Rabu, 01 Oktober 2014

>> PDF Download A Tale of Love and Darkness, by Amos Oz

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A Tale of Love and Darkness, by Amos Oz

A Tale of Love and Darkness, by Amos Oz



A Tale of Love and Darkness, by Amos Oz

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A Tale of Love and Darkness, by Amos Oz

Winner of the National Jewish Book Award

International Bestseller

"[An] ingenious work that circles around the rise of a state, the tragic destiny of a mother, a boy’s creation of a new self." — The New Yorker

A family saga and a magical self-portrait of a writer who witnessed the birth of a nation and lived through its turbulent history. A Tale of Love and Darkness is the story of a boy who grows up in war-torn Jerusalem, in a small apartment crowded with books in twelve languages and relatives speaking nearly as many. The story of an adolescent whose life has been changed forever by his mother’s suicide. The story of a man who leaves the constraints of his family and community to join a kibbutz, change his name, marry, have children. The story of a writer who becomes an active participant in the political life of his nation.

"One of the most enchanting and deeply satisfying books that I have read in many years." — New Republic

  • Sales Rank: #11838 in Books
  • Brand: Oz, Amos/ Lange, Nicholas De (TRN)
  • Published on: 2005-11-01
  • Released on: 2005-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.42" w x 5.31" l, 1.14 pounds
  • Binding: Paperback
  • 560 pages

From Publishers Weekly
Starred Review. This memoir/family history brims over with riches: metaphors and poetry, drama and comedy, failure and success, unhappy marriages and a wealth of idiosyncratic characters. Some are lions of the Zionist movement—David Ben-Gurion (before whom a young Oz made a terrifying command appearance), novelist S.Y. Agnon, poet Saul Tchernikhovsky—others just neighbors and family friends, all painted lovingly and with humor. Though set mostly during the author's childhood in Jerusalem of the 1940s and '50s, the tale is epic in scope, following his ancestors back to Odessa and to Rovno in 19th-century Ukraine, and describing the anti-Semitism and Zionist passions that drove them with their families to Palestine in the early 1930s. In a rough, dusty, lower-middle-class suburb of Jerusalem, both of Oz's parents found mainly disappointment: his father, a scholar, failed to attain the academic distinction of his uncle, the noted historian Joseph Klausner. Oz's beautiful, tender mother, after a long depresson, committed suicide when Oz (born in 1939) was 12. By the age of 14, Oz was ready to flee his book-crammed, dreary, claustrophobic flat for the freedom and outdoor life of Kibbutz Hulda. Oz's personal trajectory is set against the background of an embattled Palestine during WWII, the jubilation after the U.N. vote to partition Palestine and create a Jewish state, the violence and deprivations of Israel's war of independence and the months-long Arab siege of Jerusalem. This is a powerful, nimbly constructed saga of a man, a family and a nation forged in the crucible of a difficult, painful history.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
An international novelist of stature, Oz makes an assured leap to autobiography and is greeted with reverence and awe. Aware of the universality of his story, he enlists excerpts from the diaries of friends and relatives to provide a broader context. He also forgoes tying his narrative to a strict timeline, opting instead for a circular approach. Settings and characters bear the vibrant imprint of his descriptive skills. For all the praise, a few devil’s advocates lurk out there—David Cesarini of The Independent calls the prose "dense … almost liturgical"—but even he concedes that it’s an impressive piece of work. It is rare for a fiction writer’s life to be more dramatic than his novels, but such is the case with Oz.

Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
"Books filled our home," writes Oz, as he presents the first of many gorgeously detailed descriptions of the humble settings of his often-harrowing Jerusalem boyhood. The only child of multilingual, literature-loving parents, Oz was destined to be a writer, even though he harbored fantasies of a more overtly heroic life. In a memoir as effulgent as his fiction, this internationally celebrated, capaciously observant, and bedazzling writer unfurls the complex story of his fascinating family history, one that encompasses the heartbreaks of the Diaspora and the Holocaust, and brings to vivid life the violence, fury, fear, determination, and sorrow that brought Israel into being, and that set in motion the intractable conflicts that still rage today. But for all its acute anecdotal and philosophical parsing of the larger world, this generous, gracefully meandering, many voiced, eventful, gently funny, and often magical reminiscence revolves most around Oz's mother and her tragic death. A powerful story of the making of a writer on the scale of Gabriel Garcia Marquez's Living to Tell the Tale [BKL O 15 03], Oz's panoramic memoir enhances the history of literature and of Israel, and the literature of examined lives. Donna Seaman
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

122 of 125 people found the following review helpful.
Sorry if I posted twice A Warning:
By readernyc
As I wrote yesterday, but deleted because I don't use my real name, this book is everything the news and customers have posted. I will only add this WARNING. Those of you, who, like myself, read about this book as the story of his mother's suicide, have been given a slanted idea about " A Tale of Love and Darkness." Yes, his mother's suicide is here, but far more than that.

As others have said better than I: It's a history of Palestine (pre-Israel), the autobiography of a writer, the way that European Jews experienced lower class/lower middle class life Palestine in the late 30's, early 40's, and all the myriad influences and people that created the great Amos Oz, who is surprisingly modest throughout. REALLY modest.

Yes, as others have said, Oz is my favorite author. BUT, no one should imagine that this will be an easy read, because it is not. It isn't written to excite;is not plot-driven but meditative and far-ranging, as well as non-linear. It differs from Oz' other work, both novels and non-fiction, in that way. It is a long march and the reader must do some hard work to keep up with chronology and mostly to keep one's interest going.

Do not buy this because of a few sensationalist views. Buy this, and yes, I too believe it is a MASTERPIECE, truly AMAZING-- if you are interested in: writing, Israel, Kibbutz life, in exile and hope, in situational despair, in character portraits, and in Oz himself.

