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Sabtu, 03 Oktober 2015

@ Free PDF The Collected Essays, Journalism And Letters Of George Orwell, Volume 4 1945-1950, by George Orwell

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The Collected Essays, Journalism And Letters Of George Orwell, Volume 4 1945-1950, by George Orwell

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A record of a great writer's nonfiction work and an evolving picture of the last years of his life, during the time when he published Animal Farm and 1984. "A magnificent tribute to the probity, consistency and insight of Orwell's topical writings....A remarkable self-portrait" (Alfred Kazin, Book World). Edited by Sonia Orwell and Ian Angus; Index.

Sales Rank: #1510427 in Books
Published on: 1971-09-29
Original language: English
Number of items: 1
Dimensions: 8.50" h x 1.44" w x 5.50" l, 1.55 pounds
Binding: Paperback
576 pages

Features

ISBN13: 9780156186230
Condition: New
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Amazon.com Review
The years spanned by this collection--1945-1950--were monumental ones for George Orwell, years in which his literary reputation and his bank account grew in tandem, thanks to the publication of Animal Farm and 1984. The realignments brought about by the end of World War II and Orwell's increasingly virulent anti-Stalinism provided ample fodder for the political journalist. Regular columns in British papers and frequent contributions to such American journals as the Partisan Review exercised the literary critic, the essayist, and the commentator on popular culture. Even while grieving for his first wife, caring for his adopted toddler son, bedridden by the lung ailments that killed him early in 1950, Orwell was still regularly producing four pieces every week. Increasingly, his social life took place by mail.

The brave, wistful letters Orwell wrote to personal friends and professional colleagues in his last year show him trying to imagine a future even as he put his affairs in order. On 11 May 1949, he closed one to fellow novelist Anthony Powell: "It looks as if I may have to spend the rest of my life, if not actually in bed, at any rate at the bath-chair level. I could stand that for say 5 years if only I could work. At present I can do nothing, not even a book review. Please give everyone my love."

The essays in this collection include such keepers as "Such, Such Were the Joys," a long, harrowing memoir of Orwell's days at a British prep school; "Politics and the English Language," which examines the symbiosis of what it is possible to say in words and what it is possible to think; "How the Poor Die," a chilling piece of social reporting; and "Good Bad Books," in which he opines, "The fact that one can be amused or excited or even moved by a book that one's intellect simply refuses to take seriously is a reminder that art is not the same thing as cerebration."

Bringing together the public utterances and the private correspondence of a writer at the top of his game and the end of his life, this volume is worth reading for the individual pieces, some of Orwell's finest, as well as for the portrait it yields of a highly intelligent and principled man doing his best to play the hand fate dealt him with integrity and grace. --Joyce Thompson

About the Author
GEORGE ORWELL (1903–1950) was born in India and served with the Imperial Police in Burma before joining the Republican Army in the Spanish Civil War. Orwell was the author of six novels as well as numerous essays and nonfiction works.

Most helpful customer reviews

3 of 3 people found the following review helpful.
The authoritative and exhaustive collection.
By A Customer
If you're planning to do any serious research on George Orwell, this collection is an absolute necessity. Rare clips and literary bursts allow the most complete picture of this literary giant you could dream of. Don't call yourself an Orwell critic without having read all four fat volumes. Really.

7 of 9 people found the following review helpful.
Better than the Orwell reader book
By S J. West
Gives you an idea of his politics, reviews and the presures of an reviewer of both US and GB published titles 5 years prior to his death. Letters, reviews, and timescale which give an idea of the authors concerns, rather than what a biographer interpets it to be be.
Revealing for those who have read most of Orwells output.

1 of 1 people found the following review helpful.
For Orwell Fans
By Amazon Customer
I'm not sure how to review George Orwell's fugitive pieces. He's one of my favorite writers, not necessarily for political reasons but because of his gumption and the clarity of his prose. On the other hand, few general readers will be interested in the specifics of what he discusses -- ideas, books and events that were topical even at the time, and that are forgotten now by all except those with a special interest in the topics. Personally, I've read and reread this four-volume collection many times since it was published. But that's me.

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Kamis, 01 Oktober 2015

@ PDF Download The Baron In The Trees, by Italo Calvino

PDF Download The Baron In The Trees, by Italo Calvino

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The Baron In The Trees, by Italo Calvino

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Cosimo, a young eighteenth-century Italian nobleman, rebels by climbing into the trees to remain there for the rest of his life. He adapts efficiently to an arboreal existence and even has love affairs. Translated by Archibald Colquhoun.

Sales Rank: #32313 in Books
Published on: 1977-03-28
Released on: 1977-03-28
Original language: English
Number of items: 1
Dimensions: 8.00" h x .60" w x 5.31" l, .47 pounds
Binding: Paperback
224 pages

Language Notes
Text: English, Italian (translation)

About the Author
ITALO CALVINO’s superb storytelling gifts earned him international renown and a reputation as “one of the world's best fabulists” (New York Times Book Review). He is the author of numerous works of fiction, as well as essays, criticism, and literary anthologies. Born in Cuba in 1923, Calvino was raised in Italy, where he lived most of his life. At the time of his death, in Siena in 1985, he was the most translated contemporary Italian writer.

Most helpful customer reviews

47 of 47 people found the following review helpful.
A kingdom among the foliage
By A.J.
Like most of Italo Calvino's fiction, "The Baron in the Trees" is pure enchantment that charms the reader into an alternate reality with the warmth of subtle humor and the pioneering spirit, similar to Borges's, that desires to explore fascinating new literary territory within the context of world history. In this novel, set in Italy in the late eighteenth century, Calvino tells the story of a young baron named Cosimo Piovasco di Rondo who lives with his eccentric family in a villa on the edge of the town of Ombrosa. One day when he is twelve years old, after an argument with his parents (about having to eat snails), he runs out to the garden and climbs an oak, declaring that he will spend the rest of his life in the trees and vowing never to set foot on the earth again.

