Sabtu, 17 Oktober 2015

# Free PDF Strip, by Thomas Perry

Free PDF Strip, by Thomas Perry

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Strip, by Thomas Perry

Strip, by Thomas Perry



Strip, by Thomas Perry

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Strip, by Thomas Perry

A bracing and ingeniously cast L.A. crime novel from Edgar Award–winner Thomas Perry

 

An aging but formidable strip club owner, Claudiu “Manco” Kapak, is robbed by a masked gunman as he places his cash receipts in a bank’s night-deposit box. Enraged, he sends out half a dozen security men to find the witless culprit. Their search leads them to Joe Carver, an innocent but hardly defenseless newcomer who evades capture and sets out to make Kapak wish he’d targeted someone else. Meanwhile, the real burglar, Jefferson Davis Falkins, and his new girlfriend Carrie seem to believe they’ve found a whole new profession: robbing Manco Kapak. Lieutenant Nick Slosser, the police detective in charge of the puzzling and increasingly violent case, has his own troubles, including worries about how he’s going to afford to send the oldest child of each of his two bigamous marriages to college without making their mothers suspicious. As this strange series of events explodes into a triple killing, Carver finds himself in the middle of a brewing gang war over Kapak’s little empire, while Falkins and Carrie journey into territory more dangerous than they could have ever imagined.

  • Sales Rank: #1105357 in Books
  • Published on: 2011-05-05
  • Released on: 2011-05-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.50" w x .75" l, .66 pounds
  • Binding: Paperback
  • 360 pages

From Publishers Weekly
Starred Review. Half a dozen characters vie for primacy in this rambunctiously entertaining L.A. crime novel from Edgar-winner Perry (Runner). Aging strip-club owner Manco Kapak orders his boys to find the masked man who stole his cash receipts and take care of him. The boys settle on the wrong guy, L.A. newcomer Joe Carver, who decides to fight back. Jefferson Davis Falkins, the real thief, decides to continue to rob Kapak. LAPD Lt. Nick Slosser is mainly interested in keeping the peace—and keeping his two marriages a secret as well as figuring out how to pay for five kids at or nearing college age. Other meaty roles include Carrie Carr, who hooks up with Falkins and becomes a Bonnie Parker–like adrenaline junkie urging him to ever riskier deeds, and Spence, Kapak's trusted bodyguard and the only one smart enough to deal with Carver. Perry's exquisite timing and finesse provide near perfect endings to the multiple story lines and make this escapist reading at its best. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Many critics commented that the plethora of characters and subplots might have undermined Strip's power, but they all agreed that Perry's talent in weaving together seemingly loose strands makes the book an unqualified success. The intriguing, action-oriented characters--each with his or her own agenda--captivated reviewers, some of whom ended up rooting for even the bad guys. "The wonderful characters keep on coming," noted the New York Times Book Review. Although they start off as "familiar types ... once Perry lets them loose, they refuse to go back in the box." The action is packed, and the denouement is a small masterpiece. What more could readers want?

Review
"Michael Kramer clearly appreciates and plays along with the author's sense of humor, and he understands the characters' gray-area approach to morality." ---Publishers Weekly Audio Review

Most helpful customer reviews

52 of 57 people found the following review helpful.
A Gangster Messes With The Wrong Man
By TMStyles
"Strip" is a fine addition to Thomas Perry's work. As usual, his timing and characterizations are his greatest assets. He builds credible and believable characters both through effective back story and through their interactions within the story. Perry always presents authentic believable dialogue to streamline his pacing.

Manco Kapek is a small time gangster who owns several strip clubs but has a sideline activity laundering money for a bigger gangster. When he is robbed making an early morning deposit in a bank's night deposit box by a masked gunman, he angrily sends his henchmen out to find someone who is spending large sums of money and is so new to LA that he didn't realize he was robbing a mobster. When the name Joe Carver comes up a couple times, Kapek orders his men to exact revenge upon Mr. Carver.

Unfortunately for Kapek, Joe Carver is not a man to be trifled with and he quickly responds to the mobster's efforts to kill him by declaring financial and ultimately open war upon Manco. Meanwhile, the real petty thief, Jefferson Falkins, and his new girlfriend, Carrie Carr, decide that robbing Manco Kapek is so lucrative and easy that they do it again. Manco is furious not knowing who the real thief is but growing confident that he should never have messed with Joe Carver.

To this festering case of mistaken identity and a budding Bonnie and Clyde, add LAPD Lt. Nick Slosser, a smart-enough cop but one who lives on the edge as attested by his bigamy and the financial demands of two families. Nick suspects Kapek of several crimes and effectively pressures him throughout the novel. But is Nick strong enough to stay clean and do what is right? Perry provides interesting color with an assortment of minor characters including a handful of bodyguards and street women who play various roles in bringing the novel to its climax. Chief among these lesser characters is Spence, Kapek's bodyguard, confidant, and brains-behind-the-brawn. As the bodies begin to pile up and as double crosses develop in surprising characters, the reader is left to race through the pages to discover who is on who's side.

As the stories and characters finally begin to interweave and connect, Kapek realizes Carver is a man to avoid. Falkins realizes, too late, that Carrie has graduated from a gangster wannabe to a thrill seeking sociopath. Slosser begins closing in on Kapek. Kapek's men begin to doubt his leadership. That Perry can take all these, at times, disparate threads and weave them into a satisfying conclusion is a tribute because this reader was a little distracted by the back stories and various character developments that seemed to slow the pacing occasionally. At times, "Strip" seemed to be three separate stories that did not sufficiently interlace enough to provide the fast pacing that the novel demanded, for example, the Carver character would be lost altogether for several chapters. However, that being my only quibble, "Strip" is a recommended read.

29 of 31 people found the following review helpful.
A minor diversion
By Scott
Thomas Perry has been such a good writer for so many years. "Metzger's Dog" is a riot. "The Butcher's Boy" and "Sleeping Dog" are masterpieces of the genre. And Jane Whitefield is a classic character, even though his last outing featuring her ("Runner") was a bit lightweight when compared to her earlier adventures.

This new book is entertaining enough, though not in the same class as his other "stand alones" like "Death Benefits" and "Dead Aim". It reads more like a movie script, and I felt the ending was too rushed, with a couple of revelations left unexplained. Again, fun, but not classic Thomas Perry.

8 of 8 people found the following review helpful.
I Really Liked it! Light, Fun, Quirky, Different....GREAT ENDING!
By Fred Gronvall
This is an excellent crime novel with a tip of the hat to Elmore Leonard. Perry creates unusual and interesting criminal characters and their exploits are fun to watch unfold. In the end things are wrapped up neatly and with an unexpected twist, justice doesn't exactly prevail....but let's say justice is done. This is one of Perry's good ones.