His mother's death IS utterly wrenching but hardly the main story and his father comes to life through Oz' genius, as well as his unhappy O how unhappy mom. Also, beware that because he meanders hither and yon, when her death happens it hurts, man o does it! During the second section and esp on the last pages I was sobbing, as her life's end is overwhelmingly sad. But whoever I first read claiming this is the story of his mother, I believe was wrong. It is a HUGE travel and the reader needs energy to keep going, to keep interested until at some point, one is simply hooked.

I recommend this book highly but for experienced readers only, not looking for a quick fix, nor a page turner. For those who want a panoramtic and highly detailed tale, yes buy this and work it. I'm so glad Amos Oz dared to write a book so different from his other ones as he is a private man, a great one, and he got so much right here. Dig in and don't expect to love it all, not at the beginning. I remember almost every vignette now but it took three tries to get 'in'.

183 of 191 people found the following review helpful.
"I was a word-child...but I had no one to listen to me."
By Mary Whipple
The child of Ashkenazi Jews who escaped to Jerusalem just before the outbreak of World War II, Amos Klausner (the author's original name) grew up in a scholarly family which encouraged his precocity. His great uncle Joseph was Chair of Jewish History at Hebrew University of Jerusalem and wrote his magnum opus about Jesus of Nazareth. His father read sixteen or seventeen languages, wrote poetry, and had an enormous library, while his mother spoke four or five languages, could read seven or eight, and told elaborate stories.

Amos grew up a solitary child, encouraged to entertain himself while his parents worked. Always a writer at heart, he believed that "it was not enough for me to be intelligent, rational, good, sensitive, creative." He often felt he was a "one-child show...a non-stop performance," always on display to the relatives, his accomplishments never seeming to be enough.

In this elaborate, non-linear autobiography, Oz and his family are seen as archetypal immigrants to Jerusalem, people who arrived when the land was still under British rule and who helped create a new homeland, arguing ferociously about the direction the country should take and the leaders who should lead it. The history of Jerusalem combines with the author's own genealogical records and his memories about his early family life to create a broad picture of the society in which he grew up and in which his writing talent took root.

Detailed, highly descriptive, and filled with introspection about his unusual life, the book shows the tensions within the society and within his family. After his mother's suicide when he was twelve, he broke with his father, joined a kibbutz, and, at fifteen changed his name. His observations about himself in relation to his peers and in relation to the outside world, even at that young age, show his inner turmoil and determination to discover a personal identity.

As the book moves back and forth in time, the author comments about his writing, the people who influenced him, and his "pickpocketing," his "stealing" of the lives of real people in order to invent stories about them. His observations about Israel, its leaders, its never-ending wars with the Arabs, and his experience as a resident of a kibbutz for more than thirty years broaden the scope and provide insight into one man's life in this developing country. Obviously a huge achievement for Oz personally, this is also a huge contribution to the understanding of the growth of a Jewish homeland and to an understanding of how Oz became the writer he is. Much more detailed and leisurely than Oz's novels, this is slow but satisfying reading for those who admire his novels. Mary Whipple

0 of 0 people found the following review helpful.
A wonderful book but hard to make a movie out of ...
By Barbara or Jerold Gendler
Very dark ! A wonderful book but hard to make a movie out of a documentary

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? Download Ebook Crises of the Republic: Lying in Politics; Civil Disobedience; On Violence; Thoughts on Politics and Revolution, by Hannah Arendt

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Crises of the Republic: Lying in Politics; Civil Disobedience; On Violence; Thoughts on Politics and Revolution, by Hannah Arendt

Crises of the Republic: Lying in Politics; Civil Disobedience; On Violence; Thoughts on Politics and Revolution, by Hannah Arendt



Crises of the Republic: Lying in Politics; Civil Disobedience; On Violence; Thoughts on Politics and Revolution, by Hannah Arendt

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Crises of the Republic: Lying in Politics; Civil Disobedience; On Violence; Thoughts on Politics and Revolution, by Hannah Arendt

A collection of studies in which Arendt, from the standpoint of a political philosopher, views the crises of the 1960s and early 1970s as challenges to the american form of government. Index.

  • Sales Rank: #323626 in Books
  • Published on: 1972-05-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .63" w x 5.25" l, .56 pounds
  • Binding: Paperback
  • 252 pages

About the Author
Hannah Arendt (1906-1975) was an influential German political theorist and philosopher whose works include The Origins of Totalitarianism, The Human Condition, and Eichmann in Jerusalem.

Most helpful customer reviews

26 of 27 people found the following review helpful.
An Honest View vs. Political Lying
By James E. Egolf
This reviewer considers Hannah Arendt as a "Renaissance Woman." She was learned individual who wrote profoundly on philosophy, history, political thought, etc. Her book CRISES OF THE REPUBLIC again demonstrates her knowledge, profound thought, and ability to write. THE CRISES OF THE REPUBLIC is a book that clearly diagnoses political problems in the United States which she states undermine both civil liberties and government honesty.

This book was first published in 1969 in the midst of the controversy over the Vietnam War. An import section of this book deals with the China Series documents and correspondence between Mao tse Tung who approached American diplomats to extend diplomat overtures because of Chinese leaders fears of Soviet power and influence. These efforts were ignored and only came to light in 1969 which was 16 years after the conclusion of the Korean War which involved the Chinese Communists vs. the Americans. Miss Arendt also reveals documents that showed that that Ho Chi Minh appealed American policy makers to extend U.S. control over Vietnam to avoid re-occupation by the French who had Vietnam as a colony prior to World War II. These efforts were refused and kept secret from Americans so that a Cold War mentality could be maintained at the expense of truth and then the lives of American kids who suffered and died in the Korean and Vietnam wars. In other words, Miss Arendt reveals that documents demonstrate that neither of these wars were necessary. What happened and is happening is that political and bureaucratic blundering have been substituted for truth and honesty.

Part of American political history in the late 1960s included dissent and civil disobedience. Those in power claimed that public demonstrations against the Vietnam War and the draft were part of a secret conspiracy. Miss Arendt demolishes this conclusion by writing that a public demonstraion by its very nature is not a secret conspiracy. Otherwise it is not public. She also warns that radicalism on campuses had a dangerous tendency to impose ideology rather than achieve goals and inform "public opinion."

