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The People of Paper, by Salvador Plascencia
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THE PEOPLE OF PAPER is an astonishing debut novel about the anguish of lost love. Author Salvador Plascencia, a "once-in-a-generation talent" (George Saunders), weaves together the stories of a large cast of colorful characters, including: a disgruntled monk, a father and daughter, a gang of carnation pickers, and a woman made of paper.
- Sales Rank: #53522 in Books
- Published on: 2006-11-13
- Released on: 2006-11-13
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x .65" w x 6.50" l,
- Binding: Paperback
- 256 pages
From Publishers Weekly
Starred Review. Plascencia's mannered but moving debut begins with an allegory for art and the loss that drives it: a butcher guts a boy's cat; the boy constructs paper organs for the feline, who is revivified; the boy thus becomes the world's first origami surgeon. Though Plascencia's book sometimes seems to take the form of an autobiographical attempt to come to terms with a lost love, little of this experimental work—a mischievous mix of García Márquez magical realism and Tristram Shandy typographical tricks—is grounded in reality. Early on we meet a "Baby Nostradamus" and a Catholic saint disguised as a wrestler while following the enuretic Fernando de la Fe and his lime-addicted daughter from Mexico to California. Fernando—whose wife, tired of waking in pools of piss, has left him—settles east of L.A. in El Monte. He gathers a gang of carnation pickers to wage a quixotic war against the planet Saturn and, in a Borges-like discovery, Saturn turns out to be Salvador Plascencia. Over a dozen characters narrate the story while fighting like Lilliputians to emancipate themselves from Plascencia's tyrannical authorial control. Playful and cheeky, the book is also violent and macabre: masochists burn themselves; a man bleeds horribly after performing cunnilingus on a woman made of paper. Plascencia's virtuosic first novel is explosively unreal, but bares human truths with devastating accuracy. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
PRAISE FOR THE PEOPLE OF PAPER
"Salvador Plascencia's surrealistic metanovel, styled a la García Márquez, is a charming meditation on the relationship between reader, author, and story line, filled with mythic imagery . . . and unforgettable personalities . . . Readers will find it hard to turn away from The People of Paper. A."--Entertainment Weekly
"A nervy new voice . . . Finally, beyond all the experimental devices, fairy-tale antics and fabulist inclination, Plascencia's novel is a story of lost love."--San Francisco Chronicle
From the Back Cover
"The People of Paper is a novel like no other . . . Calvino, Borges, and García Márquez will come to mind, but Plascencia's novel is a creature of its own, firmly grounded and soaring at the same time."--T. C. Boyle
Federico de la Fe is a devoted husband and father, but his lime-loving wife, Merced, abandons him, and he and his daughter, Little Merced (who also loves limes), must start a new life together. They leave their home in Mexico and head for California, where they settle among a community of flower-pickers. Federico de la Fe’s sadness festers, and Little Merced’s love for limes develops into a dangerous addiction.
All the while, an oppressive force bears down on the town. When the identity of this mysterious oppressor is finally revealed, the story takes an unexpected turn and moves toward its magical, breathtaking end. A mesmerizing debut novel about the anguish of lost love, The People of Paper marks the arrival of an incredibly talented new writer.
"Wondrous and comically inventive."—The New York Times Book Review
"[A] charming meditation on the relationship between reader, author, and story line, filled with mythic imagery and unforgettable personalities . . . Readers will find it hard to turn away from The People of Paper. A."--Entertainment Weekly
"A nervy new voice."—San Francisco Chronicle
"[I]mpressive on terms anyone can appreciate."--Los Angeles Times
SALVADOR PLASCENCIA was born in Guadalajara, Mexico, and now lives in Los Angeles. He is a graduate of Whittier College and holds an MFA from Syracuse University. The People of Paper is his first novel.
Most helpful customer reviews
28 of 33 people found the following review helpful.
A Startling Work of Fiction
By Daniel Olivas
Salvador Plascencia's debut novel is a wonderfully strange, hallucinogenic and hypertextual blending of fiction and autobiography. The Prologue's first sentences thrust us into an almost familiar yet purely mythical world while introducing Plascencia's sly brand of humor: "She was made after the time of ribs and mud. By papal decree there were to be no more people born of the ground or from the marrow of bones. All would be created from the propulsions and mounts performed underneath bedsheets-rare exceptions granted for immaculate conceptions." What an astonishing, strange and deeply moving novel this is. In all his playfulness, Plascencia nonetheless grapples with troubling issues of free will, religious fidelity, ethnic identity, failed love and the creative process which he melds into a dreamscape that is impossible to forget. Plascencia-the God of his paper people-has given us a startling work of fiction that stretches not only the norms of storytelling, but also the bounds of our imagination. [The full review of this book first appeared in The Elegant Variation.]
9 of 9 people found the following review helpful.
Definitely get the hardcover edition!
By Eric Brelsford
This book feels great. Whatever they did, I wish more books felt like it. It may be the canvas on which the beautiful illustration rests or the ink or the tight binding, but I love cradling it, sometimes even when I'm not in the middle of reading it.
And this is surely intentional--much of the book cries and pleads for you to hold it close and to remember that it is physical, whether this be through typography or cuts in pages or the use of multiple perspectives per page. It hops, taunting: "Try to make me digital! Try to make me audio! Try!"
I could talk about the story, but if you're not sucked in by the romance of the artifact, you're not worth it.
Also, the red ink that makes up the flowers on both covers bleeds onto your hands while you grip the book and read, and you become as one of El Monte's many flower pickers, stained and sometimes bleeding their own ink. The black, the outline of 53 and Baby Nostradamus, smudges like so many notes left on Merced de Papel, more so when wet. Either way you become one of those made of paper.
Bleeding ink is likely accidental, but intention doesn't matter.
9 of 10 people found the following review helpful.
A Very Novel Novel
By Louis N. Gruber
Federico de la Fe is grieving for his wife who left him because he wets the bed. And he is leading an insane, futile, and destructive war against Saturn. Who is not only the planet Saturn but the author, Salvador Plascencia. That's the plot, I suppose. The book is packed with character sketches, meditations on the creative process, mind-bending inventions, including mechanical turtles, origami surgery, papercuts in intimate parts of the body, and its recurring theme, the pain of love and loss.
Author Plascencia is a fountain of creativity, but he is also repetitive and sometimes too clever. It is hard to really connect with the characters because the characters are too busy fighting a war with the author to develop themselves as three dimensional persons. They remain, mostly, people of paper.
The book is like a combination of Gabriel Garcia Marquez and James Joyce. It's intriguing, but hard to read, and hard to assimilate. It is a most novel novel. I recommend it but not for everyone. Reviewed by Louis N. Gruber.
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