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Sold as a bundle, 1 Examiner's Manual 1 Stimulus book 3 Original test forms

• Sales Rank: #3878148 in Books
• Published on: 2002-04
• Original language: Spanish
• Dimensions: 11.00" h x 9.50" w x 1.25" l,
• Binding: Hardcover

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anxiety workbook

• Sales Rank: #1664598 in Books
• Published on: 2000
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Paperback
• 187 pages

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3 of 3 people found the following review helpful.
Very comprehensive workbook for anxiety and panic sufferers
By my two cents
A counselor recommended this book to me and it's been very helpful. I had heard about the panic cycle before: physical sensations, fearful thoughts about the sensations, which leads to anxiety and more physical sensations. This book discusses ending that cycle at both the physical level and the thought level. To simplify the book to its barebones, the two ways we can help ourselves physically is through breathing exercises and through relaxation exercises. To change our thoughts, we have to recognize two ways we distort our thinking - blowing things out of proportion and jumping to wrong conclusions. With these tools, I did learn to take control of my fears and realized that much of my symptoms is tied in with incorrect breathing habits. The chapter about distorted thinking applies not only to anxiety but to many other aspects of life for anxiety-sufferers, as we tend to blow things out of proportion (especially negative things) and jump to wrong (and usually negative conclusions). This book is somewhat clinical but also very practical and very easy for a layperson to use. There are many anxiety/panic workbooks out there but I believe this is one of the most highly regarded (hence, the high price tag!) Expensive but well worth it!

1 of 1 people found the following review helpful.
Wonderfully helpful
By L. Erickson
My psychologist used this book to help me get over my horrible bouts of anxiety and panic. I found the tools very helpful. In fact many years later I still use some of the tools to help me cope in uncomfortable situations. I think there are forms that go along with it that you can purchase also...or you might be able to dummy up your own forms based on the information in the book.

0 of 0 people found the following review helpful.
Five Stars
By hugh
Using for years

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• Published on: 1999-04
• Original language: English
• Binding: Hardcover

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The author of This House of Sky provides a magnificent evocation of the Pacific Northwest through the diaries of James Gilchrist Swan, a settler of the region. Doig fuses parts of the Swan diaries with his own journal.

• Sales Rank: #509288 in Books
• Brand: Mariner Books
• Published on: 1982-10-20
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .66" w x 5.25" l, .70 pounds
• Binding: Paperback
• 264 pages

Features

• Great product!

From the Publisher
7 1.5-hour cassettes

About the Author
Ivan Doig was born in Montana in 1939 and grew up along the Rocky Mountain Front, the dramatic landscape that has inspired much of his writing. A recipient of a lifetime Distinguished Achievement Award from the Western Literature Association, he is the author of eight previous novels, most recently The Whistling Season, and three works of nonfiction, including This House of Sky. He lives in Seattle.

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65 of 66 people found the following review helpful.
I can't believe no one has rated this book yet!
By artslover
I've enjoyed this delightful book more than once. Doig writes a travel narrative as he retraces the life and journeys of a fellow named Swan who left detailed daily diaries of life on Washington's Olympic Peninsula during the 1850s. This book provides an insightful look at the Pacific Northwest and the early interaction between settlers and the native Northwest Coast Makah tribes at Neah Bay and Cape Alava. This book is a must-read, just like Doig's "The Sea Runners" and Annie Dillard's "The Living," if you are to understand the Pacific Northwest of the past or present. Doig (via Swan's experiences living on the reservation as an English teacher to Makah children) discusses Haida native art and mythology as well as whale-hunting and potlatches. Just an awesome and insightful read, especially for a cold winter evening by the fire. Makes me want to pull out my copy and read it again, and again, and again.

25 of 26 people found the following review helpful.
Doig's journal of discovery in the diaries of James G. Swan
By Bomojaz
Ivan Doig found gold when he came across the unpublished diaries of James Gilchrist Swan in the Manuscripts Section of the University of Washington library. Swan was a pioneer on the Olympic Peninsular, living mainly among the Indians at Neah Bay and Cape Flattery, the western-most edge of the contiguous United States. Doig spent one full winter season, 90 days, living on the Peninsular, during which he kept a daily journal of his own, almost all of it incorporating an examination of Swan's 1862-1898 diaries. It's a fascinating book.

