Selasa, 15 Desember 2015

!! Ebook The Letters of Virginia Woolf, Volume IV, 1929-1931, by Virginia Woolf

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The Letters of Virginia Woolf, Volume IV, 1929-1931, by Virginia Woolf

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The Letters of Virginia Woolf, Volume IV, 1929-1931, by Virginia Woolf

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The Letters of Virginia Woolf, Volume IV, 1929-1931, by Virginia Woolf

These years were dominated by one woman and one book. The woman was Ethel Smyth; the book was The Waves. This volume's "unerringly human and confessional tone makes Woolf, at last, a real person" (San Francisco Chronicle). Edited by Nigel Nicolson and Joanne Trautmann; Introduction by Nigel Nicolson; Index; photographs.

  • Sales Rank: #2052199 in Books
  • Color: Yellow
  • Published on: 1981-05-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.20" w x 5.50" l, 1.35 pounds
  • Binding: Paperback
  • 442 pages
Features
  • ISBN13: 9780156508841
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
VIRGINIA WOOLF (1882–1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.

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Senin, 14 Desember 2015

!! Download The Mysterious Flame of Queen Loana, by Umberto Eco

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The Mysterious Flame of Queen Loana, by Umberto Eco

Yambo, a sixtyish rare-book dealer who lives in Milan, has suffered a loss of memory-he can remember the plot of every book he has ever read, every line of poetry, but he no longer knows his own name, doesn't recognize his wife or his daughters, and remembers nothing about his parents or his childhood. In an effort to retrieve his past, he withdraws to the family home somewhere in the hills between Milan and Turin. There, in the sprawling attic, he searches through boxes of old newspapers, comics, records, photo albums, and adolescent diaries. And so Yambo relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Fred Astaire. His memories run wild, and the life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to capture one simple, innocent image: that of his first love.

A fascinating, abundant new novel-wide-ranging, nostalgic, funny, full of heart-from the incomparable Eco.

  • Sales Rank: #495816 in Books
  • Brand: Harvest Books
  • Published on: 2006-06-05
  • Released on: 2006-06-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.19" w x 5.31" l,
  • Binding: Paperback
  • 469 pages

Amazon.com Review
The premise of Umberto Eco's The Mysterious Flame of Queen Loana, may strike some readers as laughably unpromising, and others as breathtakingly rich. A sixty-ish Milanese antiquarian bookseller nicknamed Yambo suffers a stroke and loses his memory of everything but the words he has read: poems, scenes from novels, miscellaneous quotations. His wife Paola fills in the bare essentials of his family history, but in order to trigger original memories, Yambo retreats alone to his ancestral home at Solara, a large country house with an improbably intact collection of family papers, books, gramophone records, and photographs. The house is a museum of Yambo's childhood, conventiently empty of people, except of course for one old family servant with a long memory--an apt metaphor for the mind. Yambo submerges himself in these artifacts, rereading almost everything he read as a school boy, blazing a meandering, sometimes misguided, often enchanting trail of words. Flares of recognition do come, like "mysterious flames," but these only signal that Yambo remembers something; they do not return that memory to him. It is like being handed a wrapped package, the contents of which he can only guess.

Within the limitations of Yambo's handicap and quest, Eco creates wondrous variety, wringing surprise and delight from such shamelessly hackneyed plot twists as the discovery of a hidden room. Illustrated with the cartoons, sheet music covers, and book jackets that Yambo uncovers in his search, The Mysterious Flame of Queen Loana can be read as a love letter to literature, a layered excavation of an Italian boyhood of the 1940s, and a sly meditation on human consciousness. Both playful and reverent, it stands with The Name of the Rose and The Island of the Day Before as among Eco's most successful novels. --Regina Marler

From Publishers Weekly
Guidall gives a polished, Masterpiece Theatre–worthy sheen to Eco's odd, funny tale of Yambo, a man who discovers that while remembering the plots and details of all the books and films he's ever read or seen, he has no recollection of his own life or his name. His sonorous tones are soothing, lending Eco's prose a certain hushed aura, but there is something strangely off about the marriage of the Italian author's intellectual mystery story and Guidall's rolling British cadences. It is as if Guidall's Oxbridge enunciation were thought necessary to gussy up Eco's novel, something it is distinctly not in need of. Overemoting, Guidall turns Yambo into a ham actor rather than a slightly comic figure befuddled by a world full of mysterious and alluring signs. Guidall does do a solid job capturing the quicksilver changes in emotional temperature of the volatile protagonist, who is unable to comprehend the confusing new world he finds himself in. Even in this, though, Guidall is more like an actor professing befuddlement than someone actually finding himself disoriented by his mind's empty spaces.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Eco, known for his philosophical musings, witty allusions, historical and literary criticism, and play with the postmodern world of signs and semiotics, writes with deep intelligence in this novel of ideas. For those who haven’t memorized Bartlett’s Familiar Quotations, Queen Loana is, at heart, a simple detective story. Awaking from a coma, a man seeks to recover his identity (not to become a better person, as the more clichéd version might have it, but to relive the memory of Italians who lived under Mussolini).