The latter sections of the book are informative regarding the status of those in power on the other side of the Iron curtain. An interesting point that Miss Arendt makes is that for all the communist propaganda about the Capitialisic West, the gulf between rich and poor behind the iron curtain was much greater. She comments that the communist authorities had devolved from socialist ideals to entrenched bureaucrats who tried to protect their "turf" from economic and political realities. Events since the late 1980s have vindicated Miss Arendt with the collapse of Big Communism.

Hannah Arendt shows her vast knowledge and profound thought in one of her last books. CRISES OF THE REPUBLIC is timely and well written. She makes remarks that should alert Americans about blundering into quagmire wars and creating enemies to insure that useless bureaucrats maintain their positions by lying about supposed enemies who in reality do not exist. This has been expensive in terms of treasure and blood.

11 of 11 people found the following review helpful.
Violence is nothing more than the most obvious manifestation of power
By Luc REYNAERT
The political and social reflections of H. Arendt written in the 1960s and 1970s still remain highly relevant today, as these comments on past events (May 68, the Pentagon Papers or the Vietnam war) prove superbly.

Freedom
For H. Arendt, one of the crucial political problems is the guarantee of freedom (e.g., to be free to say and publish what one wants, or to be sure not to be spied upon). For her, a free and uncorrupted press has a very important political role to play. The evolution in these regards since the publication of her book would most probably have seriously worried her.

Political power and violence
Political power always needs to rely on the strength of numbers, while violence can do without it. 'All against one' is the extreme form of power, while for violence it is `one against all'.
The instruments of violence have reached today such perfection that it is impossible to conceive of a political goal that could correspond to their destructive power. Thus, outright war which was the supreme arbiter in international conflicts has lost much of its effectiveness.

Government and violence
When legality and constitutionality are seriously threatened by the growing influence of intelligence services on the conduct of public affairs, by open threats against fundamental freedoms or by challenges to the legal order, violence against the government in power can be justified.

Hypocrisy and lies
For H. Arendt, truth has never ever figured among the political virtues. The secrets of power, deception, deliberate falsification, hypocritical behavior and outright lies have always been used as means to achieve political objectives.
The realities of our daily life can be constantly torn apart by lies and organized propaganda, whereby an irrational virtual world of appearances is created.

This collection of insightful essays, written by a superb and totally free mind, is highly recommended to all men of good will.

6 of 6 people found the following review helpful.
utterly brilliant!!!
By Robert W. Smith
i never heard of hannah arendt in college. however, as i read more and more, i found that her work was often cited. although she passed away some decades ago now, she made an indelible impression upon the moral and political philosophy of the world in the mid-twentieth century and it endures today. she is a brilliant person whom i would have loved to know. with this kind of perception of the author by this reviewer, i must admit that the rest of my review, that is, of her work, "crises of the republic" may be biased.

in crises of the republic, arendt identifies the underlying foundation and need for political stability while introducing measured change. she discusses the political upheaval seen in the USA in the late 60s + . a time of great turmoil, she was able to see the need for political stability clashing with the need for systemic change for the people.

if you have any interest in political and moral philosophy, crises of the republic is a must read. her writing can be dry at times. she doesn't seek to entertain the reader. she informs us and, most of all, makes us think. i read this slowly, pausing to think and take notes.

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Senin, 29 September 2014

? Download Ebook The Business of Heaven: Daily Readings from C. S. Lewis, by C.S. Lewis

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The Business of Heaven: Daily Readings from C. S. Lewis, by C.S. Lewis

A journey through the ecclesiastical year with Christianity’s most eloquent and inspiring spokesman.
“A potent anthology” (Los Angeles Times).
Edited and with a Preface by Walter Hooper.

  • Sales Rank: #109264 in Books
  • Published on: 1984-07-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .90" w x 5.25" l, .90 pounds
  • Binding: Paperback
  • 360 pages

From the Back Cover
“Morals are the ‘ropes’ and ‘axes’ necessary for climbing those great heights from which a greater journey begins. That journey leads to the ‘happy land of the Trinity.’ It is there that joys, almost unimaginable in this world, begin. Begin—not end.” —from the preface

In The Screwtape Letters, C.S. Lewis’s famous devil derides the Christian year as “The Same Old Thing.” To combat this, Walter Hooper has drawn from Lewis’s vast bibliography, accumulating short meditations that correspond to each day of the Christian calendar. Hooper has chosen passages that emphasize Lewis’ illuminatingly matter-of-fact approach to religion, with each entry focused on themes such as “Nearness to God,” “Heaven and Sexuality,” or “Two Kinds of Good and Bad.” In addition to providing food for thought, these bite-sized excerpts facilitate a yearlong journey towards achieving the joy that Lewis wrote is “the serious business of heaven.”

"The point about reading C. S. Lewis is that he makes you sure, whatever you believe, that religion accepted or rejected means something extremely serious, demanding the entire energy of the mind." —Harper’s

"A potent anthology." —Los Angeles Times

About the Author
C. S. (Clive Staples) Lewis (1898-1963), one of the great writers of the twentieth century, also continues to be one of our most influential Christian thinkers. A Fellow and tutor at Oxford until 1954, he spent the rest of his career as Chair of Medieval and Renaissance English at Cambridge. He wrote more than thirty books, both popular and scholarly, inlcuding The Chronicles of Narnia series, The Screwtape Letters, The Four Loves, Mere Christianity and Surprised by Joy.

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0 of 0 people found the following review helpful.
Daily grounding in the Christian faith
By Lindadee
C.S. Lewis has such a down-to-earth view of the basics of Christianity, and such a compelling and clear way of imparting them. This book of daily readings, taken from his many writings over the years, keeps me grounded in my faith by continually reminding me exactly what the 'business of heaven' really is.