Doig, a prodigious writer himself, is ever in awe of the sheer massiveness of Swan's diary. Spread across dozens of pocket-sized (for the most part) diaries, comprising two-and-a-half million words, and spanning four decades, Swan's magnum opus recorded daily life, from the mundane ("swept out the schoolhouse again") to the (for him) magnificent (the Smithsonian finally gets around to publishing his manuscript on the Makah Indians). "The diaries dazzle and dazzle me" [Doig writes] "first simply by their total and variety." Again and again he reminds us of Swan's quantitative achievement, describing in loving detain the physicality of the diaries: their varying sizes, the neat handwriting, the care he took in recording weather information. He also quotes freely from them, in random clips, interesting encounters with people on the Peninsular: Indians come to him seeking advice, friends share drinks with him in a saloon, fishing and hunting trip companions shoot the breeze with him about the latest gossip. The diary seems a perfect marriage of the simple data of day-to-day life and Swan's loftier reflections on what they all might mean. Doig has obviously gained much from his 90 days spent with Swan and his extensive diary, and he makes us eager and willing companions in this exploration. It's my favorite of Doig's books. Highly recommended.

13 of 13 people found the following review helpful.
History as Seen from Two Centuries
By M. Mowbray
Ivan Doig has a style that is absolutely mesmerizing! I have read all of his books and my only disappointment is that I have no more to read. I have hopes of a future when I can read them all again.
He can craft a sentence with highly unorthodox structure and convey the feelings, the beauty, and the emotion that is not found in contemporary works.
His love for the Pacific Coast comes through vividly...but it's his feel for James Swan and Swan's contemporaries, and their personal strengths and weaknesses that make his stories unforgettable.

Read anything you can by this man.

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When a girl falls into a deep and impenetrable sleep, the borders between her provincial French village and the peculiar, beguiling realm of her dreams begin to disappear: A fat woman sprouts delicate wings and takes flight; a failed photographer stumbles into the role of pornographer; a beautiful young wife grows to resemble her husband's viol. And in their midst travels Madeleine, the dreamer, who is trying to make sense of her own metamorphosis as she leaves home, joins a gypsy circus, and falls into an unexpected triangle of desire and love.

An extraordinary debut, Madeleine Is Sleeping received jubilant critical acclaim and was honored with a National Book Award nomination. Part fairy tale, part coming-of-age story, this "dream of a book" (Michael Cunningham) is an adventure in the discovery of art, sexuality, community, and the self.

• Sales Rank: #270583 in Books
• Brand: Bynum, Sarah Shun-Lien
• Published on: 2005-11-01
• Released on: 2005-11-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .76" w x 5.31" l,
• Binding: Paperback
• 276 pages

From Publishers Weekly
An immensely obese woman who sprouts two magnificent pairs of wings, a lonely housewife who grows strings to match her husband's viol and a lascivious, wealthy widow are just a few of the fantastical characters who populate the enchanting world of Bynum's debut. Written in brief, dreamy segments (appropriately enough, since the title character has fallen into a Sleeping Beauty–like slumber), the book alternates deftly between reality and illusion as it follows Madeleine down a path of sexual, artistic and personal discovery. In a perverse revisitation of Ludwig Bemelmans's classic children's books, Madeleine, exiled to a Parisian convent from her pastoral French home after committing a rather scientific sex act with the village idiot, joins a band of gypsies who wind up performing for a widow with a love of photography and a penchant for the pornographic. As Madeleine grows entwined in an intensely erotic love triangle with the "flatulent man," M. Pujol, and Adrien, the photographer assigned to document the widow's grotesquely arranged tableaux, life at home grows worse for the family holding vigil over her as she sleeps. The book culminates in a masterful merge between Madeleine's waking life and her dreams, making it impossible to discern whether reality ever existed in Bynum's imaginative tale. Replete with Kafkaesque metamorphoses, Freudian fantasies, Aesopian justice and religious metaphor, the novel is equal parts fairy tale, fable, romance and bildungsroman. At times, the allegorical allusions grow predictable, and some readers may be put off by the constant shifts and uncertainty between fact and fiction. Others looking for a challenging, unusual read will be thrilled by the imagination and mysterious energy that haunt this remarkable debut.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
PRAISE FOR MADELEINE IS SLEEPING