Readers interested in literary allusions and the fine line between fantasy and reality will find Queen Loana both fun and erudite; Eco knows just as much about Fred Astaire as he does Marcel Proust. A survey of Italian pop culture of the 1930s and ‘40s, together with recollections of Piedmontese Italy and Fascism, will delight those interested in the intersection of history and literature. Yet this time Eco’s esoteric musings may have maimed the narrative. A few critics accused Eco of embracing semiotics over storytelling, of introducing narrative possibilities with no resolution, of over intellectualizing, period. Connections between Yambo’s reading and the small revelations relating to his sexual awakening, Catholic guilt, and wartime experiences fail to cohere. As a result, some reviewers saw Yambo as an abstruse, "annoying pedant" (San Francisco Chronicle). Others, noting biographical parallels between Yambo and Eco, wondered why the author chose not to write a straight memoir that came more from the heart than the brain. Despite these flaws, readers interested in following one man’s journey through his befuddled psyche will not be disappointed—as long as you’re up on your literature and pop culture.

Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

119 of 123 people found the following review helpful.
"Memory and forgetfulness are as life and death
By Lonya
to one another. To live is to remember and to remember is to live. To die is to forget and to forget is to die." Samuel Butler

I approached Umberto Eco's new novel, The Mysterious Flame of Queen Loana, with some trepidation. I have sometime found Eco's work to be a bit difficult to get through. It became very apparent that I would have no such problems with this book. The Mysterious Flame of Queen Loana was not only a very accessible book but, more importantly, it was at once both immensely enjoyable and thought-provoking.

Before turning to the book itself, I found it interesting that the book is filled with illustrations. Throughout the book World War Two propaganda posters, newspaper clippings, comic book pages, and ads from Italian fashion magazines are printed alongside the text. Some might assert that Eco's reliance on illustrations may detract from the text or represent something of a gimmick. I think the illustrations are visually stunning and serve to recreate the social and political atmosphere of Italy in the 1930s and 1940s during which time much of the book takes place. They add a visual punch to the thoughts of Eco's narrator.

The book opens with Giambattista Boldoni, a 59-year old rare book dealer, awaking from a light coma in a hospital after suffering a stroke. It is determined quickly that Boldoni, known to his friends and family since childhood as Yambo, is suffering from partial amnesia. Although he has a vivid memory of social and cultural events through his life he has no memory of anything relating to his personal life. The first chapter is a classic of pop-culture allusions and metaphors. Yambo's sentences come out in stream of consciousness fashion with no personal context at all. Yambo's sentences consist of a series of bits of quotations from Poe, Conan-Doyle, Robert Lewis Stevenson, songs, ad slogans and other reference that I could spend weeks trying to identify. The rest of the book, like Eco's Name of the Rose of The Island of the Day before is something of a detective story. Yambo turns sleuth and sets out to discover who he is and how he came to be him.

Yambo and his wife agree in short order that this mystery would best be solved if Yambo moves back to his family's country home were Yambo spent most of his childhood. He arrives to find that most of his possessions and those of his parents and grandparents are stored in the attic or in various locations throughout the house. He begins opening boxes to find old phonograph records, school notebooks, photographs, Italian and American comic books and newspaper clippings dating back to the 30s and 40s'. Some of these items ignite a little spark in his head (as Eco puts it) but nothing really serves to restore his memories. Those little sparks seem futile and frustrate Yambo, like a butane cigarette lighter on a windy day must frustrate a smoker just dying to light up a smoke. Nevertheless, Yambo makes some progress. About halfway through the book Eco introduces a dramatic twist in the plot (which will not be divulged) that changes the nature of Yambo's quest.

