Minggu, 13 Desember 2015

^ Download PDF Donnybrook: The Battle of Bull Run, 1861, by David Detzer

Download PDF Donnybrook: The Battle of Bull Run, 1861, by David Detzer

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Donnybrook: The Battle of Bull Run, 1861, by David Detzer

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Donnybrook: The Battle of Bull Run, 1861, by David Detzer

In April 1861, Confederate artillery blasted Fort Sumter into surrender. Within weeks, the Confederacy had established its capital at Richmond. On May 24, Lincoln ordered troops across the Potomac into Virginia, only a few miles from the Confederate military base near the hamlet of Manassas. A great battle was inevitable; whether this would end the war, as many expected, was the only question. On July 21, near a stream called Bull Run, the two forces fought from early morning until after dark in the first great battle of the Civil War. America would never be quite the same.

Donnybrook is the first major history of Bull Run to detail the battle from its origins through its aftermath. Using copious and remarkably detailed primary source mate-rial-including the recollections of hundreds of average soldiers-David Detzer has created an epic account of a defining moment in American history. This new paperback edition includes additional maps.

  • Sales Rank: #2295537 in Books
  • Published on: 2005-09-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.49" w x 5.25" l, 1.44 pounds
  • Binding: Paperback
  • 576 pages

From Publishers Weekly
The Civil War’s first major battle was not especially bloody or decisive, but this fascinating study makes it an apt microcosm of the conflict. Historian Detzer (Allegiance: Fort Sumter, Charleston and the Beginning of the Civil War) provides a lucid narrative of the battle’s course, judiciously assesses the causes and authors of the Union defeat, draws vivid thumbnail sketches of participants from generals to privates, and debunks the "stone wall" legend and other enduring myths of the battle. But the book’s greatest strength is its account of the social, psychological and organizational aspects of warfare in the Civil War epoch. Fought by hastily mobilized amateurs, the battle highlighted the Herculean difficulties the two sides faced in clothing, supplying and feeding large armies and trying to turn fractious civilians into competent soldiers. And Bull Run gave volunteers imbued with romantic jingoism their first taste of the horror, chaos and physical agony of combat. Drawing on a mountain of first-hand accounts, Detzer paints a detailed panorama of every aspect of army life, from the mechanics of working a musket, to the grisliness of battlefield medicine, the scrounging for meals and the suffering through long, waterless marches on a sweltering July day. The result is a splendid portrait of the Civil War as the soldiers knew it. B&w photos not seen by PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* This is the fourth account of the First Battle of Bull Run (or Manassas) to appear in the last 15 years, but Detzer's work stands above the crowd because it possesses several superior qualities. Narrative verve is present, but more important is the author's grip on how difficult it was for Civil War generals to control a battle, and how difficult it is for a historian to reassemble the chaos of combat into a coherent chronicle. Returning to these two challenges as he recounts the preliminary maneuvers that precipitated Bull Run, Detzer revises the blame conventionally heaped on the losing Union general, Irvin McDowell. Among other reasons, McDowell's attack plan misfired because of a staff officer's incompetence, despite which he almost gained the victory. This is where the "Stonewall" Jackson legend comes into play. Detzer dismantles the moniker--allegedly uttered by a Confederate general killed in the battle--as both fictitious and out of proportion to the dubious stalwartness of Jackson's regiments, two of which completely cracked. Detzer also vivifies the soldier's experience of fear and physical exhaustion, polishing what is nearly a model of how a Civil War battle history should be written. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review
"A lucid narrative of the battle''s course. A splendid portrait of the Civil War as the soldiers knew it." (PW Online)

"A marvelous account. Comprehensive, thorough, deeply researched, rich in detail, and highly readable." (John C. Waugh)

"Nearly a model of how a Civil War battle history should be written." (Booklist)

"A primer on Civil War military organization, training, and experience." (Library Journal)

"A vibrant narrative history that will appeal to a wide range of readers. Very effective and unfailingly entertaining."<br> (North & South Magazine)

"Detzer establishes himself as the premier historian of the war''s first months, as Donnybrook follows his thoughtful, much acclaimed Allegiance." (American Civil War)

"This is history as it should be written." (Seattle Times)

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0 of 0 people found the following review helpful.
Four Stars
By mazz fdny
this and baptism at bull run are the best books on the this most important battle .

13 of 14 people found the following review helpful.
No maps but still well worth picking up
By B. Morris
If you have read David Detzer's book Allegiance then you are already familiar with his wonderful writing style. Detzer is really a talented writer and Donnybrook definately lives up to his previous works. It's well researched and well written.