"Bynum's lush, poetic imagery is full of vivid, sensuous details one can almost smell, taste, and feel . . . Achingly human and poignantly telling."--The Boston Globe

"Hypnotic . . . A small, enchanting novel that appeals to the naughty, insolent child in each of us."--USA Today


"Bynum's voice is vivid, her use of language incisive and surprising."
(BookForum 2004-11-01)

"A luminous debut novel..powerful and hauntingly elusive"
(Boston Globe 2004-12-20)

"Like a dream, this novel fills the mind with tantalizing ambiguity, haunting images, and innocent longings that are slow to fade."
(Christian Science Monitor 2004-10-26)

"Extravagantly imagined...a fantasy influenced by writers from Ludwig Bemelmans to Angela Carter"
(New York Times 2004-11-11)

"Bynum's boldly original first novel is an allegory of adolescence...every page offers something original."
(People 2004-09-20)

"A magical tale"
(Time Out New York 2004-10-16)

"Masterful...a voice at once sensuous and humorous, mellifluous and matter-of-fact"
(Washington Post Book World 2004-10-03)

Review
PRAISE FOR MADELEINE IS SLEEPING

"Bynum's lush, poetic imagery is full of vivid, sensuous details one can almost smell, taste, and feel . . . Achingly human and poignantly telling."--The Boston Globe

"Hypnotic . . . A small, enchanting novel that appeals to the naughty, insolent child in each of us."--USA Today
(20041220)

"Bynum's voice is vivid, her use of language incisive and surprising." (BookForum 20041026)

"A luminous debut novel..powerful and hauntingly elusive" (Boston Globe 20041111)

"Like a dream, this novel fills the mind with tantalizing ambiguity, haunting images, and innocent longings that are slow to fade." (Christian Science Monitor 20040920)

"Extravagantly imagined...a fantasy influenced by writers from Ludwig Bemelmans to Angela Carter" (New York Times 20041016)

"Bynum's boldly original first novel is an allegory of adolescence...every page offers something original." (People 20041003)

"A magical tale" (Time Out New York )

"Masterful...a voice at once sensuous and humorous, mellifluous and matter-of-fact" (Washington Post Book World )

Most helpful customer reviews

31 of 33 people found the following review helpful.
Angela Carter meets Choose Your Own Adventure
By Maggie Smith
This book is irresistable. The prose poem-like chapters thread through a carnival of characters and settings, leading you from one strange and beautiful world to another. The language is stunning; the story is part fairy tale, part historical fiction, part surreal tableau.

As a book seller, I see hundreds of new novels every year, many of which are well-written, innovative, and lovely, but this is one of those rare gems--a story so perfect in its peculiarity, so delightful in its turns--that you feel you have been given a gift of something you didn't even know you wanted until it was there in your hands.

14 of 14 people found the following review helpful.
"What terrible things we do in our effort to be admired."
By Mary Whipple
In this strange and often beautiful novel in which reality and fantasy overlap, Madeleine, a young girl, reclines romantically in what appears to be a permanent state of sleep, with her family and neighbors all tiptoeing around her. Her mind, however, is active, creating a bizarre dream world in which she lives out a series of adolescent fantasies, exploring who she is, what kind of adult will she become, what her role in life may be, what makes her unique, and how her sexual fantasies might be fulfilled.

Unique characters appear in her dreams--an immensely fat woman (Mathilde, Madame Cochon) who has two pairs of wings, a girl who has a stringed body which she can play like a viol, a man who creates the sounds of the nightingale and the cuckoo with his flatulence, a "half-wit" who exposes himself to children, an opera singer dethroned by a castrato, and a photographer in a mental institution, along with Madeleine's real-life family. The "action," real and imagined, ranges from a gypsy circus, where Madeleine studies tumbling, to the home of a widow, where the strangely gifted circus performers act out tableaux vivants, and eventually to a mental hospital, before returning to Madeleine's family and home in rural France.

