Jumat, 20 November 2015

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The Group, by Mary McCarthy

Written with a trenchant, sardonic edge, The Group is a dazzlingly outspoken novel and a captivating look at the social history of America between two world wars.

 

Mary McCarthy’s most celebrated novel follows the lives of eight Vassar graduates, known simply to their classmates as “the group.” An eclectic mix of personalities and upbringings, they meet a week after graduation to watch Kay Strong get married. After the ceremony, the women begin their adult lives—traveling to Europe, tackling the worlds of nursing and publishing, and finding love and heartbreak in the streets of New York City. Through the years, some of the friends grow apart and some become entangled in each other's affairs, but all vow not to become like their mothers and fathers. It is only when one of them passes away that they all come back together again to mourn the loss of a friend, a confidante, and most importantly, a member of the group.

  • Sales Rank: #91287 in Books
  • Published on: 1991-09-16
  • Released on: 1991-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.19" w x 5.31" l,
  • Binding: Paperback
  • 492 pages

Review
"A witty, moving, instructive and wise novel¾a gem of American social history as well as very good fiction." -- The Nation

"An admirable piece of fiction and the best book [Mary McCarthy] has written." -- Saturday Review

"Juicy, shocking, witty, and almost continually brilliant." -- Cosmopolitan

Mary McCarthy's The Group is a sharply-pointed satire of upper-class New England society which follows the post-college lives of eight Vassar graduates, class of '33. Helena was registered for Vassar at birth; Pokey forged her mother's signature on her college application in defiance of the family tradition of "being dim-witted and vain of it." Out in the "real" world, Dottie loses her virginity to a "bad sort" but discovers that she enjoys sex, while Kay subsumes her own talent to the artistic "genius" of her egocentric and philandering husband. Libby writes book reviews that are almost as long as the original material and Polly works as a nurse, while Priss is forced by her pediatrician-husband to go against "tradition" and her inclinations and breastfeed her baby, as proof of his theories. Elinor "Lakey" Eastlake, the sleek, rich leader of the group, travels about Europe and ultimately returns, full of surprises. Adopting the non-stop, generally well-intentioned, but hopelessly narrow-minded voice that typifies the worst of the group, Mary McCarthy filets Ivy League society, socialism, 1930s child-rearing practices, sexual double-standards, psychoanalysis, and men in general. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Erica Bauermeister

About the Author
MARY MCCARTHY (1912–1989) was a short-story writer, bestselling novelist, essayist, and critic. She was the author of The Stones of Florence and Birds of America, among other books.

Most helpful customer reviews

231 of 243 people found the following review helpful.
Still relevant after all these years...
By Dianne Foster
THE GROUP was published when I was very young, however, I was aware the book had created quite a stir because my Republican, Roman Catholic father and Democratic Protestant mother had many heated arguments over its content--which includes discussions about childrearing, hetero and homosexuality, mental illness and psycholanalysis, body functions, and Communist-party affiliation.
I have finally read Mary McCarthy's book and found it absolutely wonderful. Having completed it, I feel I understand my mother and aunts a little better. They were of the same genertion as Polly, Libby, Lakey, Kay, and the other eight Vasser graduates who are the protagonists of the book. Although my relatives attended state colleges in Wisconsin, I was exposed to "thinking" women who for the most part lived lives comparable to the women depicted in THE GROUP. All but one of my aunts married, and she became an "old maid school teacher." Some of my uncles were more liberal than others, but all of the men including my father had expectations about how their wives should conduct themselves after marriage and motherhood. I came of age at the tail end of this oppressive period when women were still called girls.
As we read about the oppression of women in other parts of the world today, I cannot help but wonder if younger men and women can fully appreciate how recently civil rights have been extended to U.S. and European women. It's so easy to discount feminists but without the resumption of the Woman's Movement in the late 1950s and 1960s, a husband like Harald might still be able to have his wife Kay committed to a psychiatric hospital if she defended herself from his drunken attack.
THE GROUP covers the years 1933 to 1940--it begins just after the stock market crash and the beginning of the Great Depression and ends with England on the verge of invasion from the Nazis. The book was described as a "gem of American social history" by 'The Nation' but it is also a very good read. (Supposedly, McCarthy based her characters on friends from her Vassar days, so one never knows how much is really fiction.)
Reading this book, I found myself outraged and sad and laughing out loud. The discussions about child rearing are enough to make you hoot -- especially if you have been exposed to the "bottle versus breast" battle. As the victim of parents like Priss and Sloan who read entirely too much literature, I went onto subject my children to the techniques of Dr. Spock, and am now am amused by the current thinking of my daughter and daughter-in-law who also read child-rearing literature and attend discussions and are struggling with potty-training and aggressive behaviour. If you have ever raised children or are trying to raise children you will enjoy the exchanges between parents and spouses and friends in this book.
The passages describing mental illness caused me react with everything from laughter to impotent rage. Polly's father is resentful because his melancholia has been rediagnosed as manic-depression -- only he's never had the manic experience. Polly's obsession with her psychoanalysis is familiar. Kay's incarceration in the "looney bin" and description of the several floors of the mental hospital dedicated to recovery--from the seventh floor lock-up with padded cells to the fourth floor "just like a college dorm" from whence the cured patient depart--is frightful. This is a great book. Don't let its publication date fool you, it's as salient today as it was the day it was written.

56 of 57 people found the following review helpful.
Satire of 8 women who grad from Vassar, 1933
By Peggy Vincent
This upper-class New England satire of the post-college lives of 8 women has definitely stood the test of time. I read it maybe 30 years ago and just reread it: it still works, and at my present age, I find myself appreciating McCarthy's superb writing on an entirely new level. Each of the women comes from a different background, has widely different experiences both in Vassar and after graduation, and sees her world after college thru different eyes. Told mostly thru the point of view of one member of the group, McCarthy's classic story lacerates socialism, the Ivy League, the prevalent double standards of the era, men - and psychoanalysis. Is there anything she doesn't excoriate with her talented tongue. Um, no, I don't think she's missed a thing.

