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In her exuberant new work, Marion Meade presents a portrait of four extraordinary writers-Dorothy Parker, Zelda Fitzgerald, Edna St.Vincent Millay, and Edna Ferber- whose loves, lives, and literary endeavors embodied the spirit of the 1920s.

These literary heroines did what they wanted and said what they thought, living wholly in the moment. They kicked open the door for twentieth-century women writers and set a new model for every woman trying to juggle the serious issues of economic independence, political power, and sexual freedom. Here are the social and literary triumphs and inevitably the penances paid: crumbled love affairs, abortions, depression, lost beauty, nervous breakdowns, and finally, overdoses and even madness.

A vibrant mixture of literary scholarship, social history, and scandal, Bobbed Hair and Bathtub Gin is a rich evocation of a period that will forever intrigue and captivate us.

• Sales Rank: #882515 in Books
• Published on: 2005-06-06
• Released on: 2005-06-06
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .98" w x 5.25" l, .90 pounds
• Binding: Paperback
• 368 pages

From Publishers Weekly
This light, engaging book spends the years from 1920 to 1930 with Zelda Fitzgerald, Edna St. Vincent Millay, Dorothy Parker and Edna Ferber. Without directly tying them together by any theme (other than that they were all "blessed with the gift of laughter"), Meade moves easily among the women, bringing to life four very different individuals and the worlds they moved in, although Ferber suffers somewhat from being surrounded by more colorful contemporaries. Parker, appropriately enough, is introduced with the words "[I]t couldn't be worse" (she was being canned by Vanity Fair) while Millay is evoked with the offhand observation, "[S]leeping with the boy from Vanity Fair was probably a bad idea. But Vincent did it anyway." The emphasis is on the personalities and personal lives of the women, but Meade (Dorothy Parker: What Fresh Hell Is This?) fairly seamlessly weaves professional ambitions, successes and frustrations into their stories. (It's also fascinating to be reminded that both Ferber and Millay, who could not have been more different in writing style or personality, both enjoyed a good deal of commercial success.) Serious students of the Roaring '20s or of the writers may not learn anything new here; they may also find the interior monologue of the narrative ("Bunny, poor sweet Bunny, so naïve about the opposite sex") grating. And the story stops, rather than ends, in 1930. But for the curious nonexpert, the gossipy, personal tone makes for an enjoyable and informative read. 2 photo inserts not seen by PW.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The four 1920s women writers Meade focuses on were legends in their own time--and what a time it was. Encapsulating the razzle-dazzle and optimism of the Jazz Age, Meade covers each year of the wild and woolly decade, beginning with Dorothy Parker's firing from Vanity Fair, and embracing Zelda Fitzgerald and her wild drinking and dancing in fountains alongside her husband, F. Scott. Across town on West Nineteenth Street, Edna St. Vincent Millay's fingers flew over the keyboard of a featherweight Corona No. 3 (a gift from her married lover, James Lawyer), turning out "Renascence," the poem that would make her famous. With fellow Pulitzer Prize winner Edna Ferber, those three inspired and intrepid women were free-spirited "celebrities" before the term was coined, in an era whose energy and tumult became legendary historically and literarily. Their unusual and indelible lives, and scintillating milieu, are vividly captured by Meade in this fast-paced and informative group biography. Whitney Scott
Copyright © American Library Association. All rights reserved

Review
PRAISE FOR BOBBED HAIR AND BATHTUB GIN
"Reading Meade's book is like looking at a photo album while listening to a witty insider reminisce about the images. Her writing is bright, her language charged with gritty details . . . gossipy tidbits . . . and accomplished one-liners."-SAN FRANCISCO CHRONICLE

"Stories like these are what made many of our generation long to be writers. Paris! Greenwich Village! Free love! . . . Glamour, and looks, and the sure sense that if we joined that insouciant fraternity/sorority we'd be better than the rest-so much better." -THE WASHINGTON POST

Most helpful customer reviews

29 of 30 people found the following review helpful.
Utterly fabulous fresco of a fascinating era
By Sarah Green
I loved this book. I don't usually like biographies (they're all the same--someone is born, becomes famous, dies, etc) but this group bio of Edna Ferber, Zelda Fitzgerald, Dorothy Parker, and Edna St. Vincent Millay totally captured my imagination. It's organized by year, and the storytelling jumps from woman to woman in a way that creates much suspense and anticipation. Meade makes each woman seem so three-dimensional, they don't just leap off the page--I could swear I even smelled Dotty Parker's Chypre perfume and taste Zelda's gin blossoms and highballs. This book would make a great gift for any one who loves biography, the Roaring 20s, or any of the writers in question. The large number of cameo appearances by other writers, bohemians, and Round Tablers give the book a wider appeal. As a recovering English major, I feel strongly that anyone who lists "The Great Gatsby" or "The Sun Also Rises" as his favorite book should get a copy as well, if only for medicinal purposes!

14 of 14 people found the following review helpful.
Strong on Detail; Light on Analysis
By Kathleen Chamberlain
An engaging, entertaining read by a skillful writer. . .but if you want a thorough, complex picture of these four women (Parker, Ferber, Z. Fitzgerald, Millay) and their circles, you'll be better off reading a full-scale biography of each, one that places them in historical and literary context. This book's final paragraph sums up both its strengths and its shortcomings -- the ending is crisp and breezy, but it offers no thoughtful conclusions. Instead, it basically says (and I'm paraphrasing), "and so the 1920s ended and passed into history and the people described here went on and lived the rest of their lives." What we have overall is a well-phrased and smoothly-organized collection of largely unanalyzed details.

If you knew nothing about these writers beyond what you read here, you'd conclude that most of leading artistic lights of 1920s New York were shallow, self-centered, silly sots, and you'd wonder how on earth they managed to write anything at all, let alone stuff that is held up decades later as examples of significant art. The only person who doesn't seem to have been an exasperating wastrel is Ferber. If it's really true that these largely despicable, aimless people are nonetheless artists worth our continued time and attention, then I wish "Bobbed Hair" had spent more time examining and explicating this paradox. As it is, we end up with details, details everywhere and not a point to make.

But then again, perhaps I'm trying to turn this book into something it's not: it's not a scholarly biography, never claimed to be, and doesn't have to be. On its own terms, it's quite fun. So if you want a dishy tiptoe through the 1920s tulips, buy this book. If you want context and in-depth analysis, buy something else.