As in our own dreams, strange connections occur among the characters. Madeleine, at one point, becomes the Madeleine from the children's stories about a Parisian convent school, her real-life brothers and sisters appear in the mental hospital dream sequence, and she engages in a love triangle, which becomes a literary joke when the author tries to figure out how to conclude the love story of three characters. Irony takes on new meaning in a book that is itself so out-of-the-ordinary, and the humor is both broad and dark as Madeleine's dreams constantly juxtapose unlikely elements.

The "action," while intriguing on a psychological, dream-like level, sometimes leaves the reader feeling starved for connections to reality, however, and the novel is often self-conscious. Though most readers will see some parallels between action within the dreams and the fantasies of typical adolescents, many will also find it difficult to identify with the cartoonish characters on a personal level or to care much about what happens to them. Art and creativity are strong themes in what passes for the plot, and the conclusion re-emphasizes this theme. Fascinating and often beautifully poetic, the novel ultimately feels like a literary exercise, containing some universal elements of reality, but distanced from the reader. Mary Whipple

0 of 0 people found the following review helpful.
Resting Reverie
By Making Good Stories
Comas: a horror for those forced to see their loved one in that state and an intriguing in-between state for those in the coma. Madeleine is Sleeping by Sarah Shun-Lien Bynum presents the blur between the worlds of the sleeping and the waking.

In sleep, the borders between reality and dreams blurs for Madeleine and her family in provincial France. With images of a fat woman flying with her arm flaps and a girl made entirely of pastry kissed by a hopeful suitor, the difference between fanciful dreams and the real world blends to the point of it being difficult to discern what is actually real, yet the changes Madeleine goes through is still reflective of transformations that people go through when they grow up and experience the world.

Presented in a more unique format with verse length chapters over typical prose length chapters, the story offers a visual draw into the narrative. The worlds that are built between the dream and reality are adequately developed with the aid of magic realism, but it could have used a bit more clarity on what was going on, particularly as the ending was a bit of a "WTF" moment; however, there were parallels decently drawn between the events of the dream and the events occurring in reality.

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* Ebook Free Classics for Pleasure (Harvest Book), by Michael Dirda

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This is not your father’s list of classics. In these delightful essays, Pulitzer Prize winner Michael Dirda introduces nearly ninety of the world’s most entertaining books.  Writing with affection as well as authority, Dirda covers masterpieces of fantasy and science fiction, horror and adventure, as well as epics, history, essay, and children’s literature. Organized thematically, these are works that have shaped our imaginations. "Love’s Mysteries" moves from Sappho and Arthurian romance to Sören Kierkegaard and Georgette Heyer. In other categories Dirda discusses not only Dracula and Sherlock Holmes but also the Tao Te Ching and Icelandic sagas, Frederick Douglass and Fowler’s Modern English Usage. Whether writing about Petronius or Perelman, Dirda makes literature come alive. Classics for Pleasure is a perfect companion for any reading group or lover of books.

• Sales Rank: #178625 in Books
• Published on: 2008-11-10
• Released on: 2008-11-10
• Original language: English
• Number of items: 1
• Dimensions: 7.90" h x .88" w x 5.20" l, .75 pounds
• Binding: Paperback
• 352 pages

