people who are currently enrolled and doing fairly ok-to-well in law school, and want an extra boost to get into a better firm/employer. Students at the very top and very bottom of the class are unlikely to benefit from the book. Why? Because most firms only look at grades, then school, nothing else. Almost all big firms, the ones most capable of hiring graduates, won't hire below the top 75% of a top law school. Kimm suggests avoiding firms that are concerned about grades. Well, unfortunately, that would be almost all of the firms except the ones that pay $28K a year.
Small firms: the author suggests looking at small firms. The problem is these firms also tend to be fixated on grades, sometimes even more so than large firms. In addition, small firms tend to be very low paying ($40K and below) and you will be required to work the same long hours as at a big firm. Grant it, you will have your foot in the door. On the other hand, small firms don't hire until you admitted to the bar, so you're looking at a few months without an income, or longer if you don't pass the bar the first time.
Volunteering: the book suggests doing this at various gov't agencies like DA's or City Attorney's offices. Watch out: most of these places will use the free help and not offer a job. They DO hire volunteers in boom times, but then everyone hires in a boom time so there would be no point in volunteering in the first place. You have to be at the right place at the right time. The experience you will get from volunteering is limited, on the other hand if you are unsure about what you want to do (i.e., corporate vs. litigation), it can be helpful.
Networking: Kimm suggests ways to network. I actually tried her suggestions, and found that I was meeting partners from large grade-heavy firms who could never hire me if they wanted to, OR, solo practicioners. This makes sense, because these are the people who need to make appearances at public events the most. I never really ran into that associate/partner at an up and coming small or mid-sized firm that was recruiting heavily. Although we are in a recession, many firms are doing well. Maybe I'm just looking in the wrong places. However, it seems that more and more firms have set procedures for hiring and are not willing to be schmoozed as easily as in the past.
Mass mailings: her opinion of mass mailings have been confirmed by many attorneys who received my resume. However, I did receive 3 interviews that way. Moreover, if one does not do a mass mailing, how is one supposed to contact employers? Afterall, it is a numbers game. To her credit, I think Kimm talks about well-tailored emails to alum at law firms. This works well, but again, if the firm has a grade-floor, there is no way around it generally.
In conclusion, while many of Kimm's suggestions would be fruitful for that student in the top 55% of a top 25 school wanting to work in NYC, it is not right for everyone.

0 of 0 people found the following review helpful.
for me I used to this sort of a calendar guide to look at to determine and Achieve goals as the ideas with in this book are fair
By puppy9
Yes most of the things in here seem to be stating the obvious, but somehow having it in one place and having it written by a successful solo practitioner makes the concepts that we already know would be helpful all the more valid this book then becomes more of a tool so that you can play on the steps you're going to take and give yourself dates by which you're going to achieve them this is ultimately how I believe the book is most helpful

56 of 64 people found the following review helpful.
Save Your Money
By A Customer
This book provides some rather basic common sense approaches to finding a job. I would not buy the book. However, if your library has a copy check it out of the library and read it or go to your local book store and sit down and read it with a cup of coffee. I think she makes suggestions about how to get a job that are just extremely unlikely to materialize. She suggests that you can get a job at a big firm by first working as a Contract Attorney. This is VERY VERY unlikely. Big firms have hiring committees and usually a list of schools they will hire from. If your school is not on that list, they cannot consider you. I know people who have done contract work for many years at a lot of big firms and they were never offered a job. It just doesn't work that way. Contract work usually involves working for a short time on a single project with many other attorneys (some cases over 100 other attorneys). I've never heard of anyone getting hired on at a big firm after working as a Contract Attorney. Anything is possible, but it is EXTREMELY unlikley. The truth is that most reputable big and mid-sized firms would rather be understaffed than hire Attorneys who lack the proper credentials. Also, she writes at one point that people hire people, not schools. In my experience, firms hire ONLY from certain schools and her book is not footnoted to back up the claims she is making with rock solid evidence. My suggestion is read this book at your library or book store for free, but don't buy it. Save your money for your student loan payments.

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As a wealthy, young real-estate developer in Los Angeles, T. lives an isolated life. He has always kept his distance from people — from his doting mother to his crass fraternity brothers — but remains unaware of his loneliness until one night, while driving to Las Vegas, he hits a coyote on the highway.

The experience unnerves him and inspires a transformation that leads T. to question his business pursuits for the first time in his life, to take a chance at falling in love, and finally to begin breaking into zoos across the country, where he finds solace in the presence of animals on the brink of extinction.

A beautiful, heart-wrenching tale, How the Dead Dream is also a riveting commentary on inidividualism and community in the modern social landscape and how the lives of people and animals are deeply entwined. Judged by many — including the Los Angeles Times and The Washington Post Book World — to be Millet's best work to date, it is, as Time Out New York perfectly states: "This beautiful writer's most ambitious novel yet, a captivating balancing act between full-bodied satire and bighearted insight."

• Sales Rank: #651827 in Books
• Published on: 2009-09-15
• Released on: 2009-09-15
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .64" w x 5.25" l, .52 pounds
• Binding: Paperback
• 256 pages

From Publishers Weekly
Starred Review. Millet proves no less lyrical, haunting or deliciously absurd in her brilliant sixth novel than in her fifth, the acclaimed Oh Pure & Radiant Heart. As a boy, T. keeps his distance from others, including his loving but vacant parents, preferring to explore his knack for turning a dollar. Before long, he's a wealthy but lonely young real estate developer in L.A. Just after he adopts, on impulse, a dog from the pound, his mother shows up and announces that T.'s father has left her. His mother, increasingly erratic, moves in; meanwhile, T. finally meets and falls in love with Beth, a nice girl who understands him, but a cruel twist of fate soon leaves him alone again. As his mother continues to unravel, T. finds unexpected consolation in endangered animals at the zoo, and he starts breaking into pens after hours to be closer to them. The jungle quest that results, while redolent of Heart of Darkness and Don Quixote, takes readers to a place entirely Millet's own, leavened by very funny asides. At once an involving character study and a stunning meditation on loss—planetary and otherwise—Millet's latest unfolds like a beautiful, disturbing dream. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Lydia Millet, a social novelist with a master’s degree in environmental policy, has carved a reputation for herself by exploring difficult topics in edgy, darkly humorous works of fiction. How the Dead Dreamâ€"part philosophical meditation, part fable, and part comic escapadeâ€"argues for the importance of environmental protection as it portrays T.’s metamorphosis from coldhearted capitalist into compassionate child of the Earth. Critics differed in their opinions of T.’s character: is he a finely-wrought, sympathetic protagonist or a one-dimensional cardboard cutout? A few critics also complained about the many side plots that slow the novel’s momentum and blur Millet’s message. However, T.’s internal struggles and quest for redemption stress humankind’s responsibilities and limitations as stewards of the environmentâ€"a timely message indeed.
Copyright © 2004 Phillips & Nelson Media, Inc.