110 of 120 people found the following review helpful.
Always Delightful, Always Fun
By michael t hearn
Along with the more lurid and admittedly trashy "Valley Of The Dolls" and "Peyton Place," this was one of the seminal books of my youth. What is interesting now is that while the two aforementioned titles have become icons of sorts--'Valley' as a sort of feminist treatise, "Peyton Place" as socio-anthropological cant, go figure-- Mary McCarthy's "The Group" has sort of been relegated to a forgotten spot on the bookshelf, which is a shame since it is a far better book than one may realize. I hardly think the book today would have become the best seller it did, as the writing is too detailed and meticulous in comparison with what passes for much of popular fiction today. And those who made it a best seller in its day I am not so sure grasped what McCarthy was doing; instead they focused on the sensationalist exploration of then oft verboten feminine topics that are prominent in the book--everything from menstruation to birth control. What "The Group" gave me at sixteen was a yearning for the pseudo sophisticated New York world beyond my banal small town suburban upbringing; I longed, like Libby, to take the literary world by storm. At the time, of course, I took it all VERY seriously. Thirty years later, I now realize how brilliantly Mary McCarthy was playing everyone--herself, the girls of Vassar, her entire generation and the American reading public--for a bunch of fools. For what is apparent at the end of the novel is that, for all the advantages of wealth and education these women had, they are no better off emotionally (though they are economically) than their contemporaries who did not go to college, Vassar or otherwise. A very daring approach to take, one I am not sure was or would have been appreciated at the time. But now, as we move into the twenty first century, and the 30's become ever more distant, "The Group" can now be recognized for the brilliant satire it is, as well as a detailed evocation of manners, mores, styles, and a New York that hardly exists anymore. It remains even more one of my favorite books, and one's enjoyment of it only improves with age.

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Rabu, 18 November 2015

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In this extraordinary memoir, Nobel Prize–winning author Günter Grass remembers his early life, from his boyhood in a cramped two-room apartment in Danzig through the late 1950s, when The Tin Drum was published.

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Flight to Arras, by Antoine de Saint-Exupéry, Lewis Galantiere

A recollection of the shattering days during World War II when, though the fall of France was imminent, a handful of French pilots continued to fight on against the Germans. Translated by Lewis Galantière.

  • Sales Rank: #771758 in Books
  • Published on: 1969-10-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .42" w x 5.25" l, .38 pounds
  • Binding: Paperback
  • 155 pages

Language Notes
Text: English, French (translation)

About the Author

ANTOINE DE SAINT-EXUPÉRY, the "Winged Poet," was born in Lyon, France, in 1900. A pilot at twenty-six, he was a pioneer of commercial aviation and flew in the Spanish Civil War and World War II. His writings include The Little Prince, Wind, Sand and Stars, Night Flight, Southern Mail, and Airman's Odyssey. In 1944, while flying a reconnaissance mission for his French air squadron, he disappeared over the Mediterranean.

 

Most helpful customer reviews

102 of 102 people found the following review helpful.
A fascinating account of flight by a superb author
By A Customer
I bought this book on a wet Cornish holiday in '63 because it had a crude scrawl of an aeroplane on the cover, and I like flight. I little dreamed that by pure chance I had picked up a masterpiece, but I had. St. Exupery was one of those superb freaks that - all too infrequently - nature can produce: a man of action with the mind of a philospher and the soul of a poet, with the ability to express them all with lucid clarity.
He was said to be a terrible pilot, and intellectuals will pooh-pooh his 'metaphysics'. Forget that. When he disappeared, flying reconnaisance over the Med. during the war, we more normal mortals lost a marvellous example of how fine humans can be when given the chance, and humanity lost one of its graces. He was only forty or so, and had he lived he would have been recognised as one of the greats both of literature and of cultivated thought. As it is we have only these few little jewels of books by which we can appreciate his qualities and perhaps realise that we, too, can be so much better than we are.
'Flight to Arrass' is an account of a reconnaisance flight over occupied France, probably based on his personal experience, first at high altitude, then lethally low. In this extraordinary pilot-writer's mind, potential sudden death becomes transmuted into a magical account of memories which provide beauty, humour and wisdom, and his extraordinary ability as a writer puts you in the pilot's seat as you have never been before. You live with him the peril of being there, and you enter the wonderful world of his mentality in his detached response to terror and imminent abrupt extinction. All his books give you immediate access to a world of experiences which you otherwise will never meet, seen through eyes of unique maturity and intelligence.
Listen, in the same way that flowers are their own best advertisement, St. Ex's books are their own best recommendation. For me, 'Flight to Arrass' is one of his best, and it will cost you less than a cheap lunch. You owe yourself contact with this better example of humanity. The work of the translator in the case of St. Ex. is also as near perfection as you will find - A pleasure to read. If you have not read any of his books, then lucky you, in that this magical world as seen through his eyes is waiting all fresh for your discovery. Don't wait. Buy it now. I recommend it to you.

26 of 27 people found the following review helpful.
Written with great style...
By Franz N. I.
This is an intellectually emotional musing of a pilot while on a reconnaisance mission in the midst of the hopeless Battle of France in the summer of 1940. Do not expect graphic descriptions of air combat, for only one eventful, though dangerous mission was told, interspersed by Saint-Ex's recollection of the human virtues and the war itself.
In this work he delves with clear logic about life and the meaning of life, of loyalty, love of country, the meaning and feeling of facing mortal danger while looking through his life in one slow kaleidoscope.
It is easy to see the prevailing athmosphere of defeatism that have enveloped France, and his writing was no exception, though justified. France cannot go it alone, with its 40 million against the 80 million (population) across the Rhine, and how the way of life that predominate in his country differs from its more industrial neighbor.
One of the great modern French stylist, Saint-Ex must have given headaches to the translator, for he wrote in a lyric poetic fashion difficult to translate (this is the Lewis Galantiere translation). One must pose occasionally to savor his prose. Here in colorful intensity he lays down in vivid detail his humanity and shows what made his writing different from other aviation literature. His popularity is such that people sometimes stresses the "Saint" in his name in order to prop him higher than the rank of hero worship. But his life does not fit that image. A man of many talents---cardplayer, mathematician, caricaturist, chess player, poet, writer and of course, aviator---he was however a baffling personality who defied straight description: A gifted mathematician, he rejected that intellectual circle; a man who likes action, he hated to exercise; one of the great writers of France, he did not wish to be a professional writer; a skeptic, he wanted to believe in God.
There are critics who described his writing as sentimental hogwash, the harbinger of hollow ideas, the man who can "replace the human brain with an aeroplane engine", et al..but his writings displayed (in this reviewer's modest opinion) a noble image, and for good or bad, he must be judged in the end by what he wrote. The sale of his books speaks for itself.
This is a highly recommended reading experience.

