>> Download PDF Uncommon Friends: Life with Thomas Edison, Henry Ford, Harvey Firestone, Alexis Carrel, and Charles Lindbergh, by James Newton

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Newton engagingly recalls a lifetime of friendship with five giants of the twentieth century. Foreword by Anne Morrow Lindbergh; Index; photographs.

• Sales Rank: #87715 in Books
• Brand: Newton, James D.
• Published on: 1989-06-23
• Released on: 1989-06-23
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.02" w x 6.00" l, 1.18 pounds
• Binding: Paperback
• 384 pages

Features

• White paperback with pictures of the five friends in this book.

From Publishers Weekly
Now in his 80s, real-estate developer Newton recalls with uncritical admiration five celebrated men with whom he enjoyed almost filial relationships. According to the author, they all shared the same philosophy of life, enouncing business principles in terms of moral precepts. Newton's bonds with Carrel and with the scientist's friend and partner in medical research, Lindbergh, were forged by their common interest in metaphysics. The narrative is studded with anecdotes about the nature of these men: Edison's assertion that his deafness was an asset; Ford's dictum that profit is essential to business vitality; Firestone's advocacy of Japanese-style "consensus" management; Carrel's expectation of encountering Aristotle after death; and Lindbergh's revulsion at the destruction wrought by aviation in WW II.
Copyright 1987 Reed Business Information, Inc.

Review
Now in his 80s, real-estate developer Newton recalls with uncritical admiration five celebrated men with whom he enjoyed almost filial relationships. According to the author, they all shared the same philosophy of life, enouncing business principles in terms of moral precepts. Newton's bonds with Carrel and with the scientist's friend and partner in medical research, Lindbergh, were forged by their common interest in metaphysics. The narrative is studded with anecdotes about the nature of these men: Edison's assertion that his deafness was an asset; Ford's dictum that profit is essential to business vitality; Firestone's advocacy of Japanese-style "consensus" management; Carrel's expectation of encountering Aristotle after death; and Lindbergh's revulsion at the destruction wrought by aviation in WW II.
(Publishers Weekly )

About the Author
No Bio

Most helpful customer reviews

44 of 46 people found the following review helpful.
A Fascinating Book on the Lives of Five Great Men
By Robert Paterson
This book originally caught my eye as an addition to another book I read called Edison: A Life of Invention by Paul Israel. I wanted a book that would cover a little more of Edison's personal life, and this book did just that. However, James Newton's close, dedicated friendships with all of these great men of the twentieth century is truly amazing, and I learned more than I would probably learn otherwise about some of these important historical figures.
The entire book is fascinating, and surely different parts will appeal to different readers. I was particularly enchanted with a poignant description of how Charles Lindbergh handled dying as he lay on his deathbed. I was also fascinated with how environmentally conscientious some of these men were, particularly Edison and Lindbergh, but also Ford. For example, Ford was very interested in making automobile parts out of soybeans in order to reduce the need for metal parts. It seems that all of these men had numerous ideas and ideas for inventions that were way ahead of their time - perhaps some of them still are.
Newton's writing is quite good, and I only have one very minor criticism: it seems that he preaches a little bit and dwells on the religious facet of his relationships with these people. Of course, I'm sure this was a very important part of his relationship with these men and their families, but it seems that there is a grand, overarching agenda he has in constantly illustrating their connection to God and religion.
If you are interested in any of these historical figures and their fascinating relationships with each other, this book is definitely the best book you will find on the subject.

0 of 0 people found the following review helpful.
Five Stars
By steve mikalakis
It's great to know the other side of great people.

16 of 16 people found the following review helpful.
Very entertaining read
By Deej
I recently bought this book while visiting the Edison-Ford Winter Estates in Fort Myers, FL. It's an amazing informal history whose author is as interesting as his incredible subjects. Edison and Ford really come alive as people, and Newton gives a unique perspective on Lindbergh's oft-criticized WWII neutralitry stance. Newton's own participation in the Spirituality movement is especially fascinating. I can't wait for the PBS special!