13 of 14 people found the following review helpful.
Take a Trip Back to the Twenties
By Kevin C. Fitzpatrick
Marion Meade's new book Bobbed Hair and Bathtub Gin is like manna from heaven for aficionados of the Roaring Twenties.
Seventeen years ago Meade wrote What Fresh Hell is This? It remains the definitive Dorothy Parker biography; now she expands on the 10 most exciting years of Parker's life, along with Edna Ferber, Zelda Fitzgerald and Edna St. Vincent Millay.
The subtitle of Bobbed Hair and Bathtub Gin is "Writer's Running Wild in the Twenties" and it is an exciting read that zeroes in on one decade in the lives of the four women and those close to them. There are other, longer, and deeper biographies and autobiographies of the quartet, but this book digs beneath the surface about what made them so unique, powerful and passionate about what they did.
Meade had a real challenge before her. The reader knows how all four will end up post-1930. The task was to shine a spotlight on the crucial years when all four came into their own and were either on their way up, or down, professionally or personally. Some of the tale is humorous, often tragic, but always fascinating. Anyone who's read about these women before is sure to learn something new that bigger books might have overlooked.
If you're reading Bobbed Hair and happen to be a lover of writers, history, old books and the theatre, then you might know what's around the corner for all of these women. The stock market crash of 1929 is looming. The Depression is on its way. Prohibition will end. Adolph Hitler is coming to power. And yet the book brings these women and their cohorts so vividly to life, like it was only yesterday that they were creating new material and turning up in the gossip columns.

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# Free Ebook The Early Diary of Anais Nin, Vol. 2. (1920-1923), by Anais Nin

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A continuation of the journey of self-education and self-discovery begun by Anaïs Nin in the previous volume of her early diary. Central here is the growing conflict between her role as woman and her determination to be a writer. Editor's Note by Rupert Pole; Preface by Joaquin Nin-Culmell; Index; photographs.

• Sales Rank: #1215091 in Books
• Published on: 1983-11-30
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 1.44" w x 6.25" l, 1.75 pounds
• Binding: Paperback
• 576 pages

Features

• ISBN13: 9780156272483
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Ana-s Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she was the author of several novels, short stories, critical studies, a collection of essays, two volumes of erotica, and nine published volumes of her Diary.

Most helpful customer reviews

12 of 15 people found the following review helpful.
a woman searching
By Eleanor E. Templeton
Anais Nin here begins her series of beautiful, thought-provoking diaries. The seeds of her long journey of self-discovery begin here. Although the reader will not encounter the germination until much later, a look at the path Nin set out for herself provides interesting insights into human behavior, the nature of international relationships and challenging perceptions. Whatever your personal opinion of Nin's life might be, hers is a story well worth reading--if only for the beautiful manner in which she constructs it.

0 of 0 people found the following review helpful.
everyday, no frills Anais!
By Nadia555
This period of Anais Nin's early life is captured so honestly and unselfconsciously that it is irresistible to the reader. Unlike Anais's later works which were more laboured, this diary features a more spontaneous Anais. It must be said, however, that Anais was already quite sure of herself (although she says otherwise) in that she already knew she despised "frankness and naturalism" (as expressed in contemporary books which she critiques harshly). Her writing style, which is lyrical and as much about aesthetics as substance, is developing and she frequently berates herself for falling short of her own expectations, which are modelled on the literary Greats.

It is in these pages that she pours her love of books, and philosophy (which suits Anais well, and functions as a counterpoint to her obsessive introspection). Anais's forays into modelling, the early twentieth century version of clubbing, and other such frivolous pursuits, are quite surprising to read about from Anais, and yet she is self aware enough to know that they are nothing but material to enrich her writing.

Anais is lovelorn for a lot of the book; first with her cousin, Eduardo, for whom she expresses a powerful non-sexual love that is mostly a meeting of the minds, and then for Hugo, whom she is to marry (also her intellectual equal).

Anais makes it clear that she wants to be a successful woman and homemaker first, and a writer second (although she has a furious determination to realise the latter ambition). Her worship of the Master Feminine is clear, and at this early stage she aspires to motherhood and service to her husband. She dismisses feminists as "bluestockings" and is tormented by fears of becoming an Old Maid. This is fascinating in light of the evolution of her ideas about feminism, later collected in essay form in books such as 'In Favor of the Sensitive Man'.

Overall, this is a fascinating document that I took pleasure in returning to each day, and it really does evidence her talent and drive to become a great writer.

1 of 1 people found the following review helpful.
Anais Nin volume 2
By Regina Smith
Volume 2 begins where Linotte left off. Anais is in her late teens and trying to find her place in the world. She is witty, narcissistic, and charming all rolled into one. I really enjoy her journals and plan to read all of them.

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@ Ebook Download Seeing, by José Saramago

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On election day in the capital, it is raining so hard that no one has bothered to come out to vote. The politicians are growing jittery. Should they reschedule the elections for another day? Around three o’clock, the rain finally stops. Promptly at four, voters rush to the polling stations, as if they had been ordered to appear.

But when the ballots are counted, more than 70 percent are blank. The citizens are rebellious. A state of emergency is declared. But are the authorities acting too precipitously? Or even blindly? The word evokes terrible memories of the plague of blindness that hit the city four years before, and of the one woman who kept her sight. Could she be behind the blank ballots? A police superintendent is put on the case.

What begins as a satire on governments and the sometimes dubious efficacy of the democratic system turns into something far more sinister. A singular novel from the author of Blindness.

• Sales Rank: #238975 in Books
• Brand: Saramago, Jose/ Costa, Margaret Jull (TRN)
• Published on: 2007-04-09
• Released on: 2007-04-09
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .78" w x 5.31" l,
• Binding: Paperback
• 307 pages

Features

• ISBN13: 9780156032735
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Publishers Weekly
In Nobel Prize–winner Saramogo's best known novel, Blindness, an unnamed capital city experiences a devastating (although transient) epidemic of blindness that mysteriously spares one woman, an eye doctor's wife, who helps a blinded group survive until their sight returns. His new novel, set in the same capital city four years later, depicts a legal "revolution," when 83% of its citizens cast blank ballots in a national election. The president declares a state of siege, but even though soldiers cordon off the city, nothing affects the city's maddening cheerfulness. The president receives an anonymous letter revealing the case of the eye doctor's wife (she and the group she helped had kept her support secret), and the minister in charge of internal security sends undercover policemen to investigate her connection to the "blank" revolution. The allegorical blindness/sight framework is weak and obvious, and Saramago's capital city sometimes reminds one of Dr. Seuss's Whoville. Yet it works: as the novel establishes its figures (the pompous president, tremulous ministers and pantomime detectives), it acquires the momentum of a bedroom (here, cabinet) farce, baldly sending up EU politicos and major media editorialists. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Saramago's sombre masterpiece "Blindness" had an almost mythic power, whereas his latest novel, a political satire set in the same nameless capital city, opens with more wit and less heart. When Election Day coincides with a terrible rainstorm, the government worries that no one will venture out to vote. This fear is unfounded, but the election results are even more alarming: seventy per cent of the city's voters have cast a blank ballot. Saramago has enormous fun imagining the official acrobatics precipitated by this apparent vote of no confidence, and, as the political hypocrisies and bureaucratic absurdities multiply, the narrative hums with correspondences to current events. Initially, readers may miss the previous novel's intensity of feeling, but this one's lightness proves deceptive: for Saramago's beleaguered citizens, even thoughts never uttered can be fatal, and everyone is guilty until otherwise notified.
Copyright © 2006 The New Yorker