12 of 12 people found the following review helpful.
excellent philosophy and a look at a slice of history
By gcon
the book is st.-ex's thoughts and reflections as he flies a suicide recon mission during WW2. it is not an action novel, but does have some exiting parts to it. it is a thoughtful look at life. the book is not just an interesting look into the mind of someone on a doomed mission, but is motivating, thougth provoking and insightful, and has some great lines to live by. i liked it better than his other book wind, sand and stars, and my copy is all marked up and highlighted and i refer back to it often. i would reccommend this book without hesitation.

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Sabtu, 14 November 2015

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Spending the leisure by reading Some Sort Of Epic Grandeur, The Life Of F. Scott Fitzgerald, By Matthew J. Bruccoli (Edited By) can offer such terrific experience also you are just sitting on your chair in the office or in your bed. It will not curse your time. This Some Sort Of Epic Grandeur, The Life Of F. Scott Fitzgerald, By Matthew J. Bruccoli (Edited By) will certainly assist you to have more priceless time while taking remainder. It is very satisfying when at the twelve noon, with a mug of coffee or tea as well as a book Some Sort Of Epic Grandeur, The Life Of F. Scott Fitzgerald, By Matthew J. Bruccoli (Edited By) in your kitchen appliance or computer screen. By enjoying the views around, below you can start reviewing.

Some Sort of Epic Grandeur, The Life of F. Scott Fitzgerald, by Matthew J. Bruccoli (Edited by)

Book by Matthew J. Bruccoli (Edited by)

  • Sales Rank: #1794394 in Books
  • Brand: Brand: Harcourt, Brace, Jovanovich
  • Published on: 1983
  • Number of items: 1
  • Binding: Paperback
Features
  • Used Book in Good Condition

Most helpful customer reviews

53 of 53 people found the following review helpful.
An excellent biography
By Candace Scott
I've admired Fitzgerald all my life and regard his work as singularly underrated as time goes on. He was a brilliant and witty writer who could turn a phrase as well as any American author of the 20th century. This biography is the best I've ever read on Fitzgerald. It's particularly strong in the depiction of his gaudy, booze-soaked life with Zelda, especially when they were ex-pats living in France. Bruccoli really draws the reader in with deft descriptions of their marital rows, woes, break-ups and innumerable reconcilations. I was happy to see that their daughter, Scottie, was also illuminated so brilliantly.
The material on Sheila Graham, Scott's lover in Hollywood, was also intriguing. Graham's own book about Scott is a great read, but the author brings out elements to the story which Graham omitted. I was genuinely sad when Scott dies and the narrative concludes. The debauchery, booze and high times of the Flapper era are all here. This is a highly recommended, beautifully tribute to one of the great writers of the past 100 years.

31 of 32 people found the following review helpful.
Some Kind of Wonderful
By Fitzgerald Fan
I am an absolute diehard fan of F. Scott Fitzgerald, both his life and his literature. So, I knew when I purchased this book I was bound to scrutinize its every nook and cranny. Well, my scrutiny proved to be a wasted effort. Without question, Matthew Bruccoli is the number one Fitzgerald scholar in the country, and after reading this biography, it is impossible to question why.
Bruccoli covers every aspect of Fitzgerald's life and includes several bits of correspondence to really give readers a look inside Fitzgerald's thinking. --Perhaps my favorite thing about the book is that it does not sentimentalize the author (which I myself have a habit of doing). Fitzgerald is spelled out here in all his glory, yet, we also get to see his unflattering side...paranoia, arrogance, unharnessed alcoholism, and downright neurosis.
F Scott Fitzgerald was a brilliant man whose life became legend. It is my humble opinion that Bruccoli has written the most thorough and best possible biography. Simply put, the read is fascinating. It might be 600 pages, but you will fly through it. It is "never dry" (like Fitzgerald :)) and always entertaining. For Fitzgerald fanatics like myself, this book is a must, but I am convinced that anyone who takes to "human interest" stories would find themselves engulfed in its pages.
Also recommended: "The Romantic Egoists"...a scrapbook collection put together concerning the lives of the Fitzgeralds. It is packed with pictures and is a wonderful companion to the biography. It was also published by Bruccoli.

0 of 0 people found the following review helpful.
Enthralling.
By Mack Lloyd
Couldn't put it down. Sweeping in scope, yet detailed and revealing about the complex life of the author.

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Jumat, 13 November 2015

## Download The Mrs. Dalloway Reader, by Virginia Woolf, Francine Prose

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The Mrs. Dalloway Reader, by Virginia Woolf, Francine Prose

The Mrs. Dalloway Reader, by Virginia Woolf, Francine Prose



The Mrs. Dalloway Reader, by Virginia Woolf, Francine Prose

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The Mrs. Dalloway Reader, by Virginia Woolf, Francine Prose

This first volume of its kind contains the complete text of and guide to Virginia Woolf's masterpiece, plus Mrs. Dalloway's Party and numerous journal entries and letters by Virginia Woolf relating to the book's genesis and writing. The distinguished novelist Francine Prose has selected these pieces as well as essays and appreciations, critical views, and commentary by writers famous and unknown. Now with additional scholarly commentary by Mark Hussey, professor of English at Pace University, this complete volume illuminates the creation of a celebrated story and the genius of its author.