From Publishers Weekly
Starred Review. In this casually brilliant collection of great book recommendations, Dirda, a Pulitzer Prize–winning critic for the Washington Post Book World, discusses titles ranging from well-known favorites such as Sherlock Holmes and Beowulf to more obscure writers such as Jaroslav Hasek and John Masefield. Dirda is a charming and exceedingly well-read host, erudite without slipping into pretension. He is more generous and less canonical than Harold Bloom, to whose work Dirda owes a debt in style and substance. The book creates a pleasurable but somewhat maddening sensation in the committed reader, who will be tempted to read most of Dirda's selections based on his brief summations. The complete works of Christopher Marlowe are summed up in five eventful pages, and Dirda makes Edward Gibbon's History of the Decline and Fall of the Roman Empire sound so essential over the course of three pages that one forgets it would take the better part of a year to actually read. Dirda's greatest accomplishment, however, is rescuing many formerly illustrious masters from the dustbin of our culture's pitifully short memory: James Agee, G.K. Chesterton and Ernst Junger are just three who benefit from their inclusion in this indispensable volume. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The book critic for the Washington Post offers a wealth of personal takes on works of fiction, poetry, drama, and other nonfiction prose that have come to be regarded as classics and thus, he fears, are generally thought of as "difficult, esoteric, and a little boring." It is Dirda's conviction that "great books speak to us of our own very real feelings and failings, of our all-too-human daydreams and confusions," and to broadcast that sentiment widely, he supplies energetic, even exciting, 3-page essays on approximately 90 authors. He arranges his selections into nontraditional categories, from "Playful Imagination" ("the realm of every sort of laughter—wit, irony, repartee, satire, gallows humor, imaginative exuberance, the fanciful and the surreal") to "Heroes of Their Time" ("the heroes range from a slayer of monsters to striking coal miners, from Persia's greatest champion to the dirt-poor of Depression-era America"). Provides true inspiration to shut off HBO and start reading. Hooper, Brad

Review
PRAISE FOR CLASSICS FOR PLEASURE

"[Dirda's] impeccable standards, unbridled enthusiasm and intelligent joy at recounting elements of character, scene, author and society will attract anyone with a genuine interest in literate discoveries."—San Francisco Chronicle

"Dirda is a master of the light touch--his tone is invariably cordial and measured . . . His expansiveness, his love of genre fiction like detective novels, gives his writing an approachability lacking in so much literary criticism."--The Boston Globe

Most helpful customer reviews

54 of 55 people found the following review helpful.
A Classical Picaresque
By KC
Meandering (at a delicious, leisurely pace) through Michael Dirda's CLASSICS FOR PLEASURE, one feels as though he is riding shotgun through a world of both well-known and unknown wonders with an expert guide. And though Michael Kinsley, in his blurb, writes, "Michael Dirda is the best-read person in America. But he doesn't rub it in," he forgets to add this: Dirda seems to fervently hope you will not only appreciate his literary expertise, but will also rise to meet it. His voice is that generous and unpretentious.

Dirda divides his mostly 2-4 page descriptions of classics you should read into these novel categories: Playful Imaginations, Heroes of Their Time, Love's Mysteries, Words from the Wise, Everyday Magic, Lives of Consequence, The Dark Side, Traveler's Tales, The Way We Live Now, Realms of Adventure, and Encyclopedic Visions. Those titles alone are like browsing colorful glossies at the travel agency. You can't wait to jump in.

In Realms of Adventure, Dirda shows his range of tastes, including writers as varied as Rudyard Kipling and Dashiell Hammett. In reviewing H. Rider Haggard's KING SOLOMON'S MINES, Dirda shares a typically fascinating piece of trivia: "He [Haggard] had reportedly boasted that he could write a better novel than Robert Louis Stevenson's TREASURE ISLAND. His brother challenged him to prove it, and KING SOLOMON'S MINES was the result." At the end of the essay on Haggard, Dirda plays coy: "Is it better than TREASURE ISLAND? As a boy I thought so, but happily there's no need to choose between them." Nevertheless, Dirda's job is done. The less well-known H. Rider Haggard's two books, KING SOLOMON'S MINES and SHE are added to the reader's (THIS reader's, anyway) already listing "To-Be-Read" pile.

Which brings me to this: Bibliophile's beware. Dirda's beguilingly delightful insights into the works of some 88 authors will literally charm you onto turf where angels formerly feared to tread ("angels" being your former reading self). In the section Encyclopedic Visions, he even makes Edward Gibbon's HISTORY OF THE DECLINE AND FALL OF THE ROMAN EMPIRE sound tempting. Not that I'm going to go there anytime soon. First there are too many formerly unknown or forgotten shorter classics I want to visit: Jean Toomer's CANE, Edward Gorey's AMPHIGOREY, Lucian's THE TRUE HISTORY, and E.T.A. Hoffman's short stories, for starters.

Bottom line? This is a great resource to own for those of us who love to live by the oft-repeated words, "So many books, so little time." It's a problem we not only can, but love to, live with...