From Bookmarks Magazine
The same dense, relentless style that has won Portuguese writer Saramago accolades throughout a long career meets with some ambivalence in Seeing, a sequel to Blindness (1998). In the manner of that earlier novel, Seeing combines the author's trademark verbal convolutions with an allegory of power and politics. Some critics argue that the novel's allegorical plot misses the mark or simply falls flat; most, however, recognize the octogenarian's skill as a satirist and cultural critic. Saramago's work has been compared to that of J. M. Coetzee, James Joyce, and Marcel Proust, among others, for its ability to present big ideas in transcendent—albeit often difficult—prose. Few critics dispute the passion and depth of Saramago's vision, even if several take issue with his politics.
Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

36 of 38 people found the following review helpful.
Another first-rate Saramago novel
By T. Stroll
I thoroughly enjoyed "Seeing," Saramago's latest novel to be translated into English. This is a first-rate addition to the upper tier of his works.

*** Spoiler alert: the following paragraphs reveal a few elements of the plot. ***

In the Nov. 8, 2004, issue of "The American Conservative" magazine, the managing editor, Kara Hopkins, advocated not voting in the pending presidential election. "Silence is a profound expression," she argued, "and enough unraised voices eventually turn even the most partisan heads." "Elections," she contended, "maintain the illusion of opposing parties exchanging ideas rather than political animals competing for power. Selling voting as the ultimate expression of citizenship . . . legitimizes the process that keeps them in control and makes the public docile by enforcing the notion that we rule ourselves."

Whether or not one agrees with Hopkins, she offers a perspective that Saramago might endorse, to judge by "Seeing." In "Seeing," some 70 percent of the residents of the capital of an unnamed country turn in blank ballots in an election, refusing to vote for the Party of the Right, the Party of the Center, or the Party of the Left. The government, dominated by unsavory and unprincipled authoritarians, is horrified that the rituals of democracy have generated a challenge to the government's legitimacy and orders the election to be reheld. But the percentage of blank votes is higher than before.

The government's reaction, though often fumbling, is vicious and lethal. It uses various Orwellian techniques and, as it deems necessary, violence to punish the capital's residents and try to get them to appear to respect the available choices, regardless of their true feelings about the three parties.

This is a fable. It is not intended to be entirely realistic, and the reader must suspend disbelief at times. After all, a modern Western democracy ("Seeing" appears to take place in western Europe) that took Draconian measures against its citizens for refusing to vote would be subject to external pressure and would have to relent. And it would be unlikely to take such measures in the first place. Western democracies are famously tolerant of political dissent--for example, from 1993-1997 Canada tolerated having as the federal government's official opposition party the Bloc Quebecois, whose goal is to separate Quebec from the Canadian federation. But Saramago is so masterly a writer that he makes the implausible possible. The reader does soon ask, "Why would any government that observes the forms of democracy behave this way?" A plot twist that appears in the middle of the novel provides an answer.

In "Seeing," Saramago continues his charming dance with the Portuguese language (I read the book in Portuguese). He narrates events at a languid pace (and occasionally with deceptive calmness by bringing forth a horrible revelation only at the end of an otherwise disarmingly anodyne paragraph). And his characters speak a Portuguese more formal than would be found in much formal writing. People who spoke this way in real life would be seen as affected. But Saramago's use of the King's Portuguese doesn't come across as pretentious; rather, it's a celebration of the outer reaches of classic Portuguese. I often think that Saramago's goal is to restore a full-fledged type of Portuguese that is fading, perhaps thanks to an onslaught of televised Brazilian soap operas and the like. Like Shakespeare, whose facility with language and extraordinary vocabulary altered English forever, Saramago may succeed in elevating Portuguese to a language different from the form that preceded his literary career. That would have to be the supreme achievement of any writer of literature.

16 of 16 people found the following review helpful.
Is Seeing Any Less Blind?
By Jon Linden
In this sequel to Saramago's Nobel winning book "Blindness" the reader is presented with an almost opposite situation. Saramago's books, are political metaphors and commentaries which look deeply into the human spirit and soul.

In his first book, the author helps the reader understand how a world would look if all social stability and government broke down and the populace was left blind and helpless. The picture is very ugly and very painful. Yet, it has a realism that can not be ignored.

"Seeing" asks an instrumental operative question: "Are those who see, less blind than those who don't?" Here Saramago again creates a sociological and political microcosm to illustrate his points. There are many points he makes, but one of his central ones is that citizens can be recognized by "standing up and refusing to be counted." This act seems to those in control as a giant insurrection. Additionally, when people spontaneously choose to make such a statement; what should the government do about it? And they can make it unilaterally, without a movement or a leader, per se.

Saramago also gives the reader an interesting and experimental writing style. He dispenses with much normal grammar, yet rarely does this impede the reader's ability to glean complete understanding, or close to it, of what is happening in the story. Novelistically, the book is extremely well written and engaging.

In many senses, Saramago conveys his feeling that people, events and beliefs can be manipulated. But they can only be manipulated so far. If Saramago is speaking of any specific country, he takes care not to reveal it. He almost jests that he is talking about Portugal, but indicates that this is clearly just to give substance to the contentions of his story, to ground the reader in some basis of mundane reality. Perhaps one imposes the concept on whatever country they live it, because the points Saramago is making are universal. The government can influence the way things happen, how they appear, what is believed and what becomes history. They do have the power to do that, but they do not have the power to control the electorate. And if and when they take things too far, the electorate can stand up and be counted. Change is just around the corner in all Democratic Countries.

This book is recommended to all who want to see the kinds of things that Governments can do when motivated to do so. It is a very educational and impressive book. It is recommended to all people of voting age.