Includes essays and commentary from:
Michael Cunningham
E. M. Forster
Margo Jefferson
James Wood
Mary Gordon
Elaine Showalter
Daniel Mendelsohn
Sigrid Nunez
Deborah Eisenberg
Elissa Schappell

  • Sales Rank: #436640 in Books
  • Published on: 2004-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.00" w x 5.25" l, 1.00 pounds
  • Binding: Paperback
  • 400 pages

From Booklist
How felicitous a pairing, that of Virginia Woolf--who elevated literature to glorious new heights with her glimmeringly beautiful prose and acute renderings of human consciousness but whose life has become the stuff of myth and speculation--and Francine Prose, a shrewd and thrilling novelist and insightful scholar of the creative process and women's lives. Prose's incisive introduction is worth the price of admission to this well-conceived study of the evolution and impact of Woolf's revolutionary novel, Mrs. Dalloway. Prose neatly characterizes what exactly Woolf achieves in this masterpiece, invaluable commentary that paves the way for Woolf's Mrs. Dalloway's Party, the sequence of seven stories that seeded the novel, and relevant entries from Woolf's diaries. Prose wisely includes the short story "The Garden Party," by Katherine Mansfield, the only writer Woolf envied, and presents a set of suitably eloquent critical essays by the likes of Michael Cunningham, Margo Jefferson, Mary Gordon, James Woods, and Sigrid Nunez. And then there's the jewel in question, Mrs. Dalloway itself, which completes this one-of-a-kind reader. Donna Seaman
Copyright © American Library Association. All rights reserved

Review

From the Inside Flap
The publication of Mrs. Dalloway in 1925 secured Virginia Woolf's place as a master of the modern literary form, and inspired generations of writers to come. This unique collection includes the complete text of Mrs. Dalloway and Mrs. Dalloway's Party, and also various journal entries and letters by Virginia Woolf relating to the genesis and writing of her masterpiece. Editor Francine Prose has selected these pieces as well as essays and appreciations, critical views and commentary by writers famous and unknown, all about Mrs. Dalloway. While Mrs. Dalloway remains Woolf's classic work, the lesser-known companion book, Mrs. Dalloway's Party is a kind of writer's notebook, containing many outtakes from Woolf's initial attempt to write Mrs. Dalloway. This complete volume illuminates the creation of a beloved book and the genius of its author.

Most helpful customer reviews

23 of 23 people found the following review helpful.
There she was
By john b
`Mrs Dalloway' is a kind of cultural phenomena.

Everyone that I know has a different take on who she is, what this book is, and what the novel is supposed to stand for. Enter into this fray the authors own opinion about the whole of it and you have an all-out melee of fiction versus fiction.

This book, The Mrs Dalloway Reader, attempts to focus this problem somewhat. In it, not only will you find the novel itself, but you will also find various supplementary materials that help to ease you into what this novel is and what it means to so many different people. From those whose experience began with trying to impress a girl (and the lucky happenstance of finding the book at a Book-Mobile) to those who fought off the strains of absinthe addiction, the short pieces in range from essays to the first `draft' of the novel `Mrs Dalloway's Party'. Include in this assortment such lovingly-crafted emulations as Jane Mansfield's `The Garden Party' and you've got yourself a real winning combination.

But is this a good reason to buy this book? Don't you need more reasons? Of course!

Take this one: I knew absolutely nothing about Virginia Woolf when I purchased this book. She lived about 100 years ago. She wrote many books and I've seen some of her diaries in the hands of female students when I was in high school about ten years ago. She is popular with the intelligent-female group, those who want to be well-read and know the difference between Mary Wollstonecraft and Mary Shelley. Add to this that I am a guy. Now, take all that and combine it, dashing in the fact that this book single-handedly introduced me to who Virginia Woolf is and what she stood for- just through the supplementary material- and you have not only a great novel but a good place to get your foot into the door of this wonderful writer.

Is that still not enough? Okay: supplementary material aside, how is the book? Wonderful. It is a style of writing that I've heard called `Impressionistic' by some learned person. This is true- until you read Virginia Woolf (who is far easier to understand than other stream-of-consciousness writers such as Joyce) you have no idea what great pictures such simple things as words can express. Mrs Dalloway does this too, moving the reader through a simple narrative that is painted with poetical words, bringing to life a novel that is to fiction what Renoir is to painting; only the basic outline is there, amid all the broad strokes, and you must look to find it...but it is amazing when you see it.

LP

Bottom line: If you know nothing about Virginia Woolf and want a good, solid platform from which to start, pick this one. If you know a lot about her and want to explore more, you pick this one too.

27 of 29 people found the following review helpful.
Woolf is not easy, but this book makes her easier
By Peggy Vincent
Francine Prose's Mrs. Dalloway Reader makes the enigmatic and brilliant Virginia Woolf's masterpiece and bit easier for us modern readers. Since the publication of Cunningham's spectacular The Hours and the movie titled the same, Woolf's writing has undergone a renaissance, rising once again on bestseller lists everywhere. But she's STILL difficult, with the loooong sentences, endless paragraphs, the convoluted windings of words and thoughts and phrases and explanations and descriptions and disclaimers with which her writing is rife.
This book is the missing link. It includes the complete text of Mrs. Dalloway and Mrs. Dalloway's Party, plus relevant journal entries and letters by Virginia Woolf relating to the creation of Mrs. Dalloway. Also included are essays and reviews by other writers, all about Mrs. Dalloway. Taken all together, these snippets function like a lovely roadmap into not only the character of Mrs. Dalloway, but into the mind of her creator.
Top notch.