0 of 0 people found the following review helpful.
Five Stars
By Gary L Takvorian
intense stuff

0 of 0 people found the following review helpful.
Five Stars
By Jodo
5 stars

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Sabtu, 27 September 2014

~~ PDF Download Between the Acts, by Virginia Woolf

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Between the Acts, by Virginia Woolf

Between the Acts, by Virginia Woolf



Between the Acts, by Virginia Woolf

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Between the Acts, by Virginia Woolf

In Woolf’s last novel, the action takes place on one summer’s day at a country house in the heart of England, where the villagers are presenting their annual pageant. A lyrical, moving valedictory.

  • Sales Rank: #91026 in Books
  • Published on: 1970-10-21
  • Released on: 1970-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .57" w x 5.31" l, .49 pounds
  • Binding: Paperback
  • 228 pages

Review
Here, in her last book, is Virginia Woolf at her most tenuous, elusive, unreal. The various terms which have been applied to her art seem all to apply - "evocative", "fragile", "unsubstantial", "eclectic". The scene and the compass of this book is a pageant in a small English village, alternating with the actors of the local pageant are the figures in a private pageant of spectators:- Giles, stockbroker, at odds with his wife, Mrs. Manress, hearty, blowsy woman of forty who assumes the role of child of nature; Giles' father, withered, dry, his sister a vague old lady, etc. There is no action, save in the pageant which is reproduced now in poetry, now in prose. The quality of the book lies in its nuance, its shadows, its reflections, its aestheticism. There is an ethereal, haunting, beauty, strangely distant. Sharply limited market. (Kirkus Reviews)

'Together these ten volumes make an attractive and reasonably priced (the volumes vary between L3.99 and L4.99) working edition of Virginia Woolf's best-known writing. One can only hope that their success will prompt World's Classics to add her other essays to the series in due course.' 

(Elisabeth Jay, Westminster College, Oxford)

From the Back Cover

"Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realization of experiments that have completely broken with tradition."--The New York Times

 

Between the Acts takes place on a June 1939 day at Pointz Hall, the Oliver family's country house in the heart of England. In the garden, everyone from the village has gathered to present the annual pageant--scenes from the history of England, beginning with the Elizabethan Age and ending with "ourselves," the audience. As the story unfolds, the lives of the villagers also take shape. We learn of the strained relationship between Isa Oliver and her husband, Giles, discontented stockbroker and son of Bart Oliver, the owner of Pointz Hall. When a storm rushes in and hastens the completion of the play, the performers and the audience take their leave, and Giles and Isa are finally left alone. In its juxtaposition of interior life and social life, personal history and world history, Woolf’s final novel reveals the richness of what happens between the acts. 

Virginia Woolf (1882-1941), one of the major literary figures of the twentieth century, transformed the art of the novel. The author of numerous novels, collections of letters, journals, and short stories, she was an admired literary critic and a master of the essay form.

Mark Hussey, general editor of Harcourt's annotated Woolf series, is professor of English at Pace University in New York City and editor of the Woolf Studies Annual.

Melba Cuddy-Keane is professor of English and Northrop Frye Scholar at the University of Toronto.

 

About the Author
VIRGINIA WOOLF (1882–1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.

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0 of 0 people found the following review helpful.
Short read.
By Norman E. Conner
Good reading

44 of 50 people found the following review helpful.
The summing up
By A.J.
"Between the Acts" was the last novel Virginia Woolf wrote, and it appropriately feels like a swansong; a sorrowful farewell to a country on the eve of a war that very well might have spelled its devastation. While it uses the modernist experimentation that characterized "To the Lighthouse," it is very easy to follow, but still invites several rereadings to explore its depths more fully.
The novel takes place on a single day in June of 1939 at an English country manor called Pointz Hall, owned by the Olivers, a family with such sentimental ties to its ancestry that a watch that stopped a bullet on an ancient battlefield is deemed worthy of preservation and exhibition. Every year about this time, the Olivers allow their gardens to be used by the local villagers to put on a pageant for raising money for the church. This year, the pageant is supposed to be a series of tableaux celebrating England's history from Chaucerian times up to the present.
The Olivers themselves are tableaux of sorts, each a silent representation of some emotion separated from the others by a wall of miscommunication. Old Bartholomew Oliver and his sister, Lucy Swithin, both widowed, are now living together again with much the same hesitant relationship they had as children. Oliver's son Giles is a stockbroker who commutes to London and considers the pageant a nuisance he has no choice but to suffer. Isa, his discontented wife, feels she has to hide her poetry from him and contemplates an extramarital affair with a village farmer.
Attending the pageant is a garrulous woman named Mrs. Manresa, who is either having or pursuing an affair with Giles. She has brought with her a companion named William Dodge, whose effeminate sexual ambiguity is noticed with reprehension by Giles and with curiosity by Isa. The somewhat romantic interest Isa shows in Dodge implies that she knows Giles would be annoyed less by her infidelity than by his being cuckolded for a fop like Dodge.
The other principal character is not an Oliver at all, and this is Miss La Trobe, the harried writer and director of the pageant. At first, she appears to serve the mere purpose of comic diversion, as she frustrates herself over details that nobody in the audience notices anyway; however, when the pageant is over, a new aspect of her character is revealed, one that has made her an outcast among the village women. Nevertheless, she graciously accepts the role of a struggling, misunderstood woman artist, and in this sense, she echoes the character of Lily Briscoe in "To the Lighthouse," as does Isa with her repressed poetry.
At the end of the pageant, to celebrate the "present," Miss La Trobe has planned something special and startling: She has the players flash mirrors onto the audience as if to say, "Look what England has become. Shameful, isn't it?" Likewise, with this novel Woolf holds up a mirror to humanity, reflecting our unhappiness in her characters. It's not a cheerful notion, but it's a fitting one to sum up the career of a writer like Woolf, one of our greatest chroniclers of sadness.

