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Cat and Mouse, by Gunter Grass
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The setting is Danzig during World War II. The narrator recalls a boyhood scene in which a black cat pounces on his friend Mahlke’s “mouse”-his prominent Adam’s apple. This incident sets off a wild series of events that ultimately leads to Mahlke’s becoming a national hero. Translated by Ralph Manheim. A Helen and Kurt Wolff Book
- Sales Rank: #530258 in Books
- Published on: 1991-10-31
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .48" w x 5.25" l, .45 pounds
- Binding: Paperback
- 189 pages
- White paperback with black and red lettering and cartoon design of the cat.
- 189 pages
Review
"'Gunter Grass' second novel is quite different in character from The Tin Drum." less of a showcase for an obstreperous talent (although there are still scenes of caricature and occasional scabrous humor), it is a more controlled book and far more internalized. This time the German-realist-surrealist, while again using many symbolic allusions, has subdued some of the abstractions, some of the elements of the absurd. The latter is chiefly apparent in the physical disfigurement of the central character which again singularizes him: the demonic Oskar Matzerath was a dwarf; now it is the protuberant Adam's apple which jumps conspicuously like a mouse, the neck of Mahlke whose story is told by his friend Pilenz. Both boys grow up together in a small Danzig town and the always solicitous, increasingly admiring Pilenz follows Mahlke, in a sense an unlikely hero, odd, quiet, solemn, devout, as he performs his amazing feats. These extend from the childish games, when- as an underwater diver- he brings up trophies from a sunken minesweeper in the bay, to the atrocities of war and his spectacular performance in action. Little by little, however, there is the erosion of the individual by the system and Mahlke, the "mouse", the "clown", but most of all the "redeemer" with his resounding faith, goes deliberately to his death. It is the gesture of the individual against the philistinism which has always dominated German life and which was so much a part of the earlier book.... A tantalizing, eloquent, strange and strangely moving book, filled with remarkable scenes, a tragi-comic vitality and a transcendental vision. " (Kirkus Reviews)
Language Notes
Text: English (translation)
Original Language: German
About the Author
GÜNTER GRASS (1927–2015), Germany's most celebrated contemporary writer, attained worldwide renown with the publication of his novel The Tin Drum in 1959. A man of remarkable versatility, Grass was a poet, playwright, social critic, graphic artist, and novelist. He was awarded the Nobel Prize for literature in 1999.
Most helpful customer reviews
29 of 31 people found the following review helpful.
The second part of the Danzig Trilogy holds up just as well
By Robert Beveridge
I first read Cat and Mouse without the benefit of having read The Tin Drum beforehand, and I missed a lot. Cat and Mouse is the second book in Grass' Danzig Trilogy, three books that look at life in Danzig under the Nazi regime from three different points of view (the tales are told concurrently, and time can be fixed by seeing the same event from different points of view; for example, the picnic taken by the jazz trio and Schmuh in Book III of The Tin Drum shows up towards the end of Cat and Mouse, and Matern, one of the main characters of Dog Years, shows up in The Onion Cellar, where Oskar's jazz band is retained, in The Tin Drum).
Cat and Mouse is actually a novella, originally a part of Dog Years that broke off and took on a life of its own; on the surface it is the tale of Joachim Mahlke, a high school student with a protruding adam's apple (the Mouse of the title), and his fascination with a sunken Polish minesweeper after he learns to swim at the age of thirteen. It is also the story of Pilenz, the narrator and Mahlke's best friend. The two spend their high school years in wartime Poland, reacting to various things, and that's about as much plot as this little slice of life needs.
The interesting thing about Cat and Mouse is its complete difference in tone from the other two novels. Both The Tin Drum and (what I've read so far of) Dog Years have the same high-pitched, almost hysterical humor combined with a profound sense of teleology (not surprising given the apocalyptic nature of life in Danzig under the Nazis); Grass attempts to confront the horror with over-the-top slapstick, because only through that kind of comparison is it possible to make the reader understand. But while Cat and Mouse has its moments of the same kind of ribald humor, it is more dignified, in a sense, and closer to reality; enough so, at least, that when the book reaches its inevitable climax and denoument, one feels more genuine, or more human, reactions to the fates of Pilenz and Mahlke than one does to Oskar, the hero of The Tin Drum. Perhaps that is why it was segmented off from Dog Years; perhaps there was another reason. Whatever the case, it stands on its own and as an integral part of Grass' magnum opus.
16 of 18 people found the following review helpful.
Why is it I always end up liking books I read in school?
By Thomas Edgar
Okay, I'll admit freely: "Katz und Maus" was required reading in school, which obviously biased me against it immediately. What's worse, it was German postwar literature, which never fails to be depressing and downbeat. I knew I was in for a greuling read.
And then, suddenly, it wasn't. In fact, I started liking it from the first line, and carried on until the end, which I'd give away if I said wasn't an end, so I'll let you read it yourself.
The story is complicated and non-linear. It is told from a first person narrative, the exact reliability of which is consatantly brought into question, either by the fog of the years or deliberate misconstruction due to feelings of guilt, the narrator never seems too sure about what happened, often offering several different versions of the same story at the same time, and even going so far as to admit his own fictitiousness. The story that serves as a Leitmotiv, as well as title of the book, is the cat that attacked Mahlke's adam's apple, and exactly how it got there.
What I found most striking about the book on first glance was the descriptions of the places and characters that the novella is centered on. At the same time, you have a feeling that it's merely a part of a greater whole. It fits in with the other two books in the so-called Danzig Trilogy seamlessly, yet still sets itself apart.
I have another confession to make: I attend a German high school, and so I read it in German. In my opinion, though what I've read of the excerpts seems like a decent translation, Günter Grass is an author who uses the German language to its full extent, emplying every manner of grammatical and syntactical tricks to underline the story. These, unfotunately, are completely lost in the translation. If you understand German decently, I would strongly encourage you to seek out an original language text.
14 of 17 people found the following review helpful.
Clever, moving, insightful; instantly a classic
By Yaumo Gaucho
This is a sensitively written tale of Joachim Mahlke and his "mouse" (that up-and-down-bobbing Adam's apple of his) -- through the eyes of an unreliable narrator reminiscing about his youth, and life, and morals, and how ordinary, decent people, some of them children, lived in Hitler's Germany. Realistic, telling, bittersweet. Lots of little chases and reflections: hence cat and mouse. Often uproariously funny, sometimes with a deeper message, sometimes just for humor.
Cat and Mouse is the most purely enjoyable book I've read in a long time. Perhaps not the most challenging to read (that's not always a bad thing), but definitely the most enjoyable.
There's lots of subsurface musing about war and the morality of killing... for an American, it reminds one of the collective guilt brought about by Vietnam. (But it is never in-your-face war-musings a la Tim O'Brien or anyone like that.) Yes, these teenage boys joined the Hitler Youth and aspired to shoot at British airplanes; but can we blame them? And can they morally redeem themselves decades later -- and need they?
A side point: I was shocked by one frequent error among reviewers here. How can people read this book and think that it is set in Poland! Its German setting is perhaps its most salient feature. It is set in what was then Germany, although that part of Germany became Poland after WW2.
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