Like an arboreal Robinson Crusoe who has chosen his fate, Cosimo determines to make his living in the contiguous group of trees that link his family's garden with those of his neighbors and the forests beyond the town. He travels between trees by climbing and jumping from branch to branch, becoming as nimble and elusive as a squirrel, while he trains himself to survive by hunting wild animals for food and clothing and building a flume to draw drinking water from a waterfall. Even in the trees he engages in activities normally reserved for people on the ground: He continues his formal education, befriends a dachshund that helps him hunt, supports a bumbling brigand's reading habit, and even has an adventure on a pirate ship without touching the deck.

Through his life in the trees, Cosimo becomes notorious throughout Europe and attains a reputation for madness that gradually turns into a strange sort of esteem. He converses with strangers, meets a group of Spanish exiles who also happen to be tree-dwellers, becomes a writer and natural scientist, and wins the hearts of many ladies who provide him with sexual gratification--in the branches, of course. Far from becoming a Rousseauian savage or a hermit, however, he remains quite civilized and gregarious; his palpable wisdom and curious residence ironically earn him more respect than he would get from the people if he were just a normal land-dwelling baron.

Calvino presents the story as a biography narrated by Cosimo's younger brother Biagio, who with affectionate patience describes in vivid detail every aspect of Cosimo's life and is quite hilarious in his explanations of their beleaguered father, militaristic mother, and gruesome, mischievous sister Battista, a "kind of stay-at-home nun." His efforts to explain Cosimo require him to delve into the mind of a political philosopher who aspires to be as influential as Machiavelli: When his father admonishes him that living in trees does not befit a nobleman, Cosimo replies that a true leader is someone who has ideas and communicates them to the people, not a man with an inherited title.

"The Baron in the Trees" may be read as a parable about withdrawing from reality and creating an isolated fantasy world in which to live free from the constraints of society as the ultimate expression of individuality, or as just a wonderful fable about a boy becoming a man on his own terms. One thing is sure: you'll never look at a tree the same way again.

51 of 54 people found the following review helpful.
Calvino at his best
By Kindle Customer
The Baron in the Trees is one of the most enchanting novels ever written. When the Baron decides to take up his arboreal existence, one cannot help but believe he is making the right decision. Calvino fleshes out the Baron into one of the most believable characters in literature. This is an amazing feat considering the farcical lifestyle the Baron decides to adopt. Calvino takes the opportunity to create a world at once steeped in history, philosophy and politics while at the same time illustrating the everyday existence and lives of those around him. The cat skin hat, the exiles in the trees, the Napoleonic troops all brought to life with amazing detail. Memory, love and history all combine and swirl throughout the story. While there is nothing exactly magical or out of this world about this book, it is one of the best examples of magical realism I have read. I could not put this book down. Stop reading this review and buy the book.

19 of 19 people found the following review helpful.
Life goes on in the trees...
By ewomack
Calvino never fails to mesmerize. His books suck you in and don't let go until the final word (and that final word always seems to include a touch of sadness that the novel is over). This is one of Calvino's earlier works, written in 1957, the same year he left the communist party (his reason is summed up in: "my decision to resign as a member of the party is founded on the fact that my discrepancies with those of the party have become an obstacle to whatever form of political participation I could undertake"). "The Baron in the Trees" does include some passages about disappointed political ideals (e.g., about the French Revolution), but the book touches on far too many topics to reduce it to a mere "political" novel.
The story begins, as the first line of the novel tells us, on the fifteenth of June, 1767. Cosimo Piovasco di Rondò is a member of a family whose father has sights on climbing the aristocratic ladder. In the very first chapter there is a family scuffle, during dinner, which results in Cosimo going into the trees and vowing never to come down ("And he kept his word" Cosimo's brother, who narrates the story, states). Cosimo then resigns himself to a life in the trees. After some initial mishaps (dealing with rain, bathing, food, etc), he proves himself very adaptable to living off the ground. Human adaptability seems to be at the back of the story (along with many other things); his family and town almost grow accustomed to Cosimo's darting amongst the branches. Cosimo even makes a name for himself "up in the trees" (Voltaire asks about him, and Napolean insists on meeting him). Of course the big question that comes from this action, in the very opening of the novel, is why did Cosimo go up into the trees? Why didn't he simply run away? One possible answer is that he wanted to make an example of himself. Living in the trees (especially in the 18th century) would likely make one into a spectacle. Running away wouldn't make as strong of a point, and would sever ties to his family which Cosimo does not want to do (this becomes more obvious as the novel moves on). And why does he stay in the trees? One possible answer is that which his brother gives to Voltaire: "My brother considers that anyone who wants to see the earth properly must keep himself at a necessary distance from it." Another possibility is, close to the novel's end, Cosimo is speaking with a Russian officer, who says, right after some members of his unit present him with the severed heads of some hussars, "You see.. War... For years now I've been dealing as best I can with a thing that in itself is appalling; war... and all this for ideals which I shall never, perhaps, be able to fully explain to myself..." Cosimo answers in like: "I too have lived many years for ideals which I would never be able to explain to myself; but I do something entirely good. I live on trees." Rambunctous and impetuous youth led Cosimo into the trees (he was only twelve when he took to the branches), but his ideals, once established, kept him there the rest of his life. All of us make descions in our youth that we either follow through with or abandon. Cosimo never abandoned his decision, for good or ill.
The novel reads like an adventure in places (e.g., when the feared, or imaginary, "Gian dei Brughi" is terrorizing the countryside, but evetually becomes addicted to novels - which in and of itself makes for a hilarious few chapters - Cosimo is there for almost every move); in other places it reads like a heartbreaking love story (e.g., Cosimo's nearly lifelong affair with Viola, which becomes so intense it's almost painful to read). A lot of action goes on in the trees, and the reader will likely not conclude that Cosimo has "missed something" as a result of his decision. Overall the novel is so readable that it's hard to put down (it could probably be completed in one long sitting). It has that mix of reality and fantasy that Calvino is famous for (it's easy to find references to Calvino as "one of the world's best fabulists"). Like other Calvino it's funny (Cosimo's sister serves bizarre arrangements of food to the family), heartbreaking (did Cosimo find true love in the trees or did he fail miserably?), poignant (he finds a great comrade in a small daschund he names "Ottimo Massimo" but the dog ultimately belongs to someone else), and a great read. The decisions one makes in life have impact on oneself and others, and in Cosimo's case his decision had vast impact on his immediate surroundings, regardless of the reasons why. Make a good decision for yourself and read this book.