22 of 27 people found the following review helpful.
A Brilliant Parable of Democracy Delivered at Gun Point
By Steve Koss
In the unnamed capital city of an unidentified democratic country, election day morning is marred by torrential rains. Voter turnout is disturbingly low, but the weather breaks by midafternoon and the population heads en masse to their voting stations. The government's relief is short-lived, however, when vote counting reveals that over 70% of the ballots cast in the capital have been left blank. Baffled by this apparent civic lapse, the government gives the citizenry a chance to make amends just one week later with another election day. The results are worse: now 83% of the ballots are blank. The two major political parties - the ruling party of the right (p.o.t.r.) and their chief adversary, the party of the middle (p.o.t.m.) - are in a panic, while the haplessly marginalized party of the left (p.o.t.l.) produces an analysis claiming that the blank ballots are essentially a vote for their progressive agenda. Is this an organized conspiracy to overthrow not just the ruling government but the entire democratic system? If so, who is behind it, and how did they manage to organize hundreds of thousands of people into such subversion without being noticed? When asked how they voted, ordinary citizens simply respond that such information is private, and besides, is not leaving the ballot blank their right?

Thus begins Jose Saramago's brilliant new book, SEEING. The setting is the same unnamed country where, four years earlier, a plague of contagious but temporary "white blindness" afflicted first the capital city, then spread throughout the country. The resulting breakdown of civic institutions and reversion of life to the basest instincts for control and survival were magnificently chronicled in Saramago's earlier novel, BLINDNESS, undoubtedly the author's most powerful and approachable work to that date. The events surrounding that epidemic proved so shameful that the entire country tacitly agreed in the aftermath not to speak of or analyze what happened. Now, however, the blank white ballots bring back haunting memories of the white blindness. Perhaps the citizenry's refusal to cast marked ballots augurs some sort of political epidemic that could spread to the rest of the country.

What makes SEEING such a remarkable work is the picture Saramago draws of a right-wing government under duress, with eerie echoes (intentional or otherwise) of the current Bush Administration's "war on terror" and its imposition of democracy on Iraq. Unsure how to respond to a benign protest but certain that an anti-democratic conspiracy exists, Saramago's ruling government quickly labels the movement "terrorism, pure and unadulterated" and declares a state of emergency, allowing the government "to suspend at a stroke of a pen all constitutional guarantees." Five hundred citizens are seized at random and disappear into secret interrogation sites, and their status is coded red/red for secrecy. Their families are informed in Orwellian style not to worry about the lack of information concerning their loved ones, since "in that very silence lay the key that could guarantee their personal safety." When these moves bear no fruit regarding this "depth charge launched against the stability of the democratic system...of the entire planet," the right wing government adopts a series of increasingly drastic steps, from declaring a state of siege and concocting plots to create disorder to withdrawing the police and seat of government from the capital, sealing the city against all entrances and exits, and finally manufacturing their own terrorist ringleader. The city continues to function near-normally throughout, the people parrying each of the government's thrusts in inexplicable unison and with such a level of nonviolent resistance that they must all be channeling Mahatma Gandhi.

As always, Saramago presents his story in dense, run-on sentences that twist and turn and sparkle like diamonds, to be read and admired for their brilliant cut and the play of light through their many facets. To wit,

-- the media promote "the old game of public virtues masking private vices, the jolly carousel of private vices elevated to the status of public virtues..."

-- "...we will all continue to lie when we tell the truth, and to tell the truth when we lie..."

-- "...since the citizens of this country were not in the healthy habit of demanding proper enforcement of the rights bestowed on them by the constitution, it was only logical, even natural, that they failed even to notice that those rights had been suspended."

-- "...demonstrations never achieve anything, if they did, we wouldn't allow them..."

If Gabriel Garcia Marquez is arguably the world's greatest living writer, Jose Saramago proves once again in SEEING that he is the world's greatest active practitioner of the novel form, and certainly the most deserving Nobelist for Literature in the last decade. SEEING is, in a word, extraordinary. In it, Saramago demonstrates unparalleled mastery of the written word, flashes his low-key but biting satire like a rapier, and reinforces his position as the moral voice of his generation.

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~ Fee Download With Head and Heart: The Autobiography of Howard Thurman, by Howard Thurman

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With Head and Heart: The Autobiography of Howard Thurman, by Howard Thurman

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Howard Thurman was a unique man-a black minister, philosopher, and educator whose vitality and vision touched the lives of countless people of all races, faiths, and cultures. Index; photographs.

• Sales Rank: #152275 in Books
• Published on: 1981-10-14
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .75" w x 5.25" l, .75 pounds
• Binding: Paperback
• 304 pages

About the Author
Howard Thurman (1900-1981) was the first black dean of Marsh Chapel at Boston University and cofounder of the Church for the Fellowship of All Peoples in San Francisco, California, the first inter-racially copastored church in America
EDITORS: Walter Earl Fluker is professor of philosophy and religion and executive director of the Leadership Center at Morehouse College in Atlanta, Georgia. Catherine Tumber is a Du Bois fellow at Harvard University in Cambridge, Massachusetts.

Most helpful customer reviews

48 of 49 people found the following review helpful.
The profound experiences of an influential American mystic.
By A Customer
Consistently written from a space of incredible compassion and profound understanding of the human condition, Dr. Howard Thurman's extraordinary path unfolds as if it were any man's path. He was mentor to the young Martin Luther King, friend and confidante of Mahatma Gandhi, and founder of San Francisco's Church for the Fellowship of All Peoples; all performed while living the experience of a black man during America's most racially turbulent years. Though he comes from a Christian background and is steeped in Christian theology, his understanding is that of the mystic; seeing the heart of truth in all the world's belief systems. Dr. Thurman is not widely known, but should be on the reading list of anyone who seeks insight into how to move the heart into the world. I will never be without Dr. Thurman's guidance in my life again

26 of 26 people found the following review helpful.
One of the great American Memoirs of the 20th Century!
By blwmm@aol.com or Bernie Welch
I recently returned to Thurman's autobiography after 15 years. I am developing a course in Composition/African-American Literature. Thurman's words will be the springboard. His prose is elegant and concise; his sensitivity to nature, a poetic model; his expansive spirit, inspirational. Many chapters will serve as exercises for writing; e.g.: his instruction for the preparation of sermons. In fine, his response to life is a guidline for good writing and holy living.

13 of 13 people found the following review helpful.
An excellent compendium
By R. Preston Price
Thurman stands on his own as a giant. The only weakness of the book is that often the compilers feel the need to tell us what Thurman is going to say.
Not sure so much from Disciplines of the Spirit needed to be reprinted.
I read much of the book during a 12 hour Prayer Vigil and found it very enriching and satisfying.