One of the nice things about Detzer's work here is that like with Allegiance, it's not just the story of the Xs and Os of the battle but the political and social atmosphere surrounding it. In the end the reader is left with not just a better understanding of the battle itself but the political pressures involved.

One point I especially enjoyed was the book dealt rather heavily with General Patterson and his failed attempt to hold Johnston's forces in the valley so they could not reinforce Beauregard at Manassas Junction. Detzer shows pretty convincingly that General Winfeld Scott's confusing orders had as much as anything to do with Johnston's ability to escape Patterson and join Beauregard.

My only criticism of this book is that there are no maps of the battle. There is a general map of the Eastern Theater inside the front cover but that's all. While Detzer does a wonderful job in describing the battle and the actions of the units I still think he should have included at least a few to help the reader better understand the movements of the armies.

If you are someone familiar with the battle before reading the book, this shouldn't be a problem. If you are rather new to the battle you might want to look up a map of the battlefield online when reading it. Either way, this is still a fine book so don't let the lack of maps keep you from picking this one up.

16 of 18 people found the following review helpful.
Like A Martini with No Olive
By Civil War Buff
This is just an excellent telling of the first battle of Manassas. The facts are accurate and the sequence of events is near perfect. Mr. Detzer clearly explains the positions of both armies throughout the book. BUT THE BOOK HAS NO MAPS. This makes it nearly impossible to relate to the author's information. How a book this good could not have maps is an author's and publisher's unacceptable omission. If the reader cannot constantly visualize the stone bridge, The Henry house hill, Matthews hill and other important locations, this will be a most frustrating read. To force the reader to have additional maps and go back and forth between reading and viewing makes the book totally unenjoyable for a reader that does not have a clear understading of the topography. The book is a 10. No maps pulls the rating to a 3. What a shame.

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Sabtu, 12 Desember 2015

# Download First Light: Mother And Son Poems: Mother & Son Poems: A Twentieth-Century American SelectionFrom Harvest Books

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First Light: Mother And Son Poems: Mother & Son Poems: A Twentieth-Century American SelectionFrom Harvest Books

The first anthology of its kind, bringing together a diverse selection of new and well-known modern American poets writing on the theme of mother-son relationships; with works by eighty poets, including Sylvia Plath, e. e. cummings, William Carlos Williams, and Langston Hughes.

  • Sales Rank: #3830592 in Books
  • Published on: 1992-04-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .45" w x 5.50" l, .39 pounds
  • Binding: Paperback
  • 176 pages

About the Author
Jason Shinder is the author of the poetry books Every Room We Ever Slept In and the forthcoming Among Women. His most recent anthologies include The First Book and Best American Movie Writing, of which he is a series editor. He teaches in the graduate writing program at Bennington College and the New School for Social Research. Founder and director of the YMCA National Writers' Voice, a network of literary art centers, he is director Of Sundance Institute's Writing Fellowship Program.

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Jumat, 11 Desember 2015

^ Download Lectures on Don Quixote, by Vladimir Nabokov

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Lectures on Don Quixote, by Vladimir Nabokov

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Lectures on Don Quixote, by Vladimir Nabokov

A fastidiously shaped series of lectures based on a chapter-by-chapter synopsis of the Spanish classic. Rejecting the common interpretation of Don Quixote as a warm satire, Nabokov perceives the work as a catalog of cruelty through which the gaunt knight passes. Edited and with a Preface by Fredson Bowers; photographs.

  • Sales Rank: #195039 in Books
  • Color: Green
  • Published on: 1984-04-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .55" w x 5.51" l, .69 pounds
  • Binding: Paperback
  • 240 pages
Features
  • ISBN13: 9780156495400
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review
Quite the least interesting, most dutiful of Nabokov's collegiate lectures on literature, these talks on Don Quixote were given at Harvard, 1951-52. Again, Nabokov applies principles of categorization to the text at hand: dimensions, numbering, topographies, maps. And he offers some (but not much) general discussion of the book's enduring genius. "What we shall witness now is the evolution of the epic form, the shedding of its metrical skin, the hoofing of its feet, a sudden fertile cross between the winged monster of the epic and the specialized prose form of entertaining narration, more or less a domesticated mammal, if I may pursue the metaphor to its lame end;" Nabokov sees Don Quixote as a logical continuation of earlier chivalric romances, "with the elements of madness and shame and mystification increased." The book, he finds, is one of those "perhaps more important in eccentric diffusion than in their intrinsic value." Clearly not one of Nabokov's favorite books, he sees it as neither humane nor humorous: a whole section of the lectures is given over to literally scoring (as in tennis) the Don's cruel humiliations. And Cervantes' comedy receives little praise: "Dulcinea shall be restored to Don Quixote if - now comes the rib-splitting joke - if Sancho consents to take 3000 lashes on his bare behind. Otherwise, says the Duke when he hears of the requirement, you do not get your island. The whole thing is very medieval, coarse, and stupid fun, as all fun that comes from the devil. Authentic humor comes from the angels." True, Nabokov is sometimes entertaining when he kibbitzes, one novelist to another, taking Cervantes to task for not having done a scene better; he does admire the hapless Don himself. ("He stands for everything that is gentle, forlorn, pure, unselfish, and gallant. The parody has become a paragon.") But the bon mots here are scarce, and the book is little more than an acerbic, uninvolved study-guide - for Nabokov fanatics only. (Kirkus Reviews)