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~ PDF Download The Nature of Monsters, by Clare Clark

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The Nature of Monsters, by Clare Clark

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1666: The Great Fire of London sweeps through the streets and a heavily pregnant woman flees the flames. A few months later she gives birth to a child disfigured by a red birthmark.

1718: Sixteen-year-old Eliza Tally sees the gleaming dome of St. Paul’s Cathedral rising above a rebuilt city. She arrives as an apothecary’s maid, a position hastily arranged to shield the father of her unborn child from scandal. But why is the apothecary so eager to welcome her when he already has a maid, a half-wit named Mary? Why is Eliza never allowed to look her veiled master in the face or go into the study where he pursues his experiments? It is only on her visits to the Huguenot bookseller who supplies her master’s scientific tomes that she realizes the nature of his obsession. And she knows she has to act to save not just the child but Mary and herself.

Sales Rank: #2020877 in Books
Brand: Clark, Clare
Published on: 2008-05-12
Released on: 2008-05-12
Original language: English
Number of items: 1
Dimensions: 8.00" h x .94" w x 5.31" l, .82 pounds
Binding: Paperback
382 pages

From Publishers Weekly
Starred Review. British author Clark's second novel, a moving historical set in early 18th-century London, surpasses her acclaimed debut, The Great Stink (2005). When teenager Eliza Tally gets pregnant, her mother sells her into servitude to an apothecary, Grayson Black. Eliza struggles to survive in a bizarre household, unaware that her new master is interested in the effects of various emotions on her unborn child. Isolated save for a kindly, slow-witted fellow servant, Mary, Eliza develops an unlikely relationship with a French bookseller, Mr. Honfleur, who supplies Black with the scientific treatises he uses to inform his sadistic researches. Eliza hopes Honfleur will provide her with the means for escape. Unlike The Great Stink, this suspenseful tale contains no whodunit element, but as in her previous book, Clark's empathetic portrait of the powerless and the victimized will remind many readers of Dickens. Author tour. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School–Clark is a first-rate storyteller. The setting is 18th-century London, a dark and unwelcoming city of massive size. Eliza Tally, pregnant and unmarried, has been sent there by her mother to begin service as a maid for apothecary Grayson Black. His shop is managed by Mrs. Black, who holds an unyielding grip over all the affairs of the elusive man. Upon her arrival, Eliza meets Mary, the other servant, whom she finds annoying and bothersome at first. Eliza's new home sits in the shadow of the impressive landmark of St. Paul's Cathedral, and the young woman becomes readers' eyes and ears as she vividly conveys the sights and sounds of the city's bustling life. She is disturbed by the changes in her body as the baby within her grows. At the same time, she discovers that all is not right with the mysterious apothecary and his ever-vigilant wife. His interests in her and her condition make her increasingly uncomfortable as she perceives that she is somehow an unwitting party to his secrets, and she and Mary come to rely on one another for warmth and companionship. Ultimately, Eliza learns that monsters can take many forms, and that human behavior is oftentimes most fearsome. The novel's well-described setting and its well-realized themes of unplanned pregnancy and exploited female labor will engage teen readers.–Catherine Gilbride, Farifax County Public Library, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Clark's sophomore novel, after the well-received The Great Stink (2005),is another authentically detailed and atmospheric historical. Set in the aftermath of the Great Fire in the fetid streets of eighteenth-century London, the complex plot involves a pregnant unmarried teen shunted off into domestic service as an apothecary's maid. As it becomes increasingly clear to Eliza Tally that her shrouded employer has sinister motives, she must uncover the nature of his dubious experimentations and his unhealthy obsessions with the monstrous and the malformed before it is too late to save both herself and her half-witted fellow maid. Readers who are not put off by the graphically documented grotesqueries and perversions will be drawn into the spellbinding gothic netherworld Clark spins. Margaret Flanagan
Copyright © American Library Association. All rights reserved

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44 of 46 people found the following review helpful.
"You are the agent of the Devil himself."
By Luan Gaines
The year is 1718. Blinded by the excessive passion of first love, Eliza Tally finds herself pregnant at sixteen, her titled young seducer willing to pay to have the fallen girl placed in service to an apothecary in London. A calculating mother cosigns the bargain and Eliza is whisked to the domicile of her employer, Mr. Black, who hides his face under a black veil and performs questionable research to gain the attention of the London Royal Society. This is a desolate place, consisting of Grayson Black's office, the apothecary shop and the living quarters, ruthlessly attended by the severe Mrs. Black and an apothecary's assistant, Edgar Pettigrew. The only other resident is the mentally and physically defective servant, Mary. The nature of Black's experiments cloaked in secrecy, an oppressive gloom pervades every day of Eliza's service, the girl increasingly burdened by the hopelessness of her predicament.