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• Sales Rank: #16184924 in Books
• Published on: 1996-10
• Number of items: 1
• Dimensions: 9.25" h x 6.00" w x 2.00" l,
• Binding: Paperback

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“An exemplary instance of a writer using his craft to come to grips with what is happening politically and to illuminate certain aspects of Israeli society that have generally been concealed by polemical formulas.” —The New York Times

Notebook in hand, Amos Oz traveled throughout Israel and the West Bank in the early 1980s to talk with workers, soldiers, religious zealots, aging pioneers, new immigrants, desperate Arabs, and visionaries, asking them questions about Israel’s past, present, and future. What he heard is set down here in those distinctive voices, alongside Oz’s observations and reflections. A classic insider’s view of a land whose complex past and troubled present make for an uncertain future.

“Oz’s vignettes . . . wondrously re-create whole worlds with an economy of words.” —Philadelphia Inquirer

• Sales Rank: #145817 in Books
• Brand: Oz, Amos/ Goldberg-Bartura, Maurie (TRN)
• Published on: 1993-10-31
• Released on: 1993-10-31
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .77" w x 5.31" l, .67 pounds
• Binding: Paperback
• 304 pages

Language Notes
Text: English, Hebrew (translation)

From the Back Cover
“An exemplary instance of a writer using his craft to come to grips with what is happening politically and to illuminate certain aspects of Israeli society that have generally been concealed by polemical formulas.” —The New York Times

Notebook in hand, Amos Oz traveled throughout Israel and the West Bank in the early 1980s to talk with workers, soldiers, religious zealots, aging pioneers, new immigrants, desperate Arabs, and visionaries, asking them questions about Israel’s past, present, and future. What he heard is set down here in those distinctive voices, alongside Oz’s observations and reflections. A classic insider’s view of a land whose complex past and troubled present make for an uncertain future.

“Oz’s vignettes . . . wondrously re-create whole worlds with an economy of words.” —Philadelphia Inquirer


AMOS OZ was born in Jerusalem in 1939. He is the author of numerous works of fiction and nonfiction, including his acclaimed memoir A Tale of Love and Darkness, which was an international bestseller and a recipient of the National Jewish Book Award.

About the Author

AMOS OZ was born in Jerusalem in 1939. He is the author of fourteen novels and collections of short fiction, and numerous works of nonfiction. His acclaimed memoir A Tale of Love and Darkness was an international bestseller and recipient of the prestigious Goethe Prize, as well as the National Jewish Book Award. Scenes from Village Life, a New York Times Notable Book, was awarded the Prix Méditerranée Étranger in 2010. He lives in Tel Aviv, Israel.

Most helpful customer reviews

30 of 31 people found the following review helpful.
simply amazing!
By Kristen Stewart
This book was one assigned in my judaic civ class at unc. I was by no means excited about having to read it, but i found it to be a phenomenal, page-turning piece of non-fiction. More than any textbook, Oz describes the people and places of Israel so vividly you begin to feel as if you are visiting yourself. It was undeniably helpful to me, an American Christian who never really studied Israel, in understanding the complex world of Israeli politics. Moreover, it helped me to see the exent to which Judaism was present in Israeli life. He did a great job of giving Arabs a fair portrayal and a voice. I had a hard time believing Oz didn't make these characters up! I am looking forward to starting in on some of his fiction. What a brilliant writer!

12 of 12 people found the following review helpful.
"The major barricade is the one that divides the Jews from the Israelis..."
By John P. Jones III
I decided to re-read this book after 25 years. And once again I was dazzled by the quality of the insights, and the masterful handling of dialogue, in which Amos Oz excels. For the non-Jewish American it is difficult to obtain an authentic, realistic portrait of Israel through the American media filter. Far better for that is Haaretz and Amos Oz. He sees, and conveys the anguish, in this collection of eleven marvelous short stories.

One of the major themes, but fortunately there are numerous others, is the one that divides the secular Israelis from the religious ones, the "Jews", which he conveys so eloquently in his story on "An Argument on Life and Death (A)". And it is the latter, in the adherence to their mindless fundamentalism that are ascendant; Oz struggles to convey the sentiments of the "Jews" even-handedly, but it is a struggle that he often loses.