About the Author
Vladimir Nabokov (1899-1977), Russian-born poet, novelist, literary critic, translator, and essayist was awarded the National Medal for Literature for his life's work in 1973. He taught literature at Wellesley, Stanford, Cornell, and Harvard. He is the author of many works including Lolita, Pale Fire, Ada, and Speak, Memory.

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36 of 41 people found the following review helpful.
An Excellent Analysis and a Comprehensive Introduction
By Jack Ridley
I bought and read Nabokov's "Lectures on Literature" which is based on his European literature course that he taught at Cornell in the 1950s. That is an excellent guide to seven well known novels: "Mansfield Park, Bleak House, Madame Bovary, Dr. Jekyll and Mr. Hyde, The Walk by Swann's Place, The Metamorphosis, and Ulysses." In that set of course notes he dissects each book and spends about 40 pages or so on each novel discussing style, structure, etc. He spends more time on Ulysses and less on Kafka's "The Metamorphosis."

The present book is a bit different. He prepared only six lectures that he gave in the spring of 1952 at Harvard for the course Humanities 2. The aim is to describe and give an overall context for the work "Don Quixote." The notes still exist in six manilla folders and they are the basis of the present book edited by Fredson Bowers.

The course starts with a very brief introduction in the same style as the Cornell lectures with sketches of maps, etc. Next, he describes in detail the character of Don Quixote and Sancho Panza. Those are the first two chapters, or about 24 pages. Then he describes the structure of the book for another 25 pages, again with copies of Nabokov's actual class notes.

Cruelty and mystification are covered in a similar but lengthy analysis, followed by The Chronicler's Theme, and Victory and Defeats. The second half of the book is a chapter by chapter summary of both volumes I and II. In total, it is just over 200 pages of notes.

As Guy Davenport states in his introduction, the book puts most other teachers to shame who attempt to teach Don Quixote in a week. It is refreshing and detailed, and as Nabokov points out, this is an analysis of a book that evokes cruel laughter. It is not a "gentrified" story of an old book; and, according to Nabakov, such a past but popular interpretation was a misreading of the story. He compares this "crude old book" to the more sophisticated plays of Shakespeare, a contemporary of Cervantes. He spend almost no time on the life of Cervantes, and he thinks that the important focus should be the book itself not Cervantes biography - interesting as his life might have been. He recommends the Samuel Putnam translation or the 1950 Penguin version by J.M. Cohen. He recommends avoiding the Viking Press 1949 version.

This is a comprehensive and easy to read analysis of the first great European novel.

14 of 16 people found the following review helpful.
Cruel and unusual
By Gene Zafrin
"... one of the most bitter and barbarous books ever penned" said Nabokov about "Don Quixote". Exposing the flood of physical and emotional abuse inflicted on the half insane knight and his largely average squire is at the heart of these lectures. In the early 50's, when Nabokov delivered his lectures on "Don Quixote" at Harvard, this was a radically new take on the classic novel which most critics considered good-natured and almost pastoral. For Nabokov, however, this position was quite in line with his signature irreverent views. He has always been sensitive to human suffering and considered pity for human condition one of the main attributes of art (in his "Lectures on Literature", for example, he especially noted compassion for the lame girl in "Ulysses" and Gregor's quiet suffering as a beetle in "Metamorphosis").

Building up on the themes of cruelty and insanity, Nabokov points out that in 1600's both were enjoyed as entertainment. The raw cruelty of 3,000 lashes that Sancho is to receive, or Don Quixote's suspension by the hand for two hours during which he "bellows like a bull", or the sick pleasure that many of the book's characters derive from Don Quixote's insanity and from playing into it - all that was run of the mill fun in Cervantes's Europe. Nabokov believes that this crude entertainment was the main source of the book's appeal for the readers when the book came out.