For all his detachment, like some otherworldly Jekyll and Hyde, Black's intentions are unquestionably evil. The house is dark, shadowed, Eliza performing her chores as the baby grows within her, her fears exacerbated in this monstrous place, her only companion the dim-witted, disfigured Mary. Yet Mary is strangely kind, with her clumsy attempts to communicate. There is something unhealthy in this home, the sense of menace growing with the child in her belly. Trapped in a web of confusion, Eliza casts about for a means of escape, her natural instinct to survive her circumstances. As her original antipathy toward Mary morphs slowly into a grudging affection, Eliza realizes that there are more dangers afoot in Black's household, her innate intelligence whispering in her ear, "run".

What are Mr. Black's intentions? What will happen when her baby is born? And how can Eliza escape the grasping aggression of Edgar Pettigrew?

Murky and atmospheric, Clark's London is dingy, dirty and filled with the contradictions of class and circumstance, the future as obscure as the so-called scientific treatise Black pens to rationalize his experiments. There is little cause for hope in Eliza's dank corner of London, save the notice of a French bookseller who offers the promise of a better future. Clark's powerful novel reeks with indefinable menace, the two women victims of conditions they struggle to define, imagination fueled by fear. Black personifies the ultimate victimizer, the unfettered ego of a man fascinated by the very qualities of the women who so baffle him, ascribing his own twisted lusts to what he fails to comprehend, but manipulates for profit. Monsters come in many guises. To scientific pretenders like Black, the marrying of those of low class to his research may bear the promise of a reputation before others of his ilk. To those who endure such overweening pride and unconscionable cruelty, he is the monster. In this acute study of human nature, pride and greed, Clark once again mines the underbelly of London for her treasure: innocence, men and monsters. Luan Gaines/2007.

10 of 11 people found the following review helpful.
How to make a monster
By Baking Enthusiast
Clare Clark has to be one the bravest contemporary fiction writers around. Two years ago, she debuted with "The Great Stink" and if anyone thinks that was unsavory enough, Clark returns with "The Nature of Monsters," a gothic horror that will test your tolerance of the macabre with some of the coarsest, meanest, creepiest, most menacing people you can find in London of 1718.

This isn't the mannered tea-party London of Pygmalion's Eliza Doolittle. This is the filthy, horrid, revolting London of Eliza Tally. Jilted by a wealthy lover her money-hungry mother had baited, the impoverished and pregnant Eliza is sold to an apothecary, Grayson Black. She expects that Black will terminate the pregnancy in exchange for serving as maid in his household. But Black has other plans--he's a mad scientist whose use for Eliza goes beyond having his boots polished and his meals served.

Black is consumed by a treatise on "maternal impression," theorizing that a pregnant woman's experiences, when taken to extremes while with child, will determine the physiognomy of the infant. A mother who is terrorized will likely produce a deformed child. One who takes a fancy to animals will produce a freak of nature, half human, half beast. Black believes that the hideous port-wine birthmark that disfigured his face was the direct cause of his mother's terror during the Great London Fire of 1666.

The Black household is straight out of a horror flick. Mrs. Black is mean-spirited and just a tad less strange than her husband. Mary, the other maid, is mentally-challenged, with loathsome features and child-like behaviors. The demented and evil Black is a towering figure in black with a veiled hat that covers his marked face, terrorizing Eliza, Mary and tradespeople. The Royal Society does not take his experiments and theories seriously, and as he becomes more obsessed with his writings and addicted to opium, he becomes insanely dangerous, torturing Eliza, hoping she would produce a monster. By the time Eliza discovers the truth behind Black's secret experiments, it might be too late for her to save herself and Mary.

The plot may be fantastic but it's written tightly with intense yet eloquent prose. The story moves quickly, and Clark does not let up on the suspense. It's a ghastly and twisted tale and one almost needs a breath of fresh, cleansing air after having spent many hours on its sinister plot. As gothic horror, "The Nature of Monsters" is a well-written sensational, rich with the dark and creepy elements of the genre, and thankfully, never becomes laughable or absurd.

7 of 7 people found the following review helpful.
Monsters come in many forms ..
By Jennifer Cameron-Smith
Ms Clark did such a great job of depicting monsters and monstrous behaviour in this novel that it took me while to find redeeming qualities in any character. Except, of course, for Mary.

Set in early 18th century London, this novel focusses on aspects of life that are really confronting and uncomfortable. In many ways, this is an Hogarthian London - perhaps just around the corner from Gin Lane. It won't appeal to everyone but it should appeal to those who enjoyed Ms Clark's first novel 'The Great Stink'.

We meet both the best and worst of humanity in these pages but underpinning it all is the depiction of London herself.

Highly recommended.

Jennifer Cameron-Smith

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Rabu, 30 September 2015

? Free PDF Ring Lardner's You know me Al: The comic strip adventures of Jack Keefe (A Harvest book), by Ring Lardner

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Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 165 pages; Description: x, 165 p. : ill. ; 22 x 28 cm. Subjects: Lardner, Ring (1885-1933) . You know me Al. Baseball -Humor. Series: A Harvest book.

Sales Rank: #1564941 in Books
Published on: 1979
Number of items: 1
Binding: Paperback
165 pages

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0 of 3 people found the following review helpful.
good service
By Sally Pace
The book was sent to me promptly and in good condition.
I recommend this bookseller.

