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The Uses of Literature, by Italo Calvino
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In these widely praised essays, Calvino reflects on literature as process, the great narrative game in the course of which writer and reader are challenged to understand the world. Calvino himself made the selection of pieces to be included in this volume. Translated by Patrick Creagh. A Helen and Kurt Wolff Book
- Sales Rank: #121818 in Books
- Published on: 1987-10-21
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .89" w x 5.25" l, .90 pounds
- Binding: Paperback
- 348 pages
- ISBN13: 9780156932509
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Amazon.com Review
One comes away from this collection of intellectually playful essays...by Italy's foremost modern novelist...inspired to go back and reread the body of his fiction in the light of his reflections on literature. -- Christopher Lehmann-Haupt
From Publishers Weekly
Italian novelist and short story writer Calvino has been accused of making protons, quarks and living cells talk as if they were people, but here he defends his approach as a kind of animism attuned to the way the universe works. His fascination with myth is evident in pieces on Ovid's Metamorphoses and the separate odysseys that make up Homer's Odyssey. Three intertwined essays on French utopian socialist Fourier present him as a precursor of Women's Lib, a satirist and visionary thinker whose scheme for a society in which each person's desires could be satisfied deserves to be taken seriously. In other pieces, Calvino brings a fresh, unpredictable approach to why we should reread the classics, how cinema and comic strips influence writers, and the cartoon universe of Saul Steinberg. His message is that writers need to establish erotic communion with the humdrum objects of everyday reality. First serial to New York Times Book Review and New York Review of Books. (October
Copyright 1986 Reed Business Information, Inc.
From Library Journal
Written between 1966 and 1982, these 31 essays are divided into two parts. The first 11 essays deal with theoretical questions such as the relation of philosophy and literature, definitions of genres (comedy, eroticism, fantasy), and levels of reality in literature; the rest are introductions to or appreciations of specific works and authors, mostly classics ( The Odyssey, Ovid, Candide, Stendhal, Balzac), though there are also pieces on Montale, Saul Steinberg, Barthes, and Marianne Moore. One wishes that the work had been more judiciously edited to eliminate some of the repetitions and the more ephemeral pieces, but on the whole this is literary journalism of high qualitypersonal, jargon free, and rewarding to the general reader. Richard Kuczkowski, Dir., Continuing Education, Dominican Coll., Blauvelt, N.Y.
Copyright 1986 Reed Business Information, Inc.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Insightful essays from one of the most creative writers of the last century.
By Alain
It's Calvino, which should be enough of an argument for this book by merely invoking the name. But what is valuable here is not Calvino worship, but a much needed voice from the not so distant past that argues the ways that literature is something more than summer beach reading or a way to make life fulfilling. There is a life-giving quality to deeply consuming literature, and an a thoughtful digesting of Calvino's views (along with a buffet of many others), can help you understand the necessity of Literature across the broad table of current modern life demands.
Literature does not need to be the main course for everyone, but removing literature from one's intellectual diet is like saying "I don't eat anything green." You'll inevitably end up sick without it.
6 of 6 people found the following review helpful.
Great non-fiction from a great fiction writer
By jafrank
As usual, Calvino does not disappoint. The writing is intelligent, and always dynamic, and he has this playful sensibility which really comes through in his non fiction work. "Why read the classics?" I found especially resonant and gratifying since I studied them in grad school. He just brings such a fresh, lively perspective to everything he writes about, heck, he almost made me want to read Dickens again in 'the novel as spectacle'
Note: a lot of the pieces from section II can also be found in his collection "Why read the classics?" which is also great
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