The novel's structure (which in Nabokov's world is second only to style) is really nonexistent: "The book belongs essentially to a primitive form, to the loosely strung, higgledy-pickled, variegated picaresque type". Nabokov notes that the many inconsistencies in the book Cervantes seems to either ignore or simply attribute to magic.

The novel's cruelty, its appeal to the "primitive reader" as a source of crude entertainment and its messy structure are described in convincing detail. By comparison, Nabokov's occasional appeal to Cervantes's genius is not developed into a stronger argument. Nabokov does note the dramatic dialogue which is "marvelous [...] even in translation", artistic and original depiction of Don Quixote and the equal number of the knight's losses and victories in each of the two parts of the book (Nabokov associates symmetry and balance with artistic genius). On balance, these lectures are much more about the novel's flaws.

If these lectures prompt one to pick up "Don Quixote", it would not be for the novel's artistic beauty that Nabokov highlighted: the first half of the book is mostly devoted to analyzing the novel's shortcomings and the second part to going over the synopsis of every chapter, with little commentary from Nabokov. These lectures are remarkable, however, for presenting a high standard of reading: for the attention to detail and for their inspiration to develop a literary opinion that you could truly claim your own.

33 of 45 people found the following review helpful.
Backhanded homage, Bloom's agon
By David Lupton
Nabokov claims to dislike Don Quixote and considers the novel 'crewl' yet spent a significant portion of time analyzing the novel and teaching it. I am reminded of Tolstoy's dismissal of Shakespeare and his dissection of King Lear. Orwell correctly pointed out that, among these giants, bothering to grapple with another's legend so completely is a nod to greatness, one doesn't bother to kill a knat w/ a sledgehammer.

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Cast A Cold Eye, by Mary McCarthy

The seven stories collected here showcase McCarthy's formidable powers of observation, her deliciously witty writing style, and her celebrated talent for dissecting characters with biting acuity. A young woman looks for subtle (and not-so-subtle) ways to escape her unsatisfying marriage; an innocuous single man's friends realize his companionship has an enormous price; and an Italian guide puzzles a traveling pair of Americans.

  • Sales Rank: #2531735 in Books
  • Published on: 1992-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .58" w x 5.50" l, .49 pounds
  • Binding: Paperback
  • 228 pages

About the Author
MARY MCCARTHY (1912–1989) was a short-story writer, bestselling novelist, essayist, and critic. She was the author of The Stones of Florence and Birds of America, among other books.

Most helpful customer reviews

3 of 5 people found the following review helpful.
Destiny's brood
By Luca Graziuso and Marina Ross
Mary McCarthy less heralded collection of short stories - compared to "The Company She Keeps" - is a rewarding, rollicking, sharp-witted, entertaining read. As always she engages the reader in a fast paced exposition of social mores and their correlative states of consciousness that with an implosive whimsical irradiation gush into the poetical and drag us into the realm of cultural artifacts whose staging reveals the imposition of codes of conduct and the internal wrangle they propagate. These stories don't have the same subtle shading of her novels, but they offer themselves to the reader so effortlessly, and with the garrulous tenor of a gossiping intellectual, that they succeed at creating vignettes of lives abused by the determinism of fate and unwittingly in defiance of its prescriptions. There are some phrases which are vintage McCarthy, which is to say astute and poignant, revealing and literary, wondrous and blithely attuned to the concentrated composition. The first story specifically (The Weeds) is probably one of the best written ever in terms of its undertow of allusive currents; whereas the latter two, autobiographical reminiscences, sparkle with the strength of mind of a woman who makes art of memories and does it with the commitment of a social historian mining the prejudices of the times yet never sacrificing nor compromising the joy that she invariably dotes upon the reader. It is a collection of stories of exceptional quality and verve.

2 of 5 people found the following review helpful.
Metonymy, the part is taken for the whole
By Mary E. Sibley
Well, would someone leave her husband after the petunias bloomed? Possibly. Murder is more civilized than divorce. The first story of the collection describes the calculated withdrawal of love from a household. The story that follows is of an unpleasant cast, too. Francis Cleary is inane, and as such is the perfect guest for his married friends. Sadly, though, he produces a melancholy effect. He is innocent since he has abandoned the idea of marriage.

Mary McCarthy really does carry on like a latter-day Ben Jonson. In both instances the writers were good students of classical literature. Words such as bounder, titles such as "Cicerone", signal this characteristic.