Review
"The finest book yet by one of my favourite contemporary American writers" -- Jonathan Lethem "Permeated with a dark, irreverent humour" Financial Times "Odd and compelling...surprising and funny...Millet is an interesting thinker" Guardian "Bewitching" Scotland on Sunday "Sad, strange and as jumpily shocking as an electric fence, How The Dead Dream brilliantly evokes a barren world in which human loneliness and environmental loss are inevitable consequences when a culture values capitalism over compassion" Metro

Most helpful customer reviews

6 of 6 people found the following review helpful.
The first book of a trilogy
By "switterbug" Betsey Van Horn
This is the first book of a trilogy that circles around the concept/theme of extinction. The second novel, Ghost Lights, was released last year. The third, Magnificence, is still pending (scheduled for Nov release). The protagonists in the second and third books are minor characters from the first book. Millet's advocacy with endangered species and her graduate degrees in environmental policy and economics inform this novel without clamminess or preachy rhetoric. Her deft, precise language is lyrically noir and philosophical, and is plaited with satire and pathos, nuance and caricature. The dream-like narrative is ripe with imagery from the animal world. The motifs of absence, destruction and obsolescence reflect the moral decay that inhabits a capitalistic society in all its latent anxieties. It is also a rich story about the vicissitudes of the human condition.

Since childhood, T. has been a mercenary disciple of authority and financial institutions. His idols were the statesmen and presidents of legal tender. This led to a cunning acquisitiveness, scamming neighbors out of their money with his phony charities and by hemorrhaging money from bullied classmates in return for protecting them. In college, he learns the key to success, while remaining emotionally apart from others. He is the frat brother always handy with sage advice, and renders aid when they get in serious trouble. His vices are almost nonexistent, but he gladly provides rides for his drinking buddies. Everything T. does is calculated toward success. As an adult, he becomes a wealthy real estate developer, acquiring some of his clients from his former friends grateful for his past support. Money is T.'s religion.

"Currency infused all things, from the small to the monolithic. And to be a statesman the first thing needed was not morals, public service, or the power of rhetoric; the first thing needed was money. Because finally there was only a single answer. As there was only one intelligence residing in a self, as trees grew upward toward the sun, as women lived outward and men walked in insulation to the end of their lives: when all was said and done, from place to place and country to country, forget the subtleties of right and wrong, the struggle toward affinity. In the lurch and flux, in all the variation and the same, it was only money that could set a person free."

OK, you get the drift. T. worshipped money.

A few unfortunate events out of T.'s control happen. His father leaves his mother to embrace his same sex love openly, and his mother gradually declines from that end point. Furthermore, he accidentally hits and kills a coyote on the desert highway in Nevada, which plagues him periodically and is the genesis of a sea change within him.

"He saw the coyote's face, ...eyes half-closed, the long humble lines of her mouth. Any animal could be gentle while it was busy dying...That was hardly a mark of distinction. But the sorrow persisted, as though he were worrying an open cut." Eventually, he is compelled to get a dog, one that he forms a bond with over time.

Then, T. falls in love, which aids in refining his disposition from aloof and isolated to engaged and attached.

"This was how he lost his autonomy--he had moved along at a steady pace and then he was flung."

But the experience is truncated by a chilling event, and T. subsequently becomes obsessed with endangered species, particularly from learning that the paving of one of his subdivisions had displaced an almost extinct species of kangaroo rats. He becomes preoccupied by the repercussions of real estate development on animals, the expansion of cities and the utopias of convenience and consumption:

"Under their foundations the crust of the earth seemed to be shifting and loosening, the falling away and curving under itself."

T. laments the biological blight caused by economic growth, mourns the progress of civilization. Tormented, he bemoans the extinction of animals, dying in sweeps and categories. After learning locksmith trade secrets, he starts breaking into zoos at night. T. doesn't free them from their cages; he merely wants to watch them. The force of a spiritual crisis arrests him with the same possessive absorption that money used to do.

The last section of the novel concerns T.'s journey to Belize, where he owns some property he's developing into a resort. It reads with an ephemeral, ethereal quality, like a mystical epitaph, with Heart of Darkness tendrils infused throughout, and the reminder of the cyclical nature of man's imperialism.

"When a thing became very scarce, that was when it was finally seen to be sublime and lovely."

Encompassing, imaginative, and meditative, this is a must-read for literature lovers.

3 of 3 people found the following review helpful.
How the Dead Dream: the Lyrical Salvation of a Young Capitalist
By Brian d'Eon
Before reading this book, I had no idea who this author was. Yet, within a dozen pages, I was coming to understand that I was reading something quite special. The fact that I should be so impressed by Millet's writing is all the more amazing when I reflect that the protagonist of the book is a devoted capitalist--hardly a person I would normally be drawn to. Throughout most of the book, he is simply referred to a `T'. Yet T's transformation is both poetic and spectacular.

As a boy T's principle passion is to `collect' money and stash it under his pillow at night. He receives a visceral thrill as he studies the lithographic etching on the American dollar bill. In college, he is a friend to all, but intimate with no one. It is `T' who is the designated driver, `T' who sorts out his friend's indiscretions and messy relationships. `T' himself avoids all youth's usual excesses, in favor of focusing on the market, real estate and mapping out his destiny. He is enamored with a vision of high rises, new highways, bright lights, holiday resorts, retirement homes in the desert, the creation of which will become the source of his material wealth and self-worth.

It is worth noting that the protagonist of "How the Dead Dream" is a male, and the writer female. It is the most convincing cross-gender writing I have ever come across. Never once did I doubt the authenticity of the male voice of `T'.

But what makes this novel so good? The writing to be sure, which is extremely lyrical at times, and the psychological insights Millet has which are quite breath-taking. In the end, what is most impressive, is the journey she takes the reader on. We meet `T' arch-capitalist, without a soul it seems, at first, but then gradually we see a change take place. It begins when he is driving at night and hits a coyote. He stops his car to check on it. It's not yet dead. He feels obligated to carry it off road--even though he doesn't know what to expect--after all, it might bite him. He stays with it until it takes its last breath. That moment changes him, though he doesn't realize it at the time.

Later `T' who, till this time, has never surrendered himself to anyone emotionally meets Beth, the love of his life, but tragedy strikes, and that relationships lasts only a short time. His father, a man in his sixties, suddenly, and without explanation, leaves his wife. `T' does his best to console his mother, and has her live with him. She develops early dementia. The scenes of `T', the son, speaking with a mother who doesn't even recognize him, in fact thinks he is a criminal, are heart-wrenching.