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> Free Ebook Journey of the Jihadist: Inside Muslim Militancy, by Fawaz A. Gerges

Free Ebook Journey of the Jihadist: Inside Muslim Militancy, by Fawaz A. Gerges

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Renowned Middle Eastern expert Fawaz A. Gerges takes us into the mind-set of the jihadi—or holy warrior—that lies behind so many headlines yet remains nearly impenetrable to us. Using his firsthand knowledge of the "Arab street," he brings to life the stories of Kamal al-Said Habib, a founder of the Jihadist Movement, as well as dozens of other Islamic fundamentalists, as they struggle with the battle being waged for the soul of Islam.

Journey of the Jihadist puts a human face to events of the last thirty years—from the civil war in Lebanon to the war in Iraq to the conflict in Lebanon today. This important work, now with a new afterword addressing the rise of Hezbollah, will join the ranks of those by Thomas L. Friedman, Fareed Zakaria, and Bernard Lewis.

  

• Sales Rank: #525414 in Books
• Published on: 2007-03-05
• Released on: 2007-03-05
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .86" w x 5.25" l, .71 pounds
• Binding: Paperback
• 336 pages

From Publishers Weekly
In September 2005, Gerges, an academic turned news commentator, published a rare and thoughtful piece of scholarship, The Far Enemy, that sought to map the different views within militant Islam's explosive underworld. Gerges argued nimbly, drawing upon numerous primary sources and firsthand interviews. After traveling across the Middle East and meeting with former jihadists, he learned that Islamic militants often disagreed on critical issues (including whether to attack the United States) and that their movement was far more variegated than Washington's official portrayal suggests. Published less than a year later, this new volume reads like a quicky follow-up. It covers similar ground, draws upon similar sources and is considerably more limited in its scholarly aspirations—although not, perhaps, in its commercial ones. Yet the follow-up may be the better book. Gerges has distilled his ideas to their core and done away with some of The Far Enemy's repetitions. The book's structure is also improved. It's now built around a series of profiles that give focus to each chapter and shed light on how key personalities within the jihadist vanguard see the world. Gerges even devotes time to his own upbringing in war-torn Lebanon, and although the veers into his personal story are not always relevant, they are fascinating in their own right, adding both intimacy and depth to this valuable book. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In America before 9/11, understanding violent Islamic radicalism was a prime concern mostly of Middle Eastern-studies academics. For that we can be grateful, at least when those academics write as unstuffily and accessibly as Gerges. A Greek Orthodox Lebanese Arab, Gerges has won the trust of some very prominent, formerly violent jihadists, whose personalities and words he uses to limn radical Islam with an intimacy other good explanatory works on violent Islam lack. His principal informants are Kamal al-Said Habib, cofounder of the largest jihadist organization, and, through interviews he didn't conduct, Osama bin Laden's former bodyguard, Abu-Jandal. Both have forsaken terrorism, though not violence. They exemplify a split in jihadism over whether to unite Muslim-majority nations under Islamic law or to radically expand Islam by destroying its enemies throughout the world (bin Laden's strategy). The split rather recalls that between Stalinists (advocating socialism in one country first) and Trotskyites (fomenting world revolution) in 1930s Communism, and Gerges insists that politics, not religion, is the root motivation of all organized jihad. The good news is that nonterrorist jihadists vastly outnumber terrorist jihadists; the bad, that Gerges' informants repudiate terrorism, not violence per se. Ray Olson
Copyright © American Library Association. All rights reserved

Review
PRAISE FOR JOURNEY OF THE JIHADIST

"Many of the shortcomings of the war on terrorism can be viewed as stemming from the failure to understand the motives and belief systems of jihadist Muslims . . . Fortunately, there are academics like Fawaz Gerges."―THE VILLAGE VOICE

"This book is essential reading for anyone seeking to understand the world of militant Islam―a subject that has never seemed more relevant."―MARY ANNE WEAVER, author of PAKISTAN: IN THE SHADOW OF JIHAD AND AFGHANISTAN

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12 of 12 people found the following review helpful.
Important and Surprising Perspective on the Shades of Jihad
By Douglas S. Wood
In `Journey to the Jihadist', Fawaz Gerges, a professor of Middle Eastern Studies at Sarah Lawrence College, provides extremely valuable insight into the mindset of Islamic jihadist. Or more correctly, make that plural `mindsets' because the central message of Gerges work is that even among jihadists opinions vary widely as to correct principles, strategies, and tactics.

Gerges starts out with some background to the modern jihad movement and its founder Sayyid Qutb who matriculated at Stanford and Colorado State College of Education for two years in the 1940s. Qutb was appalled by the empty materialism and especially the sexual license he perceived. He returned to play an instrumental role in radicalizing the Muslim Brotherhood. Try The Looming Tower: Al Qaeda and the Road to 9/11 (Vintage) by Lawrence Wright for a more detailed consideration of Qutb's role in the radicalizing of Islam.

Gerges, who was raised as Greek Orthodox in Lebanon, traces the development of the jihad through three generations starting with Kamal el-Said Habib. Kamal played a role in the 1981 assassination of Anwar Sadat, but later forswore violence as means to Islamize society for political means. The second generation is represented by Osama bin Laden's personal bodyguard Abu-Jandal . Gerges identifies the third generation as uneducated youth being radicalized by the American occupation of Iraq.

Gerges attempts to demonstrate that many if not most jihadists rejected bin Laden's attack on the West, some for moral reasons, more because they viewed it an ill-advised assault on the world's superpower. Much of the antipathy toward bin Laden flows, of course from Shiites. Gerges suggests that bin Laden and Al Qaeda were faring very poorly after 9-11 and the US rout of the Taliban, but that the US invasion of Iraq has almost universally enraged Muslims.

While Gerges' book provides essential context and perspective it suffers from inadequate identification of his sources. His endnotes state that his main sources are interviews he conducted between 1990 and 2005. He also identifies printed interviews and books for each chapter. He chose not, however, to footnote his work so it is usually impossible to identify a source for particular statements. He states that he was unable to interview Abu-Jandal, but still freely quotes him. The book has a bit of a slapdash feel to it, especially in a late chapter discussing the British Muslims and the London bombings. Gerges also accepts exaggerated claims by Arab Afghans of their role in defeating the Soviet Union in Afghanistan.

Despite these shortcomings, Gerges' book provides much-needed perspective on the varying shades of even radical Islam and how the American occupation of Iraq is pushing more and more Muslims toward jihad against `the far enemy' - the West in general and the US in particular. Highly recommended.