60 of 63 people found the following review helpful.
Expanding your horizons
By Charlus
Michael Dirda is the go-to man for great reading. If you want to find intensely pleasurable reading in titles you never thought to pick up, he will expertly guide you and easily convince you of what you should read next. His tastes range from the conventional classics to the unexpected gems to genre writing and titles far afield from the usual literary lists. His enthusiasms are infectious, his tastes are broad, his explanations of why the title chosen is worth your while are persuasive.

As with his previous books, Dirda is the informed cicerone through the labyrinth of literature, a dependable companion whose advice is wise, witty and informed by the love of books. Hours in his company is time well spent.

0 of 0 people found the following review helpful.
Five Stars
By frank snyder
fine

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@ Ebook Download Homo Faber: A Report, by Max Frisch

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Walter Faber is an emotionally detached engineer forced by a string of coincidences to embark on a journey through his past. The basis for director Volker Schlšndorff’s movie Voyager. Translated by Michael Bullock. A Helen and Kurt Wolff Book

• Sales Rank: #480442 in Books
• Brand: Mariner Books
• Published on: 1994-05-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .58" w x 5.25" l, .60 pounds
• Binding: Paperback
• 228 pages

Features

• Great product!

Language Notes
Text: English (translation)
Original Language: German

About the Author
Max Frisch was born in Zurich in 1911. His reputation rests equally on his novels and his work for the theatre. A collection of three of his most enduring and contentious plays is published by Methuen Drama. He died in 1991. 

Most helpful customer reviews

49 of 54 people found the following review helpful.
Ought to be rated PG-42...
By Mark Nadja
--because to truly appreciate this beautiful novel you really need to have lived through at least four decades or so.

It strikes me that so much great literature goes unread by those to whom it is ultimately directed. The `classics' are generally written by writers in their 40s and 50s and end up primarily being read by teenagers. Sure, you can get something out of these texts then, but theres no way a 20-year-old can really understand *Homo Faber*--a novel about a middle-aged man confronting his own mortality, decay, & disillusionment. Death is still largely an abstraction to a man of twenty, it hasnt yet entered his bones, love is still possible, youth is still a contemporary, a 20-year-old doesnt yet know what he's going to lose, what he's never going to get back, how badly he's going to miss it.

*Homo Faber* is a classic text of midlife crisis. It's a shame that so many of us have stopped reading altogether when we reach the age it can do us the most good...that we stop reading the classics, anyway, or feel they are irrelevant to our lives, or merely `stuff we already read back when we were in school.' A novel like *Homo Faber* is, to my mind, a religious text in the best sense of that term--in this case, a kind of updated Ecclesiastes.

I can only wonder what the original German text is like because this translation is absolutely stunning, rising to the level of sheer poetry. Almost every line is an ice-dagger into the heart. Such a beautiful, sad, and true book...and everything that needed saying said in 212 pages. Did Max Frisch ever win a Nobel Prize for Literature when the Nobel Prize still meant something? Cause on the basis of this book alone, he should have won two!!

17 of 18 people found the following review helpful.
The Techniker finds his soul
By A Customer
I read this book in the German and enjoyed it immensely. Walter Faber, a globe-trotting engineer, uses technology and his scientific worldview as a shield against other people and against his own humanity. When his shield fails him, he learns to open his heart and live fully. Regardless of whether you share Frisch's opinions about science, the book is beautifully written. Walter Faber is both horrifying and touchingly sympathetic. Despite the tragic plot, the strength of the novel is its small comic moments, of which there are many. If you just watch the movie (even the German-language adaptation, which is much more faithful to the book than the American film), you will miss almost everything that is worthwhile about Homo Faber. Read the book! (In German, if possible.)

12 of 12 people found the following review helpful.
A wonderful story. . . with an alarming twist
By A Customer
Like the previous reviewer, I read this book for an undergraduate German literature class and I found Frisch's writing wonderfully comic, but not without its disturbing points. One thing that is lacking in the English translation is Frisch's wonderful critiques of the "American Way of Life." So, I definately recomend trying the German version if at all possible. I also agree with the previous writer that the movie is a great disappointment. It changes the story into a pure love story and dismisses the importance of Walter Faber's transformation into someone, who for the first time in his life allows himself to truly live and love.

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