6 of 7 people found the following review helpful.
Woolf's last novel
By A Customer
Between the Acts (BtA) was Woolf's last novel, finished but not yet revised before her death in 1941. It is, like Woolf's other novels, experimental. She takes some of her already established techniques and adds new things. She sets it in the span of a single day (i.e. Mrs Dalloway), depicts and parodies historical events (i.e. Orlando). Woolf centers the action around a village play (a bad play, but that is part of the fun). The social commentary on Britain is there, but BtA is far from the "usual British stuff." In the course of the novel the reader should look at the actors and the audience, drawing parallels to our own daily acting. Woolf includes a number of literary allusions. See if you can find the use of Gerard Manley Hopkins in the narrative, for example. As with Woolf's other writings, plot is not the focus. Even though she died thinking it was unsuitable for publication (she was mistaken), BtA is a fine novel from a master writer.

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Selasa, 23 September 2014

~ Fee Download All Art Is Propaganda, by George Orwell, Keith Gessen

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All Art Is Propaganda, by George Orwell, Keith Gessen

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All Art Is Propaganda, by George Orwell, Keith Gessen

As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead.

All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line."

  • Sales Rank: #42707 in Books
  • Brand: Orwell, George/ Packer, George (COM)/ Gessen, Keith (INT)
  • Published on: 2009-10-14
  • Released on: 2009-10-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.07" w x 5.31" l, .86 pounds
  • Binding: Paperback
  • 416 pages

From Publishers Weekly
Starred Review. Before he was a renowned novelist, George Orwell was a masterful essayist. Spanning the 1940s, this companion to Facing Unpleasant Facts: Narrative Essays showcases Orwell in an often unexpected cavalcade of observations on diverse subjects—in the literary field alone as varied as T. S. Eliot, Charles Dickens, Henry Miller, Graham Greene and Kipling. But since this is Orwell, the book takes on a range of subjects with gusto: power and bully worship and the deleterious influence of Catholicism on literature. Orwell's withering observations on professional academic criticism (Politics and the English Language) are tempered by his sly Confessions of a Book Reviewer (constantly inventing reactions towards books about which one has no spontaneous feelings whatever) and Good Bad Books (the supreme example being Uncle Tom's Cabin). Not to be overlooked is a freewheeling take on the naughty postcards of Donald McGill. Overall, this collection highlights the work of a writer who always put his money where his mouth was, reiterating frequently the importance of clarity of expression in enabling independent thought. (Oct. 13)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
George Orwell (1903–50) is best remembered for his dark and prophetic political novels, Animal Farm (1945) and 1984 (1949). In addition to four other novels, he also produced some of the best book-length nonfiction of the modernist era, including Down and Out in Paris and London (1933) and Homage to Catalonia (1939). Harcourt is now republishing in two volumes his collected essays, compiled by Packer (The Assassin's Gate: America in Iraq). What is most astonishing about these essays are their continuing freshness and relevancy more than half a century after Orwell's death. All are worth reading for some combination of literary, historical, or cautionary merit. His criticism of art and politics (and sometimes both) remains spot-on, and the "unpleasant facts" he considers, including war, poverty, homelessness, lack of adequate medical care, and even schoolboy bullying, are unfortunately still familiar topics. Orwell's crisp and clear journalistic writing style remains highly accessible to 21st-century readers, with the occasional, now obscure reference illuminated by Packer's notes. Essential for academic libraries; highly recommended for public libraries.—Alison M. Lewis, formerly with Drexel Univ. Lib., Philadelphia
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From the Back Cover
The essential collection of critical essays from a 20th-century master As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead.

All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line."  

"Reaffirm[s] the author's status as one of the definitive essayists in English literature."--Los Angeles Times

 GEORGE ORWELL (1903–1950) served with the Imperial Police in Burma, fought with the Republicans during the Spanish Civil War, and was a member of the Home Guard and a writer for the BBC during World War II. He is the author of many works of nonfiction and fiction.

GEORGE PACKER is a staff writer for the New Yorker and author of The Assassin's Gate: America in Iraq and other works. He lives in Brooklyn.

KEITH GESSEN was born in Russia and educated at Harvard. He is a founding editor of n+1 and has written about literature and culture for Dissent, the Nation, the New Yorker, and the New York Review of Books. He is the author of the novel All the Sad Young Literary Men.

Also in this series: Facing Unpleasant Facts: Narrative Essays

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31 of 33 people found the following review helpful.
A Great Collection of Essays
By dacios
The title of this collection of Orwell's essays is taken from the initial entry discussing Charles Dickens and it is a well chosen title. The inability of artists to be completely apolitical is the theme that holds this anthology together as Orwell examines topics ranging from the art of Salvador Dali, to Swift's Gulliver's Travels to Graham Greene. The fact that Orwell left England to risk in life in the Spanish Civil War fighting for the republican forces only to memorialize his experiences in Homage to Catalonia, puts him in a unique position to examine the intersection of art and politics.

The acerbic wit and ranging intelligence of Orwell is on full display in this pages. In addition, his rabid fear and hate of totalitarianism that has made him a touchstone for intellectuals both left and right is also apparent in his lucid analysis of Gulliver's travels and the supposed "utopia" of the Houyhnhnms. Some of these essays are familiar, such as Politics and the English Language but others are more obscure, such as Benefits of the Clergy: Some Notes on Salavdor Dali which was censored for obscenity in 1946. My particular favorite is Confessions of a Book Reviewer, which lacks the strong political overtones of his other essays but gives a vivid image into the overlooked aspect of Orwell's life as a workaday journalist and book reviewer.

Despite not living to see the Cold War or the rise of religious fanaticism his thoughts and words still matter. For those who are unfamiliar with Orwell outside 1984 or Animal Farm, All Art is Propaganda provides a great starting point into the writings of one of the great political writers of the modern era.

12 of 12 people found the following review helpful.
A peek into the mind of Orwell
By Cyndi Bu-ej
This selection of essays provides excellent insight for anyone who appreciates the theories of George Orwell.
Readers will get a better understanding of class warfare, secrets of great communicators, totalitarianism, the effects of literature, and, of course, propaganda. I especially enjoyed his essay on "The Prevention of Literature", as it implies the ideas written into his masterpiece known as 1984.