The second half of the book is devoted to Yambo's examination of his life as he now remembers it and the meaning of his quest for his identity. Answer to questions raised in the first half of the book, such as Yambo's strange attraction for foggy days, are explained. The tone of the narrative in this half of the book is quite different from the narrative in the first. As more information is revealed to Yambo, and to the reader, the focus turns not just to Yambo's quest for memory but the importance of memory in one's life. At the same time, what we choose to forget is sometimes just as important to the structure of our lives as that which we choose to remember.

The intricate thought processes of Yambo as he seeks to recreate his life are set out beautifully by Eco. It is hard to describe the impact of Eco's writing except to refer back to the sentences that Samuel Butler wrote after those lines that started this review:

"Everything is so much involved in and is so much a process of its opposite that, as it is almost fair to call death a process of life and life a process of death, so it is to call memory a process of forgetting and forgetting a process of remembering." Memory and forgetfulness are as life and death to one another, for Yambo and, through Yambo's thoughts, to the reader.

The Mysterious Flame of Queen Loana is well worth reading.
L. Fleisig

66 of 69 people found the following review helpful.
Eco at His Best & Worst
By Timothy Haugh
Umberto Eco is one of the few writers whose incredible intelligence blazes on every page of his books. Fortunately, despite the fact that his intelligence cannot be ignored, he generally doesn't make his reader feel small and stupid. In fact, when Eco is at his best, the fascinations of the story draw you in and make you forget the challenges of what you are reading. When he is at his worst, the going gets tougher, like listening to a professor who is interesting but not really entertaining. In The Mysterious Flame of Queen Loana we get Eco at his best and worst.

This novel is divided into three parts and the first part is as good as anything Eco's written since The Name of the Rose. We are given the interesting premise of a man, Yambo, who has lost the memory of the events of his life while retaining the memory of the things he has learned--the books he has read, the music he has heard, etc. Eco is able to believably evoke the experience of this man whose mind is like a textbook, full of facts but with no connection to the people who sees before him. It is a fascinating point of view. As the story progresses, he and his family and friends attempt to figure out ways to bring back his personal memories. To that end, he is packed off alone to his childhood home in Solara.

It is in part two, the stay in Solara, where the going gets tougher. This section is basically a review of the music and literature of pre- and post-WWII Italy. Not being Italian, I had very little connection to the bulk of the material described though it did evoke some memories of my own childhood literary experiences. It is amazing how much literature really does become universal in Western culture. Still, this section basically came across as Eco's own stroll down memory lane and I think, even for an Italian of similar vintage, it goes on rather long.

In section three, Eco gets back on track with his story. Yambo has had another "episode" but this time his personal memories are returning. We hear Yambo's unconscious mind answer some of the questions about his life that have been raised, the bulk of which centers around a great story of the young Yambo helping some Partisans escape capture during the war. I was less than thrilled by Eco's version of the "going into the light" death at the end of the book but he gained back a lot of my goodwill in this closing section.

In the final analysis, this is a pretty good novel. Eco's work will forever suffer in comparison to his truly great first novel, The Name of the Rose. I have read all of his novels since then and this is without a doubt the best complete novel he's written since Foucault's Pendulum. Some of the writing in section one may be the best he's ever done. It is definitely worth reading.

18 of 18 people found the following review helpful.
Richly Eco
By Robert Busko
The Mysterious Flame of Queen Loana is one of Eco's richest novels in a while...perhaps the richest since The Name of the Rose. Each of his novels, all of them, have provided the patient reader with rewards aplenty. The Mysterioius Flame, you will find, is worth the effort it takes to read it.

Yambo, a 60ish antiquarian book seller has a stroke that virtually wipes his mind clean...clean as if someone had erased a chalk board. The only memory he has is of the words he has read...all of them. His personal life, the fine points of reference we all need to know who we are...to define ourselves is gone. No recollection of family, friends, history....gone.

Yambo retreats to the family estate, Solara, where he has kept virtually every scrap of paper, every photograph...all the things we all keep to keep track of ourselves. He hopes that by surrounding himself with this material he will be able to regain his memory.

Eco is a superbly rick novelist. His stories are made up of various layers, each supporting and enhancing the other. The characters are memorable, the story well weaved. Even his setting, Solara is a treat. I can't help but believe that part of the difficulty in reading his work is due to the translating. Certainly Eco is several levels above most of his contemporaries. Does America have anyone like him.

You'll love the Mysterious Flame.