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^^ Get Free Ebook Encyclopedia of Mystery and Detection, by Chris Steinbrunner

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Sales Rank: #2701665 in Books
Published on: 1984-11
Original language: English
Number of items: 1
Binding: Paperback
436 pages

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6 of 6 people found the following review helpful.
The Basic Reference Book
By Acute Observer
Chris Steinbrunner is an expert in TV history and feature programming. Otto Penzler is a collector of detective fiction and proprietor of a mystery bookshop. This book covers over 500 writers of detective and mystery fiction, the most complete reference work of its kind. There are alphabetical entries for writers and their more famous characters. Their novels, stories, and films are listed. Many of the authors were alive in 1976 so their listings were incomplete. [Many have heard of "Charlie Chan" but few of Earl Derr Biggers.]

Mystery stories are similar to morality plays that show how justice triumphs over evil. Some might call them "escape novels" since the real world doesn't always work that way. Whether they sharpen the thinking process (`Preface') they certainly tell about events you don't find in everyday life ("outside the conventions and humdrum routines of everyday life"). Their rise in the mid 19th century follows the rise of big cities, where the solution of crimes needed specialists. There is a wide range of settings as well as detectives. The `Introduction' says their definition of mystery fiction is very broad. The authors admit their selection and length of articles is subjective, but follow practical considerations. Some of their entries are borderline, and so are their omissions. The `Selective Bibliography' lists the books they consulted.

Browsing this book you will find "The Crime Doctor", a series of films from the 1940s that are long forgotten (one of the earliest films that I remember seeing). Many of the films were never shown on TV in the 1950s and 1960s, or now. The author of the first mystery novel I ever read is here (Thomas W. Hanshew). Some of these books tell about people and places you will never meet (the oil millionaires of Raymond Chandler). Others provide more practical experience ("Perry Mason and the Case of the Singing Skirt"). Most murders in the real world involve sex or lust, money or greed, and occur at home. They rarely involve obscure poisons or clever methods of murder. Raymond Chandler explained this in his essay "The Simple Art of Murder".

The detective murder mystery seems to have died out in the 1950s with the rise of government agent mysteries (James Bond and others). Popular tastes or corporate choice? Sergeant Joe Friday is not Philip Marlowe. There is a listing for Professor James Moriarity, the "Napoleon of Crime". Gerald Sparrow's "Vintage Victorian Murders" mentions the barrister Sayers who ran London crime for twenty years. Most fiction has to be based on reality to be believable, that is why "truth is stranger than fiction".

3 of 3 people found the following review helpful.
A Must for Crime Novel Fans
By Ohioan
I read this book when it first came out in 1976. Not all at once, because it's a large book with a lot of information. I did, however, read everything -- because the information was so interesting. This is a must read for any fan of crime fiction. You will see what critics have thought of your favorite detectives (in print before 1976, of course). You will learn things about the detectives and the author that you most likely didn't know. And, most importantly, you'll be introduced to detectives and crime novelists you knew nothing about . . . and you just might want to read these novels.

2 of 2 people found the following review helpful.
Best book on the subject
By Michael Connolly
Having read every other reference book on the subject, THE ENCYCLOPEDIA OF MYSTERY AND DETECTION, although first published over 35 years ago, remains the most useful and entertaining book about crime and mystery fiction. The pictures are good too.

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Jumat, 25 September 2015

> PDF Download Those Who Save Us, by Jenna Blum

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For fifty years, Anna Schlemmer has refused to talk about her life in Germany during World War II. Her daughter, Trudy, was only three when she and her mother were liberated by an American soldier and went to live with him in Minnesota. Trudy's sole evidence of the past is an old photograph: a family portrait showing Anna, Trudy, and a Nazi officer, the Obersturmfuhrer of Buchenwald.

Driven by the guilt of her heritage, Trudy, now a professor of German history, begins investigating the past and finally unearths the dramatic and heartbreaking truth of her mother's life.

Combining a passionate, doomed love story, a vivid evocation of life during the war, and a poignant mother/daughter drama, Those Who Save Us is a profound exploration of what we endure to survive and the legacy of shame.

Sales Rank: #22577 in Books
Brand: PowerbookMedic
Published on: 2005-05-02
Released on: 2005-05-02
Original language: English
Number of items: 1
Dimensions: 8.00" h x .97" w x 5.31" l, 1.02 pounds
Binding: Paperback
482 pages

Features

Great product!

From Publishers Weekly
Blum, who worked for Steven Spielberg's Shoah Foundation, takes a direct, unsentimental look at the Holocaust in her first novel. The narrative alternates between the present-day story of Trudy, a history professor at a Minneapolis university collecting oral histories of WWII survivors (both German and Jewish), and that of her aged but once beautiful German mother, Anna, who left her country when she married an American soldier. Interspersed with Trudy's interviews with German immigrants, many of whom reveal unabashed anti-Semitism, Anna's story flashes back to her hometown of Weimar. As Nazi anti-Jewish edicts intensify in the 1930s, Anna hides her love affair with a Jewish doctor, Max Stern. When Max is interned at nearby Buchenwald and Anna's father dies, Anna, carrying Max's child, goes to live with a baker who smuggles bread to prisoners at the camp. Anna assists with the smuggling after Trudy's birth until the baker is caught and executed. Then Anna catches the eye of the Obersturmführer, a high-ranking Nazi officer at Buchenwald, who suspects her of also supplying the inmates with bread. He coerces her into a torrid, abusive affair, in which she remains complicit to ensure her survival and that of her baby daughter. Blum paints a subtle, nuanced portrait of the Obersturmführer, complicating his sordid cruelty with more delicate facets of his personality. Ultimately, present and past overlap with a shocking yet believable coincidence. Blum's spare imagery is nightmarish and intimate, imbuing familiar panoramas of Nazi atrocity with stark new power. This is a poised, hair-raising debut.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Family secrets of Nazi Germany are at the core of this powerful first novel told in two narratives that alternate between New Heidelberg, Minnesota, in the present, and the small town of Weimar near Buchenwald during World War II. Trudy is a professor of German history in Minnesota, where she's teaching a seminar on women's roles in Nazi Germany and conducting interviews with Germans about how they're dealing with what they did during the war. But her mother, Anna, won't talk about it, not even to her own daughter. Trudy knows, she remembers, that Anna was mistress to a big Nazi camp officer. Why did she do it? Was he Trudy's father? The interviews are a plot contrivance to introduce a range of attitudes, from blatant racism to crippling survivor guilt. But the characters, then and now, are drawn with rare complexity, including a brave, gloomy, unlucky rescuer and a wheeler-dealer survivor. Anna's story is a gripping mystery in a page-turner that raises universal questions of shame, guilt, and personal responsibility. Hazel Rochman
Copyright © American Library Association. All rights reserved