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Jumat, 16 Oktober 2015

^ Get Free Ebook Rivals: How the Power Struggle Between China, India, and Japan Will Shape Our Next Decade, by Bill Emmott, Sarah Hunt Cooke

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Rivals: How the Power Struggle Between China, India, and Japan Will Shape Our Next Decade, by Bill Emmott, Sarah Hunt Cooke



Rivals: How the Power Struggle Between China, India, and Japan Will Shape Our Next Decade, by Bill Emmott, Sarah Hunt Cooke

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Rivals: How the Power Struggle Between China, India, and Japan Will Shape Our Next Decade, by Bill Emmott, Sarah Hunt Cooke

The former editor in chief of the Economist returns to the territory of his best-selling book The Sun Also Sets to lay out an entirely fresh analysis of the growing rivalry between China, India, and Japan and what it will mean for America, the global economy, and the twenty-first-century world.

Though books such as The World Is Flat and China Shakes the World consider them only as individual actors, Emmott argues that these three political and economic giants are closely intertwined by their fierce competition for influence, markets, resources, and strategic advantage. Rivals explains and explores the ways in which this sometimes bitter rivalry will play out over the next decade—in business, global politics, military competition, and the environment—and reveals the efforts of the United States to manipulate and benefit from this rivalry. Identifying the biggest risks born of these struggles, Rivals also outlines the ways these risks can and should be managed by all of us.

  • Sales Rank: #1600827 in Books
  • Published on: 2009-06-16
  • Released on: 2016-04-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .83" w x 5.31" l, .71 pounds
  • Binding: Paperback
  • 314 pages

From Publishers Weekly
Over the past 20 years, some of the most striking economic growth in history has been taking place in Asia, and former Economist editor-in-chief Emmott (The Sun Also Sets) combines solid economic and political analysis with entertaining personal accounts to discuss three countries in the center of the phenomenon. Emmott paints richly detailed portraits of China, India and Japan, examining the global implications of their growing rivalry while remaining attentive to issues that extend beyond the region, such as the environment and nuclear weapons proliferation. Several of his conclusions are familiar: China's rapid economic growth is coming into conflict with its political authoritarianism; there is vast potential for India's growth if public policy can properly encourage it; Japan's aging and shrinking population could lead the country into further economic decline. The true strength of the book lies in Emmott's ability to guide the reader through the intricate—often fraught—relationships between these countries without losing focus. Particularly welcome is his ability to discuss potential trouble spots in the region without degenerating into alarmism. This serious and stimulating book will be indispensable to anyone interested in where these countries are headed—and where they might take us. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Seasoned in international affairs, former Economist editor Emmott discusses foreign relations among China, India, and Japan, as seen through the lens of economics. Author of previous current-events soothsaying (20:21 Vision, 2003), Emmott takes a big-picture approach that, framing the trio’s burgeoning economic growth, will acquaint readers with the major frictions among the three countries. Examining each country in turn, Emmott reviews reforms that have spurred the torrid economic pace or, in Japan’s case, overcome depression in the 1990s. The strains created by phenomenal growth, both internationally in competition for raw materials and domestically in politics, bear on the author’s main concern: the possibility of war between these nations. While not alarmist, Emmott assesses historical antagonisms, such as territorial disputes between India and China (who battled in 1962) and China’s resentment of a Japan deemed insufficiently apologetic for World War II, as latent flashpoints. Factoring in the influence of the U.S. and ultimately proposing nine policies to help ensure peace, Emmott displays an informative grip and strategic fluency benefiting those tracking trends in Asian economics and politics. --Gilbert Taylor

Review
"A sober, nuanced assessment of the opportunities and dangers that Asia's rise presents ... refreshing ..."--Washington Post Book World

"[R]iveting ... sober and reasoned."--Business Today

"[For] some much-needed nuance … look no further than Bill Emmott's Rivals."--Wall Street Journal   

Most helpful customer reviews

29 of 31 people found the following review helpful.
Rivalry Thesis Is Oversold
By Etienne RP
The central thesis of this book is that the rise of Asia is going to pit Asians against Asians. A new power game is under way between Japan, China and India: for the first time in history, three great nations in Asia are vying for regional supremacy all at the same time. Japan used to be number one and cannot content itself with being a distant number two. China and India both think that the future belongs to them: they cannot both be right at the same time. As Bill Emmott puts it, "the balance between the regional powers is going to become the crucial determinant of whether Asia's rise will be one of peace and prosperity or one that brings conflict and turbulence, both to the region itself and to the world as a whole."

Bill Emmott sees proof of this emerging rivalry in the hedging strategy of the world superpower. The United States can no longer rely on a regional triangle with one ally, one competitor and one neutral third party: they need to ally with two powers in order to keep the third one neutral. This is why Bush, in his landmark visit to India in March 2006, chose to sideline concerns about nuclear proliferation and signed a deal for extended cooperation with India, including in the field of civil nuclear energy. India is a country with the potential to balance the rising power of China, and it is courted as such by the US, but also by Japan and the ASEAN countries which agreed, against all common geographical sense, to include the South Asian giant in their new East Asian Summit caucus.

Although the rivalry thesis is worth considering, I found the whole thing a little bit oversold. For a start, it is by no means the only thread to the story, but rather an editing gimmick that provides a catchy headline to a book that is basically a survey about the three great Asian powers. The individual chapters on China, Japan and India are valuable in their own right: they are written in the no-nonsense, right-to-the-point style that is the hallmark of The Economist, where they each could have been included as special country surveys.

There is an interesting discussion on Chinese statistics, where one learns for instance that in 2005 twenty-nine out of thirty-one regions reported "higher than average" growth rates. Contrary to the myth of unlimited labor supply from the Chinese countryside, the author thinks that the combination of higher incomes from agriculture and low birth rates will likely lead to less migrant labor and rising wages. Emmott today encounters in Beijing the same lack of transparency and accountability, the same feeling of self-confidence and even arrogance among senior officials, the same over-investment and misallocation of capital that he used to confront in Japan twenty years ago. Now Japan worries whether its credit rating will fall above or below Botswana, and it is dismissed by foreigners as a greying and declining nation.

The author of The Sun Also Sets nevertheless thinks that Japan could rebound if it succeeds in reinventing itself, like America did during the decade of the "new economy" which brought a sharp and unexpected jump in its productivity levels. He also thinks that with the right reforms, India could achieve growth of more than ten percent for at least a decade, provoking a transformation of a magnitude comparable to what China experienced in the last twenty years. As he notes, "the process of economic growth is in part a process of removing obstacles, rather as the dredging of boulders from a river will permit the water to flow more smoothly. There are a lot of obstacles to be removed, so there is a lot of potential for improvement."