5 of 5 people found the following review helpful.
Serious Readers Steer Clear!
By The Doc
Virginia Woolf's modernist classic "Mrs. Dalloway" has attracted a substantial body of commentary since its publication in 1925. The present volume entitled "The Mrs. Dalloway Reader" contains the full text of the novel itself, and a number of Woolf's short stories including "Mrs Dalloway's Party" which amounts to Woolf's first attempt at Chapter one of the novel it subsequently inspired. The selection of articles which completes the volume is something of a literary mixed bag. While some of the material is from the journals of Woolf herself, and therefore of particular interest and critical merit, other articles and fragments are less directly related to the text.
So, why buy a "reader" in the first place, instead of just the stand-alone novel? Presumably to have the experience of a landmark work of fiction in its own right, as well as to explore the illuminating thoughts of a variety of minds suitably equipped for the task of intelligent criticism. A laudable aspiration of course, but in the present instance, one that is hardly likely to be met.
Not even one of Woolf's high-flying literary contemporaries manages to do her novel justice. E. M. Forster's essay on the early novels of Virginia Woolf may be an attempt to contextualise "Mrs Dalloway" within a proto-Woolfian cadre, but it actually manages to spend much more time on the other novels it discusses than on the actual subject of this volume. The wandering discussion offered by Daniel Mendelsohn in "Not Afraid of Virginia Woolf" suffers from a sustained lack of focus, struggling as it does to explore the relationships between "The Hours", "Mrs. Dalloway", and "A Room of One's Own". That it is interspersed with sundry unilluminating literary and cinematic references further disperses its faltering focus.
But there's more! Michael Cunningham's "First Love" amounts to nothing more than a vacuous and self-indulgent trifle, while Sigrid Nunez, in her ominously titled "On Rereading Mrs. Dalloway" underlines for us the dangers of hyper-critical reflection and over-intellectualisation in the re-reading process. One truly hopes that she will now fulfil her promise of leaving Woolf's fiction alone and concentrating on her non-fiction. This may possibly mean that "Mrs Dalloway" could remain safe from at least one self-important literary iconoclast.
Clearly, the ironically named Francine Prose who edited this misguided volume was hard up for publishable material. Why else would we have to endure Elaine Showalter's tedious "Invigorating Life" which manages - wait for it - not to make a single mention of "Mrs Dalloway", but instead to concern itself entirely with Woolf's "A Room of One's Own"? Shouldn't that one have made it into the "A Room of One's Own Reader", or did that already contain too many misplaced articles on "Mrs Dalloway"?
In the midst of this mindless morass, there are few gems to justify the publication of a "reader" such as this. Certainly, Deborah Eisenberg's "On Mrs. Dalloway" is a largely mature and intelligent discussion, though rather too brief to do itself full justice; and Elissa Schappell manages in "That Sort of Woman" to personalise her ideas on the text, though hers is ultimately a self-centred narrative which, for anyone truly interested in Woolf's "Mrs Dalloway", must fail to satisfy.
I am a little surprised that Harcourt would run the risk of damaging their academic credibility with a volume as unsatisfying as this. A Mrs. Dalloway reader it really aint! Perhaps it might have been less of an exercise in false advertising, if the publishers had taken a leaf out of the Pythons' book and called it "The Not Exactly a Mrs Dalloway Reader but Something Remotely Approaching It", for what we have here is surely a sheep in Woolf's clothing.

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^ Fee Download The Diary of Anais Nin, Vol. 5: 1947-1955, by Anaïs Nin

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The Diary of Anais Nin, Vol. 5: 1947-1955, by Anaïs Nin

The author's experiences in Mexico, California, New York, and Paris, her psychoanalysis, and her experiment with LSD. "Through her own struggling and dazzling courage [Nin has] shown women groping with and growing with the world" (Minneapolis Tribune). Edited and with a Preface by Gunther Stuhlmann; Index.

  • Sales Rank: #761220 in Books
  • Color: Black
  • Published on: 1975-03-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .72" w x 5.50" l, .83 pounds
  • Binding: Paperback
  • 288 pages
Features
  • ISBN13: 9780156260305
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Ana-s Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she was the author of several novels, short stories, critical studies, a collection of essays, two volumes of erotica, and nine published volumes of her Diary.

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16 of 17 people found the following review helpful.
Anais's Excellent Adventure
By Ruth Edlund
This volume is number five in the original series of Nin's published expurgated diaries. (As the major players in Nin's life have passed away, and libel suits have become a lessening concern, her literary executor has begun releasing additional volumes from the same time periods as the expurgated works containing previously suppressed material, which makes talking about a "series" confusing at times.) Volume Five finds Nin in America after World War II, during the era of the Feminine Mystique, living what has to have been a fairly expensive lifestyle on both coasts, plus Mexico, with no visible means of support. Knowing more of Nin's actual biography than she is willing to divulge in this volume helps in understanding this puzzle--she was married to two men at the time, one in New York, one on the West Coast.
This volume appears to have been written with more care than the 1944-47 volume, perhaps because with Nin's second marriage she was no longer spending as much time compulsively "ensorcelling" younger men. Nin dates her entries by the month or season of the year, and they appear to be written with reflection, rather than in the heat of the moment. This suggests also that the entries may have been more heavily edited, either before they were ever incorporated into the diary or later, for publication. This raises an interesting question for which there is no answer: If a diary is edited by the alteration of text, as opposed to the deletion of uninteresting or controversial matter, should it still be considered a diary? How much editing can be done before a work becomes no longer a diary but a series of essays? It depends on what the definition of "diary" is, of course, but I think there is a good argument that this volume is no longer a bad diary, as volume four was, but a fairly good series of essays.
A number of interesting events happen in Nin's outer life in this volume that are engagingly described. She goes to Mexico and describes her exotic life there quite beautifully. She copes with the death of her mother. She has an interesting literary friendship with James Leo Herlihy more than a decade before his great success as the author of the book _Midnight Cowboy_. She drops acid under laboratory conditions (in 1955!).
Nin doesn't seem as whiny about her inner life as she did in volume four of this series. Her ongoing struggles with lack of literary recognition are thus easier for at least this reader to take in stride than in volume four. Nin also appears to achieve some sort of psychological breakthough with her therapist of that period, Dr. Inge Bogner, and, as Nin describes it, achieves objectivity. Whatever it was, she seems less frantic at this juncture in her life.
Because Nin has a track record of being somewhat slippery, it is always a great temptation to read her diary volumes in tandem with her letters, biographies...and fiction. Therein lies the rub with her constant complaints about her lack of literary recognition. Although I respect her ambition to show psychoanalytic process in her characters, I just find that she mastered the diary genre much more than the fiction forms she attempted. Read Amy Bloom's and Peter Kramer's fiction, not Nin's, if you want intense psychological fiction, but do read Nin's diary.
Verdict: pretty good, but hard to appreciate fully unless you know a lot about Nin and her work.

10 of 10 people found the following review helpful.
The Rich and Continuing Saga
By Stacey M Jones
I just finished a book I didn't want to read, The Journals of Anaïs Nin: Volume Five (1947-1955). I had planned to read it, and its time came, but I just didn't feel like it. Happily, it took me about two pages to change my mind and enjoy this book in a little less than a week.

Anaïs Nin was born Angela Anais Juana Antolina Rosa Edelmira Nin y Culmell in France in 1903 to composer Joaquin Nin, who was of Cuban and Spanish background, and his wife, Rosa, who was Cuban, French and Danish. After Joaquin abandoned the family, the family moved to the United States in 1914. With the disapproval of her mother, Nin began work as an artist's model to help pay the family bills, and then returned to Europe in 1923. She studied psychoanalysis under Otto Rank, practiced as a lay analyst and underwent therapy with Carl Jung for a time. Nin is also well known her for lovers, Henry Miller, Otto Rank, Gore Vidal and Edmund Wilson. She was married, I believe, twice, once to Hugh Guiler, who looked the other way regarding her affairs, and once, bigamously, to Rupert Cole.