Oz has this incredible ear for dialogue and the ability to transpose this to the written page. In short vignettes he explains why there was a major political transformation, without 800 pages of leaden analysis. For example, his story "The Insult and the Fury" clearly captures the anger that resulted in the rise of the Likud, and the political victory of Begin. Oz goes to the village of Bet Shemesh, with its heavy Sephardic population. The resentment seethes: "I'll tell you something about the hatred. But write it in good Hebrew. You want the hatred between us to end? First of all, come and apologize, properly." A catalog of grave offenses and slights of the "elite" Ashkenazis follows. One of the resounding point made is their unwillingness to ever give up the West Bank, because of their feeling that they had been brought to Israel to be the "hewers of wood, and drawers of water" for the Ashkenazis. No longer, they say; that chore is "delegated" to West Bank and Gaza Arabs.

The opposite sentiment is expressed in the story "The Finger of God?" The Arabs would be expelled from their homes in Nablus, Bethlehem and Hebron, just like they were from Ramla and Jaffa in '48. Ethnic cleansing, but then who will be those "hewers"?

In "An Argument on Life and Death (B)" Oz takes a completely different approach. No selected dialogue. It is his well-argued position made before the "settlers" in Ofra. At the beginning he clearly states: "You are convinced that to relinquish Judea and Samaria would endanger the existence of the State of Israel. I think that annexation of these regions endangers the existence of the State of Israel." The subsequent exposition of his case is as valid 25 years later as it was then.

In the story, "The Dawn" he goes to the editorial offices of the East Jerusalem Arabic newspaper, "Al-Fajr." Among others, he talks to Attallah Najar, a 30 year old Israeli citizen, who was born in the Galilee. Probing his duel allegiances, he asks him a fascinating question: "What if you are one day offered a choice between serving as the Israeli ambassador to Palestine and serving as the Palestinian ambassador to Israel? What will you chose?

In "A Cosmic Jew" Oz goes to the coastal town of Bat Shlomo, and talks with 78 year old Zvi Bachur, and his wife, Sarah. His parents came from Minsk in 1900, and they, and he scratched out an existence by farming. He is quite proud of his manual labor, and says that in the early mornings Israel is an Arab country, because the Jews are still asleep. He laments the lost "work ethic," like many of his generation, in many different countries. His story is an important one, as is his philosophical outlook.

Oz was born in Jerusalem in 1939. He clearly loves his country, and describes its physical aspects with care to the details and much affection. For example: "It is chilly in Jerusalem. At four in the afternoon there is already a faint scent of evening in the air. The sky, the asphalt street, the mountain slopes, the cypress trees and the stone are all tinged by autumn here in varying shades of grey..." In these stories, at least, he never bemoans his fate in living in a country of so much turmoil, passion, and anguish. He never speculates what it might have been like become attached to, say, Winesburg Ohio. Or even if the same emotions could be felt about such a "normal" place. But he does close this book with a story set in Ashdod, a pleasant, small city, recently created on the Mediterranean coast, a city "not pretending to be Paris or Zurich or aspiring to be Jerusalem... without imperial boulevards, without monuments... a city living entirely in the present tense... almost serene." Wistful seems to be the sentiment.

This remains the quintessential book on Israel. Oz is a master, to be savored, yes, yet again.