Quite unexpectedly--to me, at least--`T' then develops an obsession with endangered animals, going to great lengths to be in their company. For him, they come to represent the world condition, the ultimate fate of each individual and each species, creatures near their end and alone, desperately alone. Some of the novel's most memorable moments take place as `T' stands eye-to-eye with some of these forlorn and mighty creatures.

This might help explain the otherwise quite obscure cover of the book: it is a close up of an elephant's eye.

I did not read Millet's book in one sitting--I never do, but I could very easily imagine myself making an exception for this book. It is that compelling, that beautifully written, that filled with compassion, longing and even humor. It's one of the best things I've read in years.

I have a new favorite author!

7 of 9 people found the following review helpful.
A Novel for Fans of 30 Rock and Arrested Development
By M. JEFFREY MCMAHON
There are a lot of well crafted contemporary novels coming down the pike about family problems, social crises, etc. and about 99% of them strike me as superfluous, self-aggrandizing exercises in which the author wants to show the reader his or her creative and intellectual might. The final result is mediocre and flaccid.

Happily, this is not the case with Lydia Millet, whose point of view is one of the most unusual, and I daresay genius, I've come across since Magnus Mills' Restraint of Beasts.

In her first novel (I will now eagerly read her other five) she has written a grotesque fable with the sensibility and pungent sense of humor found in 30 Rock and Arrested Development.

Here Millet's novel focuses on T. who at an early age develops and articulates a Machiavellian view of the world to rationalize his insatiable appetite for greed and unrestrained capitalistic enterprise. Imagine Jack Donaghy expertly played by Alec Baldwin in 30 Rock inhabiting the body of a five year old and you'll understand T.'s psychological underpinnings.

We watch T.'s devilish entrepreneurial enterprises in high school as he uses extortion to protect a sad sack kid from the bullies who beat him and steal his lunch money every day at school. Even more glorious is T.'s justification of the extortion to the bullied kid's mother. Her every question is counteracted with a high school boy expert in the ways of legalistic sophistry.

As T. grows up and excels in real estate, using his predatory insight into the minds of his clients/victims to establish his empire, he has an unexpected breach in his life when he runs over a coyote. Seeing the dying, suffering animal ignites a spark of humanity inside his soul and with his heart cracked open a series of mishaps afflict him that blow up what he had believed would be a well-controlled existence of exploiting others. Instead, his world crumbles around him and he seeks connection with an obsessive sympathy for animals that compels him to break into zoos.

There is an eerie fable at work here that reminds me of the aforementioned Restraint of Beasts. The fable is fueled by its own whacky, genius logic that takes the reader to strange places--places far different than the banal, familiar landscapes most novelists dwell on. Millet is an original voice in fiction, never sanctimonious, never glib, never going for the cheap laugh. She is a novelist of the highest order. Highly recommended.

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Marcovaldo is an unskilled worker in a drab industrial city in northern Italy. He is an irrepressible dreamer and an inveterate schemer. Much to the puzzlement of his wife, his children, his boss, and his neighbors, he chases his dreams-but the results are never the expected ones. Translated by William Weaver. A Helen and Kurt Wolff Book

• Sales Rank: #241860 in Books
• Published on: 1983-11-16
• Released on: 1983-11-16
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .35" w x 5.50" l, .32 pounds
• Binding: Paperback
• 128 pages

Review
"Calvino is surely among the handful of living writers that can be called, without hesitation, great. Each book by Calvino is a completely original conception. Marcovaldo is one of the best works of fiction published"

Language Notes
Text: English, Italian (translation)

From the Back Cover
An unskilled worker in a drab northern Italian industrial city of the 1950s and 1960s, Marcovaldo has a practiced eye for spotting natural beauty and an unquenchable longing to come a little closer to the unspoiled world of his imagining. Much to the puzzlement of his wife, his children, his boss, and his neighbors, he chases his dreams, gives rein to his fantasies, tries-with more ingenuousness than skill-to lessen his burden and that of those around him. The results are never the anticipated ones.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Marcovaldo is a wonderful collection of short stories
By Hudson
Marcovaldo is a wonderful collection of short stories, or vignettes, of a poor urban laborer's dogged attempts to find nature and solace in the city. The stories are brief and often hilarious. I enjoyed it immensely!

13 of 13 people found the following review helpful.
Seasons go by
By EA Solinas
It's hard not to admire the people who enjoy simple things... as long as they don't get out of touch with the reality. That seems to be the idea behind Italo Calvino's "Marcovaldo: Or the Seasons in the City," a warm little novel that shows the joys of life -- and the weird truths behind them.

Marcovaldo is an unskilled laborer in a rather dreary Italian city, with a stressed wife and a bunch of somewhat dopey kids. He also has an eye for beauty and an idealistic love of natural bounty. A stray rabbit, a blanket of snow, a peaceful park bench, a hidden stash of mushrooms, a trip to the countryside with his children, and a bus on a foggy night.

Marcovaldo revels in the natural beauty and good fortune that come to him on these occasions. Unfortunately, they aren't quite as wonderful as he thinks -- every time, something bizarre and unlucky happens to him, whether it's the noises of urban nighttime, the realities of farm work, diseased rabbits, a plane to Bombay, a minor avalanche, or a bad case of food poisoning.

Popping little idealistic dreams seems like a pretty mean-spirited thing to do. Yes, even to a fictional character like Marcovaldo. But somehow Italo Calvino's charming little book manages to be mocking and funny without being nasty about it. He's an airhead, and somewhat selfish, but amusingly and likably so.

The book is made up of little short stories, each focusing on one "season in the city," and a new problem for Marcovaldo. In a way, each amusing little story feels like a joke, with the punchline only coming at the end. For example, a walk in the fog and boarding a bus becomes a disaster, when Marcovaldo discovers that the "bus" is actually a plane heading for Bombay.

Here and there, Calvino also adds a bit of magical realism to the otherwise prosaic stories, such as one scene where Marcovaldo sneezes away every flake of snow in a large area. Even if this could never happen in the real world, his lush, almost conversational writing makes it come alive and seem plausible.

Its simple stories keep it from being among Calvino's best, but "Marcovaldo: Or the Seasons In the City" is a charming, offbeat book that takes a slightly more cynical look at idealists.

37 of 43 people found the following review helpful.
thank you italio calvino
By A Customer
I read this book when I was very sad, and it gave me back the world.