In "The Old Men" a graduate student in history has broken his elbbow and is bothered in the hospital by the old man across the hall calling to the nurse. A hospital is a place of no attachments. One is no longer a point on a social graph. Perhaps to even exist is a matter of impersonation the young man thinks. He converts the noise, the pseudo sobbing of some of the old men in the ward, into musical notation, a sort of chant. His sense of contentment is punctured when he hears a dying woman sreaming in the night. On the way to the operating room to have his elbow reset he asks to see into the room across the hall. It is vacant. He dies during the procedure.

The narrator's grandmother wars against the Protestants. The family has no friends and entertaining is held to be foolish. The four children have had a happy existence until their parents are lost in an influenza epidemic. The children are separated from each other and sent to live with relatives. They are not well-treated. Visits to the grandmother become enjoyable. Five years later the Protestant grandfather arrives on the scene and is affronted on the children's behalf.

When Mary, at her Catholic school, is compared to the poet Byron, the grandfather protests. The grandfather and the school head had each said previously the other person was a fine man or woman. Two girls at the convent have marked out their own roles as class clowns. The narrator is nicknames by them clever young egg, (in initials), since the they had sensed her guileless ambition. It is predicted that she will grow up to be a novelist.

The wit and excellence of the writing in this collection cannot be described adequately.

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Rabu, 09 Desember 2015

# Download Ebook Linotte: The Early Diary of Anais Nin (1914-1920), by Anais Nin

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Linotte: The Early Diary of Anais Nin (1914-1920), by Anais Nin

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Linotte: The Early Diary of Anais Nin (1914-1920), by Anais Nin

A charming and amusing view of Nin's early life, from age eleven to seventeen; the self-portrait of an innocent girl who is transformed, through her own insights, into an enlightened young woman. "An enchanting portrait of a girl's constant search for herself" (Library Journal). Preface by Joaquin Nin-Culmell; Index; photographs and drawings. Translated by Jean L. Sherman.

  • Sales Rank: #1885889 in Books
  • Color: Other
  • Published on: 1980-03-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.34" w x 6.00" l, 1.73 pounds
  • Binding: Paperback
  • 518 pages
Features
  • ISBN13: 9780156523868
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Language Notes
Text: English, French (translation)

About the Author
Ana-s Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she was the author of several novels, short stories, critical studies, a collection of essays, two volumes of erotica, and nine published volumes of her Diary.

Most helpful customer reviews

11 of 12 people found the following review helpful.
Prelude to the Storm
By bookkitten
For fans of Anais Nin, this unedited early diary is a must. Written in the years immediately preceding the events revealed in her books HENRY AND JUNE and INCEST, this diary is the connecting link that reveals how a virtuous, loving wife became a wild adventurous. The writing is simply gorgeous; you'll be amazed at how polished and vivid her discriptions of life in Paris of the 1920s were (and yes, this book was printed AS IS from the original journals). Ironically, she describes her initial disgust with Parisian "sensuality," as well as her growing acceptance and eventual delight with the city. She describes her homes, friends, and her interest in Spanish dance. But perhaps most importantly, she describes her marriage to Hugh Guiler, a man she loves but who does not satisfy her physically. Read this book so as to understand how Anais was eventually driven into the arms of Henry Miller.

7 of 7 people found the following review helpful.
Modest Beginnings
By Ruth Edlund
This volume of writing offers the careful reader glimpses of Anais Nin before she reinvented herself. Or does it? One can never be sure with Nin.
The girl who became Anais Nin, scandalous diarist, was clearly highly articulate, and determined to live a life of Art and Passion, even when her mother was making her do housework as a teenager in their modest rental house in Queens. It provides a gentle introduction to her life and times, and a fascinating contrast to searing works such as _Incest_, taken from diary material written some twenty or so years later. One also gets some interesting views of early-twentieth century New York City.
The book, taken in the context of Nin's later work, offers evidence that we become what we most want to be. Dreamer, beware!

10 of 11 people found the following review helpful.
Lionette
By kelly gallagher
Even if you've read other works of Anais, you must read this journal. Beginning at age 11, young Anais introduces you to a sad, young girl who has matured well beyond her years. However, her passion and desire remain the same. She knew at that young age that she was meant to do nothing else but write.

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Senin, 07 Desember 2015

! Free PDF The Joke's Over: Bruised Memories: Gonzo, Hunter S. Thompson, and Me, by Ralph Steadman

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The Joke's Over: Bruised Memories: Gonzo, Hunter S. Thompson, and Me, by Ralph Steadman

In the spring of 1970, artist Ralph Steadman went to America in search of work and found more than he bargained for when he met Hunter S. Thompson at the Kentucky Derby. Their remarkable collaboration resulted in the now-legendary Gonzo Journalism, which would document the civil rights movement, the Nixon administration, Watergate, and the many bizarre and great events that shaped the second half of the twentieth century. When Thompson committed suicide in 2005, it was the end of a unique friendship filled with both betrayal and understanding. A rollicking, no-holds-barred memoir, The Joke’s Over is the definitive inside story of the Gonzo years.