17 of 20 people found the following review helpful.
Nuanced look at militant Islam
By jchris2005
Fawaz Gerges gives an intimate and nuanced look what constitutes as a Jihadist in today's post 9/11 world in this very anecdotal book. Gerges interviews a diverse cast of self proclaimed Jihadists from across the Arab world and mixes in a few personal tales from his childhood days in war torn Lebanon. As a result this book is relatively easy to read, flows well and is not as dry as other books on this subject that I've read.

Gerges's principal thesis seems to be that the Jihadist movement is far from being monolithic, elements within the community will differ on a wide variety of subjects that will range from goals to methods. This book does an excellent job in showing the various insights of Muslims. What was most surprising to me was the views of some of the very anti-American Jihadists that were interviewed by Gerges and their opposition to Bin Laden and his Al Qaeda movement. While they detest American foreign policy in general and specifically our support for Israel, they also believe that Bin Laden's actions are largely un-Islamic and extremely counterproductive for the global Jihad movement. I especially found fascinating his interviews with members of Hezbollah just after 9/11. They go to great lengths to denounce the horrific attack and to distinguish their movement from Bin Laden's.

What becomes apparent after reading this book is that there was an unique opportunity post-9/11 to engage some of the more moderate Jihadists and to quarantine the extreme sect represented by those like Bin Laden and Zawahiri. The war on terror cannot be won alone by smart bombs and soldiers. We need to find common ground and détente with the vast Muslim world that does not view world in the same nihilistic way as Bin Laden and his followers. However this opportunity was severely set back for the foreseeable future due to our invasion of Iraq, however well intentioned by the Bush administration, followed sheer incompetence and failure of the post war reconstruction and occupation which radicalized the Ummah (worldwide Muslim community) almost as much as the creation of Israel.

12 of 14 people found the following review helpful.
Fascinating look at the internal divisions within political Islam
By Tim F. Martin
_Journey of the Jihadist_ by Fawaz A. Gerges is a fascinating look at the evolution of Islam in the last three decades. Having done extensive interviews with many Islamists and translated documents previously not available in the West, Gerges showed how that for the last thirty years "an internal struggle has been waged for the soul of Islam," a struggle that affects the very foundations of Muslim society and politics.

The author believes that many in the West don't really comprehend the true relationship between religion and politics in the Middle East. Religion plays a huge role in Middle Eastern politics but often either as a tool or because it is the only outlet available for those unhappy with their governments (politicized religion has replaced secular nationalism as the dominant force in Muslim society). In many authoritarian regimes the only means of organizing and mobilizing activists who wish to change the political regime that governs their country is that centered on the mosque, as regional dictators have largely been successful in silencing their secular and non-religious opponents but would not dare to close down the mosques. Additionally, many of those who violently oppose a regime will couch their rhetoric and actions in religious terms in order to try and gain mass support, even though there might be many Muslims who come to regard the actions of ultramilitants as un-Islamic and even "nihilistic," having more in common with "more recent European, radical, ultraleftist, or Third Worldist movements" than with Islam. These ultraviolent groups wrote Gerges use religion only to serve their political goals, despite the fact that they don't act particularly religious at all.

Islamists everywhere would like to replace what they see as an atheistic political and social order at home with an Islamic state, though they differ greatly on how this is to be achieved. Mainstream Islamists, which are the overwhelming majority, have accepted the rules of the political game, embraced democratic principles, and generally oppose violence. Two other groups though have not discarded violence, the militant Islamists and the jihadists. Both have a willingness to use all means, including terrorism, to overthrow existing regimes and replace them with theocratic ones, though generally jihadists have a less sophisticated perception of the religious nature of the struggle.

Up until the end of the 1990s, many more Islamists were militant than were now, but as Gerges recounted with fascinating life stories and accounts of noted Islamists in Egypt and elsewhere, most came to reject violence. Some groups, such as Al-Jama'a al-Islamiya in Egypt (the largest Islamic group in the Arab world) and the Islamic Salvation Front in Algeria came to understand their goals of creating an Islamic society failed when violence was used and instead have come to support democracy and have largely embraced "the culture of political realism and the art of the possible," even working with former political opponents to achieve their goals. Civil wars launched by Islamic groups against governments - notably in Egypt and Algeria - failed, as not only the government ruthlessly defeated them but the Islamists found that they lost the support of the average Muslim, who was repelled by their violence, particularly against women, children, tourists, and civilians in general. The majority of Islamists have focused on what the author termed evolution, not revolution, in trying to make an Islamic society (converting people on an individual basis rather than trying to convert everyone at once by controlling the government) and are what he terms the accommodationist camp.

However, not all Islamists came to embrace the new political realities of the Middle East and therein is the internal struggle, as the Islamists split into a majority group that has largely disavowed violence and an ultramilitant group, exemplified by Al Qaeda. This group he terms the confrontationist camp and quite the opposite of most Islamists has in fact become more violent.

Gerges' notes on Al Qaeda are fascinating. Most members of Al Qaeda were originally highly militarized, hardened veterans of the Soviet invasion of Afghanistan - the Afghan Arabs - and they were he wrote "infused...with hubris," believing that if they could defeat one superpower they could defeat another. Several of the prominent Islamists he interviewed, particularly before the recent war in Iraq, were quite scornful of Al Qaeda, as among other things they regarded Al Qaeda as burdened by a cult of personality around bin Laden, creating an atmosphere which stifled internal debate, and a "catastrophic leadership" that was seriously detached from reality, one that had gravely underestimated the enemy (the U.S.), and that was both intellectually bankrupt and un-Islamic.

Al Qaeda seemed doomed following September 11 as the widespread Arab and Muslim revolt that bin Laden hoped for did not occur and the organization was on the run after the destruction of their hosts, the Taliban. Only a miracle would resurrect jihadism it seemed. Then, apparently, that miracle occurred; the invasion of Iraq, an event which served to militarize far more Muslims than the U.S. invasion of Afghanistan or perhaps even the earlier Soviet invasion, giving Al Qaeda a new lease on life and enormous credibility.

Or has that miracle occurred? While the war in Iraq has attracted militants from throughout the Muslim world and saved Al Qaeda from destruction, it has also alienated many Muslims as well; many have grown increasingly repulsed by the random kidnapping and beheading of civilians, of deliberately targeting Muslims civilians in general, and the targeting of neutral journalists and of aid workers. Even Al Qaeda was said to initially have been apprehensive of embracing Abu Musab Zarqawi, feeling he went too far in his indiscriminate slaughter of Muslim civilians and that his encouragement of a Shia-Sunni conflict was a dangerous distraction in the war against America.

There are indications that some Islamists that had formerly given up violence now see that conflict is inevitable with the West, but they nevertheless do not desire an open-ended conflict and firmly reject the "cult of death" that Al Qaeda seems to promote.