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Minggu, 13 Desember 2015

^ Download PDF Donnybrook: The Battle of Bull Run, 1861, by David Detzer

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Donnybrook: The Battle of Bull Run, 1861, by David Detzer

In April 1861, Confederate artillery blasted Fort Sumter into surrender. Within weeks, the Confederacy had established its capital at Richmond. On May 24, Lincoln ordered troops across the Potomac into Virginia, only a few miles from the Confederate military base near the hamlet of Manassas. A great battle was inevitable; whether this would end the war, as many expected, was the only question. On July 21, near a stream called Bull Run, the two forces fought from early morning until after dark in the first great battle of the Civil War. America would never be quite the same.

Donnybrook is the first major history of Bull Run to detail the battle from its origins through its aftermath. Using copious and remarkably detailed primary source mate-rial-including the recollections of hundreds of average soldiers-David Detzer has created an epic account of a defining moment in American history. This new paperback edition includes additional maps.

  • Sales Rank: #2295537 in Books
  • Published on: 2005-09-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.49" w x 5.25" l, 1.44 pounds
  • Binding: Paperback
  • 576 pages

From Publishers Weekly
The Civil War’s first major battle was not especially bloody or decisive, but this fascinating study makes it an apt microcosm of the conflict. Historian Detzer (Allegiance: Fort Sumter, Charleston and the Beginning of the Civil War) provides a lucid narrative of the battle’s course, judiciously assesses the causes and authors of the Union defeat, draws vivid thumbnail sketches of participants from generals to privates, and debunks the "stone wall" legend and other enduring myths of the battle. But the book’s greatest strength is its account of the social, psychological and organizational aspects of warfare in the Civil War epoch. Fought by hastily mobilized amateurs, the battle highlighted the Herculean difficulties the two sides faced in clothing, supplying and feeding large armies and trying to turn fractious civilians into competent soldiers. And Bull Run gave volunteers imbued with romantic jingoism their first taste of the horror, chaos and physical agony of combat. Drawing on a mountain of first-hand accounts, Detzer paints a detailed panorama of every aspect of army life, from the mechanics of working a musket, to the grisliness of battlefield medicine, the scrounging for meals and the suffering through long, waterless marches on a sweltering July day. The result is a splendid portrait of the Civil War as the soldiers knew it. B&w photos not seen by PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* This is the fourth account of the First Battle of Bull Run (or Manassas) to appear in the last 15 years, but Detzer's work stands above the crowd because it possesses several superior qualities. Narrative verve is present, but more important is the author's grip on how difficult it was for Civil War generals to control a battle, and how difficult it is for a historian to reassemble the chaos of combat into a coherent chronicle. Returning to these two challenges as he recounts the preliminary maneuvers that precipitated Bull Run, Detzer revises the blame conventionally heaped on the losing Union general, Irvin McDowell. Among other reasons, McDowell's attack plan misfired because of a staff officer's incompetence, despite which he almost gained the victory. This is where the "Stonewall" Jackson legend comes into play. Detzer dismantles the moniker--allegedly uttered by a Confederate general killed in the battle--as both fictitious and out of proportion to the dubious stalwartness of Jackson's regiments, two of which completely cracked. Detzer also vivifies the soldier's experience of fear and physical exhaustion, polishing what is nearly a model of how a Civil War battle history should be written. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review
"A lucid narrative of the battle''s course. A splendid portrait of the Civil War as the soldiers knew it." (PW Online)

"A marvelous account. Comprehensive, thorough, deeply researched, rich in detail, and highly readable." (John C. Waugh)

"Nearly a model of how a Civil War battle history should be written." (Booklist)

"A primer on Civil War military organization, training, and experience." (Library Journal)

"A vibrant narrative history that will appeal to a wide range of readers. Very effective and unfailingly entertaining."<br> (North & South Magazine)

"Detzer establishes himself as the premier historian of the war''s first months, as Donnybrook follows his thoughtful, much acclaimed Allegiance." (American Civil War)

"This is history as it should be written." (Seattle Times)

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By mazz fdny
this and baptism at bull run are the best books on the this most important battle .

13 of 14 people found the following review helpful.
No maps but still well worth picking up
By B. Morris
If you have read David Detzer's book Allegiance then you are already familiar with his wonderful writing style. Detzer is really a talented writer and Donnybrook definately lives up to his previous works. It's well researched and well written.

One of the nice things about Detzer's work here is that like with Allegiance, it's not just the story of the Xs and Os of the battle but the political and social atmosphere surrounding it. In the end the reader is left with not just a better understanding of the battle itself but the political pressures involved.