  • Sales Rank: #176180 in Books
  • Published on: 2007-10-01
  • Released on: 2007-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .81" w x 5.31" l, .98 pounds
  • Binding: Paperback
  • 416 pages

From Booklist
Steadman, who famously illustrated much of Hunter S. Thompson's work, wasn't along for the legendary ride to Las Vegas, but he was there at the birth of gonzo journalism in 1970, and he was there when Thompson's ashes were blasted out of a cannon in 2005. Here, alongside a generous selection of his drawings, he recounts their shambolic adventures together, from the Kentucky Derby to the Rumble in the Jungle to the Kona Coast. While Steadman's slashing, ink-spattered art seems the perfect embodiment of Thompson's booze- and drug-fueled prose, in temperament he was a foil, a Welshman who hated America, while Thompson, in his excess, was perhaps the quintessential American. Steadman genuinely admires his friend's writing but examines his character with clear-eyed honesty and corrects the record as he sees fit. Given the push-pull of their relationship, one wonders if Steadman--an author in his own right--will write his "own" memoir or if he'll be content to be on the record as the level-headed sidekick of the most mythologized journalist of all time. Funny and--unlike his subject--dry. Keir Graff
Copyright © American Library Association. All rights reserved

Review
PRAISE FOR THE JOKE'S OVER

"Hunter Thompson’s marvelously deranged illustrator, Ralph Steadman, gives us a terrific memoir with The Joke’s Over . . . His testament to Thompson, light on hyperbole, is both fitting and touching."―New York Post

"There can be no question that Hunter S. Thompson’s pivotal works would not be the same without the accompanying artworks of his partner Ralph Steadman . . . A vivid, well-written paean to Thompson and, by extension, the character of the American rebel."―The Buffalo News

"Enormously entertaining." (Boston Globe)

"Terrific . . . Steadman’s testament to Thompson, light on hyperbole, is both fitting and touching." (New York Post (Required Reading))

"The Joke’s Over is a must read for both longtime fans of Thompson, and the curious." (BookPage)

"A vivid, well-written paean to Thompson and, by extension, the character of the American rebel." (Buffalo News)

From the Back Cover
A New York Times Book Review Editor’s Choice

New York Post Required Reading

"Enormously entertaining."—The Boston Globe

"A pleasant surprise."—The Tampa Tribune

"Bizarre and compelling."— Miami New Times

"A must read."—BookPage

The rollicking, no-holds-barred, definitive inside story of the Gonzo years from legendary artist Ralph Steadman.

"Hunter Thompson’s marvelously deranged illustrator, Ralph Steadman, gives us a terrific memoir with The Joke’s Over . . . Both fitting and touching."—New York Post

"There can be no question that Hunter S. Thompson’s pivotal works would not be the same without the accompanying artworks of his partner Ralph Steadman . . . [Steadman] recalls it all eloquently . . . A vivid, well-written paean to Thompson and, by extension, the character of the American rebel."—The Buffalo News

RALPH STEADMAN has illustrated many books, including Hunter S. Thompson’s Fear and Loathing in Las Vegas and the fiftieth-anniversary edition of George Orwell’s Animal Farm. He is the author of The Grapes of Ralph (for which he won a Glenfiddich Food & Drink Award), Still Life with Bottle, The Book of Jones, and Gonzo: The Art. He lives in England. Visit www.RalphSteadman.com.

Most helpful customer reviews

24 of 26 people found the following review helpful.
An unflinching look at the dear, departed Prince of Gonzo
By M. Chapman
Artist Ralph Steadman worked with commando journalist Hunter Thompson for over 30 years, and this wonderful book details the high-wire act that working with "The Doktor" truly was. This book debunks Thompson's insecure bellowing that "Steadman can't write". Write he does, and he does it well. Steadman's account of his on-again, off-again, love/hate relationship with the most savage, visceral American writer of our time reads like the diary of a marriage -- which indeed it resembled. Thompson as a person was capable of treachery, petty jealousy, sloth, narsicism, depression, violence, and occasionally, sentimentality and great affection. It's clear that Thompson's writing career was boosted by Steadman's illustrations, and that on occasion Thompson resented it, wanting to be remembered as a serious writer in the style of Hemingway or Faulkner, not a drug-swilling, epithet-spewing cartoon character.