Nin's fame these days is primarily as a diarist, and there seem to be two veins of her diaries, those she published in an expurgated form in ten volumes, which remain popular, and another five-volume series of unexpurgated journals that focus on a shorter window of time around the decade of the 1930s. This book is from the former series, and is copyrighted in 1974. I have no idea where I got it.

Nin also wrote fiction, and I've read two of her fictional works, Spy in the House of Love and Delta of Venus. I also have read a biography, Anaïs: The Erotic Life of Anaïs Nin by Noel Riley Fitch. She was a peripheral literary figure during most of her lifetime and she died in 1977.

The main focus of her work seems to be psychological realism, and as she grew older, she seemed to see her diaries as the primary outlet of that stream of thought. As she writes in a letter to Max Geismar, copied into her journal in the winter of 1954-1955, "I only need to continue my personal life, so beautiful and in full bloom, and to do my major work, which is the diary. I merely forgot for a few years what I had set out to do."

This diary focuses on various themes of her life during this time, her struggle to get Spy published (she ends up self-publishing it), her travels and time spent living in Mexico, her friendships with Geismars and Jim Herlihy, her psychoanalysis with a Dr. Inge Bogner, and a return to the focus of her work as a diarist. She includes wonderful interludes about her life in Acapulco; a return trip to Paris, which is deliciously recounted with her nostalgic expectations sometimes being born out and sometimes failing; letters to and from Henry Miller; the fruit of her work with Bogner; and the story of her last days with her mother before Rosa's death from a heart attack.

This last is touchingly told, and she follows her feelings about both her parents to see how she reclaimed their characteristics with pride once they were lost to her, the same characteristics she sought to reject in herself while her parents were living.

Nin's writing is rich, like a filling meal, so the episodic and brief passages of the expurgated journals are suitable, somewhat "bite-sized," so to speak. In many ways she is very likable, and her descriptions of her life, travels, lectures and parties (she attends a costume party for which attendees were to dress as their own madness. She went bare-breasted with a bird-cage on her head...!) are fascinating, a look at her social circle and those who influenced her.

And sometimes, I thought, "Wow! I really would not like her!" especially when she wrote about meeting a very bizarre woman in New York, Nina Gitana de la Primavera, whom Nin admired for living even less in reality than Nin herself did. From Nin's diary description, I thought, "This woman is just crazy!" but Nin and Herlihy had a brief friendship with her, even though they had at first a deep visceral negative reaction to her. Herlihy attributed this reaction to his fear that Primavera was living as he would have liked, but was too afraid to do, so they forced themselves to spend time with her.

The book ends with Nin recounting an LSD trip she experienced at the behest of a psychologist who was trying to study its effects. He wanted her to participate because as a writer, she could better articulate the experience, which is clearly drawn in the journal. She seems to come to the conclusion that the drugs merely heightened what was in her own mind, as symbols appeared real to her that she had previously used in her work.

While the book is an enjoyable interlude, there is an underlying loneliness to it, as Nin fights the sadness of being rejected for her work and her dedication to creating a reality that links intellect and emotion in a fiction that she finds truer than literary realism. " I have raged at the wall growing denser between myself and others. I do not want to be exiled, alone, cut off. I wept at being isolated, at the blockade of the publishers." I found the book very interesting and readable. I recommend it.

3 of 3 people found the following review helpful.
Consumed By Lies & Ambition
By The Wingchair Critic
Anais Nin is the kind of contentious literary figure that readers of all backgrounds tend to find either attractive and inspirational or completely dislikable, with strong feeling running on either side. Among the literati of the 20th century, Lawrence Durrell, Henry Miller, Otto Rank, Marguerite Young and James Leo Herlihy fell into the first group, Djuna Barnes, Paul and Jane Bowles, Diana Trilling, Elizabeth Hardwick, Gore Vidal and May Sarton, into the second. The eminent critic Edmund Wilson was fascinated by Nin as an individual and attempted to her help in a variety of ways, but remained largely adverse to her writing.

Those of an ethical frame of mind tend to dislike Nin, since she was, in addition to being ruthlessly ambitious and self-promoting by any standards (even the anaisninblog.com site states, "there were few self-promoters as tireless as Anais Nin"), an active bigamist by choice for nine or more years of her life--living with one husband or the other as her needs dictated--and an enthusiastic participant in an ongoing incestuous sexual relationship with her biological father at the time she was a young married woman (though this fact was omitted from the initially-published diary and not known to the public until after Nin's death, the relationship is reflected in passages like "Guilt about exposing the father. Secrets. Need for disguises. Fear of consequences. Great conflict here. Division.").

As a diarist, Nin perpetrated a successful literary fraud that lasted over thirty years, until, some sixteen years after her death, a long 1993 article in The New Yorker exposed her deception in scrupulous detail. Ironically, her fraud particularly influenced many feminists of the late 1960s and early 1970s, who held Nin up as a sterling example of the independent, self-created ‘new woman’ they themselves wished to become. Thus those women were deceived by the very heroine they attempted to emulate.

In addition to short stories and surrealist pieces, Nin was also a composer of five nearly plotless novels featuring female protagonists, which she managed to have published with the aid of influential men (including Vidal and Wilson), though all were essentially critical and commercial failures upon release.

The initial problem with Nin's diaries as originally published is that Nin eliminated too many fundamental facts about her existence. Thus, readers of Volume One (1966) never learn that Nin married banker Hugh Guiler when she was 20 (and remained legally married to him for the rest of her life), or that it was Guiler's hefty income which allowed Nin the seemingly enviable life of creativity, luxury, and international travel she enjoyed. A self-made, financially independent woman Nin was not. And in time, due to her bigamy, she would rely not one husband for economic support, but on two.

This is of critical importance, for example, when considering the period during the 1940s when Nin printed several of her books on a privately-owned printing press, first on McDougal Street and later on 12th Street in the East Village: arduous work nonetheless perhaps, but the impression the reader receives from Volumes Three and Four of the diary is that Nin was an unmarried, poverty-stricken bohemian, successfully combatting an indifferent publishing world, freezing weather, tedious work, long hours, threatening pseudo-mafioso and nearly impossible odds.