19 of 21 people found the following review helpful.
An essential read
By Singapore native
This book is an excellent contribution to the understanding of Israel in general and of the situation between the Palestinians and Israelis in particular and is, in my opnion, a "must read" for anyone interested in deepening their knowledge in this area.
The book is a collection of articles first published serially in 1982-83. Each chapter is an interview that author Amos Oz conducted in Israel or the Palestinian territories in late 1982. The interviews include a teacher at an orthodox rabbinical high school, two Palestinian journalists/writers, an Israeli Arab, settlers in the West Bank, North African Jewish immigrants, a French Catholic priest in Jerusalem, a Jewish farmer and his wife living in the coastal plain, and an elderly Rumanian immigrant in the seaside city of Ashdod.
It should be emphasized that the book is NOT a "cross section" of Israeli society and it does not profess to portray the "average" Israeli. Amos Oz himself says as much when he says he does not believe these articles to be a "representative" picture. Nevertheless, these articles have value in that they provide in depth views into one of the smallest yet one of the most complex and diverse societies on the planet.
However, what is most valuable about the book is the 17-page postscript added at the end. This postscript is a lecture that the author delivered in Michigan in 1993, ten years after the original interviews had taken place, and it presents the author's analysis of the conflict between the Israelis and the Palestinians. Mr. Oz believes in a two-state solution: Israel and Palestine, two independent states co-existing side by side peacefully. In this lecture, he presents the sanest, most rational, most balanced perspective on the Israeli-Palestinian conflict of anyone I have ever heard or read. It is more insightful than anything I have heard from a "talking head," news commentator, or media pundit. Although it was written 10 years ago, nearly all of it is still valid today (in 2002). The postscript itself is almost worth the price of the whole book. Outstanding. This book has my highest recommendation.

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Gilbert Law Summaries are America’s best selling outlines and have set the standard for excellence since they were introduced more than thirty-five years ago. It’s Gilbert’s unique combination of features that makes it the one study aid you’ll turn to for all of your study needs! Walk into class prepared with a comprehensive outline of the law, a concise capsule summary perfect for a quick review before class, charts of every kind, a text correlation chart so that you can match your specific reading assignment to the relevant pages in the Gilbert outline, and an index and table of cases. Ace your final exams with a step-by-step approach to attack your exam, exam tips, and sample multiple choice, true-false, and essay questions.

• Sales Rank: #515910 in Books
• Published on: 2002-01-01
• Original language: English
• Number of items: 1
• Dimensions: 10.50" h x 8.25" w x 1.25" l,
• Binding: Paperback
• 515 pages

Most helpful customer reviews

19 of 22 people found the following review helpful.
Best Aid for Torts!
By April Besl
By far this is the best aid for torts if you are looking for some extra help before exams. Not only does the book explain things very clearly and help with outlining, but the questions and practice essays are PERFECT.

Simply doing the questions in these books will be a solid day of review that is sure to boost your confidence when you walk into your torts exam!

A must have for law students!

11 of 12 people found the following review helpful.
Buy Early, Study Late
By The Stranger
This book is not just a study guide for last minute cramming. I recommend you buy it early in the semester and use it as a companion for the entire course (coming from someone who bought it in November and is kicking himself). Reading this book after you have read and briefed your casebook will give you a nice little summary of the topic you're studying. Yes there are outlines. Yes there are practice questions. But this is also a great way to prepare for each class, not just the final.

11 of 12 people found the following review helpful.
Better than Emmanuels, but could still use a better index
By Karen Kelly
If you're trying to decide between Emmanuel's outline and the Gilbert one, I suggest always going with Gilbert's. The Gilbert lecture on cassette/CD is good, too.

The Gilbert outlines seem to always seem to have better/more examples than Emmanuel's. All of the outlines are still frustrating to me. I prefer the Finals series - shorter, sweeter & lots of practice test questions.

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>> Ebook Free Maigret Bides His Time, by Georges Simenon

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Maigret’s longest-running case involves two decades of jewelry heists, a generation of conspiracy, and the revelation of a long-buried secret from World War II. “[Simenon could] turn the simplest of romans policiers into a moving and memorable form of art.” — The Times (London) “[Maigret’s investigation] is a bittersweet elegy for the glory days of both thief and cop.” — Chicago Sun-Times

• Sales Rank: #1800257 in Books
• Published on: 1986-10-16
• Original language: English
• Number of items: 1
• Dimensions: .40" h x 4.19" w x 6.97" l,
• Binding: Paperback
• 155 pages

Language Notes
Text: English, French (translation)

About the Author
Georges Simenon (1903-1989) was born in Lie`ge, Belgium. As a young man he worked as a baker, journalist, and bookseller and published his first novel at seventeen. He went on to write more than two hundred novels, becoming one of the world's most prolific and bestselling authors. His books have sold more than 500 million copies and have been translated into fifty languages.