Through it all, Steadman serves as the perpetual straight man (although with a wicked touch of Peck's Bad Boy and a horror of American politics and excess), forgiving his friend's moods and abuse, but never forgetting. It's clear that they had some wonderful adventures and times together, and though Steadman's ambivalence towards his friend in later life is obvious, it remains the most honest portrait yet of the dear, departed Prince of Gonzo, and also of the man who describes himself as Thompson's "Sancho Panza." A must for Thompson and Steadman fans alike.

10 of 11 people found the following review helpful.
About the father of "Gonzo Journalism"
By Armchair Interviews
Few people knew Hunter S. Thompson as well as Ralph Steadman did. Over thirty-five years, they collaborated on articles for Rolling Stone (including the counterculture phenom, Fear and Loathing in Las Vegas), and documenting the stories that shaped America from the 70s to the 90s, including events as diverse as The Kentucky Derby, Watergate and the Foreman/Ali fight. Their collaboration gave birth to "Gonzo Journalism*."

In this memoir, Steadman recounts a turbulent and wild working relationship and friendship with Thompson--both the fun and games as well as the paranoia and betrayals.

It's a wild ride. Steadman's casual prose style captures the voice of the chaos that whirled around Hunter Thompson. And he doesn't hold back--his prose, like his drawing style, is raw and vivid. There is, as would be expected, lots of bad behavior in this book.

Thompson was a guy who never expected to live beyond the age of 30--that he waited 67 years before killing himself with a shotgun was surprising, even to his closest friends. So he lived without a future, in a way, or at least without considering it: drugs, alcohol, guns, women--and his writing, which in many ways seemed to be as much a vice as the rest.

The book is strongest when using text from the actual letters, faxes and answering machine messages that punctuated Steadman and Thompson's relationship, and Steadman's drawings help to make Gonzo real, even to someone not at all familiar with his or Thompson's work.

Steadman himself admits he is a better artist than writer, but, in true Gonzo style, he makes up for that by immersing himself, and us, into the actual world. You have to be careful, though, if you are the type of person who wouldn't want to get lured into admiring Thompson and his dark lifestyle of wanton carousing.

As Steadman says toward the end of the book, "Gonzo is a strange kind of magic that appeals to the beast that lurks in the dark heart of most of us." That magic comes through in Steadman's book.

(* According to Wikipedia, "Gonzo Journalism" is a style of reporting that mixes fiction and factual journalism. This highly subjective style often includes the reporter via a first-person narrative.)

10 of 11 people found the following review helpful.
Ralph's Take on Hunter
By William Rieger
There are passages in this volume which will cause your heart to weep. Steadman is no slouch with the written word. His recounting of the Kentucky Derby episode had me LOL. When he does address the dark side of his departed friend, you feel as though there's no axe to grind, merely an attempt to set the record straight.

If you've been drawn to HST's work over the years, then this effort by Steadman should take its rightful place on the bookshelf next to Thompson's works. Part memoir, part elegy, it gives another insight into the "bad craziness" that made Hunter S. Thompson tick.

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Minggu, 06 Desember 2015

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Don't Look Back, by Karin Fossum, Random House UK

Don't Look Back, by Karin Fossum, Random House UK



Don't Look Back, by Karin Fossum, Random House UK

Free Ebook Don't Look Back, by Karin Fossum, Random House UK

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Don't Look Back, by Karin Fossum, Random House UK

Meet Inspector Sejer: smart and enigmatic, tough but fair. At the foot of the imposing Kollen Mountain lies a small, idyllic village, where neighbors know neighbors and children play happily in the streets. But when the body of a teenage girl is found by the lake at the mountaintop, the town's tranquility is shattered forever. Annie was strong, intelligent, and loved by everyone. What went so terribly wrong? Doggedly, yet subtly, Inspector Sejer uncovers layer upon layer of distrust and lies beneath the town's seemingly perfect façade.

Critically acclaimed across Europe, Karin Fossum's Inspector Sejer novels are masterfully constructed, psychologically convincing, and compulsively readable. They evoke a world that is at once profoundly disturbing and terrifyingly familiar.