The truth, on the other hand, is that Nin choose to print some of her books herself when publishers rejected them, but was otherwise living a life of plenty with her banker spouse on West 13th Street in Greenwich Village. Though Nin constantly writes of her pocketbook being literally and figuratively empty ("When I was alone, I ate badly, to save money...this winter, I had no gloves in freezing weather"), even the casual reader will notice that she incongruously spends her summers in Saint Tropez, Provincetown and Southampton on what appear to be an annual basis, and with no mention, ever, of any financial sacrifices she had to make or struggles she had to endure to be able to afford such trips. Presumably these months-long vacations, like so many other fundamental parts of her life, were paid for by her banker husband.

As initially published, the diaries, rewritten and edited exclusively by Nin, deleted all information relating to her long sexual relationship with her troubled father, her husband, and, in subsequent volumes, anything of her second, bigamist marriage to Rupert Pole in the mid-1950s. Most importantly, readers never knew that the diaries were substantially rewritten by Nin before release, so that diary entries ostensibly written by a bright, curious, somewhat inexperienced woman of twenty-eight were in fact completely reshaped by a mature woman of sixty-three, one with all the benefits of shrewd hindsight at her disposal.

Today, anyone who reads the early 'unexpurgated' volumes, which began to appear in the 1990s (and which, thanks to greedy and careless publishers, quickly aided in the complete unraveling of Nin's reputation), can observe the remarkable difference between the clumsy, largely uninteresting writing in the 'unexpurgated' volumes as opposed to the fluid, nimble and more lucid style found in 'The Diary of Anais Nin Volume 1: 1931-1934.’

'The Diary of Anais Nin Volume V: 1947-1955' (1975) appears to present Nin in her prime as a woman and artist, since she seems to have finally, after many years of experience, effort and psychoanalysis, become capable of authentic objectivity about herself, her life and the world. The volume opens with Nin living for several blissful months in Acapulco (ostensibly alone, but presumably with future second husband Rupert Pole) and ends with her experimenting legally with LSD while being observed by research scientists. Throughout the volume, Nin splits her life between Sierra Madre and Manhattan, since, as it is now known, Pole lived on one coast and Guiler on the other.

One of the ongoing themes of Volume Five is Nin’s attempt to cope with the anxiety that plagued her, and for which she seeks treatment with psychiatrist Dr. Inge Bogner. But of course Nin suffered from anxiety—she was alternately living with and lying to two husbands, neither of which was aware of the other, and her long sexual relationship with her father no doubt left inner scars of some kind.

Volume Five also outlines the writing of her most famous novel, 'A Spy in the House of Love' (1954, which revolves around a woman in a marital situation not unlike’s Nin’s during that period of her life) and the trouble she had attempting to get it published, as well as her growing friendships with painter Renate Druks (who, like Nin, was romantically drawn to younger men), underground filmmakers Curtis Harrington and Kenneth Anger, Marxist critic Maxwell Geismar, budding novelist James Leo Herlihy and composer Peggy Glanville-Hicks.

Nin seems admirably enlightened throughout much of Volume Five, but the question remains: when did Nin actually write the words contained, and how many of those words reflected the truth? Did she write them between 1947 and 1955, or some twenty-odd years later? Was the text written by an earnest woman writing between her forty-fourth and fifty-second years, or by a calculating woman of seventy?

With Nin's reputation in literary free fall, it is unlikely the world will ever really know the truth.

Another striking aspect of the diaries is that Nin routinely portrays herself and her motivations in a favorable light: she never addresses her willfulness, ambitions, deceits or manipulations as such, but continually presents herself as someone who routinely places the needs and feelings of others first. In her own eyes, she is self-sacrificing in every manner possible, considerate, giving, supportive, tolerant, understanding, helpful. But Nin was also capable "throwing the foetus [sic] in the river" after her employee, whom she refers to as "Albertine, the mousy maid," has a miscarriage on Nin's houseboat.

One of the reasons why Nin probably felt such a ceaseless sense of guilty obligation towards her mother, Henry Miller’s second wife, June, and Gonzalo More’s invalid wife, Helba Huara, is because, in each case, she was actively involved in a protracted sexual relationship with each of their husbands, though in her mother’s case, the couple had been separated some years before.

But Nin, who has quite a lot to say about WASP social hypocrisy throughout the diary, was highly dishonest and calculating throughout her lifetime, suffered from what today would be diagnosed as sexual addiction, and left many people who knew her disgusted with her and unable to say anything good about her whatsoever.

For example, one of the reasons Diana Trilling and other critics, especially female critics, took such umbrage with Nin's fiction is because they knew, through the grapevine of the Manhattan publishing world, that Nin freely compromised herself sexually to get her writing in print (one abundantly documented example is Nin's relationship with Edmund Wilson in the 1940s). Poet and one-time friend Robert Duncan went on to call her 'Anus Ninny' whenever possible, while early friend and traveling companion Gore Vidal spent a good part of his later career disparaging her in print whenever possible.

As has been remarked upon by many, Nin also tended to flatter herself to an extraordinary degree in the diary's pages ("..of all women, I seem the most idealized, the most legendary, a myth, a dream"), and seems never have let pass an opportunity to record compliments paid to her by others. Both actions may have been the result of Nin's admitted neurosis, a continual process of undervaluation and overvaluation of self.

Though Nin also clearly had a great many positive qualities, due to her own willfulness, manipulative personality and frustrated ambitions, she repeatedly sabotaged herself professionally, culminating in the initially-successful publication of the diaries in 1966, which brought her worldwide fame in her lifetime. But the Diary, as published, was essentially a lie and a fantasy.

As an adult--and as a trickster figure--Nin loved physical and metaphorical labyrinths, and they repeatedly appear as a motif in both the diary and her fiction. The actual labyrinth Nin created, however, was the web of deceptions she spun in both her personal and professional lives, and in which, finally, she herself would be caught. Nin’s decades of active psychoanalysis with Otto Rank, Rene Allendy, Martha Jaeger, Dr. Bogner and others ultimately failed her; interestingly, Nin had little good to say on the subject of morals or ethics, the very things that might have saved her and put her on the path to the kind of life she professed to want to live.