From AudioFile
Chief Inspector Maigret has been powerless to crack the bewildering "daylight" jewelry heist cases happening in Paris for more than twenty years. Clifford Norgate's mastery at capturing Maigret, his associates, and the contemptuous suspects encountered throughout the story is outstanding. His impeccable dialects provide authenticity to this absorbing mystery. As he escorts the listener through interrogations, grisly discoveries, and Maigret's thought processes, the city of Paris and the characters spring to life with every word. B.J.P. © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Most helpful customer reviews

0 of 0 people found the following review helpful.
Maigret Bides His Time: well-written and a most intriguing criminal investigation
By Merrily Baird
"Maigret Bides his Time," translated from "La Patience de Maigret," concerns one of the longest running and most intractable criminal cases Commissaire Jules Maigret has faced as chief of the criminal division in the Paris Police Judiciare. Numerous smash and grab robberies have plagued the capital's jewelry stores, and, although Maigret suspects that the wheelchair-bound and elderly Manuel Palmari is the mastermind, years of surveillance and interrogations have produced no actionable evidence. All this begins to change once Palmari is assassinated at home, and Maigret and his junior inspectors have cause to question the residents of the apartment house where Palmari lived.

Many Maigret novels focus on recreating the life of the deceased. In contrast, "Maigret Bides His Time" intrigues the reader by demonstrating the way in which the Commissaire's personal knowledge of Paris's underworld benefits the investigation and by Maigret's logic in defining what skills were needed to support such an ambitious jewelry theft endeavor. A most welcome additional feature concerns the World War II-related backgrounds of several secondary players, something relatively rare in the Maigret mysteries despite the fact that many were written during the war years or soon after.

1 of 1 people found the following review helpful.
A Twenty Year Mystery is Solved.
By Marco Antonio Abarca
The setting is Paris in the early 1960's. The venerable Inspector Maigret is nearing retirement age and growing increasingly stout. Paris is hit once again by a series of jewell heists. Maigret has known for twenty years that the Corsican crime boss Manuel Palmari has been behind the crimes. Over the years, Maigret has developed respect and even professional admiration for Palmari. During the middle of the latest crime spree, the wheelchair bound Palmari is found murdered in his apartment. This is Maigret's opportunity to unravel a mystery that has been bothering him for 20 years. This story has all the classic elements that Jules Maigret fans love.

1 of 2 people found the following review helpful.
A detective plagued by jewelry store heists � in daylight
By Midwest Book Review
Georges Simenon's Maigret Bides His Time provides an unabridged Jules Maigret mystery telling of a detective plagued by jewelry store heists - in the daylight. The Parisian inspector has his hands full, and Clifford Norgate's background in Shakespearean drama brings the underlying drama to life in this mystery.

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@ Ebook Free A Curtain of Green: and Other Stories, by Eudora Welty

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This is the first collection of Welty’s stories, originally published in 1941. It includes such classics as “A Worn Path,” “Petrified Man,” “Why I Live at the P.O.,” and “Death of a Traveling Salesman.” The historic Introduction by Katherine Anne Porter brought Welty to the attention of the american reading public.

• Sales Rank: #195583 in Books
• Published on: 1979-10-04
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .80" w x 5.25" l, .78 pounds
• Binding: Paperback
• 289 pages

From the Back Cover
In her now-famous introduction to this first collection by a then-unknown young writer from Mississippi named Eudora Welty, Katherine Anne Porter wrote that "there is even in the smallest story a sense of power in reserve which makes me believe firmly that, splendid beginning that it is, it is only the beginning." Porter was of course prophetic, and the beginning was splendid. A Curtain of Green both introduced and established Eudora Welty as an instinctive genius of short fiction, and in this groundbreaking collection, which includes "Powerhouse" and "Keela, the Outcaste Indian Maiden," among other stories, are the first great works of a great American writer.