Review
PRAISE FOR THOSE WHO SAVE US

"Jenna Blum's accomplished first novel, Those Who Save Us, is both vast and intimate in its reach . . . Utterly believable . . .An absorbing tale of two women's struggles with the burdens and responsibilities of remembrance."-THE BOSTON GLOBE

"The book's power . . . [lies] in examining the emotional and moral gray area between heroism and collaboration . . .Those Who Save Us bursts with provocative questions about the ambiguous possibilities of culpability."-SAN FRANCISCO CHRONICLE

Most helpful customer reviews

96 of 105 people found the following review helpful.
Maybe the worst WW2 fiction I've ever read
By Maine Colonial
I won't reiterate the plot here, since the product description and other reviews do that more than adequately. And, frankly, because I don't want to spend a lot more time on this book. I had high hopes for this story, but it was a disappointment. Actually, more than a disappointment. It was downright repulsive. I read a lot of Holocaust fiction and nonfiction, so it's not the subject matter. It's the author's focus on sadistic sex and shallow psychodrama, both of which trivialize the subject matter in a shameful way.

Anna's story was lurid and embarrassing. There was way too much detailed and lengthy description of Anna's sex life. Her sex life with Max just led to questions about why a physician wouldn't know better than to get Anna pregnant, especially in their dangerous circumstances.

But it's the descriptions of her encounters with the Obersturmführer that made my skin crawl. I couldn't help but think they felt like sick sadistic porn. I can't see how it served the story to retell how Anna would achieve orgasm in her coerced sex with him, including being raped with a pistol, when she didn't with Max. It was hardly necessary to include such a level of degrading detail to get the point across, unless the intent was to titillate. And even though that can't be the case, it certainly felt that way--over and over and over again. Truly repulsive and perverse.

Trudy was an uninteresting character, and her story--and Anna's--degenerated into a ridiculous psychodrama straight out of The Prince of Tides or Ordinary People. You know, the kind of story where the character has suffered a traumatic experience that haunts him/her and eventually is resolved by some revelatory event. Bah. This is dreck from start to finish.

3 of 3 people found the following review helpful.
Well written & researched, an excellent read!
By rennaskoda
This is an excellent piece of writing which engrossed me to the point that I read far into the night, not putting the book down until the last paragraph. I would have given it 5 stars without reservation except for one small literary jar that caused me to question the writer's stance, which probably has more to say about my viewpoint than to criticize the writer's. So, Jenna Blum, forgive me, but I must say this. I grew up in a small midwestern town populated by Germans, Czechs, Swiss, Irish, and on & on. To attend a funeral and then leave the two chief mourners to go home alone to an empty house is simply not something any of the people whom I grew up among would do, no matter how alienated the widow was from her community. People would have stopped by, bringing food and a few words of comfort, at the very least. The character of Anna would have had to have been a veritable monster indeed before her neighbors would have been cruel enough to shun her after her husband's funeral. They would have been there for her husband's memory and her daughter, if nothing else. This is simply not how people in small, heavily German populated midwestern towns behave. I'm a midwesterner. It felt so wrong to me. But I loved this book nevertheless. I'll read anything she cares to write.

1 of 1 people found the following review helpful.
COMPELLING STORY OF SURVIVOR
By Berti Katz
This is a very disturbing story of some of the horrors of the Nazi regime during WW II very well told with amazing details and depth. There are no facile solutions in this moving story of several generations and the prejudices that control them. The realities of the atrocities are told in a way that one can read about them and the indifference and lies of a large part of the population is exposed. The lengths that some individuals had to go to to survive or make sure that their children survived are also explored in depth and the shame that followed these survivors is described in all encompassing terms.

One particular family's heart wrenching story dominates the book and the daughter is always working towards resolution in a wide variety of innovative ways. Her approach provides the reader with insights into the ongoing conflicts and scars left by the terrorism of the Nazi's.

I highly recommend this book to anyone who is interested in a personal slice of the history of Germany during WW II.

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Kamis, 24 September 2015

^ Download PDF Refiner's Fire, by Mark Helprin

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Marshall Pearl is orphaned at birth on an immigrant ship off the coast of Palestine in 1947, then brought to americanca. His experiences take him from the Hudson River Valley, to Harvard, to sea on a British merchant ship, then finally back to his birthplace, where he serves as an Israeli soldier in the Yom Kippur War. “Superb...A first-rate odyssey, full of insight and humor and hard-earned truths” (San Francisco Chronicle).