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## Download Ebook Reflections on the Psalms (Harvest Book), by C. S. Lewis

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“We delight to praise what we enjoy because the praise not merely expresses but completes the enjoyment; it is its appointed consummation.”

The Psalms were written as songs; we should read them as poetry, in the spirit of lyric, not as sermons or instructions. But they are also shrouded in mystery, and in this careful reading from one of our most trusted fellow travelers, C.S. Lewis helps us begin to reveal their meaning in our daily lives and in the world. Reflecting again and anew on these beloved passages, we can find both joy and difficulty, but also, always, real enlightenment and moments of transcendent grace.

"This book may not tell the reader all he would like to know about the Psalms, but it will tell him a good deal he will not like to know about himself." —Times Literary Supplement

"[Lewis] . . . displays in this volume the same keen insight and gifted tongue that have made him one of the most highly respected essayists using the English language." —Chicago Sunday Tribune

"Full of illuminating observations." —New York Times

• Sales Rank: #23866 in Books
• Brand: Mariner Books
• Published on: 1964-10-07
• Released on: 1964-10-07
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .38" w x 5.31" l, .35 pounds
• Binding: Paperback
• 168 pages

Features

• Great product!

Review
Internationally renowned because of his earlier books, among them tape Letters, Surprised by Joy, Mere Christianity, C. S. Lewis - making religion provoking, memorable and delightful is still more - latest Reflections on the Psalms. Though he protests that he writes - learned about things in which he is unlearned himself, the reader is likely- thank God for his wise ignorance. Here especially he throws a clear lightly or not, on many of the difficult psalms, such as those which abound with and cursing, and a self-centeredness which seems to assume' that God must be side of the psalmist. These things, which make some psalm singers pre- not there, have a right and proper place, as Mr. Lewis shows us. They - of Psalms more precious still. Many readers owe it to themselves to read - flections if only to learn this hard but simple lesson. Urge everyone to this book. (Kirkus Reviews)

From the Back Cover
“We delight to praise what we enjoy because the praise not merely expresses but completes the enjoyment; it is its appointed consummation.”

The Psalms were written as songs; we should read them as poetry, in the spirit of lyric, not as sermons or instructions. But they are also shrouded in mystery, and in this careful reading from one of our most trusted fellow travelers, C.S. Lewis helps us begin to reveal their meaning in our daily lives and in the world. Reflecting again and anew on these beloved passages, we can find both joy and difficulty, but also, always, real enlightenment and moments of transcendent grace.

"This book may not tell the reader all he would like to know about the Psalms, but it will tell him a good deal he will not like to know about himself." —Times Literary Supplement

"[Lewis] . . . displays in this volume the same keen insight and gifted tongue that have made him one of the most highly respected essayists using the English language." —Chicago Sunday Tribune

"Full of illuminating observations." —New York Times

C. S. (Clive Staples) Lewis (1898–1963), one of the great writers of the twentieth century, also continues to be one of our most influential Christian thinkers. He wrote more than thirty books, both popular and scholarly, including The Chronicles of Narnia series, The Screwtape Letters, The Four Loves, Mere Christianity, and Surprised by Joy.

About the Author
C. S. (Clive Staples) Lewis (1898-1963), one of the great writers of the twentieth century, also continues to be one of our most influential Christian thinkers. A Fellow and tutor at Oxford until 1954, he spent the rest of his career as Chair of Medieval and Renaissance English at Cambridge. He wrote more than thirty books, both popular and scholarly, inlcuding The Chronicles of Narnia series, The Screwtape Letters, The Four Loves, Mere Christianity and Surprised by Joy.

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202 of 204 people found the following review helpful.
Delightful Reading
By David Graham
It's a shame that so many of the people who enjoy Lewis's theological works never read his enlightening discussion of the Psalms. This book does not have the polemic approach of some of his other works. This is (by Lewis's own admission) not a work of scholarship, being more like one schoolboy comparing notes with another in describing the difficulties met and joys gained in reading the Psalms. Lewis notes that the Psalms are poems, intended to be sung, and not doctrinal treatises on which to base a system of theology. He selects various psalms for his discussions, enlightening them with his usual good sense, using illustrations from daily life and the literary world. Lewis's approach is far more helpful than most others who comment on the Psalms and should be read with interest by those familiar with this part of the Bible.

110 of 118 people found the following review helpful.
Enchanting reflections on life.
By David Marshall
The first time I read this book, many years ago, I was bothered by what I took as Lewis' disrespectful approach to the OT. One chapter of the book is called "Cursings," and in it Lewis forthrightly notes his initial impression that "the Jews are much more vindictive and vitriolic than the Pagans." While he finds something of great value (even refreshing) in their honest anger at injustice, (see Rene Girard's The Scapegoat for a fascinating perspective on violence and religion) some passages he still labels "diabolical." In the following chapter, "Death in the Psalms," Lewis frankly admits that most of the psalmists did not appear to know about heaven and hell. And in his chapter on "Scripture," he admits to the presence of "naivite, error, contradiction, even wickedness," in the OT.
I did not like this. Nor did I know enough about nature poetry and paganism, monotheism in other cultures, or Meditteranean cultures, to appreciate all his insights.
What I think I did appreciate, and still do, was the way in which Lewis explains the poetry of the Psalms, the "beauty of the Law," (as in Psalm 119), love of nature, "second meanings" in the Psalms, and most of all, the life-enhancing chapter called "A Word about Praising." John Piper developed this chapter into a whole theology. (See Confessions of a Christian Hedonist.) But the most poetic explanation lies here: "I had never noticed that all enjoyment spontaneously overflows into praise . . . I had not noticed how the humblest, and at the same time the most balanced and capacious, minds, praised most, while cranks, misfits and malconents praised least . . . Praise almost seems to be inner health made audible . . . The Psalmists in telling everyone to praise God are doing what all men do when they speak of what they care about."
That chapter is one of the most enlightening and enchanting (in the literal sense) series of marks that have ever been made on paper, I think. Lewis works a powerful counter-spell to the curse of the reductionists, whom he soundly defeats in argument, re-enchanting the world with the glory of God. I see Lewis' idea confirmed every day -- when my children call me to see a funny scene in a cartoon, or a beautiful sea shell on the beach, for example.
What I found on my first reading of this book remains with me, and grows as I learn more of life. I've also come to appreciate Lewis' take on Scripture, though I am not sure he is completely right. Lewis differs from both skeptic and inerracist in that he makes no a priori assumptions, either that there are no mistakes in Scripture, or that God cannot do miracles. This allows him to be frank and take a truly empirical approach. His conclusion is that the Bible is inspired not like the Koran is said to be, written word-for-word in heaven before time began, but as "the same sort of material as any other literature . . . taken into the service of God's word." Those who see only a human literature are like illiterates who see only ink blots on paper, and are unable to see a poem. Lewis also hints that the best pagan philosophy and poetry can be "taken up" into God's revelation in a similar, though less authoritative, manner.
If all that gives you the impression that Lewis covers a lot of territory, with little detailed discussion of most individual psalms, that's true.
Author, Jesus and the Religions of Man

28 of 31 people found the following review helpful.
Great Information but not easy to read
By D. Lord
C.S. Lewis points out some very interesting facts and shows you his perspective on the psalms. He uses several different aspects to review such as their view of death, afterlife, suffering, etc. He points out that the Psalms are songs and should be interprated with that fact in mind. That alone adds a new perspective to the Psalms. He also makes it clear that the Psalms are not neccessarily to be viewed from a Christian perspective because the writers were not Christians.