Had Nin allowed her diaries to be published as originally composed, posterity would have been able to accurately judge her talent by weighing the diaries on their own merits. But, having made almost a second career of deceit, Nin ultimately proved to be her own worst enemy, and thus is likely to be swept permanently into ‘the dustbin of history,’ or, if remembered at all, as little more than a footnote in literary history as "an early mistress of Henry Miller, who also wrote."

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Kamis, 12 November 2015

~ PDF Ebook I Have Heard You Calling in the Night, by Thomas Healy

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I Have Heard You Calling in the Night, by Thomas Healy

I Have Heard You Calling in the Night, by Thomas Healy



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I Have Heard You Calling in the Night, by Thomas Healy

T homas Healy was a drunk, a fighter, sometimes a writer, often unemployed, no stranger to the police. His life was going nowhere but downhill. Then one day he bought a pup—a Doberman. He called him Martin. Gradually man and dog became unshakable allies, the closest of comrades, the best of friends. They took long walks together, they vacationed together, they even went to church together. Martin, in more ways than one, saved Thomas Healy’s life.

Written with unadulterated candor and profound love, this soulful memoir gets at the heart of the intense bond between people and dogs.

  • Sales Rank: #2270681 in Books
  • Published on: 2007-09-17
  • Released on: 2007-09-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .56" w x 5.25" l, .48 pounds
  • Binding: Paperback
  • 224 pages

From Publishers Weekly
Novelist Healy was a raging, brawling drunk until, on a whim, he adopted a Doberman pinscher puppy he named Martin. He nursed Martin through illness and wounds; Martin in turn stood guard over him while he lay passed out in fields. Their bond, and the slight but persistent duty of caring for Martin enabled Healy to very fitfully begin to recover from his alcoholism and propensity to violence and gently nudged him toward an understanding of himself and God. Healy embeds the story in a memoir of his life in the slums of Glasgow, his relationship with his parents, his conflicted attitude toward the church and his many loves, from a youthful encounter with a whore with a heart of gold to a mature affair with a boss who fired him after he makes clear that Martin is more important to him than she is. "It was not right that a man should need a dog as much as I had needed him," Healy acknowledges, but he makes no apologies that "for whatever reason, my best pal possessed four legs instead of two." In Healy's heartfelt prose, this eccentric friendship becomes the core of a moving meditation on the mysterious nature of redemption. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Up until he was nearly 40, Glasgow native Healy was living a tough, downward-spiral kind of life. He was a drinker, a fighter, and a mostly unemployed writer, and he was living with his mother, the only person who could put up with him. Then two things happened that changed his life: someone bought the film rights to one of his short stories, and he bought himself a Doberman pinscher puppy, whom he named Martin, after the man who bought the film rights. The offbeat, heartwarming relationship between the author and his companion--pet seems to miss the point entirely--makes up the bulk of the book, with frequent side trips into the past to show us Healy as he was before Martin (both Martins, actually) reversed the course of his life. Although evidently meant to appeal to readers of the memoirs of Frank McCourt (and his many imitators), the book stands firmly on its own two feet, and offers a revealing lesson in how quickly, and unexpectedly, a life can change. David Pitt
Copyright © American Library Association. All rights reserved

Review
PRAISE FOR I HAVE HEARD YOU CALLING IN THE NIGHT


"This book is everything Marley & Me is not: smart, acerbic, laconic, with nary an ounce of treacle dripping through Healy's muscular prose. A."―Entertainment Weekly

"Healy's memoir tells how the love he came to feel for Martin led him to quit drinking and fighting and make a new life. Healy's tone is whimsical more often than sentimental, but that doesn't prevent him from concluding that Martin was ‘a gift from God.’"―The Christian Science Monitor

Most helpful customer reviews

30 of 32 people found the following review helpful.
"It woke me nights, the bump of his chest upon the floor."
By Luan Gaines
Perhaps when he chooses the Doberman puppy and takes him home, writer Thomas Healy knows a moment of hope, however brief, an impulse to care for other than himself in a downward spiraling life. It is many years before Healy is unburdened of his alcoholism and the diminishment of his soul, years of spiritual struggle and the insensible desire for drink. But the dog, Martin, injects another element into the lonely man's days, planting a seed that will take root over time and turmoil, finally releasing him from the bondage of his addiction.

Healy never considers himself a religious man, but Catholicism is in his bones, the DNA of this Scotsman and his family in Glasgow. Religion is part of the social fabric of their lives, in the home the author shares with his mother, the midnight masses they attend on Christmas Eve, in the prayers they say, the novenas he starts but never seems able to complete. Thomas is a drifter, unable to work at his former job, prone to wasting his days in alcoholic oblivion, sporadically sober, but never long enough to escape his demons or his sorrow. The years pass, leaving their mark on Healy's shredded psyche, faithful Martin ever at his side, best and only friend.

When Healy's elderly mother finally succumbs to a stroke, he is distraught; soon after she is sent to the hospital, he notices how badly the faithful Martin is failing as well. The loss of both is almost more than the bereaved man can bear. As Thomas unravels, the drink taking him nearer and nearer the precipice of no return, it is the memory of Martin and thoughts of his mother that buoy him through the darkest of nights. After years of degradation and loss of hope, Healy finds his way home, rediscovering his spiritual connections. In blunt, honest prose, Healy describes his horrendous journey, embracing every aspect of his life, his affections and his flaws, coming to terms finally with the brittle hubris that every alcoholic must face. Luan Gaines/2006.

7 of 7 people found the following review helpful.
Dogs, faith, and love
By Valerie Gronholm
I finished this book last night and was sorry to have it end. I had really enjoyed looking forward to picking up where I had left off the previous reading. This story was well written because it was from the heart. An honest look at oneself by a man who was redeemed and given a second chance by his love for a dog. His deepening faith over a long period of time, as a Roman Catholic, was beautifully depicted, as was his love for his mother and his wonderfully supportive sister, Mary. I would recommend this book for anyone who loves dogs; has an addiction; or wants to read an inspiring story of increased faith by a very beautiful author. Hope you keep writing more for us!

5 of 5 people found the following review helpful.
More of a Person Book than Dog Book
By Kirstin Steele
A great story of how a dog can be a positive force in one's life. I was a little disappointed that the book focused more on the result of the positive force, than on the dog himself. But that's because I like dog books...

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