One point I especially enjoyed was the book dealt rather heavily with General Patterson and his failed attempt to hold Johnston's forces in the valley so they could not reinforce Beauregard at Manassas Junction. Detzer shows pretty convincingly that General Winfeld Scott's confusing orders had as much as anything to do with Johnston's ability to escape Patterson and join Beauregard.

My only criticism of this book is that there are no maps of the battle. There is a general map of the Eastern Theater inside the front cover but that's all. While Detzer does a wonderful job in describing the battle and the actions of the units I still think he should have included at least a few to help the reader better understand the movements of the armies.

If you are someone familiar with the battle before reading the book, this shouldn't be a problem. If you are rather new to the battle you might want to look up a map of the battlefield online when reading it. Either way, this is still a fine book so don't let the lack of maps keep you from picking this one up.

16 of 18 people found the following review helpful.
Like A Martini with No Olive
By Civil War Buff
This is just an excellent telling of the first battle of Manassas. The facts are accurate and the sequence of events is near perfect. Mr. Detzer clearly explains the positions of both armies throughout the book. BUT THE BOOK HAS NO MAPS. This makes it nearly impossible to relate to the author's information. How a book this good could not have maps is an author's and publisher's unacceptable omission. If the reader cannot constantly visualize the stone bridge, The Henry house hill, Matthews hill and other important locations, this will be a most frustrating read. To force the reader to have additional maps and go back and forth between reading and viewing makes the book totally unenjoyable for a reader that does not have a clear understading of the topography. The book is a 10. No maps pulls the rating to a 3. What a shame.

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Sabtu, 12 Desember 2015

# Download First Light: Mother And Son Poems: Mother & Son Poems: A Twentieth-Century American SelectionFrom Harvest Books

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First Light: Mother And Son Poems: Mother & Son Poems: A Twentieth-Century American SelectionFrom Harvest Books

The first anthology of its kind, bringing together a diverse selection of new and well-known modern American poets writing on the theme of mother-son relationships; with works by eighty poets, including Sylvia Plath, e. e. cummings, William Carlos Williams, and Langston Hughes.

  • Sales Rank: #3830592 in Books
  • Published on: 1992-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .45" w x 5.50" l, .39 pounds
  • Binding: Paperback
  • 176 pages

About the Author
Jason Shinder is the author of the poetry books Every Room We Ever Slept In and the forthcoming Among Women. His most recent anthologies include The First Book and Best American Movie Writing, of which he is a series editor. He teaches in the graduate writing program at Bennington College and the New School for Social Research. Founder and director of the YMCA National Writers' Voice, a network of literary art centers, he is director Of Sundance Institute's Writing Fellowship Program.

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Jumat, 11 Desember 2015

^ Download Lectures on Don Quixote, by Vladimir Nabokov

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Lectures on Don Quixote, by Vladimir Nabokov

A fastidiously shaped series of lectures based on a chapter-by-chapter synopsis of the Spanish classic. Rejecting the common interpretation of Don Quixote as a warm satire, Nabokov perceives the work as a catalog of cruelty through which the gaunt knight passes. Edited and with a Preface by Fredson Bowers; photographs.

  • Sales Rank: #195039 in Books
  • Color: Green
  • Published on: 1984-04-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .55" w x 5.51" l, .69 pounds
  • Binding: Paperback
  • 240 pages
Features
  • ISBN13: 9780156495400
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
Quite the least interesting, most dutiful of Nabokov's collegiate lectures on literature, these talks on Don Quixote were given at Harvard, 1951-52. Again, Nabokov applies principles of categorization to the text at hand: dimensions, numbering, topographies, maps. And he offers some (but not much) general discussion of the book's enduring genius. "What we shall witness now is the evolution of the epic form, the shedding of its metrical skin, the hoofing of its feet, a sudden fertile cross between the winged monster of the epic and the specialized prose form of entertaining narration, more or less a domesticated mammal, if I may pursue the metaphor to its lame end;" Nabokov sees Don Quixote as a logical continuation of earlier chivalric romances, "with the elements of madness and shame and mystification increased." The book, he finds, is one of those "perhaps more important in eccentric diffusion than in their intrinsic value." Clearly not one of Nabokov's favorite books, he sees it as neither humane nor humorous: a whole section of the lectures is given over to literally scoring (as in tennis) the Don's cruel humiliations. And Cervantes' comedy receives little praise: "Dulcinea shall be restored to Don Quixote if - now comes the rib-splitting joke - if Sancho consents to take 3000 lashes on his bare behind. Otherwise, says the Duke when he hears of the requirement, you do not get your island. The whole thing is very medieval, coarse, and stupid fun, as all fun that comes from the devil. Authentic humor comes from the angels." True, Nabokov is sometimes entertaining when he kibbitzes, one novelist to another, taking Cervantes to task for not having done a scene better; he does admire the hapless Don himself. ("He stands for everything that is gentle, forlorn, pure, unselfish, and gallant. The parody has become a paragon.") But the bon mots here are scarce, and the book is little more than an acerbic, uninvolved study-guide - for Nabokov fanatics only. (Kirkus Reviews)