Rivalry between the three Asian powers is therefore not the whole story. Indeed, it could be argued that the rise of new powers, like China and India, is more likely to lead to stabilization and peace than to disruption and war. China's trade (imports plus exports) is equivalent to 67 percent for GDP, whereas the ratio is 22 percent for America and 28 percent for Japan. The greater openness of China's economy, although it is still smaller than Japan's, means that China has more trade and investment with its smaller Asian neighbors and with the rest of the world than Japan does, often resulting in greater influence, as the flag follows foreign trade. A few decades ago, neighboring countries viewed the rise of Japan as stifling their economic independence. There was a time when European multinationals marketed themselves as an alternative to an exclusive reliance on Japanese firms. Now many view the rise of China as creating competition and thereby liberating them. Contrary to Japan's, Chinese trade is a two-way street, and it offers a great market for exports from its neighbors.

As Bill Emmott notes, Asia is piled high with historical bitterness, unresolved territorial disputes, potential flash points and strategic competition that could readily ignite even during the next decade. But the potential for cooperation is also great, and the sweetener of commerce should soothe nationalistic hurdles and instead promote a healthy spirit of competition in which all partners will gain.

16 of 17 people found the following review helpful.
The three pillars of the new Asian continent
By J. Michael Cole
In Rivals, Bill Emmott, a former reporter for the Economist in Japan and, until 2006, the editor in chief of the magazine, shows us that no other region will have as fundamental an impact, or play as crucial a role, on the international scene than Asia in the coming decades. From intensifying regional trade, economic development and their impact on the environment to spending on defense and nuclear nonproliferation, Asia -- with China, Japan and India acting as pillars -- is transforming at a stunning pace, and the variables involved in this complex relationship are such that predicting its future course is an impossible task, something Emmott himself admits.

Still, by looking at key regional aspects -- economics, defense, domestic politics, the environment, and history as an active contemporary agent -- Emmott sees certain trends emerging that could help us narrow down the possible futures to "plausible pessimism" and "credible optimism."

What quickly becomes evident is that China is now the center of gravity in the region, both in terms of its economic might and as the shaper of politics. Emmott, as do a handful of other authors, maintains that the Chinese Communist Party (CCP) is here to stay and that it has the wherewithal to deal with the number of isolated challenges that may arise domestically. Aside from environmental degradation and its impact on human health, no other issue in China has the potential, he argues, to mobilize the population to the extent that it could threaten the regime; nationalism, such as in Tibet or Xinjiang, is too localized to spread throughout China, which thus makes it possible for the CCP to rely on force to put down disturbances. Its economy, meanwhile, has become solid and mature enough to withstand most shocks.

Japan, no so long ago the undisputed regional leader, has been supine since the 1990s, but Emmott sees signs that its government has launched reforms that, in the long term, could bring about its recovery. A certain sense of urgency, inspired by China's rise, could also accelerate that process and encourage those within the Liberal Democratic Party (and in Washington) who seek to amend the country's peaceful Constitution so that Japan could become a "normal" country once again and play the role it believes it should be playing in the region. In Emmott's view, discarding Japan as a passe regional power would be a serious oversight, as would ignoring recent reporting that a majority of Japanese support their government taking a harder stance vis-a-vis China.

Last is India, the oft-forgotten emerging power whose role as a strategic counterweight on the balance-of-power chessboard could be the determining factor in the future course of the region. While India remains nowhere near as developed as China or Japan, it is nevertheless beginning to make its presence felt in some regional institutions, joint military exercises, and through the modernization of its forces. Furthermore, sensing its utility as a means to tie down China, the US and Japan have struck deals with India that could help buttress the modernization of the world's largest democracy. In fact, Emmott opens his book by arguing that even if it meant blowing a hole in the Non-Proliferation Treaty, US President George W. Bush's nuclear pact with Delhi in 2006 was a strategic tour de force, as it added a third leg to the regional balance and ensured that Delhi would side with the US and Japan should relations with China deteriorate. In response, Beijing has continually sought to exclude India from regional multilateral organizations.

Shifting alliances notwithstanding, Emmott is optimistic that the regional powers and the smaller countries that gravitate around them see no advantage in compromising all the progress that has been made in the past decade by waging wars, an argument that pessimists would argue was also made when similar dynamics obtained in Europe at the turn of the 19th century -- with two devastating world wars to follow. Why Emmott does not believe a repeat of the European fiasco is likely in Asia is partly the result of the somewhat benevolent, albeit not always welcome, presence of the US, which acts as a brake on those who would be inclined to use war as an instrument of foreign policy. However, how Beijing perceives that presence will have a direct impact on the future direction of China's military; if the US, alone or through alliances, is seen to be seeking to contain it, conflict would be likelier, or China could actively pursue a closer alliance with Pakistan to counter India.

Other tensions, which lurk close to the surface, could spark conflict. From the unresolved and poisonous issues of Japan's responsibility in World War II to the flawed Tokyo Trials, post-Kim Jong-il North Korea to Islamic radicalism and nuclear weapons in Pakistan, instability in Myanmar, the Taiwan question, unresolved border disputes, Tibet after the Dalai Lama and disputed islands in the East China Sea, Emmott argues that the likeliest source of conflict -- which could draw in other powers, such as the US -- will be accidents and miscommunication, or, as he puts it, one side misjudging the cost of warfare in the modern world. Wars by proxy -- a tool of the Cold War that remains relevant today -- in places such as Myanmar, Tibet, North Korea and Pakistan -- could also be launched as the three powers position themselves for the future. As demand grows, competition abroad over natural resources could also serve as a conflict accelerator between those three countries.

Emmott's "new" Asia is a dynamic one, filled with potentialities, whose global impact will only become greater as its economies continue to grow. Through economic exchanges and the birth of regional alliances like the East Asian Summit, the ill-defined geographical Asia of old is quickly turning into a more tightly knit polity that, for better or worse, will have a greater say in global affairs and whose participation in international bodies such as the UN Security Council and the G8 will be paramount if those organizations are to remain relevant.

8 of 9 people found the following review helpful.
Astute & Objective Primer to Development & Diplomacy of China/India/Japan
By Zachary C. Strobel
`Rivals' describes and analyzes the history, demographics, economics, policies, diplomacy and other factors that are and will determine the development and relationships of Asia's 3 leading powers: China, India and Japan. If you read The Economist, you will appreciate that Emmott provides a comparable level of accuracy, analytical astuteness, understanding of countries' espoused vs. true intentions and a desire to understand and predict the future. Moreover, Emmott confidently and succinctly describes the relationships and policy/military `domino effects' that could potentially occur in various regions/situations with impartiality that is rarely seen elsewhere.