  • Sales Rank: #43657 in Books
  • Brand: Fossum, Karin/ David, Felicity
  • Published on: 2005-06-01
  • Released on: 2005-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .88" w x 5.31" l,
  • Binding: Paperback
  • 324 pages

From Publishers Weekly
In Fossum's moody and subtle U.S. debut, the fifth in her Inspector Sejer series, the popular Norwegian mystery writer displays her mastery of psychological suspense. Richly drawn characters reveal much about Norwegian society, though the setting, a picturesque valley town northwest of Oslo, isn't distinctive. A little girl disappears from her middle-class neighborhood, then returns home unharmed. Meanwhile, the search party discovers the nude corpse of a teenager, Annie Holland, and Fossum seamlessly shifts the story to a murder investigation, using several points of view to create red herrings that add to the suspense. Both girls lived in the same claustrophobic community where the residents claim to know one another but, naturally, don't really. With few clues and no witnesses, seasoned Inspector Konrad Sejer and his eager young assistant Jacob Skarre must uncover the hidden relationships and secrets they hope will lead to the killer of the well-liked, talented Annie. When they learn that the victim's behavior changed suddenly eight months earlier after a child she babysat died by accident, the plot shifts course again and drives to a stunning conclusion and ominous final scene. With the intuitive, introspective Sejer, a widower who lives alone with his dog and still grieves for his late wife, Fossum has created a fine character whom readers will want to get to know better.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Insularity, or the loss of it, is at the heart of the Scandinavian crime novel. In Henning Mankel's Kurt Wallander series, it is the opening of Sweden's borders and the collapse of insular homogeneity that breeds hatred and murder. In this nicely nuanced, first English translation of celebrated Norwegian author Fossum's work, insularity turns upon itself, as the residents of a small village where everyone knows too much about everyone else are torn asunder by the murder of a much-loved 15-year-old girl. Inspector Sejer, an aging, secretive cop still grieving for his late wife, accepts the distasteful job of cajoling secrets from the tight-lipped townspeople. Fossum expertly evokes the palpable tension beneath the surface of a seemingly idyllic community, as the characters' various psychological ticks are probed delicately but with devastating effect by the determined investigator. A disturbing ending, fraught with ambiguity, leaves the reader as unsettled as the shell-shocked villagers. Add another memorable series to the growing list of superb European procedurals. Bill Ott
Copyright © American Library Association. All rights reserved

Review
PRAISE FOR DON'T LOOK BACK
"There's no mistaking this psychologically astute, subtly horrifying crime study for a cozy village mystery or its soulful detective for one of those brainy European sleuths who make a parlor game of homicide."-THE NEW Y ORK TIMES BOOK REVIEW

"Sejer belongs alongside the likes of Adam Dalgliesh and Inspector Morse-a gifted detective and troubled man, whom I am grateful to have met and look forward to knowing better."
-THE BOSTON GLOBE

Most helpful customer reviews

90 of 94 people found the following review helpful.
Excellent Norwegian Procedural -- #5 in the Sejer Series
By A. Ross
After being widely translated in Europe, it's about time that Fossum's excellent police procedurals are becoming available in English. Unfortunately this first book in translation is the fifth in the series, and so a bit of the background is lacking. The story starts with the disappearance of a young girl in a small Norwegian village, but adroitly segues into a murder investigation as the search for the girl turns up an unrelated naked corpse. The town is one of several small communities served by the city police, and grizzled Inspector Sejer and his younger partner Skarre are assigned to the case.
This is above all a psychological mystery, as Sejer and Skarre carefully poke and prod the small community, where everyone knows everyone else, in order to unravel the tale that led to the killing of a well-liked teenage girl. Although the townspeople have plenty of skeletons in their closets, the story never strays into cliché, as it might have under a less assured hand. Sejer is a placid and cunning detective of late middle age, living alone with his dog after being widowed (again, one senses that his personal life has been detailed in previous books). He bears a certain similarity to Det. Inspector Charlie Resnick, the protagonist of John Harvey's long-running Nottingham procedural series. Skarre works well as his younger, more informal partner, slightly treading on eggshells around his more experienced superior.
With no forensic evidence, no witnesses, and no apparent motive, there's little for them to go on. Thus, Sejer and Skarre spend the whole novel interviewing and reinterviewing everyone who knew the girl and might have seen something. As the tension builds, and various red herrings are dispensed with, Sejer grows convinced that the key to the murder lies in an abrupt change in the girl's behavior almost a year previously. This leads seamlessly to yet another layer within the story. Throughout, every character comes to life, and sometimes, the story shift to their perspective for several pages to add a richer depth to the unfolding investigation. Norway never really emerges as a distinct setting, it's a story that really could have been set in any small town in the first world, but it's an absorbing tale, which ends with a potentially unsettling coda.
PS. Danish television produced a four-hour miniseries from the book under the title "Se Deg Ikke Tilbake." With luck, it might be subtitled in English at some point...

0 of 0 people found the following review helpful.
A good look a the culture and an interesting crime plot
By Karl R. Schuck
Another Scandinavian mystery. A good look a the culture and an interesting crime plot.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
good read

See all 160 customer reviews...

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