About the Author
Vladimir Nabokov (1899-1977), Russian-born poet, novelist, literary critic, translator, and essayist was awarded the National Medal for Literature for his life's work in 1973. He taught literature at Wellesley, Stanford, Cornell, and Harvard. He is the author of many works including Lolita, Pale Fire, Ada, and Speak, Memory.

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36 of 41 people found the following review helpful.
An Excellent Analysis and a Comprehensive Introduction
By Jack Ridley
I bought and read Nabokov's "Lectures on Literature" which is based on his European literature course that he taught at Cornell in the 1950s. That is an excellent guide to seven well known novels: "Mansfield Park, Bleak House, Madame Bovary, Dr. Jekyll and Mr. Hyde, The Walk by Swann's Place, The Metamorphosis, and Ulysses." In that set of course notes he dissects each book and spends about 40 pages or so on each novel discussing style, structure, etc. He spends more time on Ulysses and less on Kafka's "The Metamorphosis."

The present book is a bit different. He prepared only six lectures that he gave in the spring of 1952 at Harvard for the course Humanities 2. The aim is to describe and give an overall context for the work "Don Quixote." The notes still exist in six manilla folders and they are the basis of the present book edited by Fredson Bowers.

The course starts with a very brief introduction in the same style as the Cornell lectures with sketches of maps, etc. Next, he describes in detail the character of Don Quixote and Sancho Panza. Those are the first two chapters, or about 24 pages. Then he describes the structure of the book for another 25 pages, again with copies of Nabokov's actual class notes.

Cruelty and mystification are covered in a similar but lengthy analysis, followed by The Chronicler's Theme, and Victory and Defeats. The second half of the book is a chapter by chapter summary of both volumes I and II. In total, it is just over 200 pages of notes.

As Guy Davenport states in his introduction, the book puts most other teachers to shame who attempt to teach Don Quixote in a week. It is refreshing and detailed, and as Nabokov points out, this is an analysis of a book that evokes cruel laughter. It is not a "gentrified" story of an old book; and, according to Nabakov, such a past but popular interpretation was a misreading of the story. He compares this "crude old book" to the more sophisticated plays of Shakespeare, a contemporary of Cervantes. He spend almost no time on the life of Cervantes, and he thinks that the important focus should be the book itself not Cervantes biography - interesting as his life might have been. He recommends the Samuel Putnam translation or the 1950 Penguin version by J.M. Cohen. He recommends avoiding the Viking Press 1949 version.

This is a comprehensive and easy to read analysis of the first great European novel.

14 of 16 people found the following review helpful.
Cruel and unusual
By Gene Zafrin
"... one of the most bitter and barbarous books ever penned" said Nabokov about "Don Quixote". Exposing the flood of physical and emotional abuse inflicted on the half insane knight and his largely average squire is at the heart of these lectures. In the early 50's, when Nabokov delivered his lectures on "Don Quixote" at Harvard, this was a radically new take on the classic novel which most critics considered good-natured and almost pastoral. For Nabokov, however, this position was quite in line with his signature irreverent views. He has always been sensitive to human suffering and considered pity for human condition one of the main attributes of art (in his "Lectures on Literature", for example, he especially noted compassion for the lame girl in "Ulysses" and Gregor's quiet suffering as a beetle in "Metamorphosis").

Building up on the themes of cruelty and insanity, Nabokov points out that in 1600's both were enjoyed as entertainment. The raw cruelty of 3,000 lashes that Sancho is to receive, or Don Quixote's suspension by the hand for two hours during which he "bellows like a bull", or the sick pleasure that many of the book's characters derive from Don Quixote's insanity and from playing into it - all that was run of the mill fun in Cervantes's Europe. Nabokov believes that this crude entertainment was the main source of the book's appeal for the readers when the book came out.