The book's chapters are (essentially):
1. Intro
2. Asia Overview
3. China
4. Japan
5. India
6. China/India/Japan + Environmental Issues (Mainly Global Warming)
7. China/Japan/Korea Tension In Detail
8. Conflict `Flare Up' Regions/Situations: Pakistan, Tibet, North Korea, Taiwan,
9. Conclusion + 9 Policy/Diplomacy Recommendations + Asia Outlook

Many are writing books on development and the potential issues in Asia. Rivals is a read for you if you want:
1. Insightful distillation of the key factors and history shaping development, global relationships and interactions of China/India/Japan.
2. Understanding of what disputes could potentially `flare up' into global conflict and how these would involve the US/EU.
3. Recommendations on how policymakers should proceed.
4. `The Economist' level of even-handedness.

One major criticism: There is a missing chapter: ASEAN countries in relation to China/India/Japan. As a result, issues like Myanmar are glossed over while issues like rocks/lighthouses in the East China Sea are given several pages. ASEAN countries will continue to play an increasingly important economic and diplomatic role in the future as they seek prosperity that is not limited by their scale. Having said that, I still highly recommend this book for its astute coverage of China, India and Japan.

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The Year of the Death of Ricardo Reis, by José Saramago

The year: 1936. Europe dances while an invidious dictator establishes himself in Portugal. The city: Lisbon-gray, colorless, chimerical. Ricardo Reis, a doctor and poet, has just come home after sixteen years in Brazil. Translated by Giovanni Pontiero.

  • Sales Rank: #92261 in Books
  • Color: Multicolor
  • Published on: 1992-04-27
  • Released on: 1992-04-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .91" w x 5.31" l, .78 pounds
  • Binding: Paperback
  • 368 pages

From Publishers Weekly
Ricardo Reis meets dead Portuguese poet Fernando Pessoa and encounters two women who may be figments of Pessoa's poetry in this extraordinarily nuanced novel. (Mar.) See boxed review, p. 76, for book by Pessoa.
Copyright 1992 Reed Business Information, Inc.

Review
"The greatest of his novels" New Statesman "Lovely...a work of fluent and amazing gracefulness" Independent "A capacious, funny, threatening novel" New York Times Review of Books "He has created a body of work of luminous power: ironic, intellectually playful, dense and strange" Scotsman "Shows Saramago to be a novelist of the grandest sort...it is a dramatic work of great philosophical weight, filtered through a refined contemplative intelligence" Independent

Language Notes
Text: English (translation)
Original Language: Portugese

Most helpful customer reviews

92 of 95 people found the following review helpful.
For the initiated only
By Steven Reynolds
Portuguese poet Fernando Pessoa (1888-1935) famously responded to what philosophy calls "the crisis of the subject" - that nagging sense that one's identity is contingent, relative and inherently unstable - by developing multiple authorial selves, or "heteronyms": Alberto Caeiro, a bucolic providore of rustic verse; Alvaro de Campos, a strident modernist; and Ricardo Reis, a meditative pagan and classicist. Each wrote a poetry the others did not and could not write. In this way, Pessoa solved his problems of identity and poetry simultaneously. He recognised his multiple "selves" and set them free. The cultural transplantation he experienced might account for this. He was born in Portugal, but educated in South Africa where he learned to speak and write in English. He spent the remainder of his life in Lisbon where by day he translated business letters, and by night was a figure in the local modernist movement. He was probably an alcoholic, and lived in fear of insanity. (See Michael Hamburger's excellent study of modernist poetry, "The Truth of Poetry", for a lucid account of Pessoa and the significance of his work.) For those who know the story of Pessoa, Saramago's long and luxurious novel offers a delicious premise: Fernando Pessoa is dead, yet Ricardo Reis still lives. Indeed, three months after Pessoa's death, Reis returns to Lisbon from sixteen years of self-imposed exile in Brazil. It's 1936 and Europe is on the brink of war. As Reis contemplates re-establishing a life in Portugal, and pursues relationships with two remarkably different women - Lydia, a chambermaid; and Marcenda, the partially paralysed daughter of a wealthy provincial - the narrative becomes a reflection on Portuguese nationalism and literature, the temptations of communism and fascism, and various other philosophical probings. Saramago's style is infamously dense, full of elegant conceits, frequent circumlocutions, and seamless segues from nuanced prose to undifferentiated dialogue in paragraphs running over several pages. It's an effective, destabilizing technique for a novel which takes, in part, the contingency of identity as a theme. Experienced readers of "world literature" - especially Latin American metafiction and magical realism - who also have a firm grasp on Portuguese history and Pessoa's strange oeuvre will probably enjoy this the most. They'll see the connections: lines, moments and characters (both Lydia and Marcenda) from the poems, echoes of other Portuguese novels, staged conversations between Reis and Pessoa (who makes ghostly day trips from his tomb), and the more subtle in-jokes, such as the ongoing references to a book Reis is reading - Herbert Quain's "The God of the Labyrinth", a non-existent book "invented" by Jorge Luis Borges. The uninitiated, however, may well find all this immensely tedious. While the setting and events do provide some semblance of a romantic-thriller plot, the real joy of this novel lies in what is unsaid - in the way it uses the reasonably arcane knowledge the reader is required to bring to it.