The only downside I can see in the book is C.S. Lewis' writing style. He supposes his readers know certain historical figures and are versed in numerous literary writings on certain subjects. If you are not a person who reads these types of things all the time it may come difficult for you. Either way you will still get something out of it. Many time Christians, such as myself, try to make something in the Bible what we want it to be, and I believe we have done that to the Psalms over and over again. Have a read!

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# Free PDF Women and Madness, by Phyllis Chesler

Free PDF Women and Madness, by Phyllis Chesler

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Chesler persuasively argues that sex-role stereotypes are at the heart of much of what we call mental illness and examines the progress (or lack of it) in correcting these attitudes. 16 pages of photos.

• Sales Rank: #2158208 in Books
• Published on: 1989-12
• Original language: English
• Dimensions: 8.25" h x 5.00" w x 1.25" l,
• Binding: Paperback
• 359 pages

Review
The single most important work on women and mental "health" and "illness," this book has revolutionized psychiatry since its publication in 1972. It is not an exaggeration to say that Phyllis Chesler gave birth to what is now known as feminist therapy through her analysis of how patriarchy shapes our definitions of madness, and of how psychiatry is used as a form of social control. What she shows is that women are defined as mad when they deviate from sex role stereotyping; that sex, class, race and marital status affect the likelihood of a woman being diagnosed as mad, and further determine her actual diagnosis or "type" of madness. And although much has changed in the world of therapy and psychology, this book remains as timely and significant today as it did over 20 years ago. -- From The WomanSource Catalog & Review: Tools for Connecting the Community for Women; review by Patricia Pettijohn

About the Author

Phyllis Chesler is the author of seminal works including the 2.5-million copy bestseller Women and Madness, as well as Letters to a Young Feminist and Woman's Inhumanity to Woman. Her most recent book, The New Anti-Semitism, has won her international acclaim and sparked huge debate.
She is an Emerita Professor of psychology and women's studies, the co-founder of the Association for Women in Psychology (1969), the National Women's Health Network (1974), and the International Committee for Women of the Wall (1989). She is currently on the Board of Scholars for Peace in the Middle East and is also affiliated with Haifa and Bar Ilan Universities. She lives in New York City.

Excerpt. © Reprinted by permission. All rights reserved.
It is important to note that "depressed" women are (like women in general) only verbally hostile; unlike most men, they do not express their hostility physically-either directly, to the "significant others" in their lives, or indirectly, through physical and athletic prowess. It is safer for women to become "depressed" than physically violent.

Why didn't our mothers and grandmothers and great-grandmothers tell us what battle it is we lost, or never fought, so that we would understand how total was our defeat, and that religion and madness and frigidity were how we mourned it?

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14 of 17 people found the following review helpful.
A GROUNDBREAKING WORK ABOUT WOMEN AND PSYCHIATRY
By Steven H Propp
Phyllis Chesler (born 1940) is an American writer, psychotherapist, and professor emeritus of psychology and women's studies at the College of Staten Island. She has written many other books, such as About Men, Sacred Bond andAbout Men.

She wrote in the Introduction to this 1972 book, "This is a book about female psychology... This is a book about the dramatically increasing numbers of American women of all classes and races, who are seen, or who see themselves, as 'neurotic' or 'psychotic,' and who seek psychotherapeutic help and/or are psychiatrically hospitalized. This is a book about the many 'whys' of such help-seeking behavior; about 'what' is experienced and viewed as in need of help; and about 'how' those women are---or aren't---helped."

Here are some additional quotations from the book:

"Today more women are seeking psychiatric help and being hospitalized than at any other time in history... There were significantly more women being 'helped' than their existence in the population would allow us to predict." (Pg. 33)
"I think (Dr. Thomas Szasz) underestimates the deeply conditioned nature of woman's compliance with her literal and psychological self-sacrifice. Many female mental patients ... commit themselves, quite voluntarily, to asylums or to private psychiatrists. The fear of economic, physical, and ... punishment teaches women to value their own sacrifice so highly that they quite 'naturally' perform it." (Pg. 106)
"Each woman, as patient... wants from a psychotherapist what she wants---and often cannot get---from a husband: attention, understanding, merciful relief, a personal solution---in the arms of the right husband, on the couch of the right therapist." (Pg. 109)
"Paradoxically, while women must not 'succeed,' when they DO succeed at anything, they have still failed if they're not successful at everything... A woman has failed if she succeeds at winning a legal or intellectual battle and has hurt another woman's (or man's) feelings in the process ... Ironically, mothers are often seen as 'failures'... because they haven't also achieved careers or independence from their families." (Pg. 277)

27 of 35 people found the following review helpful.
We have paid the price for patriarchal privilege
By Cathleen M. Walker
Dr. Chesler casts her clear eyed vision over the field of psychiatry/psychology and unveils the sexism that underlies the history and the practice of the "art." Who knows how much untold damage has been caused by those who understand little about women as a sex and could care less, as long as they establish their careers? Incorporating the mythology of women as metaphor, Chesler also paints a picture of how we, as women, have paid the price for patriarchal privilege. I read this book 20 years ago, and I just read it again. It was an enjoyable this time as it was then, maybe even more so, with the deeper understanding I have now about the roots of feminism.
The only thing I wish she had addressed in this revised edition is deinstitutionalization and its affects on women. Perhaps another time? Soon?

4 of 4 people found the following review helpful.
Just as good this time around
By nachrly
Every woman should read this, not just women who are interested in psychology. The title can be a bit misleading--it's relevant to ;any woman's life. It was an amazing work the firsdt time, and the updated version is every bit as much of an eye-opener. Plus Chesler's writing is fresh an accessible. No jargon or pop-psych here, just solid and faxcinating insights.

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