The novel's structure (which in Nabokov's world is second only to style) is really nonexistent: "The book belongs essentially to a primitive form, to the loosely strung, higgledy-pickled, variegated picaresque type". Nabokov notes that the many inconsistencies in the book Cervantes seems to either ignore or simply attribute to magic.

The novel's cruelty, its appeal to the "primitive reader" as a source of crude entertainment and its messy structure are described in convincing detail. By comparison, Nabokov's occasional appeal to Cervantes's genius is not developed into a stronger argument. Nabokov does note the dramatic dialogue which is "marvelous [...] even in translation", artistic and original depiction of Don Quixote and the equal number of the knight's losses and victories in each of the two parts of the book (Nabokov associates symmetry and balance with artistic genius). On balance, these lectures are much more about the novel's flaws.

If these lectures prompt one to pick up "Don Quixote", it would not be for the novel's artistic beauty that Nabokov highlighted: the first half of the book is mostly devoted to analyzing the novel's shortcomings and the second part to going over the synopsis of every chapter, with little commentary from Nabokov. These lectures are remarkable, however, for presenting a high standard of reading: for the attention to detail and for their inspiration to develop a literary opinion that you could truly claim your own.

33 of 45 people found the following review helpful.
Backhanded homage, Bloom's agon
By David Lupton
Nabokov claims to dislike Don Quixote and considers the novel 'crewl' yet spent a significant portion of time analyzing the novel and teaching it. I am reminded of Tolstoy's dismissal of Shakespeare and his dissection of King Lear. Orwell correctly pointed out that, among these giants, bothering to grapple with another's legend so completely is a nod to greatness, one doesn't bother to kill a knat w/ a sledgehammer.

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Cast A Cold Eye, by Mary McCarthy

The seven stories collected here showcase McCarthy's formidable powers of observation, her deliciously witty writing style, and her celebrated talent for dissecting characters with biting acuity. A young woman looks for subtle (and not-so-subtle) ways to escape her unsatisfying marriage; an innocuous single man's friends realize his companionship has an enormous price; and an Italian guide puzzles a traveling pair of Americans.

  • Sales Rank: #2531735 in Books
  • Published on: 1992-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .58" w x 5.50" l, .49 pounds
  • Binding: Paperback
  • 228 pages

About the Author
MARY MCCARTHY (1912–1989) was a short-story writer, bestselling novelist, essayist, and critic. She was the author of The Stones of Florence and Birds of America, among other books.

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3 of 5 people found the following review helpful.
Destiny's brood
By Luca Graziuso and Marina Ross
Mary McCarthy less heralded collection of short stories - compared to "The Company She Keeps" - is a rewarding, rollicking, sharp-witted, entertaining read. As always she engages the reader in a fast paced exposition of social mores and their correlative states of consciousness that with an implosive whimsical irradiation gush into the poetical and drag us into the realm of cultural artifacts whose staging reveals the imposition of codes of conduct and the internal wrangle they propagate. These stories don't have the same subtle shading of her novels, but they offer themselves to the reader so effortlessly, and with the garrulous tenor of a gossiping intellectual, that they succeed at creating vignettes of lives abused by the determinism of fate and unwittingly in defiance of its prescriptions. There are some phrases which are vintage McCarthy, which is to say astute and poignant, revealing and literary, wondrous and blithely attuned to the concentrated composition. The first story specifically (The Weeds) is probably one of the best written ever in terms of its undertow of allusive currents; whereas the latter two, autobiographical reminiscences, sparkle with the strength of mind of a woman who makes art of memories and does it with the commitment of a social historian mining the prejudices of the times yet never sacrificing nor compromising the joy that she invariably dotes upon the reader. It is a collection of stories of exceptional quality and verve.

2 of 5 people found the following review helpful.
Metonymy, the part is taken for the whole
By Mary E. Sibley
Well, would someone leave her husband after the petunias bloomed? Possibly. Murder is more civilized than divorce. The first story of the collection describes the calculated withdrawal of love from a household. The story that follows is of an unpleasant cast, too. Francis Cleary is inane, and as such is the perfect guest for his married friends. Sadly, though, he produces a melancholy effect. He is innocent since he has abandoned the idea of marriage.

Mary McCarthy really does carry on like a latter-day Ben Jonson. In both instances the writers were good students of classical literature. Words such as bounder, titles such as "Cicerone", signal this characteristic.