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Mr. Palomar, whose name purposely evokes that of the famous telescope, is a seeker after knowledge, a visionary in a world sublime and ridiculous. Whether contemplating a cheese, a woman’s breasts, or a gorilla’s behavior, he brings us a vision of a world familiar by consensus, fragmented by the burden of individual perception. Translated by William Weaver. A Helen and Kurt Wolff Book

• Sales Rank: #405211 in Books
• Published on: 1986-09-22
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .36" w x 5.25" l, .32 pounds
• Binding: Paperback
• 144 pages

Review
'Here, Calvino, probably Italy's leading novelist before he died, focuses a probing eye on one man's attempt to name the parts of his universe, almost as though Mr Palomar were trying to define and explain his own existence. Where the Palomar telescope points out into space, Mr Palomar points in: walking the beach, visiting the zoo, strolling in his garden. Each brief chapter reads like an exploded haiku, with Mr Palomar reading an universe into the proverbial grain of sand' (Time Out)

Language Notes
Text: English, Italian (translation)

About the Author
ITALO CALVINO (1923–1985) attained worldwide renown as one of the twentieth century's greatest storytellers. Born in Cuba, he was raised in San Remo, Italy, and later lived in Turin, Paris, Rome, and elsewhere. Among his many works are Invisible Cities, If on a winter's night a traveler, The Baron in the Trees, and other novels, as well as numerous collections of fiction, folktales, criticism, and essays. His works have been translated into dozens of languages.

Most helpful customer reviews

58 of 60 people found the following review helpful.
Beauty, Humor, Wit and Pathos
By Paul Pomeroy
Italo Calvino's book, "Mr. Palomar," is a superbly crafted novel about an intellectual quest for order and reason in a chaotic and unreasonable world. Should this sound like rather dry and uninteresting reading, be assured that it is not. Calvino is a great story teller, and in Mr. Palomar he has found a character that provides him with a medium, a vehicle, to deliver stories of great beauty, humor, wit and pathos.
In books about the theories of complexity and chaos there is usually a chapter dedicated to the task of explaining that it is only in the boundary between order and chaos that all of the really interesting things are possible, including life. Mr. Palomar's mistake is in thinking that things would be better (or, at least he'd be less anxious) if he could just figure out how to get everything to calmly step over to the "ordered" side of the line. He is the twentieth century's Don Quixote, not on a romantic quest but an intellectual one; not fighting off the advancing windmills (that battle has already been lost), but desperately trying to reason his way into a moment of Zen-like clarity and peace.
It may seem that Mr. Palomar brings to his task of putting the world in order a formidable intellect. He is, indeed, very bright and often brilliant. But Calvino implies early and often that Mr. Palomar doesn't so much possess an intellect as he is possessed by one. Mr. Palomar may have the illusion that he brings his intellect to bear on one thing or another but, in truth, his intellect has its own agenda and Mr. Palomar is simply along for the ride.
It is Mr. Palomar's inability to escape his own intellect that produces both the funniest and saddest moments in the book. The chapter entitled "The Naked Bosom" reads like the misadventures of a philosophical "Mr. Bean." In it, Mr. Palomar is walking along the beach when he spots a young lady sunning herself topless. His initial experience quickly gives way to his trying to deliver a reasonable (a perfectly reasoned) response. Should he look away? Glance? Look for a moment with casual interest? More than casual interest? What is the correct response, free of cultural conditioning? Is his cultural upbringing out of date? As he passes by, he realizes that his thinking wasn't quite right, his response not quite perfect, so he turns around and tries it again ...
By the 4th pass, when he finally thinks he's got it right, the young woman has had enough, covers herself up, grabs her things and storms off. Mr. Palomar's reaction to the young woman's leaving in a "huff" is, as always, intellectually reasonable. He feels insulted that his efforts were not understood and he blames this, implicitly, on her failure to throw off the "dead weight of an intolerant tradition."
Calvino knew that what he was writing would be perceived not only at an intellectual level but also as humor and he crafts his story in a way that pays tribute to both, much as a great composer will intertwine melody and harmony. But he never wants us to forget that these melodies and harmonies are parts of a larger, more subtle theme: Mr. Palomar is imprisoned by a terrible irony: the only thing preventing him from experiencing the moment of clarity and beauty he is so desperate for is the overpowering intellect he is trying to find it with.
Mr. Palomar has far too much reason for the task and absolutely no sense. He can think, but he can't connect. This is why he has absolutely no idea how the young woman on the beach may have perceived him. Worse, he has no idea that she was anything other than a stage prop and audience for his quest for an "enlightened" response. Worse still, for him, he has no idea that he has no idea.
Contrary to what many critics have said of "Mr. Palomar," Calvino is not praising or even paying tribute to intellect or the powers of intellectual (and scientific) observation. His point is that having reason without sense (order without due respect for the messy, chaotic connections that life and living require) is an inescapable trap. In the end, Mr. Palomar's intellect is like a black hole. He begins quite pleased to find that everything comes to mind easily, and then discovers that nothing seems to be getting back out anymore. Then he spirals into himself trying to find some sense of who he is, some place from which to take a stand, but he ends up like a singularity. And then, in an instant, he is nothing at all.
Mr. Calvino makes his point in a way that is never didactic. He makes it in small, often subtle and frequently entertaining steps. If you accompany him along the way, he'll show you ocean waves, turtles, geckos, iguanas and weeds in the front lawn in ways you've never seen before. He'll do the same with goose fat, roof tops and, in another "Mr. Bean" moment, the stars. He'll have Mr. Palomar and an albino gorilla perform a duet for you, and perform a masterpiece in four-part harmony (played staccato, no less) with two birds and a married couple.
This book is without a doubt an intellectual treat, full of profound and deep observations. What makes it a book worthy of a 5 star rating, though, is that it is equally profound in ways our intellects can never fathom.