44 of 45 people found the following review helpful.
History throgh the eyes of a dead poet
By Chinmay Hota
The Year of the Death of Ricardo Reis
Even `great' nations someday lose their vitality and turn into mere spectators of the fast changing events. When they fall on bad times, strange leaders take charge, holding out promises to restore the lost national pride. The demoralised people watch helplessly the systematic manipulation of their traditional values and institutions by their new leaders in the name of initiating a healing process. Portugal in the 1930s experienced such political diminution and its shameful aftermath.
This great sea-faring nation, which first charted the sea-route to India, was for years the world's foremost colonial power. Subsequent events, however, relegated Portugal to the background, leaving it clinging tenaciously to its few surviving colonies.
By the fourth decade of the twentieth century, Portugal's journey to obscurity was complete with the emergence of new power equations in Europe. During this turbulent period Portugal fell into the hands of the economist-turned-dictator, Salazar. This provided the ideal setting for a novelist who wished to capture the nation's aspirations amid widespread despair and its creative urges amid moral decadence.
The story of Jose Saramago's The Year of the Death of Ricardo Reis begins with the quiet home-coming from sixteen years of exile in Brazil of the poet-doctor, Ricardo Reis. As he settles down in a hotel in Lisbon, we find him in the strange company of a dead poet Fernando Pessoa. Their encounters produce some of the most enigmatic moments in the narrative. Reis also strikes up relationships with two women, the hotel-maid, Lydia and an upper-crust girl Marcenda, with a paralysed arm. While Lydia readily grants him sexual favours and free house-keeping, Marcenda is quite tentative, self-absorbed and circumspect about herself and the relationship. The ambivalence about Reis's relationships with these women remain unresolved till the very end, when he finds that his time is up and he has to accompany his dead companion Pessoa to the other world.
But who is Ricardo Reis ? Saramago, in his Nobel prize acceptance speech, talks of his early love for poems by Ricardo Reis, whom he first took to be a real Portuguese poet. However, he later found out that " this poet was really one Fernando Nogueira Pessoa, who signed his works with the names of non-existent poets, born of his mind." Saramago learnt many of Reis's poems by heart and lines from his poems lie scattered throughout the novel. In the encounters between the real but the dead poet and his fictitious alter ego, we discover the contours of Pessoa's imaginative world and his philosophy of life. Fate and destiny are central preoccupations for both Pessoa and Reis. Reis, though a believer in gods, considers them powerless in changing the destiny of man. In one of his odes Reis writes, `I suffer, Lydia, from the fear of destiny', while at another place we learn that the `gods of Ricardo Reis are silent entities who look upon us with indifference.' He laments that man tends to forget the all-powerful fate, `Not seeing the Fates that destroy us, we forget their existence.'
Nature of truth, loneliness, transience and death are the other issues which recur all through the novel. The opinionated Reis and his reticent visitor, Pessoa often break into protracted arguments over these matters, and the author Saramago also joins in with his sardonic asides,casting to the winds all conventional rules of punctuation. Despite these authorial intrusions and witty repartees, a sombre mood prevails as death intrudes again and again into the conversation. While describing his own death, Pessoa comments,` Death too is repetitive, it is in fact the most repetitive thing of all.'
Although a novel of ideas, The Year of the Death of Ricardo Reis is replete with sharp and loud images drawn from a colourful landscape and its sprightly people. The descriptions of the carnival, the theatres, the large statues on city squares, the maddening crowd at the pilgrimage centre provide the necessary balance to the haunting evocation of the grey world of death and solitude. The sea dominates the proceedings of the novel, which is inexorably linked to the destiny of Portugal; it provided the nation with its only source of power and glory. When other powers came to rule the seas, Portugal was reduced to a position of insignificance. The novel's opening line, `Here the sea ends and the earth begins', bemoans the snapping of this vital link and casts a despondent glance at a hopeless land. However,the despair is somewhat counterpoised by the diffident hope of the closing lines of the novel, `Here, where the sea has ended and the earth awaits.'
The Year of the Death of Ricardo Reis employs various techniques, both conventional and experimental to knit together a wide array of underlying themes forcefully. What comes through at the end is an exquisite work characterised by rare elegance and unity.

36 of 37 people found the following review helpful.
Among the great novels of the 20th century
By T. Stroll
The greatest literature poses a problem for those who wish to praise it. Almost by definition, words are inadequate, because they cannot do justice to the richness of the language, the plot, or the ideas of their object.
That's the problem I face in trying to praise "The Year of the Death of Ricardo Reis." Anything I say will sound inadequate. In fact, for a reason analogous to that which lies behind the joke about selling at a loss but making up for it in volume, the more I say the more inadequate my effort is going to be.
So just a few words. I think "Ricardo Reis" is one of the great twentieth-century novels, a work that, by itself, justifies Saramago's Nobel Prize for Literature. Reis's obsessional behavior, his philosophical conversations with Fernando Pessoa, the evocation of a rainswept Lisbon just before World War II, the venality of petty martinets--all of these are presented with an awareness of universal truths and of human beings' complexity that reverberates deeply. It will enrich the life of anyone who reads it.
I do have a couple of suggestions for anyone who buys "Ricardo Reis." Look in an encyclopedia to see who Fernando Pessoa and Ricardo Reis were. It will help to understand the plot. And don't be put off by the way Saramago separates dialogue, with commas and a capital letter rather than quotation marks. It's not always easy to follow, but its effect, intended or not, is to give the dialogues a dreamlike quality that's part of the novel's appeal.
Also, if, after reading "Ricardo Reis," you visit Lisbon and feel the urge to visit the Hotel Bragança or the small public square with Adamastor's statue, you can. The Hotel Bragança is located on the south side of the Rua do Alecrim about 100-200 feet (30-60 meters) from the foot of the street. The square is not far from there, and you should be able to find it on a good city map. To see the hotel without the trip, use a search engine to locate "lusophone links" and you may find my website, which has photos of the hotel and of Saramago.
Incidentally, for those Saramago fans who await the translation of his recent novel "Todos os Nomes" ("All the Names"), I've already read it in Portuguese and it's excellent.

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Senin, 12 Oktober 2015

!! Fee Download Maigret in Vichy (Harvest Book), by Georges Simenon

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Maigret in Vichy (Harvest Book), by Georges Simenon

Paris has taken its toll and Maigret is sent to Vichy for the cure, but the Inspector finds it difficult to give his curiosity a rest. He compiles a mental dossier on his fellow guests, including a curious woman he and Madam Maigret note in particular -- the lady in lilac.When a headline in the local paper announces the woman's murder, Maigret -- with some relief -- interrupts his routine to aid the investigation. The arrival of the dead woman's sister provokes more questions than answers but Madame Maigret, as always, puts everything int he proper perspective.

  • Sales Rank: #1725811 in Books
  • Published on: 1995-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: .46" h x 4.21" w x 6.94" l,
  • Binding: Paperback
  • 182 pages

Language Notes
Text: English (translation)
Original Language: French

About the Author
Georges Simenon (1903-1989) was born in Lie`ge, Belgium. As a young man he worked as a baker, journalist, and bookseller and published his first novel at seventeen. He went on to write more than two hundred novels, becoming one of the world's most prolific and bestselling authors. His books have sold more than 500 million copies and have been translated into fifty languages.

Most helpful customer reviews

11 of 11 people found the following review helpful.
An Interesting Mystery
By Mary T. Bowers
Maigret has been ordered to take the healing mineral waters at a famous city, giving him the opportunity to observe the investigation of a local crime and, naturally, solve it. Simenon's strong points are characterization and a vivid sense of locale, rather than a bang-up, surprise ending, but he gives us a neat little mystery here that unfolds at the end almost like a Christie. We also get to see much more of the pleasant, gentle Madame Maigret, and the sweet relationship of the Maigrets. My favorite of the series, even without Lucas, "fat" Torrence, and the whole gang back at Quai des Orfevres.

0 of 0 people found the following review helpful.
For Admirers
By Jack11615
A roman policier of underwater slowness, with an ailing Maigret (& Mme) sent south for a long rest cure. (Simenon's Vichy is just a health spa with no lingering trace of Pétain-Laval.) A crime occurs, of course, but Maigret lacks jurisdiction and is confined to thinking, empathizing, observing while his local disciples act.
Simenon's stylistic deftness seems missing. Sentences are often inverted or otherwise complex; descriptions have symbolic resonance instead of dramatic drive. Mme Maigret (seen here as a 24/7 companion) stays unconvincingly two-dimensional. The principal perpetrators/victims are social stereotypes, more interesting in retrospect than on the page.
I'd call this a class-B Maigret and a class-C Simenon. But it is a part of the detective's life story, and admirers of either Maigret or Simenon will probably want to read it.