I highly recommend this book to all writers and political thinkers.

10 of 10 people found the following review helpful.
Orwell, Propaganda, and the Art of Persuasion
By Fezziwig
This collection of essays by George Orwell is part of a two-volume compilation. (The other volume is called Facing Unpleasant Facts: Narrative Essays.) In a foreword to this volume, George Packer explains that the focus of All Art Is Propaganda is Orwell’s use of the essay genre as a means of holding something up for critical scrutiny. The theme of the volume, art as propaganda or as a tool for persuasion, recurs throughout these essays. We often think of propaganda in its perjorative sense; something used by the powerful to cajole the unthinking masses into actions that they would not normally undertake on their own. But for Orwell, "propaganda" is a neutral term. Any writing or other art that attempts to persuade, for good or ill, is propaganda.

Orwell’s essay on Charles Dickens introduces this theme: “But every writer, especially every novelist, has a ‘message,’ whether he admits it or not, and the minutest details of his work are influenced by it. All art is propaganda.” (p. 47) That the Dickens message is not always clear is illustrated by the fact that people of many conflicting political leanings have, as Orwell puts it, “stolen” Dickens. Both Marxists and Catholics have latched onto him as a spokesman. This essay seeks to understand the real Dickens.
Some other literary heavyweights get a thorough Orwell examination in ths volume: Henry Miller, Shakespeare, Kipling, T.S. Eliot, and Leo Tolstoy. Tolstoy is known to have rejected Shakespeare as not even “an average author.” Orwell finds the root of Tolstoy’s displeasure with the Bard to be “the quarrel between the religious and the humanist attitudes toward life.” (p. 326) He sees in Tolstoy a writer whose religious orthodoxy makes it impossible to appreciate the sensuality and joy in living that we find in Shakespeare.

But Orwell’s critical eye is not only focused on the literary greats. “Boys’ Weeklies” takes a look at the amazing popularity of twopenny weeklies aimed a boys (sometimes called “penny dreadfuls”). These too, he finds, have a propagandistic motive. It is a motive more sinister than one might have suspected until you look into who owned and published these weeklies.

In “Raffles and Miss Blandish,” Orwell examines another popular genre: crime fiction. He decries their “vulgarisation of ideas,” “fearful intellectual sadism,” and “power-worship,” and he wonders what these trends say about British society.

Orwell does not limit himself to the art of writing. In “The Art of Donald McGill,” he examines the post card drawings of this popular artist. He looks at the obscenity of the post cards and wonders what it says about marriage and the stability of society. “Benefit of Clergy” is an analysis of the work of Salvador Dali. He sees in Dali’s work “a direct, unmistakable assault on sanity and decency,” and concludes that “a society in which they [artists like Dali] can flourish has something wrong with it” (p. 215).

Walt Whitman, Charlie Chaplin, Uncle Tom’s Cabin, Gulliver’s Travels, the Catholic Church, Soviet Russia, Gandhi, H. G. Wells, Hitler, Voltaire, Graham Greene, India and British colonialism, fascism, communism, and democracy, and, of course, boys’ magazines and detective stories. Orwell’s range of topics is seemingly endless. He was a man who hated orthodoxy and cant, who thought deeply about the act of writing and how the written word affected people, and who then wrote about all these things clearly, simply, and powerfully.

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This House of Sky: Landscapes of a Western Mind, by Ivan Doig

A haunting, magnificently written memoir by Ivan Doig about growing up in the American West

 

Ivan Doig grew up in the rugged wilderness of western Montana among the sheepherders and denizens of small-town saloons and valley ranches. What he deciphers from his past with piercing clarity is not only a raw sense of land and how it shapes us but also of the ties to our mothers and fathers, to those who love us, and our inextricable connection to those who shaped our values in our search for intimacy, independence, love, and family. A powerfully told story, This House of Sky is at once especially American and universal in its ability to awaken a longing for an explicable past.

  • Sales Rank: #62683 in Books
  • Published on: 1980-02-19
  • Released on: 1980-02-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .92" w x 5.31" l, .69 pounds
  • Binding: Paperback
  • 336 pages

About the Author
Ivan Doig was born in Montana in 1939 and grew up along the Rocky Mountain Front, the dramatic landscape that has inspired much of his writing. A recipient of a lifetime Distinguished Achievement Award from the Western Literature Association, he is the author of eight previous novels, most recently The Whistling Season, and three works of nonfiction, including This House of Sky. He lives in Seattle.

From AudioFile
This is the endearing story of a Montana man's reflections of growing up during a tumultuous, yet enlightening, time in history when life was slower, the landscape was environmentally protected, neighbors more supportive, and a boy's imagination could flourish. Doig describes in detail his mother and father's devotion for him and each other, and paints vivid portraits of a tightly knit family living in a rugged terrain and struggling for survival. After his mother's death, times got tougher, and Doig's portrayal of his dad's difficulties are touching. Poetic interludes are charming and contrast interestingly with Doig's portrayal of a wild and rugged Montana and its curious inhabitants. This unusual and beautifully expressed autobiography is a stunning work of art. B.J.P. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile, Portland, Maine