"To explain just why these stories impress one so appears as difficult as to define why an ordinary face, encountered by chance in the street, might suddenly reveal miraculous beauty, through a smile perhaps, or through an unexpected expression of sadness."--Original review of A Curtain of Green, November 16, 1941, by Marianne Hauser in the New York Times

"Miss Welty's short stories are deceptively simple. They are concerned with ordinary people, but what happens to them and the manner of the telling are far from ordinary . . . A fine writer and a distinguished book."-The New Yorker


Eudora Welty (1909-2001) was born in Jackson, Mississippi. She worked as a photographer during the Depression and published her first book, a collection of short stories, in 1941. In addition to short fiction, Welty wrote novels, novellas, essays, and reviews, and was the winner of both the National Book Award and the Pulitzer Prize. By the time of her death in 2001, Welty had established herself as one of the most important and beloved American writers of the twentieth century.

About the Author
EUDORA WELTY (1909-2001) was born in Jackson, Mississippi, and attended the Mississippi State College for Women, the University of Wisconsin, and Columbia University (where she studied advertising). In addition to short fiction, Welty wrote novels, novellas, essays, and reviews, and was the winner of both the National Book Award and the Pulitzer Prize.

Most helpful customer reviews

16 of 17 people found the following review helpful.
Review
By A Customer
This was the first Eudora Welty book I've read. Because this is my freshman year in college, I'm wondering why it took me so long.
Like her senior, Southern cohort Faulkner, Welty concentrates her gentle touch on characters in and around Mississippi. Every story is remarkable in its own way, but there are a few standouts. "Lily Daw and the Three Ladies" is an amusing tale of a dim-witted girl who's on the brink of marriage, is snatched away, and then thrown right back when her beau comes calling. The Hitch Hikers is a brooding story of a murder in a traveling salesman's car. My favorite is The Key, in which a filched key gives doubtful, deaf newlyweds new reason for hope of love and contentment.
Miss Welty puts an incredible amount of feeling into her stories, but is not afraid to allow the charming or even picayune to provide distraction from the gravity surrounding. This collection encapsulates the famous Death of a Traveling Salesman. Lovely.

12 of 13 people found the following review helpful.
A brilliant debut
By A Customer
In her first book, Eudora Welty surpassed the mannered and overreaching efforts of more celebrated Southern authors. She examined the inner lives of varied characters -- male and female, black and white, funny and brutal -- and submitted them all to her quiet and curious personality. The effect is both timeless and strange.

6 of 6 people found the following review helpful.
A skilled writer, but too much ambiguity for my taste
By Linda Linguvic
Eudora Welty had a long and distinguished writing career. Her stories are set in the small southern towns that she knows so well, and she is known for her character portrayal. This book, which is my first experience with her work, is no exception. The stories are short and full of meaning. Some are simple and some border on the horrific. But all of them leave a lasting impression, causing me to ponder their meaning. The characters are well developed. There is no doubt that Ms. Welty is a master of her craft.
It's true that the people come alive right off the pages. Only problem is that I just didn't like any of them. Each story presents some sort of a puzzle. She packs them with great imagery and wonderful details. I found myself getting involved in reading them. And then, when the story ended, there was a lingering question. What had happened? I was always left with an uncomfortable feeling. And left wondering.
I am sure that this ambiguity was the writer's intention. And I do applaud her skill. I'm glad I had the experience of reading her work. I just don't want to read any more of it.

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* Download Ebook A Good Man Is Hard to Find and Other Stories, by Flannery O'Connor

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ONE OF THE GREATEST AMERICAN SHORT STORY COLLECTIONS

In 1955, with this short story collection, Flannery O'Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O'Connor's unique, grotesque view of life-- infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation.

With these classic stories-- including "The Life You Save May Be Your Own," "Good Country People," "The Displaced Person," and seven other acclaimed tales-- O'Connor earned a permanent place in the hearts of American readers.