In "The Old Men" a graduate student in history has broken his elbbow and is bothered in the hospital by the old man across the hall calling to the nurse. A hospital is a place of no attachments. One is no longer a point on a social graph. Perhaps to even exist is a matter of impersonation the young man thinks. He converts the noise, the pseudo sobbing of some of the old men in the ward, into musical notation, a sort of chant. His sense of contentment is punctured when he hears a dying woman sreaming in the night. On the way to the operating room to have his elbow reset he asks to see into the room across the hall. It is vacant. He dies during the procedure.

The narrator's grandmother wars against the Protestants. The family has no friends and entertaining is held to be foolish. The four children have had a happy existence until their parents are lost in an influenza epidemic. The children are separated from each other and sent to live with relatives. They are not well-treated. Visits to the grandmother become enjoyable. Five years later the Protestant grandfather arrives on the scene and is affronted on the children's behalf.

When Mary, at her Catholic school, is compared to the poet Byron, the grandfather protests. The grandfather and the school head had each said previously the other person was a fine man or woman. Two girls at the convent have marked out their own roles as class clowns. The narrator is nicknames by them clever young egg, (in initials), since the they had sensed her guileless ambition. It is predicted that she will grow up to be a novelist.

The wit and excellence of the writing in this collection cannot be described adequately.

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Rabu, 09 Desember 2015

# Download Ebook Linotte: The Early Diary of Anais Nin (1914-1920), by Anais Nin

Download Ebook Linotte: The Early Diary of Anais Nin (1914-1920), by Anais Nin

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Linotte: The Early Diary of Anais Nin (1914-1920), by Anais Nin

Linotte: The Early Diary of Anais Nin (1914-1920), by Anais Nin



Linotte: The Early Diary of Anais Nin (1914-1920), by Anais Nin

Download Ebook Linotte: The Early Diary of Anais Nin (1914-1920), by Anais Nin

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Linotte: The Early Diary of Anais Nin (1914-1920), by Anais Nin

A charming and amusing view of Nin's early life, from age eleven to seventeen; the self-portrait of an innocent girl who is transformed, through her own insights, into an enlightened young woman. "An enchanting portrait of a girl's constant search for herself" (Library Journal). Preface by Joaquin Nin-Culmell; Index; photographs and drawings. Translated by Jean L. Sherman.

  • Sales Rank: #1885889 in Books
  • Color: Other
  • Published on: 1980-03-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.34" w x 6.00" l, 1.73 pounds
  • Binding: Paperback
  • 518 pages
Features
  • ISBN13: 9780156523868
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Language Notes
Text: English, French (translation)

About the Author
Ana-s Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she was the author of several novels, short stories, critical studies, a collection of essays, two volumes of erotica, and nine published volumes of her Diary.

Most helpful customer reviews

11 of 12 people found the following review helpful.
Prelude to the Storm
By bookkitten
For fans of Anais Nin, this unedited early diary is a must. Written in the years immediately preceding the events revealed in her books HENRY AND JUNE and INCEST, this diary is the connecting link that reveals how a virtuous, loving wife became a wild adventurous. The writing is simply gorgeous; you'll be amazed at how polished and vivid her discriptions of life in Paris of the 1920s were (and yes, this book was printed AS IS from the original journals). Ironically, she describes her initial disgust with Parisian "sensuality," as well as her growing acceptance and eventual delight with the city. She describes her homes, friends, and her interest in Spanish dance. But perhaps most importantly, she describes her marriage to Hugh Guiler, a man she loves but who does not satisfy her physically. Read this book so as to understand how Anais was eventually driven into the arms of Henry Miller.

7 of 7 people found the following review helpful.
Modest Beginnings
By Ruth Edlund
This volume of writing offers the careful reader glimpses of Anais Nin before she reinvented herself. Or does it? One can never be sure with Nin.
The girl who became Anais Nin, scandalous diarist, was clearly highly articulate, and determined to live a life of Art and Passion, even when her mother was making her do housework as a teenager in their modest rental house in Queens. It provides a gentle introduction to her life and times, and a fascinating contrast to searing works such as _Incest_, taken from diary material written some twenty or so years later. One also gets some interesting views of early-twentieth century New York City.
The book, taken in the context of Nin's later work, offers evidence that we become what we most want to be. Dreamer, beware!

10 of 11 people found the following review helpful.
Lionette
By kelly gallagher
Even if you've read other works of Anais, you must read this journal. Beginning at age 11, young Anais introduces you to a sad, young girl who has matured well beyond her years. However, her passion and desire remain the same. She knew at that young age that she was meant to do nothing else but write.

See all 9 customer reviews...

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