3 of 3 people found the following review helpful.
Three weeks of no wine or beer
By Patto
Maigret is fifty-three years old and overworked, with no sensational cases to alleviate the oppression of paperwork. He shows symptoms of mild malaise, so his doctor prescribes a holiday at Vichy, where he will do as others do and take the cure.

The Chief Superintendent submits meekly to three weeks of a strict diet, lots of walking, no wine or beer - and glass after glass of mineral water. Nor does he vary his healthy regime and touching companionship with Madame Maigret when a murder occurs.

Nonetheless, Maigret does consent to consult a bit with the local police. The victim is a woman he and Madame Maigret have seen several times on their strolls: a woman who was always alone, always dressed in lilac, and who never spoke to, or looked, at anyone.

The extreme isolation of Hélène Lange intrigues Maigret. She had no visitors or friends, and there are no photos in her parlor, except of herself!

She does, however, have a sister, although they appear not to be in touch. When Francine Lange shows up for the funeral, she turns out to be a flashy type. But Maigret notes the same cold eyes that he saw in the victim.

It's wonderful to see Maigret keeping in the background, yet nonetheless nudging the investigation in the right direction. And the solution of the mystery is quite poignant.

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Minggu, 11 Oktober 2015

? Free PDF The Unexpected Universe, by Loren Eiseley

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The Unexpected Universe, by Loren Eiseley

Drawing from his long experience as a naturalist, the author responds to the unexpected and symbolic aspects of a wide spectrum of phenomena throughout the universe. Scrupulous scholarship and magical prose are brought to bear on such diverse topics as seeds, the hieroglyphs on shells, lost tombs, the goddess Circe, city dumps, and Neanderthal man.

  • Sales Rank: #338808 in Books
  • Brand: Brand: Harcourt Brace Co.
  • Published on: 1972-10-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .63" w x 5.25" l, .65 pounds
  • Binding: Paperback
  • 252 pages
Features
  • ISBN13: 9780156928502
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Loren Eiseley’s many works include The Night Country, The Invisible Pyramid, The Immense Journey and The Firmament of Time, all available in Bison Books editions. He worked at the University of Pennsylvania until his death.

Most helpful customer reviews

33 of 34 people found the following review helpful.
You cannot miss with Loren Eiseley
By A Customer
I think every book this man ever wrote is a masterpiece. His style is thoughtful, haunting, and beautiful. They are all good. Theodosius Dobzhansky described him as "...a Proust miraculously turned into an evolutionary anthropologist..." and Ray Bradbury wrote glowing reviews of many of his books including this one.
Here he writes from a naturalist's perspective on the unexpected and symbloic aspects of the universe. Read about seeds, heiroglyphs on shells, the Ice Age, lost tombs, city dumps and primative Man. The underlying theme is the desolation and renewal of our planet's history and experience.

29 of 32 people found the following review helpful.
Somber essays from an outstanding writer
By Shawn Moses
Loren Eiseley's dark, brooding prose is unique in the annals of nature writing. "The Unexpected Universe" features some of what are considered Eiseley's best essays. Heavily autobiographical and deeply personal, these essays are not cheerful ramblings on the joy of communing with nature. They are bleak, lonely musings on the human condition. Sometimes, Eisely's scholarly style gets the best of him - his penchant for expounding upon the works of obscure authors taints some of his work with a pompous air. But his best moments more than make up for his bad ones. Eiseley's universe can be profound, ethereal, and dreamlike. Life, Eisely shows, is a journey of discovery filled with moments of awe, fear and sorrow, and occasionally, even with moments of joy. His writings rekindle our sense of wonder for a universe whose intricacies and secrets extend far beyond the boundaries of human understanding.

15 of 15 people found the following review helpful.
A moving meditation by a deeply poetic observer of the natural world
By Shalom Freedman
There are a number of writers of works for the general public on scientific subjects ( Oliver Sachs, Lewis Thomas, Alan Lightman come first to mind) who in exploring their subjects provide profound and poetic insight into human nature and the human situation. Eiseley is such a writer also , and at times he writes passages of exquisite beauty. He often takes off from his own personal observation and in the course of reflection teaches truths about the natural world and the overall development of mankind.
He is no naive optimist and his brilliant essay in this volume comparing two of his great naturalist heroes, Darwin and Thoreau he speaks about the cruel and wasteful sides of the natural world. Even more he emphasizes the surprises the close observer of the natural world is often confronted by, the 'Unexpected Universe' of his title. Eiseley sees the mystery that is constantly the byproduct of close observation of nature.

"The evolution of a lifeless planet eventually culminates in green leaves. The altered and oxygenated air hanging above the continents presently invites the rise of animal apparitions compounded of formerly inert clay.
Only after long observation does the sophisticated eye succeed in labeling these events as natural rather than miraculous. There frequently lingers about them a penumbral air of mystery not easily dispersed.We seem to know much, yet we frequently find ourselves baffled.Humanity itself constitutes such a mystery, for our species arose and spread in a time of great extinctions. We are the final product of the Pleistocene period's millenial winters, whose origin is still debated.Our knowledge of this ice age is only a little over a century old, and the time of its complete acceptance even less. Illiterate man has lost the memory of that huge snowfall from whose depths he has emerged blinking."

In this context many of the best passages of this book relate to Eiseley's musings on prehistoric life and development of mankind. Some might find in this emphasis a hindrance to religious faith, but in one exceptionally telling passage of the book he shows the kind of friendly connection between scientific observation and religious faith which many of us would like to affirm.
"It is not sufficient any longer to listen at the end of a wire to the rustlings of the galaxies;it is not enough even to examine the great coil of DNA in which is coded the very alphabet of life. These are our extended perceptions.But beyond lies the great darkness of the ultimate Dreamer, who dreamed the light and the galaxies. Before act was, or substance existed, imagination grew in the dark. Man partakes of that ultimate wonder and creativeness. As we turn from the galaxies to the swarming cells of our own being, which toil for something , some entity beyond their grasp, let us remember man, the self- fabricator who came across an ice age to look into the mirrors and the magic of science. Surely he did not come to see himself or his wild visage only. He came because he is at heart a listener and search for some transcendent realm beyond himself."