"Much savagery, compassion, farce, art, and truth have gone into these stories. O'Connor's characters are wholeheartedly horrible, and almost better than life. I find it hard to think of a funnier or more frightening writer." -- Robert Lowell

"In these stories the rural South is, for the first time, viewed by a writer who orthodoxy matches her talent. The results are revolutionary." -- The New York Times Book Review

Flannery O'Connor (1925-1964) was born in Savannah, Georgia. She earned her M.F.A. at the University of Iowa, but lived most of her life in the South, where she became an anomaly among post-World War II authors-- a Roman Catholic woman whose stated purpose was to reveal the mystery of God's grace in everyday life. Her work-- novels, short stories, letters, and criticism-- received a number of awards, including the National Book Award.

• Sales Rank: #8244 in Books
• Published on: 1977-08-23
• Released on: 1977-08-23
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .73" w x 5.31" l,
• Binding: Paperback
• 276 pages

Review
With an keen eye for the dark side of human nature, an amazing ear for dialogue, and a necessary sense of irony, Flannery O'Conner exposes the underside of life in the rural south of the United States. One of the powers in her writing lies in her ability to make the vulnerability of one into that of many; another is her mastery of shifting "control" from character to character, making the outcome uncertain. Sexual and racial attitudes, poverty and riches, adolescence, old age, and being thirty-four which "wasn't any age at all" are only some of the issues touched on in this collection. When Ruby has to walk up the "steeple steps...[that]...reared up" as she climbed to her fourth floor apartment, we feel her pain as she "gripped the banister rail fiercely and heaved herself up another step..." Flannery O'Conner, a 1972 National Book Award winner, reminds us that none of the roles in our lives is stagnant and that wearing blinders takes away more than just a view. Through her stories we see that what we blind ourselves to is bound to appear again and again. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Holly Smith

From the Back Cover

ONE OF THE GREATEST AMERICAN SHORT STORY COLLECTIONS

In 1955, with this short story collection, Flannery O'Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O'Connor's unique, grotesque view of life--infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation.

Through these classic stories--including "The Life You Save May Be Your Own," "Good Country People," "The Displaced Person," and seven other acclaimed tales--O'Connor earned a permanent place in the hearts of American readers.

"Much savagery, compassion, farce, art, and truth have gone into these stories. O'Connor's characters are wholeheartedly horrible, and almost better than life. I find it hard to think of a funnier or more frightening writer." --Robert Lowell

"In these stories the rural South is, for the first time, viewed by a writer whose orthodoxy matches her talent. The results are revolutionary." --The New York Times Book Review

Flannery O'Connor (1925-1964) was born in Savannah, Georgia. She earned her MFA at the University of Iowa, but lived most of her life in the South, where she became an anomaly among post–World War II authors--a Roman Catholic woman whose stated purpose was to reveal the mystery of God's grace in everyday life. Her work--novels, short stories, letters, and criticism--received a number of awards, including the National Book Award.

About the Author
Flannery O'Connor (1925-1964) was born in Savannah, Georgia. She earned her MFA at the University of Iowa, but lived most of her life in the South, where she became an anomaly among post–World War II authors--a Roman Catholic woman whose stated purpose was to reveal the mystery of God's grace in everyday life. Her work--novels, short stories, letters, and criticism--received a number of awards, including the National Book Award.

Most helpful customer reviews

122 of 126 people found the following review helpful.
Uncovers the gross underbelly of the Southern mystique
By Linda Linguvic
The ten short stories in this 1955 collection by Flannery O'Connor expose a grotesque underbelly of the Southern mystique that go far beyond their seemingly simple surface plots. Ms. O'Connor has a flare for dialog as well as a primal understanding of the darkness in people's souls. All her characters have a relationship with God and she combines Christian imagery, an apocalyptic vision of life and a strong element of cruelty. And yet, there is a deeply human element that gives me the shivers because it exposes truths I'd rather not see.
I could tell from the very beginning of each story that something ominous was going to happen. I didn't know when, I didn't know how, and I didn't know exactly what it would be. Always, I was surprised. And yet, when I thought of it later, each story could have gone no other way. All of them had a sad or tragic ending, although some were more awful than others. What keeps the narrative exciting though is a way she has of suddenly disappearing the storyline and taking it up in another place, leaving just enough information to spark the imagination. Then, when I think I have it all figured out, things change again.
Ms. O'Connor writes in simple startling sentences. And most of the stories are no more than 20 or 30 pages long. I found it hard to read one story right after the other however. Each one was so thought provoking that, even though I felt a great deal of discomfort, I wanted to stay with each just a little bit longer. That's because they move much too fast and are too intriguing to stop. Later, when the initial shock of the story is over, is the time to work it out philosophically. And it is then that I could appreciate the mastery of her craft.
This is a truly fine book and I unquestionably give it a high recommendation. It is certainly not for everyone however. These stories haunt uncomfortably. But those willing to explore the dark side of human nature in this small work of art will love it.