Sales Rank: #5745536 in Books
Published on: 1990-10-20
Original language: English
Number of items: 1
Dimensions: 1.01" h x 6.04" w x 8.99" l,
Binding: Paperback
384 pages

From the Back Cover
"That best of all possible novels: read ten pages and you can't put it down; finish it and you'll feel it haunt your days and nights." - The San Francisco Examiner & Chronicle

Refiner's Fire is the story of Marshall Pearl, orphaned at birth aboard an illegal immigrant ship off the coast of Palestine in 1947 and brought as an infant into the "ardent unlimitedness" of America. Determined to see the world in its beauty, ferocity, and ultimate justice, he does so, in scenes of gorgeous color and great excitement, as a child in the Hudson Valley, fighting Rastifarians in Jamaica, at Harvard, in a slaughterhouse on the Great Plains, in the Mexican desert, on the sea, and in the Alps. Finally he is drawn to Israel to confront the logic of his birth, in a crucible of war, magic, suffering, and grace. At the opening of the book, he is one of the dying wounded being transported to Haifa during the 1973 war. We follow him as he dreams, reconstructing his life, until, by the strength of what he has learned, suffered, and hoped, Marshall Pearl rises.

"Every once in a while a book appears that engulfs you in its limitless beauty. This is such a book. Helprin's use of language and imagery is an ineffable joy." - The Philadelphia Inquirer

"Refiner's Fire is an experience, like being shot out of a cannon - exhilarating, extravagant, vertiginous." - The Boston Globe

Educated at Harvard, Princeton, and Oxford, Mark Helprin served in the Israeli army, Israeli Air Force, and British Merchant Navy. He is the author of, among other titles, Refiner's Fire, Ellis Island and Other Stories, Winter's Tale, A Soldier of the Great War, Memoir from Antproof Case, The Pacific and Other Stories, and Freddy and Fredericka.

About the Author

MARK HELPRIN is the acclaimed author of Winter's Tale, A Soldier of the Great War, Freddy and Fredericka, The Pacific, Ellis Island, Memoir from Antproof Case, and numerous other works. His novels are read around the world, translated into over twenty languages.

Excerpt. © Reprinted by permission. All rights reserved.
RIDING IN a new 1938 Ford through the March countryside of North Carolina, Paul Levy was astonished by the tranquillity and depth of the blue above. Every tree and field was sheathed in gentle, clear, warm light. Smoke from clearing fires rose straight and slow, and the speed and air were perfect as the car wound through the back roads, sounding like a perpetual chain of little firecrackers. He was sixteen, the son of a Norfolk ship provisioner, and in love with the Navy and its ships. His father saw them as delivery points for canned tomatoes and brass polish, but his father's son was struck as if by lightning at the sight of one steaming up the roads, bent forward, pressing on-a squinting bridge, high black masts and angled guns, smoke, wake, urgency, and water pulsing off the bows. And when they turned, with claxons and bells, and the stern seeming to sweep like a skater over mottled ice, he saw in them the history for which his tranquil boyhood had been created. And in the North Carolina countryside, joyriding in his father's car solo for the first time, he could not help glancing through the windows at the sky and thinking of the sea.

By darkness when he returned to Norfolk he had decided to join the Navy, which, after a year or so of arguments and heated wanderings in and out of the dance places at Virginia Beach, he did. At first he went to sea as almost a child, and the little experience he had he used badly, awkwardly, making more mistakes than he could count. But at nineteen he was an ensign in the Battle of the Atlantic. He used to come home every few months or weeks, and each time he was more solid, stronger, wiser. Being on the sea was miserable, especially in winter, and it wore him down. But it developed into his calling and during the war he had been off Africa, Normandy, and Japan. Because he learned fast and loved the sea he became a lieutenant-commander by the end of 1946, taking a year's leave of absence to rest and prepare: he intended upon a career in the Navy, but did not want to be entirely brought up in it. He thought that a year of peace-maybe some farming, a trip across the country to San Francisco, a month at home-would do it. His father had become prosperous, especially since the fleet had not been decimated and would not be dismantled as had been the custom after other wars. They lived in a big house and it was planned that the younger sister and brother would go to college.

Paul, though, was lost to the Navy; he was an officer with Southern ways and a fighting man's demeanor. They were proud of him, but having left early and against their wishes, he was not very much like them. He had forgotten his Jewishness, almost lost it in the rush and conviviality of war. No one knew he was a Jew if they didn't know his name. Even when he said his name, everyone did not immediately know his origins, since he pronounced Levy like the tax, or the embankment which holds back a river. He was by appearance and dialect a Virginia or North Carolina farmer-and this delighted him. He was free as his father had never been to blend into the country and be whatever he wished, except for his name and except for his regret, as he saw his father growing older, that he as first son would do little in continuing what began to appear to him in the quiet spring days of his extended leave, riding again in the Carolinas, as a very important line of passage, a crucial tradition.

It took him a day to go from the balm of the internal Carolina lakes and bays to Washington Square. New York seemed to him like rows of gray teeth and he could not understand how people chose to live inside files of concrete boxes in a city which was really not a city but a machine. To him it seemed about the same as building a great engine, a thousand times greater than the Corliss Engine, and then living inside. London too had gray teeth, but in circles and enflowered by trees and promenades. This city on the Hudson was like a shark's jaw-monotonous serrations thick and hard.

He had intended to seek out Jews, for the ones in Norfolk were in his eyes predictable and Virginianized. But to his great surprise, the Jews in New York would have nothing whatsoever to do with him. First, his approach was confused. He walked into restaurants and ordered familiar dishes. In this way he ate much and discovered that one does not retrieve receding history through gastronomy. He sat next to an old man and looked into his face, about to ask a momentous Jewish question, when the man said, "Go avay, cowboy." He explained that his name was Paul Levy, but when the old man heard the way he spoke, he fled. Paul kept on trying.