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Sabtu, 10 Oktober 2015

~ Free Ebook If the Creek Don't Rise, by Rita Williams

Free Ebook If the Creek Don't Rise, by Rita Williams

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If the Creek Don't Rise, by Rita Williams

When Rita Williams was four, her mother died in a Denver boarding house. This death delivered Rita into the care of her aunt Daisy, a headstrong woman who had married the most prominent black landowner in Nebraska and spirited her sharecropping family out of the lynching South. They reinvented themselves as ranch hands and hunting guides out West. But one by one they slipped away, to death or to an easier existence elsewhere, leaving Rita as Daisy’s last hope to right the racial wrongs of the past and to make good on a lifetime of thwarted ambition.

If the Creek Don’t Rise tells how Rita found her way out from under this crippling legacy and, instead of becoming "a perfect credit to her race," discovered how to become herself. Set amid the harsh splendor of the Colorado Rockies, this is a gorgeous, ruthless, and unique account of the lies families live—and the moments of truth and beauty that save us.

  • Sales Rank: #1201447 in Books
  • Published on: 2007-05-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.99" h x .75" w x 5.00" l, .67 pounds
  • Binding: Paperback
  • 336 pages

From Publishers Weekly
Starred Review. Shortly after Williams's father ran off with another woman, carbon monoxide killed her mother in a Denver rooming house. Williams, born in the early 1950s, was only four, so her Aunt Daisy took her in. Many readers have a Daisy in the family. She reminds you to "urinate or move your bowels" before leaving home, and freely discusses buying Kotex or other intimate matters, pretending she can't imagine why you're so sensitive. Beyond her eccentricities, Daisy's attitudes on race matters are complex and often troubling; she doesn't hesitate to call her niece the N word—in scorn, not humor. Born into a Tennessee sharecropping family in the early 1900s, Daisy left Klan territory by marrying a 79-year-old Civil War veteran, who took his young bride to his western Nebraska ranch. Soon more of Daisy's family went West, but financial difficulties reduced them all to subsistence lifestyles. Still, when Daisy was raising Williams, she'd barter her own labor, washing floors for school tuition, so her niece could "Do something, goddamn it. Be somebody." And she has—Williams, who published a portion of this book in O Magazine, is a gifted storyteller, and her tales of Daisy are unforgettable. Photos. (May)Look for PW's upcoming q&a with Rita Williams.—Ed.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School–When Williams was four years old, her mother died and she was sent to live with her Aunt Daisy, the last surviving widow of a Civil War soldier. This memoir focuses on turbulence of Williams's turbulent relationship with her aunt during the 1960s and '70s. The Daisy with whom she grew up was a manipulative, embittered woman who could never be comfortable with the white people around her. The disappointments of her own life led her to push Williams to succeed and yet begrudge those successes. The author is a gifted storyteller, and the pictures she paints of the Colorado of her youth are compelling. High school students will be fascinated by the glimpses into Perry Mansfield, the renowned summer art camp created by Charlotte Perry and Portia Mansfield. Williams spent several summers there, first as a maid with her aunt and later participating in classes. Her association with these two dynamic women helped shape a lifelong love of the performing arts and gave her a sense of her own identity that her aunt's attempts at control could not destroy.–Kim Dare, Fairfax County Public Schools, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
When Williams was four years old, her mother died, leaving her to be raised by an aunt with a particular brand of racial lunacy--obsequious to whites, derisive of middle-class blacks, and determined that Williams will be a "credit to her race." Making it plain that she'd never wanted to be stuck with raising the child, Aunt Daisy is stormy, harsh, and cantankerous. But she is also quite fascinating. As a young woman, Daisy married a considerably older Civil War veteran, inherited his land and squandered it, then later joined the family in Steamboat Springs, Colorado, where blacks were scarce. The family's fortunes had dwindled from ownership of a hunting camp to near destitution. Frugal to the point of fanaticism, she saved every scrap and cleaned houses. Williams recalls memories of enduring cold winters, eating elk sandwiches, and drinking repulsive powdered milk. As a young girl, she tired of listening to stories of old adventures and longed for creature comforts. But after a turbulent adolescence, she comes to understand the depth of her aunt's love for her. Vanessa Bush
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

8 of 8 people found the following review helpful.
An exquisite memoir by a master storyteller
By C. Radtke
From the open lines of "If the Creek Don't Rise," I knew I was in for a treat: "Out my kitchen window, the November wind off the Pacific whipped up light frothy waves on Silver Lake." It felt as if I had fallen into a Raymond Chandler detective novel, so rich was the imagery that I could almost feel the spray of the waves--I was hooked! Williams is a consummate storyteller, drawing you in with her rich descriptions of the landscape (both inner and outer), her insights into highly complex and, at times, contradictory characters, and events that sweep one along as a canoe in the rapids. There is never a false note. I read the book cover-to-cover in one sitting, so anxious was I to see how it turned out, and I felt enriched by sharing Williams' incredible journey. If I did not know this was true, I would swear it was a yarn spun by a true raconteur, but what makes her book so amazing is the inner work she has clearly done to be able to report the story with love and an undeniable quality of forgiveness. Such prose comes only from remarkable people, and Williams is that, and more. I can hardly wait for her next offering. This is great literature!

4 of 4 people found the following review helpful.
5-Star Rita Williams Walks the Talk
By Sheron M. W. Steele
How I wish I could have read Rita Williams' book in some type of time warp when we first met in college! If the Creek Don't Rise chronicles Rita's youth up until the moment I met her. Maybe I could have been a better friend to Rita had I been able to read the entire, haunting history of her life long, long ago. But like college kids, I'd blurt out, "Rita, tell me about those scars on your wrist." And she'd answer just as frankly, and we comforted each other's vast emptiness . . . and we'd play like little girls together. We played ike sisters; I always called Rita my sister. And when my biological twin recently completed a family genealogy, Rita asked me, "Am I in it?"

Rita is just like her book---walking, living, breathing poetry. When I first offered Rita a Kiwi fruit in the early 70's, Rita said, "Ummmm . . . That's how a woman should taste!"

I love my friend. She's the real thing--all empathy and laughter and giving. She has put her writing talent above career and ambition, successfully following her heart and sharing her commitment with all of us--her readers. Her metaphors are clean and new and brilliant; they've always been. I recommend If the Creek Don't Rise to you with my whole heart.

3 of 3 people found the following review helpful.
this is amazing
By A. Martin
This book is phenomenal. I've been reading memoirs all spring (jeanette walls, ruth reichl, etc.), and this one is my favorite so far because it's not just a story about personal tragedy and triumph, but also a well-articulated look at a very complicated, conflicted time in American history. Her story is startling and heartbreaking, and I'm excited to talk to other people who have read it, because it's the kind of thing you can't not have an intense personal reaction to. This one will be AWESOME for book clubs.