24 of 24 people found the following review helpful.
"We don't know what they mean..."
By ewomack
Here is another great example of how versatile a writer Italo Calvino was. His work always had a philosophical side to it, and in Mr. Palomar that side almost takes over completely.
Mr. Palomar is the main character (in fact, one of the only characters) and the world simply befuddles him to an extent that he needs to find order and meaning in everything. His attempts are often very funny, but how they're all inevitably spoilt is even funnier. Probably the best example of this is the section entitled "The Naked Bosom" - Palomar tries to find a way to both not deny himself the natural pleasure of seeing a topless sunbather and not denying the naked sunbather digity and respect. His attempts cause him to pass by the sunbather so frequently that she gets up in a huff. Good intentions, bad implementation. The book circles around similar themes, but within many different contexts. Palomar looks at waves, rhapsodizes on mating turtles, examines the night sky, examines the patrons of a cheese shop, etc. Mr. Palomar is always in natural and real-life situations, but over-analyzing them to a degree almost of unreality. Though it sometimes reads like a very heady, and bordering on the pretentious, book, it's actually a very funny book about trying to find meaning in life, and the inevitable problems one will likely have in finding meaning all by oneself. It almost reads like a parody of intellectualism; of someone so thirsting for knowledge that they forget their very surroundings and paradoxically neglect themselves and others in the process. The more Palomar examines the world, the less he feels comfortable in it, and the further he seems to drift from people and society. By the end of the book, Palomar is in pretty bad shape in this regard, and the book's final sentence will either stun you or make you laugh very hard. Yes, there is a story (and arguably a plot) it's just told very unconventionally.
Some of the standout sections are "The Naked Bosom" (mentioned earlier, about the sunbather), "Marble and Blood" (about hidden guilt in a butcher's shop), and "Serpents and Skulls" (about interpreting ancient meanings). All of these are at once funny and profound. Through Palomar's search the reader gets a peek at some of the great questions and some controversial issues. How one deals with these questions and issues is something every reflective, for those fortunate enough to have time and resources for reflection, human being must wrestle with. In the end the book asks a big question: "How to deal with all of this?" It is doubtful that Mr. Palomar provides a good example, but it is entertaining to follow his steps through the maze of existence's puzzles.
The table of contents of this book are not where one would expect. They have been put to the back of the book as an index, and coded thematically and experientially. The index explains the structure of the book. I can't say I've seen this approach elsewhere, but it makes me wonder if Palomar is responsible for them - is the index part of the parody?
Palomar is experimental, funny, profound, unconventional, and at last entertaining and challenging to read. This pretty much sums up all of Calvino's books. He never settled on one approach or one style for too long. One never knows what they're going to get when one picks up a book by Calvino.

14 of 14 people found the following review helpful.
When Aristotle Met James Thurber
By James Gollin
The 27 reveries of Mr. Palomar are filled with paradox; in them we find gently profound ruminations on the cosmos as well as the embarrassments of ordinary human interaction. This is a book that makes us see the world around us in a different way.

Mr. Palomar, who shares the name of the observatory, is the emblem of the person as observer. Whether it is the ocean or the heavens, a cheese shop or an Aztec ruin, Mr. Palomar attempts to see and to comprehend what he sees. But the general theme of his attempts at observations is ultimately the failure, or at least the inadequacy, of his attempts.

Much of the book has an Aristotelian quality, which perhaps is not so surprising, considering that Mr. Palomar's enterprise, the attempt to understand the universe through careful observation, is Aristotle's approach at well. Much of the contemplation follows Aristotelian lines. Mr. Palomar is often immersed in Aristotelian efforts of categorization, of conceptually separating a part from the whole, and facing the question that looms so large in Aristotle: When can we derive the properties of the whole from the part, and when is the opposite true? Then again, the reader is reminded of Aristotle's "Parts of Animals" when Mr. Palomar describes the running giraffes and how each part of the giraffe's anatomy appears to be suited to a separate species, or when Mr. Palomar watches through his skylight as a gecko captures, ingests, and digests an insect.

But counterpoised with this, you have genuine "Walter Mitty" type moments when the real world interrupts the reverie. Mr. Palomar, waiting in a line in a cheese shop, is inspired by the actual cheeses he sees to construct a model world of cheese, and becomes so absorbed in this enterprise, that he at some point crosses over and mentally inhabits the model world. As in Thurber, the humor derives from the person who inhabits the imagined world having to deal with the sudden demands of the actual cheese shop.

One thing I recommend to a reader is, in reading through the sections (I guess one can refer to them as essays), to consider what causes Mr. Palomar to break off the contemplation. Sometimes, it is the intervention of the outside world. Sometimes it is that Mr. Palomar is overcome by a sort of vertigo at the immensity of space or time. Sometimes, Mr. Palomar hits upon a dualism, yes, we can view the object in such and such a way, but equally well in another way, and is unable to move beyond that point. By tracking these closing moments, one can best come to terms with Mr. Palomar's experience of failure.

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I don't know if people will ever be able to talk to animals the way Doctor Doolittle could, or whether animals will be able to talk back. Maybe science will have something to say about that. But I do know people can learn to "talk" to animals, and to hear what animals have to say, better than they do now. --From Animals in Translation

Why would a cow lick a tractor? Why are collies getting dumber? Why do dolphins sometimes kill for fun? How can a parrot learn to spell? How did wolves teach man to evolve? Temple Grandin draws upon a long, distinguished career as an animal scientist and her own experiences with autism to deliver an extraordinary message about how animals act, think, and feel. She has a perspective like that of no other expert in the field, which allows her to offer unparalleled observations and groundbreaking ideas.

People with autism can often think the way animals think, putting them in the perfect position to translate "animal talk." Grandin is a faithful guide into their world, exploring animal pain, fear, aggression, love, friendship, communication, learning, and, yes, even animal genius. The sweep of Animals in Translation is immense and will forever change the way we think about animals.


*includes a Behavior and Training Troubleshooting Guide
 
Among its provocative ideas, the book:
argues that language is not a requirement for consciousness--and that animals do have consciousness applies the autism theory of "hyper-specificity" to animals, showing that animals and autistic people are so sensitive to detail that they "can't see the forest for the trees"--a talent as well as a "deficit" explores the "interpreter" in the normal human brain that filters out detail, leaving people blind to much of the reality that surrounds them--a reality animals and autistic people see, sometimes all too clearlyexplains how animals have "superhuman" skills: animals have animal geniuscompares animals to autistic savants, declaring that animals may in fact be autistic savants, with special forms of genius that normal people do not possess and sometimes cannot even see examines how humans and animals use their emotions to think, to decide, and even to predict the future reveals the remarkable abilities of handicapped people and animals maintains that the single worst thing you can do to an animal is to make it feel afraid

• Sales Rank: #66598 in Books
• Brand: Harcourt
• Published on: 2006-01-02
• Released on: 2006-01-02
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .92" w x 5.31" l, .79 pounds
• Binding: Paperback
• 358 pages

Features

• Great product!