Most helpful customer reviews

144 of 146 people found the following review helpful.
Growing up in Big Sky Country
By Ronald Scheer
As a writer, Ivan Doig is something of a favorite son in Montana, and for good reason. His memoir is a rhapsody of affection for the land where he grew up -- the small towns, homesteads and ranches in the Smith River Valley, along the eastern slopes of the Rocky Mountains, extending north to the Blackfeet Reservation on the Canadian border. It's also a wonderful and often touching story of a father and son. Born in 1939, Doig begins his tale with the emigration of his forebears from Scotland to Montana. At the end, in the 1970s, he has emerged as a writer with a graduate degree, living in Seattle, with rich and deeply felt memories of the people and the land he has known -- the house of sky.
An only child, his mother dying when he is six years old, Doig is raised by his father, Charlie, who works various jobs, sheepherding, haying, moving from place to place, and for a while leasing a small ranch of his own, his son in tow. Charlie is a hard-working man, with a big heart and tender love for his son. Concerned by a turn of bad health, he is reconciled to his mother-in-law, who did not approve of her daughter's marriage to him, and the three of them become a family that remains together until Charlie's death at age 70.
The book captures and preserves in detail a way of life that has almost vanished from America. Doig tells of growing up in wide open spaces among livestock and wildlife, learning from his father the skills of making a living off the land and surviving against the odds. He attends small town schools, spending the winters in rented rooms, seeing his father and grandmother only on weekends. Much of his time spent with adults or alone, he grows up more quickly than his peers and learns to love solitude.
At 300+ pages, this is not a long book, but it's no page-turner. You find yourself reading it slowly, relishing the rich prose style that captures the poetry in this landscape of mountains, valleys, and plains, as well as the people, with their personal quirks, habits, ways of talking, and often eccentric behavior. In fact, the book reads much like a novel, full of stories, colorful characters, humor, pathos, suspense, and adventures. The vividness of Doig's writing reflects his training as a journalist, and I suspect that he may have been influenced more than a little by the novels of Thomas Wolfe. I recommend "This House of Sky" to anyone with an interest in the West, nature writing, books about growing up, family sagas, ranching and rural life. As a companion volume, I recommend Wallace Stegner's "Wolf Willow," about his boyhood in southwestern Saskatchewan.

59 of 60 people found the following review helpful.
A special book for us all
By Sunnye Tiedemann
Read this in the company of someone else. Every five minutes or so you'll call attention to something in the text -- a choice description, a picturesque flow of words, a bit of hilarity that will reduce you both to laughter. This is a book to be shared.
Doig is a gifted writer with the facility of a James Agee in his choice of words and phrasing. On the page he presents a constant wild, vivid sensory impression, as if you were riding on horseback with him through his beloved Montana hills, sharing the terrain, people and history in ways you hadn't experienced before and couldn't experience anywhere else.
His descriptions show keen insight and attention to detail through carefully chosen, apt simile and metaphor. "I had noticed at Jordan's," he writes about a situation he experienced as a child, "...the boarding child is something like a stranded visitor that people get accustomed to half-seeing at the edges of their vision -- and no one, least of all me, seemed to think there was much unusual about my alighting here and there casually as a roosting pullet."
As a young boy, exploring: "For by greatest luck a silvered ship, high-hulled and pinging with emptiness, rode at the far end of the ranch buildings. A ship, at least to my imaginings. In the years when the machine chomped broadly through grainfields, it was called a combine. Now this dreadnaught stood, in its tones of dulling metal and cluster of idle gearwheels, for me to climb into..."
Here's the epitome of fine writing. You won't find more vivid images anywhere and he doesn't stint at all with language. Like this description of a teacher: "She was buxom, much like Grandma with a half more plumped all around; her mounding in front and behind was very nearly more than the lackadaisical dresses wanted to contain. Leaning forward from the waist as she hurried about, she flew among us like a schooner's lusty figurehead prowing over a lazy sea."
To read Doig's books is to experience Montana and a world long past. This is a book to be savored, treasured and read again and again.

40 of 41 people found the following review helpful.
Through the Eyes of a Master...
By Millie Mom
Ivan Doig has captured my heart. I felt that he took my hand and led me to this magnificently rugged and sometimes brutal place, and shared all the joys and sorrows he shared there with the people he loved.He tells of his father's great inner strength, his father's love of the grandeur of those wild mountain ranges, deep-notched valleys, and the prairie fields that go on forever. He tells of his mother, whom he lost at the age of six, and the people who come into his life to get him through those tender years of loss, each one a rich, full-bodied character of the West, who leaves an indelible mark on Ivan's life. This is not a tear-stained narrative. This is a proud son of the West, with a deep love of his heritage and the people who made him the man he is today.I'm so grateful he was willing to share his story with us.If you love beautiful,richly-descriptive prose, great narratives, histories of the people who settled the West, please enjoy this fine portrait painted by a master of the art.

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Senin, 22 September 2014

^^ Free PDF Merle's Door: Lessons from a Freethinking Dog, by Ted Kerasote

Free PDF Merle's Door: Lessons from a Freethinking Dog, by Ted Kerasote

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Merle's Door: Lessons from a Freethinking Dog, by Ted Kerasote

This national bestseller explores the relationship between humans and dogs. How would dogs live if they were free? Would they stay with their human friends?

Merle and Ted found each other in the Utah desert— Merle was living wild and Ted was looking for a pup to keep him company. As their bond grew, Ted taught Merle how to live around wildlife, and Merle taught Ted about the benefits of letting a dog make his own decisions.

Using the latest in wolf research and exploring issues of animal consciousness and leadership and the origins of the human-dog relationship, Ted Kerasote takes us on the journey he and Merle shared. As much a love story as a story of independence and partnership, Merle’s Door is tender, funny, and ultimately illuminating.

  • Sales Rank: #42962 in Books
  • Brand: Alpen
  • Published on: 2008-04-21
  • Released on: 2008-04-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.26" w x 5.31" l, .99 pounds
  • Binding: Paperback
  • 416 pages
Features
  • Heartwarming
  • Adventure
  • Best friends
  • Soul mates
  • Merle was all those and more

