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Venice Observed (Art and Places), by Mary McCarthy
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A penetrating work of reportage on Venice. “Searching observations and astonishing comprehension of the Venetian taste and character” (New York Herald Tribune).
- Sales Rank: #607314 in Books
- Published on: 1963-09-25
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .42" w x 5.25" l, .45 pounds
- Binding: Paperback
- 158 pages
- ISBN13: 9780156935210
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
About the Author
MARY MCCARTHY (1912-1989) was a short-story writer, bestselling novelist, essayist, and critic. She was the author of The Stones of Florence and Birds of America, among other books.
Most helpful customer reviews
55 of 65 people found the following review helpful.
For art and literature buffs....
By Dianne Foster
Mary McCarthy's VENICE OBSERVED is neither history nor a guide book but rather a literary reflection written by a young 1950s "single" woman who has visited a beautiful place and now sits at her desk and muses over what she has seen.
McCarthy was a writer and an educated woman in an age when educated women were few. She probably wore white gloves and a little hat and visited Europe after graduation from college. One can picture the author of THE GROUP traveling abroad, continuing her education. As part of her formal training, she read James and Ruskin and then she visited the sights they described and wrote her own impressions. I found McCarthy's book intriguing because she was intriguing and women like her don't exist any more. I picture her looking a bit like Katherine Hepburn arriving in Italy in "Summertime." Maybe McCarthy wasn't a "career girl" as single women sans husband and children who worked for a living were called in those days, but this is how I picture her on reading VENICE OBSERVED.
I've just finished reading JJ Norwich's HISTORY OF VENICE and if you want history Norwich's book is the definitive history. VENICE OBSERVED is for women who want a bit of information to complement their education mixed in with another woman's reflections. VENICE OBSERVED is for educated women who travel alone.
McCarthy includes some history, but only as a backdrop to her real interests which are art and literature. She assumes you know who Tintoretto and Titian were and that you've at least seen pictures of their works. Where Norwich mentions Tintoretto in passing (Norwich is more interested in archtecture) McCarthy dwells on him.
VENICE OBSERVED is not an art book however. McCarthy's writing reminds me of James or Ruskin, both of whom she quotes. They observed various places, buildings, paintings, etc. but always assumed you had some prior knowledge of the thing they were discussing. VENICE OBSERVED is the sort of book you'd want to read after you have made your own visit to Venice. You could read it before hand, but the text would be overwhelming if you come to it with no prior knowledge. If you want to read a more contemporary book, I recommend ITALIAN DAYS by Barbara Grizutti Harrison.
23 of 25 people found the following review helpful.
Pure pleasure
By Jay Dickson
This is one of McCarthy's most delightful books, although it may also be her least controversial. VENICE OBSERVED might be the best single travel book ever written on Venice, and MCarthy's tone is leisurely and informative, her style witty and engaging. Her asides about her personal experiences in the city complement her grander historical and artistic musings: you never feel alienated from her prose (the way you can in her earlier THE STONES OF FLORENCE). Her anecdotes about the doges, Tintoretto, Veronese, the Councils, etc. greatly enhanced one's understanding of the city, and her musings on the art are thoughtful and illuminating.
19 of 22 people found the following review helpful.
Read "The Stones of Florence" First
By Diego Banducci
Written in 1956, "Venice Observed" was a precursor to "The Stones of Florence" (1959), one of the better travel books ever written. As in "The Stones of Florence," McCarthy weaves a tapestry of art, history, literature, sociology and cogent observation, but this earlier effort is not as well organized as the later book, leaving the reader to dig out the gems that lay within.
Apparently the original hardback versions of both books contained high-quality photographs, and were experiments in presenting the two modes of communication together. Depending upon which edition you buy, the paperback versions either lack photographs altogether or contain low-quality reproductions. While that obviously detracts from the experience, the text standing alone bears witness to an extraordinarily well-disciplined and fine mind at work.
Since McCarthy was born in 1912, she would have been 44 at the time this book was written, hardly the ingenue that other reviewers suggest. In fact, after reading both books, one suspects that this woman was born mature.
It is interesting to note that throughout this book, McCarthy refers to John Ruskin's "The Stones of Venice," which explains her choice of title for "The Stones of Florence."
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