From Publishers Weekly
Starred Review. Philosophers and scientists have long wondered what goes on in the minds of animals, and this fascinating study gives a wealth of illuminating insights into that mystery. Grandin, an animal behavior expert specializing in the design of humane slaughter systems, is autistic, and she contends that animals resemble autistic people in that they think visually rather than linguistically and perceive the world as a jumble of mesmerizing details rather than a coherent whole. Animals—cows, say, on their way through a chute—are thus easily spooked by novelties that humans see as trivialities, such as high-pitched noises, drafts and dangling clothes. Other animals accomplish feats of obsessive concentration; squirrels really do remember where each acorn is buried. The portrait she paints of the mammalian mind is both alien and familiar; she shows that beasts are capable of sadistic cruelty, remorse, superstition and surprising discernment (in one experiment, pigeons were taught to distinguish between early period Picasso and Monet). Grandin (Thinking in Pictures) and Johnson (coauthor of Shadow Syndromes) deploy a simple, lucid style to synthesize a vast amount of research in neurology, cognitive psychology and evolutionary biology, supplementing it with Grandin's firsthand observations of animal behavior and her own experiences with autism, engaging anecdotes about how animals interact with each other and their masters, and tips on how to pick and train house pets. The result is a lively and absorbing look at the world from animals' point of view.
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From Scientific American
Temple Grandin has been known to crawl through slaughterhouses to get a sense of what the animals there are experiencing. An autistic woman who as a child was recommended for institutionalization, Grandin has managed not only to enter society’s mainstream but ultimately to become prominent in animal research. An associate professor at Colorado State University, she designs facilities used worldwide for humane handling of livestock. She also invented a "hug machine" (based on a cattle-holding chute) that calms autistic children. In Animals in Translation, co-authored with science writer Catherine Johnson, Grandin makes an intriguing argument that, psychologically, animals and autistic people have a great deal in common—and that both have mental abilities typically underestimated by normal people. The book is a valuable, if speculative, contribution to the discussion of both autism and animal intelligence, two subjects on which there is little scientific consensus. Autistics, in Grandin’s view, represent a "way station" between average people, with all their verbal and conceptual abilities, and animals. In touring animal facilities, Grandin often spots details—a rattling chain, say, or a fluttering piece of cloth—that disturb the animals but have been overlooked by the people in charge. She also draws on psychological studies to show how oblivious humans can be to their surroundings. Ordinary humans seem to be less detail-oriented than animals and autistics. Grandin argues that animals have formidable cognitive capabilities, albeit specialized ones, whereas humans are cognitive generalists. Dogs are smell experts, birds are migration specialists, and so on. In her view, some animals have a form of genius—much as autistic savants can perform feats of memory and calculation far beyond the abilities of average people. Some dogs, for example, can predict when their owner is about to have a seizure. Delving into animal emotion, aggression and suffering, Grandin gives tips that may be useful for caretakers of pets and farm animals. She also notes that humans seem to need, and thrive on, the proximity of animals. Indeed, she states provocatively, in the process of becoming human we gave up something primal, and being around animals helps us get a measure of that back.

Kenneth Silber

From Bookmarks Magazine
Grandin, a professor of animal science at Colorado State University, debunked common assumptions about autism in Thinking in Pictures (1995). In her latest book, she sheds new light on animal behavior. Comparing an autistic person’s frontal lobes (which can receive mixed messages from the brain) to animals’ less developed ones, Grandin argues that autism can help us understand animals’ more defined actions. She offers funny, thought-provoking insights into their conduct—Mozart’s pet starling inspired his music; some dogs sense people’s oncoming seizures. A thoughtful, concluding "troubleshooting" guide to animal behavior contains useful advice. A few poorly edited, repetitive chapters, not to mention the controversial brain research cited, irked some critics. Overall, however, readers will leave Animals with greater understanding of why Fluffy feels—and acts—the way he does.

Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

237 of 249 people found the following review helpful.
Fascinating and delightful read
By bookarts
I savored every moment of reading this book. Grandin has an enthusiasm for her subject that she combines with endless quantities of fascinating research and observations about animals. The book isn't exactly what I expected - I thought it would focus more on her own interactions with animals. However, because the book is so engagingly written and the information is so interesting, the difference between what I expected and what I got didn't diminish my enjoyment in the least.

Grandin does a much better job of making the scientific information more interesting and less dry than in her previous book, Thinking in Pictures, which contained long passages about medications that could be used to treat autistic people. I found that book to be much more uneven. Animals in Translation, however, held on to my attention from the first page to the last. While she also includes a generous amount of scientific information in this book, it is all so interesting and sometimes surprising, that I was never bored. If you have pets or are simply interested in animals and/or biology, this is a must-read.

124 of 136 people found the following review helpful.
2 1/2 stars, because it is half a good book
By citywulf
When the author focuses on what she knows - autism, neurobiology, and domestic livestock - this book offers many insights. By applying some excellent existing research in neurobiology about what animals are truly capable of perceiving and feeling (read some of the referenced books for confirmation of emotions in animals) and applying her own experiences with domestic livestock and insights founded in her autism (a much more visual world than "normal" people (her word, not mine)), Dr. Grandin shows how a more visual, detail-oriented animal encounters the world.

Sadly, Dr. Grandin - perhaps wanting to appeal to a wider audience - tries also to include predator species such as our companion dogs and cats in her book. Her lack of direct experience with predator species is palpable in everything she writes about them. Her data sources are extremely outdated(Monks of New Skete, anyone?) and her own discussions are highly anecdotal ("my neighbor's dog..." "my childhood cat..."). Her word choices reveal her discomfort with the subject matter (much use of terms such as "probably" "pretty much" "nobody knows why"). Nor does she make any effort to validate her suppositions. Her "Troubleshooting" chapter should be avoided like the plague (recommending a shock collar for chasing behavior can create aggression, as the dog learns to associate the chase object with pain).

If you read this book, take it with a grain of salt and by no means use it as your only reference. Her own references are excellent and can be used for further study. Also, for those interested primarily in dogs, Patricia McConnell has an exceptional new book, For the Love of a Dog, that is grounded in more recent data and a lifetime of working with dogs.

128 of 150 people found the following review helpful.
A novel look at animal behavior, but with room for improvement.
By Monika
What author Temple Grandin has attempted to do here is to use her own experiences as an autistic person to gain insight into the way animals perceive and react to the world around them. She explains that autism seems to impair the ability of the neocortex, or frontal lobes of the brain, to obtain and process information, and that animals likewise have less well-developed frontal lobes than normal humans do. Her theory is that the impairment of an autistic person's brain, in essence, makes them far closer to other animals than to non-autistic humans in how they view the world. As a result, Grandin has largely been able to help people better relate to their pets, and also to design more humane slaughterhouse equipment and more effective auditing procedures for slaughter facilities.

The book starts off well, with Grandin offering many insights that show that, in some ways, she really does have a better understanding of animal perception and thought than "normal" humans. Her principle examples revolve around the fact that animals, like autistic people, are detail-oriented. Their inability to generalize and see the "big picture" often leads to fixations on small things that the average person would not notice. Grandin illustrates this with stories from her inspections of meat plants, where something as simple as an abrupt change in lighting, or a reflection on a puddle - things which have entirely escaped the plant operators' notice - have been causing cattle to balk and refuse to go where they are being directed. She goes on to explain exactly why these details, which don't seem like much of a reason to be afraid, are so disturbing to the animals. Her observations, while not things that would immediately jump out at most people, make a lot of sense once she has explained them. Grandin also includes a useful checklist of things to look for when trying to determine what may be frightening an animal.