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Jumat, 09 Oktober 2015

## Download Basic Judaism (Harvest Book.), by Milton Steinberg

Download Basic Judaism (Harvest Book.), by Milton Steinberg

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Basic Judaism (Harvest Book.), by Milton Steinberg

Rabbi Steinberg identifies seven strands that weave together to make up Judaism: God, morality, rite and custom, law, sacred literature, institutions, and the people. A classic work directed to both the Jewish and the non-Jewish reader.

  • Sales Rank: #50310 in Books
  • Brand: Mariner Books
  • Published on: 1965-03-17
  • Released on: 1965-03-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .52" w x 5.31" l, .41 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Great product!

About the Author

Milton Steinberg was an American rabbi, philosopher, theologian and author.

Most helpful customer reviews

84 of 87 people found the following review helpful.
From impenetrable to quite translucent..
By Robin Knight
Back in the 'Eighties, I found myself teaching Chaim Potok's "The
Chosen" to a Year 12 class, a system-shock, since I was, by then,
as school librarian, largely free from classroom duties. But it was a
book I liked, and the best book, by far, on that year's required
reading list, and the English Coordinator, the class teacher, had
declared himself an avid antisemetic and thus unwilling to add the
text to his repertoire..though quite willing to allow ME to
"borrow" his class to demonstrate the book's worth.And so I
came to research Judaism the first time..

The second thrust toward
Judaic enlightenment was differently inspired, prompted, in fact, by a
stroll around New Orleans with a Jewish met-on-the- internet-friend
from New York, with me miserably aware that I was registering only a
fraction of his conversational vocabulary (and that several paragraphs
behind). And it seemed to me that if so obviously intelligent a man
could find meaning in Judaism, perhaps the faith,and its inherent
disciplines, were worth a second look..

But where to look
first?
Other Jewish friends proffered advice.
Herman Wouk's
"This Is My God" was recommended.

"Lightweight!" scoffed my New York friend."Pap for the
masses!You would do better just asking ME!"

But I wanted to
input some other, more openminded ideas, and tried Amazon Books.

Amazon came up with a list of twenty or more, a list which threatened
to go on, and on, but I started with nine, the shelf since much
augmented, and browsed them all, before selecting "Basic
Judaism",by Rabbi Milton Steinberg, subtitled :
"The
essential book for both Jews and non-Jews eager to know more about one
of the world's great religions".

And as a starting point,
as an overview, as a balanced, heart-warming, conscious-of-all-faiths
introduction to the Jewish way of life, I doubt you can go past Rabbi
Steinberg's positive little text which manages, in just 172 pages, to
render the seemingly impenetrable, quite translucent... sunlit, even!

Educated in my formative years by Sisters Of Joseph nuns,
indoctrinated that only baptised Christians can "enter the
Kingdom Of Heaven", I was unprepared for the welcoming warmth
this little book exudes. There is no hint of a restricted heaven here,
nor babies in limbo, with Rabbi Steinberg reminding us, over and over,
that , to a Jew, heaven is for the righteous, all righteous
,regardless of creed, something my Islam-convert son has pointed out
to me as a major difference, also, between Christianity and his
adopted faith.
I was interested, too, to see that there is no
equivalent of the Catholic Pope, and no parent "CHURCH" to
grow rich and powerful, that each synagogue congregation is an
independent, autonymous entity..
Interested,too, to see how much
emphasis Judaism places on individual learning and scholarship, even
for women,and on rights for women, NOT things the Christian churches
have exactly emphasised down the years.

As well, Rabbi Steinberg
continually clarifies both the traditionalist and modernist Jewish
stances on each point at issue...something else that came as something
of a shock to me after my rather frustrating attempts at broadbased
discussion with my classically trained, Ashkenazic Jewish friend from
New York.

But remember, this is an OVERVIEW of Judaism, and not
the book in which to delve for obscure points of pre-Passover
procedure, though its eleven sections cover Judaism from historical
foundations , through current practice, to a "World To Come"
section and Epilogue, noting, at each step, the differences in
interpretation between the main Jewish divisions, and explaining how
these interpretations affect daily life for a Jew.

I have read
many books on Judaism since, and attended classes, and "discussed
the Holy Books" with some very learned men indeed, and had many
questions thus answered, but this book, with so many passages
highlighted by my yellow pen, is the text that made me want to
continue to find out.

And if YOU, with a Jewish friend or
workmate, or perhaps reading the daily papers and watching televised
news of the conflict in Israel, would like to understand better, to
maybe offend less, to be more in the picture, read Rabbi Milton
Steinberg's "Basic Judaism"....as a starting point.

Almost certainly you will want to go on and read more!

64 of 67 people found the following review helpful.
A very, very basic introduction...
By Thomas J. Brucia
There are two things one should know about this book. One, (as the author points out) this book "is a book about the Jewish religion - not about Jews or Jewish problems, or Jewish culture, or Zionism, but about those beliefs, ideals, and practices which make up the historic Jewish faith." Two, it is indeed - very - basic. Perhaps my thirst for detail keeps me from appreciating this short a summary. I found MUCH more information in three hours on the Internet than turns up here.... Perhaps the book suffers because the author is trying to span the breadth of Judaism, from Reform to Orthodox, in one volume.... On a positive note, Rabbi Steinberg does not beat about the bush - to give one example. he straightforwardly describes the differences between (the various forms of) Christianity and Judaism. His views on St. Paul are "challenging". Christians may not like his judgments, but I thought many of them seem quite on-target. On the negative side, do not expect from this volume a listing of the 613 Jewish commandments (though they are mentioned). Do not expect any description of the Jewish lunar calendar, or any listing of the months. Do not expect any description of the Hebrew language. Do not expect any detailed description of the liturgy of the Shabbat service. I could forgive much of this (since the book is only 172 pages long) except for the fact the author is verbose - especially in the first half of the book. (Incidentally, be aware that "Basic Judaism" lacks all of the following: a bibliography, a glossary, any appendices, and an index!) Though I found this a pleasant read, I wouldn't use it as a starting point for any in-depth study of Judaism.

43 of 46 people found the following review helpful.
Great Basic Intro
By A Customer
This is a basic introduction for people who either want an overall review of the basics or for people about whom it can't be assumed they know even the basics, like me. Rabbi Steinberg's best quality is his ability to break down and pick apart the basics and his ability to write with extraordinary conciseness. I never felt he was talking down to me, but his handle of English for explaining the complex theological and philosophical concepts was truly remarkable. He also makes a point of drawing out the differences among Jews about Judaism, frequently contrasting "traditionalists" with "modernists". I can't imagine I could have chosen a better book for getting the concept of Judaism. There probably are better books to get, though, if you are looking for a book about how to live as a Jew. The book is obviously very pro-Jewish and he seems usually to give the modernists the better slant without being disrespectful to tradition. If you just want to know what Judaism is, I can definitely recommend this book.

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