From Publishers Weekly
Humorous, jubilant and touching by turns, this story of the relationship between man and dog is informed by the author's grasp of animal research and his attachment to Merle, a stray dog he adopted. A Labrador mix, Merle first appeared while the author was on a camping trip. Kerasote (Out There: In the Wild in a Wired Age), an award-winning nature writer, decided to take his canine friend home to rural Wyoming. This chronicle of their 13 years together is interspersed with studies by animal behaviorists that strengthened Kerasote's desire to see Merle as a responsible individual rather than a submissive pet. Merle set his own eating schedule (though not without early mishap), refused to hunt birds (although not elks) and, according to the author, possessed a range of emotions and sentiments similar to those of humans. Kerasote tends to anthropomorphize Merle's every look and movement, but this narrative is entertaining and Kerasote's strong love for Merle and enthusiasm for life in the wild will win over many readers. Kerasote's joyous relationship with Merle is balanced by a bittersweet account of a close relationship the author had with Alison, a neighbor and fellow dog owner. Kerasote's last weeks with the dying Merle are beautifully rendered. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Merle showed up at the San Juan River at the same time Kerasote and his river-rafting friends arrived. Merle looked at Kerasote as if to say, "You need a dog, and I'm it." He accompanied the group down the river and then went home to Wyoming with Kerasote. A dog who was eager to please and almost trained himself, Merle learned the ways of bison, ground squirrels, and coyotes. Merle then taught Kerasote the fullness of the hunt, leading Kerasote to his favorite prey. But, after Kerasote installed a dog door, the main thing Merle taught him is that a dog develops to his full potential, becoming the dog he was meant to be, when allowed to make his own decisions. Merle developed a life of his own, patrolling the small settlement where they lived with his dog companions, and yet was always very aware of Kerasote and his schedule. In telling Merle's story, Kerasote also explores the science behind canine behavior and evolution, weaving in research on the human-canine bond and musing on the way dogs see the world. Merle is a true character, yet Merle is also Everydog. An absolute treasure of a book. Bent, Nancy

Review
PRAISE FOR MERLE'S DOOR

“Charming.”—Entertainment Weekly

“This summer’s Marley.”—People

“Anyone who ever loved a dog will find something to enjoy in Merle’s Door.”—The Christian Science Monitor

“Merle’s Door is a window into the mind of a dog. You will experience his loyalty, fears, and joys and his true inner self. Everybody who loves dogs must read this book.”—Temple Grandin, author of Animals in Translation

“A truly wonderful book—iconoclastic, mind-blowing, and gorgeously written.” —Delia Ephron, author of Hanging Up and Frannie in Pieces

Most helpful customer reviews

404 of 415 people found the following review helpful.
Wonderful Story Masterfully Written
By M. L Lamendola
"Wow. What a book." These are the words that I breathed out when I reached the end of Merle's Door.

Ted Kerasote is to writers what Mozart is to composers. His writing is that good. If he were to write about how the grass grew in his yard over summer, I have no doubt it would be a page-turner.

But that's not the story he wrote. This story is so much more. This unforgettable story begins when a big golden dog emerges from the dark to introduce himself to a small group of people camping in the desert. One of those people was Ted Kerasote, and the dog went home with him. As the story unfolds, we are taken on an amazing journey that goes well beyond "a boy and his dog."

Good relationships are built on mutual respect, and this relationship was better than most. This book is the story of that relationship. These two were the best of friends, and this account of their life together shows how each grew and learned from the other. Love, patience, and understanding are evident throughout the book.

At times, this book is humorous, and at other times it's instructive. But always, it's interesting. One of the lessons Merle taught Ted was that great things can happen if humans will change their behavior instead of always trying to change the behavior of their dogs. The prevailing wisdom is that dogs must be trained and molded a certain way, and treated as though they have no independent powers of judgment. Merle proved this isn't so wise.

The problem is that people don't let their dogs grow up. They make the dog into a perpetual child, and then are surprised when anxiety surfaces in the form of behavior problems. But how would you feel if you always had someone telling you what to do, and not letting you make any decisions on your own? This treatment, while often well-intended, disables a person. It disables dogs as well.

Ted suggests loving in a different way, one that provides more personal freedom and is less about controlling the dog. He says, "His (Merle's) lessons weren't about training, but about partnership. They were never about method; they were about attitude."

The partnership between these two took them on a far different path from one they would have taken if, for example, Ted had decided to make a bird dog out of Merle. Rather than make Merle into something to fit a desire of his own, Ted allowed Merle to be himself. And in so doing, Ted would eventually find his own deep needs met in ways that he could not have predicted. This made for a story worth telling and one definitely worth reading.

In addition to providing us with a wonderful story masterfully written, this book presents an impressive amount of science and technical information on a range of subjects. The list of sources runs 15 pages (in small print, at that). Yet, none of this seems out of place. Whether it's a quote from a biologist, an explanation of cognitive maps, or a summary of experiments with dolphins and mirrors, it's all good and it all fits. The wolf research is especially interesting. For anyone wishing to look up those facts after finishing the story, the extensive index will prove helpful.

This book has 18 chapters spanning 364 pages. Not a single one was wasted.

119 of 124 people found the following review helpful.
The most touching book I've read in a long time...
By Lori Pritchett
I bought this book knowing nothing about it or the author. I love dogs and had the love of my life dog pass away about 2 years ago. I've read Marley and Me and other dog books, but somehow they didn't come close to expressing the bond between man and dog as this book does so flawlessly. I read the book right away as we are now raising two puppies and I thought the book would be instructional. Wow. Although the book is instructional, it is so much more than that. This book touched me like nothing has in a long time. I finished it last night and I still can't think about it without choking up. What a life! It makes me want to go put my arms around the author and tell him I understand.
Bravo!! Well written. 5 stars. I loved it. I wish I had known Merle.

164 of 175 people found the following review helpful.
Even if you have never loved a dog, read this book
By Jeffrey Capshew
First, the cold facts. Ted Kerasote has an uncanny ability to mix the sociology and history of dogs with humans and the very personal story of his life with his extraordinary Labrador mix, Merle, and makes it work like no other dog book I've read (and that's a lot of books). He is such a good writer that it's fun to read science part. But what really makes Merle's Door sing, or howl, is the poignant love story of Ted and Merle as they get to know more about each other over the years. Merle's story as told through Ted, who can put the words on the page since Merle could not, rings so true. When you read this book you are reading the story of two friends who share a life of adventure and love that is simply all too short. Millions of humans have had loving relationships with our canine halves, and never has it been so eloquently distilled in a single volume as this book. Read it, shed some tears of joy, give it to your friends, this is a magical book.

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