However, there are also some not-so-positive aspects to the book. In many places Grandin deviates from her theme of using autism to understand animals, and starts making speculations that not only have no connection to autism, but which seem to have little to back them up at all beyond the author's own opinions. She uses phrases like "statistics have shown" but then fails to elaborate on these supposedly evidential statistics, giving no information on who collected the information, when the study was done, or how large of a sample was used. This particularly comes into play when she discusses pit bulls - a topic she turns to repeatedly throughout the book. Grandin makes no attempt to hide her great distaste for pit bulls (she does not specify whether she is referring to American Pit Bull Terriers in particular, or all of the various breeds that fall under the generic "pit bull" label) and also Rottweilers, German Shepherds, and Chows.

In addition, Grandin puts forth some opinions on dog training that range from strange to absurd. Two things in particular caught my attention. First, she strongly advocates the outdated "alpha" theory for establishing dominance over one's dog. And secondly, I found myself greatly puzzled when she posed her theory that leash laws result in undersocialized dogs. She goes on to reminisce about how, when she was a child, dogs in her neighborhood were allowed to roam free, and that there were rarely any fights. Perhaps this was the case in her neighborhood, but in most places allowing one's dogs to roam free without supervision poses many risks. And leash laws in no way prevent a dog from being well socialized - they just require that a dog owner take an active role in introducing their pets to other animals and humans.

Finally, I was slightly dismayed with Grandin's writing style itself, though I'm not sure whether this is just a lack of writing skill, or a by-product of her autism. Grandin is obviously well-educated and experienced, but the text felt more like a junior high research report with a lot of scientific words thrown in. She often uses the same phrases repetitively, and also uses juvenalized terms for some things. However, the author does admit that written language does not come naturally to her, and that she often draws on a collection of "stock phrases" to communicate, which is what makes me wonder if this aspect of the writing is actually due to the nature of her autism. However, she also makes the mistake of repeatedly using terms like "I believe" or "my opinion is" when putting forth her theories. While these theories obviously ARE her ideas, making statements of the "I think" variety in scientific writing makes the arguments sound weaker, especially when she fails to back up her claims with research or other evidence. Many times she simply concludes an argument with the statement "and I can prove it!" but then fails to go on to give actual proof.

On the whole, the book is a bit of a mixed bag. Though my previous three paragraphs focused on things I found disappointing, I do not mean to give the impression that Grandin's work is all bad. It's certainly not. She does have a lot of good insights, and when she backs up her assertions with specific evidence, her ideas are quite fascinating. I particularly enjoyed the beginning of the book, where she explains the differences in detail-perception between animals, autistic people, and non-autistic people, and also the sections devoted to animal language / communication, and the co-evolution of dogs and humans. In the end I would probably still recommend Grandin's book to readers, with the provision that one should take a slightly hesitant approach in deciding which of her arguments should be readily accepted, and which need further proof.

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^^ PDF Ebook The Great Stink, by Clare Clark

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Clare Clark’s critically acclaimed The Great Stink “reeks of talent” (The Washington Post Book World) as it vividly brings to life the dark and mysterious underworld of Victorian London. Set in 1855, it tells the story of William May, an engineer who has returned home to London from the horrors of the Crimean War. When he secures a job trans­forming the city’s sewer system, he believes that he will be able to find salvation in the subterranean world beneath the city. But the peace of the tunnels is shattered by a murder, and William is implicated as the killer. Could he truly have committed the crime? How will he bring the truth above-ground?  With richly atmospheric prose, The Great Stink combines fact and fiction to transport readers into London’s putrid past, and marks the debut of a remarkably talented writer in the tradition of the very best historical novelists.

• Sales Rank: #975385 in Books
• Published on: 2006-10-02
• Released on: 2006-10-02
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .93" w x 5.25" l, .74 pounds
• Binding: Paperback
• 372 pages

Features

• CORRUPTION IN VICTORIAN LONDON

Amazon.com Review
It takes a world of confidence to name your debut novel The Great Stink, and to set it in a sewer. Not even a modern sewer--charmless though that may be--but the crumbling, cholera-laden, rat-infested, fungus-rich sewers of London in the mid-Victorian period, from which pockets of deadly gas frequently burbled to the surface. Clare Clark's unsavory but completely absorbing first novel is a Dantean tour of this reeking underworld and its denizens: both the scavengers--human and animal--and the reformers, who brave the tunnels in the service of public hygiene and social progress after the 1858 Act of Parliament that called for the rebuilding of the sewer system.

The Great Stink juxtaposes two darknesses, both embodied in the filthy tunnels: the lawless desperation of the very poor, and the despair of madness. One of the junior engineers most useful in mapping the existing sewer is William May, a studious, methodical veteran of the Crimean War who manages to conceal from everyone but his wife the horrors he brought out of battle with him. The tunnels don't frighten William; they provide isolation and silence for the bloody rites that keep the Mr. Hyde in him at bay. It seems only a matter of time before William's self-destruction turns outward. Long Arm Tom, his counterpart among the poor, is a "tosher." He enters the tunnels illegally, scraping the sludge for coins or other booty, and trapping hundreds of rats for fighting against dogs at local taverns (all the rage for sporting gentlemen since dog fights have been outlawed). Kindness is a liability in Tom's world, but two acts of pity--one toward a dog, and one, more grudgingly, toward William--provide the resistance that changes the course of this otherwise relentlessly dire story.