59 of 60 people found the following review helpful.
Ten weird, surprising, tense, comical, and often unforgettable stories
By D. Cloyce Smith
A family on vacation encounters a cold-blooded gang, a gullible and naive housewife is struck by a mysterious (but hilariously common) "illness," a 104-year-old Civil War veteran is a featured guest at his 62-year-old daughter's high school graduation--each of O'Connor's stories portray characters in improbable, bizarre, and ultimately harrowing situations. These tales are weird, surprising, tense, comical, and often unforgettable--but what exactly do they all mean?

O'Connor was often frustrated by the sense that readers and reviewers misunderstood both the intents and the themes of her stories. In her first letter to a fan from Atlanta who became a frequent correspondent, she complained that "she was mighty tired of reading reviews that call 'A Good Man' brutal and sarcastic" and that "when I see these stories described as horror stories I am always amused because the reviewer has hold of the wrong horror."

I think she sells herself short with this assessment, however. Her stories are brutal, they certainly can be sarcastic--and the fact that readers confuse the horror is confirmation of the ambiguous and harrowing (and, yes, Gothic) underworld her characters inhabit. The reason her stories are classics of the form--and the ten stories in this collection are among the best I've ever read--is not only because they are creepy and grotesque, or because she is the master of the ominous set-up and the unexpected ending, but also because after you've found out what happened you'll probably lie awake wondering why it happened.

"Christian realism" was how O'Connor described her spiritual stance; "I write the way I do because (not though) I am a Catholic. . . . I am a Catholic peculiarly possessed of the modern consciousness." Decades of critics have argued over the theological underpinnings of her fiction, but an assessment by a fellow author named George Clay helped me make sense of her themes--and the author herself approvingly summarized his remarks in her own correspondence: "[Clay's] interesting comment was that the best of my work sounded like the Old Testament would sound if it were being written today--in as much (partly) as the character's relation is directly with God rather than with other people's." It's not hard to find the ghosts of Job, Ruth, Samson, Esther, Isaac, Daniel, and others in all of her stories.

Whether these echoes make for good theology will depend on the reader's own spiritual inclinations--but they certainly make good reading. My favorite piece in this collection is "Good Country People," probably O'Connor's most famous (excepting the title story). Describing a lonely woman with an artificial leg who is seduced by a traveling Bible salesman, the story veers into an inexplicable climax that is both devastating and melancholy. And those two words pretty much sum up any of the stories you'll find here.

28 of 30 people found the following review helpful.
Classic American Fiction Straight from the Bible Belt
By Crazy Fox
The ten short stories in this collection are definitely masterpieces. Neither too long or too short, the stories suggest whole worlds, entire lives (and deaths) with just the right number of verbal brushstrokes. Never preachy or self-righteous, they are yet infused with a deep, complex spirituality that seems to consist of an eccentric and compelling hybrid of Roman Catholicism's quiet mysticism and Southern Protestantism's revivalism and rigor. That said, this is not "chicken soup for the soul"...pretty much every story has a dark edge, and in most of them the author gets you with this impending sense of dread that things are going to go to heck in a hand basket, the only question is how (this makes the book awfully hard to put down, by the way). And she has an incredible talent of capturing the rhythms and characteristic expressions of Southern English without too much Mark Twain twang. In short, this is hands down a classic of American literature.

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