He chose a synagogue and went to pray, but when he entered they looked at him as if he were a raccoon or a possum who had wandered in from the Louisiana Bayou. He went to see a rabbi, whose advice consisted of coldly instructing him to purify his pots and pans by boiling water in them and dropping in a hot brick. "A hot brick?" asked Paul in disbelief. "Let me get this straight. You want me to boil water in my nonexistent pots and pans, and then drop in a hot brick? A hot brick! Rabbi, one of us is nuts, and it's not me."

After a week or more of seeking out Jews in New York he found himself at the house of a Roman Catholic law professor, lying on the floor of the library, which looked out on a cold Washington Square where snow was falling for the last time that spring, and next to the sooty buildings it telescoped itself into a salt-and-pepper image like the tweeds in the livingroom downstairs at the party. But the snow was twisting in cold whirlwinds like the warm viscous air above the fire. He was roundly, rotatingly drunk, davening in his drunkenness before the fire, and next to him was a Palestinian Jewess whom he had beguiled upstairs to kiss; but she wasn't drunk at all. She liked him though and had never heard a Jew who talked as he did. When he told her he was a Navy captain (he blushed at the lie) she leaned over on the Persian rug and kissed him on his mouth in such a wet sexual way and with such great affection that he said, "Would you believe that I'm really an admiral?"

"No, I don't believe you," she answered. "But I want you to tell me about that you are a captain."

And he did, starting with his revelation in Carolina about the Navy and the sea, his love for the sea, how in the war he had fought and endured, how his father had not known him but had seen instead a tough stranger who did pushups and could fight, and how for him being a Jew was impossible since he could not get either in or out and seemed to be hanging in between worlds which would not have him.

They stayed together for two weeks until she took him in a turtle-backed taxi to Idlewild and saw him off on his way to becoming a captain, as he had said he was. He felt that he did not know his own mind. He was apprehensive about not returning in time to resume his commission, apprehensive about leaving the silent city which he had come to like and respect, apprehensive about rising above shafts of sunlight and clouds on a straining airplane past the rows of gray buildings in new prosperity-a good quiet place for infants after the war-apprehensive of rising into an empyrean of blue, apprehensive of heading east, apprehensive of challenging the British cordon with an old coastal freighter, and apprehensive of the dreamlike frame of mind into which he had fallen. He hardly knew what had happened, but he felt as if he were certainly rising upward.

Copyright © 1977 by Mark Helprin

All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical,
including photocopy, recording, or any information storage and retrieval
system, without permission in writing from the publisher.

Requests for permission to make copies of any part of the work should be mailed to the following address: Permissions Department, Harcourt, Inc.,
6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

Most helpful customer reviews

52 of 58 people found the following review helpful.
Fire burns, language soothes
By J. Guberman
This is the best Fiction I have read in English since I read the translation of Milan Kundera's "Unbearable Lightness of Being". The beauty of the language is such that it would not be surprising if one required grief counseling after completing this book. The experience and beauty gained in the reading, is mourned soon after you have turned the last page and a feeling of loss descends upon you. Though the book is not sad. Completing it is. It is alive with the joy of lively and interesting characters who take you with them in their dreams and hopes for the future. It is only this that one loses by turning the last page. Intellectually a stimulating story and linguistically one of the best examples of how English should be written with an appreciation of the natural poetic imagery of the language.

13 of 13 people found the following review helpful.
A dazzling and original work
By D. Hodges
Mark Helprin's "Refiner's Fire" is one of the most original fictional books I have ever read. Written in a whimsical, almost magical, style, the book begins with the main character, Marshall Pearl, ailing in a Haifa Hospital, gravely wounded from an artillery shell fired near Mount Hermon in the opening salvo of the Yom Kippur War. From there, the book tells the story of his life, from being born an orphan on a refugee ship in Palestine to fighting Rastas in Jamaica and searching for the story of his father amidst the frozen crevices of Mount Chamonix.

While adventuring through the world, Marshall goes through tests small and large, each of which will help make him into a man. Although the reader begins the book knowing that there will be some point at which Marshall goes through the refiner's fire, Helprin makes the story up to that moment both full and complex. Rather than just letting the big events do the shaping, Helprin shows how a person like Marshall, naturally brave and independent, can be tested in all sorts of ways, knowingly and unknowingly, and then draw upon the results of those tests for when it really counts.

The book demands the attention of the reader and, if it is given, the reader is rewarded with a lovely, intricate tale replete with beautiful language and thoughtful observations. For instance, while in the hills of the West Bank, Helprin observes that, "It was easy to die near Jerusalem, as easy as falling in the undertow of a history which surged in tides and currents and was unknown, but left its marks like wind eroding the rock. All things conspired there on a high part of the stage upon which they had come at their risk."

At the same time, however, although the majority of the book was involving, there were stretches in which the writing was a little too dream-like and detached, a bit distracting from the plot. Had the book contained fewer cluttered sentences and focused more on the difficulties and trials that cause "steel and gold and silver [to] spring from the previously soft souls of the tried," I believe it would have been an even stronger effort.

Still, the book is a great achievement and its sometimes-crowded and reaching sentences can be overlooked in a story of great beauty, told by a dazzling writer. Highly recommended.

21 of 25 people found the following review helpful.
Best living writer of fiction alive today.
By archer
I started life reading all of the works of William Faulkner -- The best American writer of the 20th Century. Richard Powers is obviously a genius and a great writer. Don Dillio, John Irving, and especially Wallace Stegner are all great writers. But Mark Helprin is a true genius with language. After reading four of Mark Helprin's books, he comes closest to the magic writing of Gabriel Garcia Marquez, except I end up caring a gread deal more about his characters. "Winter's Tale" is remarkable. Just the language in "A Soldier of the Great War"; and "Memoir from Antproof Case" are worth reading. The brillance of the later works are evident in "Refiner's Fire".

See all 27 customer reviews...

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