The very weak-stomached may need a cup of mint tea or a bowl of potpourri beside them as they wade through the sewer with Tom and William. Clark has spared readers none of the stink, nor the sharp pleasures of suspense. --­Regina Marler

From Publishers Weekly
Starred Review. Dickens fans should devour British author Clark's debut novel, a gripping and richly atmospheric glimpse into the literal underworld of Victorian England—the labyrinthine London sewer system. When the "great stink" of the title—the product of an oppressive heat wave combined with putrid sewage overflow—threatens to shut down the British capital in 1855, the politicians agree to fund massive repairs. That immense public works project is a natural magnet for the corrupt, and engineer William May, a psychologically scarred Crimean War veteran, soon finds his ethics challenged. When he courageously decides not to rubber-stamp the use of inferior brick, he puts his life, his sanity and his family at risk. May's vague recollection of a murder he may have witnessed in the depths of the sewer system results in his becoming the prime suspect and being incarcerated in an asylum. That the mystery's eventual resolution depends a bit too much on a deus ex machina in no way detracts from Clark's considerable achievement in bringing her chosen slice of Victoriana to life. She shows every evidence of being a gifted and sensitive writer in the same league as such historical novelists as Charles Palliser.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
The critical establishment is awash in second-grade (and second-rate) puns! Maybe they just can’t help themselves; in The Great Stink, her debut novel, Clark turns the London sewer system into a character that is as engaging as her humans. The book wears its influences (can we hear another Dickensian?!) and research (Clark is a former history student) on its sleeve. The result, despite a largely predictable plot, pleases the balance of reviewers, most of whom see a lot of promise in Clark. And give the young author credit: there is bravery in a first-time novelist setting her work in a sewer. Imagine the puns the critics would have emerged with if the book had really stunk.

Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

42 of 45 people found the following review helpful.
"London, the largest metropolis in the world, was poisoning itself."
By Luan Gaines
William Henry May, mapmaker and surveyor, joins England's battle against the Russians in the Crimean War, but is wounded and consigned to a filthy hospital ship, where he languishes almost unto death. Given to unaccountable rages and despair, May never imagines he will survive to be recalled to London. He has frozen into uncaring acceptance of his predicament, but recovers the will to live, the raw emotion so painful that he begins to cut himself, the self-mutilation a relief for his overburdened mental state.

When May is hired in the rebuilding project of the London sewers, a huge and expensive undertaking, his prospects have changed radically for the better. Married, with one son and a baby on the way, William is a changed man, but still tormented by nightmares, unhinged by his experiences in the war. William, nicknamed "The Sultan of the Sewers", continues to disintegrate in this dark hell, where his psyche finds peace only in cutting, his wife purposefully oblivious to her husband's suffering. This is the landscape of 1880's London, with little opportunity for advancement, men desperate to carve out a niche that will keep their families from starvation.

As gruesome and as poverty riddled as any Dickensian tale, this novel exposes the indigenous city poverty, personified by the denizens of the sewers, those who make a scant living collecting the mud-encrusted detritus of others. Vast numbers of poor people create income from the even the filthiest refuse, bought and sold for profit. The great rotting underground sewers are a metaphor for the class distinctions that leave the destitute to wallow in the most extreme conditions, soothed by cheap gin, while the Fancy, the rich, indulge in betting to alleviate their boredom, visiting the slums for sport. Even the bureaucracy is corrupt, the sewer project approved, while the funds are withheld by a bickering Parliament.

As the project progresses, the sewers become less navigable, the flushers left to ever more ingenious ways in and out. Under the threat of exposure, agents supplying bricks attempt to force May to accept substandard materials, especially Alfred England, whose bricks have been contracted by May's superior. The stress of constant threats to his family should he not agree to the illegal contracts drive May deeper into the chaos of his own mind, thoughts of death and war merging with everyday reality. Indeed, in the face of murder, who better to blame than the insane, self-mutilating William May?

With remarkable detail that requires a strong constitution, the author reveals the complex underpinnings of city management and graft. In a complex blend of murder, greed and madness, the London bureaucracy ripe for plundering by privateers, the protagonist becomes the unwitting victim of greedy villains. In this unhealthy mix, all are caught in the rude stew of city waste, men with their own personal demons and small enjoyments. Not an easy book to read, with its unflinching detail, The Great Stink is a timely reminder of the skeleton that must be maintained, a framework for civilization, where opportunity offers freedom from a life of discontent and distorted appetites. Luan Gaines/2005

26 of 29 people found the following review helpful.
DARK DARK book....that will remind you of Dickens.
By sb-lynn
I am giving this book 5 stars, because I found the story and the history of the London sewers so fascinating. I appreciate wonderful fiction that educates me as well as entertains.

Summary, no spoilers:

The is the story of William May, a soldier from the Crimean War.

May has been psychologically damaged from that war, and the horrible treatment he received at the hospital afterwards.

He is married to a very sweet, optimistic woman, but it's is hard for her to keep her mental and emotional balance with someone as severely disturbed and depressed as William.

William, back from the war, is now a surveyor who is assigned the task of helping to redo the decrepit sewer system under the streets of London.

The story features the sights (and SMELLS!) of this amazing underground world, and the book features assorted sundry characters and a murder to boot.

I guarantee you will learn a lot reading this book. And if you are like me, you will find the first 4/5 so depressing, that you may want to consider a Prozac drip.

Saying that, when I was done with the book I was glad I had read it.

I applaud the effort and research that went into this book.

It is not a fast read, but a worthwhile one.

17 of 18 people found the following review helpful.
Clark gives Dickens a run for his money!
By Dave Schwinghammer
There's no doubt Clare Clark modeled THE GREAT STINK after Dickens. Readers will be surprised at how well she succeeded.

Clark's acknowledgments tell us quite a bit about how she planned her novel and where she got the title. One of her sources was THE GREAT STINK OF LONDON by Stephen Halliday about the great engineer Joseph Bazalgette's attempt to completely overhaul the sewers of London. Another, Marilee Strong's study of self-injury, A BRIGHT RED SCREAM, provided motivation for one of the novel's main characters, William May. A primary source, LONDON LABOUR AND THE LONDON POOR, gave credibility to her other main character, Long Arm Tom.

The story starts when a Russian soldier bayonets William May during the Crimean War. Robert Rawlinson, who was in charge of sanitary reforms during the war, took an interest in May and helped get him a job as a surveyor working on the Bazalgette's sewer project. The problem was that May was suffering from what sounds like battle fatigue or clinical depression. He began to cut himself to drive away the dark moods, and he used the sewers to do it. Despite his affliction, William May is a highly principled young man, and when a senior engineer solicits a bribe from one of the brick makers, May refuses to go along. The senior engineer sets out to ruin him.

Clark shifts back and forth between May's dilemma and that of Long Arm Tom whose vocation will definitely remind you of Dickens. Long Arm Tom is a rat catcher. He sells them for a penny a piece to gin joints where "Fancies" bet on how many rats a ratter (a dog) can kill in two minutes. Tom adopts one of these ratters when her owner dies. She's one of the best ratters in the history of the sport. The fact that Tom makes a living in the sewer provides a tie to William May. Another Dickens character is the lawyer who takes William May's case when he is arrested for murder. Watch what she does with this guy's hands; she learned from the master.

The scatological descriptions and the emphasis on cutting will bother some, but if you can get past this, this is a really entertaining read. You're never quite sure if William May will make it. Long Arm Tom and his dog Lady add a certain amount of warmth to a sometimes brutal novel.

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