Rabu, 21 Oktober 2015

^^ Download Disinherited Mind: Essays in Modern German Literature and Thought, by Erich Heller

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Disinherited Mind: Essays in Modern German Literature and Thought, by Erich Heller

Heller examines the sense of values embodied in the works of key German writers and thinkers from Goethe to Kafka, particularly the consciousness of life's depreciation.

  • Sales Rank: #1311523 in Books
  • Color: Yellow
  • Published on: 1975-03-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .96" w x 5.50" l, 1.09 pounds
  • Binding: Paperback
  • 384 pages
Features
  • ISBN13: 9780156261005
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
Erich Heller (March 27, 1911 — November 5, 1990) was a British essayist, known particularly for his critical studies in German-language philosophy and literature of the nineteenth and twentieth centuries.

Heller was born at Chomutov (German: Komotau) in Bohemia (then within Austria-Hungary, now the Czech Republic), to the family of a Jewish physician. He graduated a doctor of law from the German University in Prague (Deutsche Universität in Prag, Juridische Fakultät) on February 11, 1935, at the age of 23. In 1939 he emigrated to the United Kingdom, where he began his professional career as a Germanist, being active at Cambridge and London (England) and at Swansea (Wales). Heller became a British subject in 1947. From 1960 onwards he was based in the United States, primarily at Northwestern University in Evanston, Illinois, where he was initially Professor of German, and subsequently Avalon Professor of the Humanities until his retirement in 1979.

For Heller, German letters as an academic discipline was something of an avocation, a marriage of convenience to supply a vehicle for the conveyance of thought of a wider scope. He kept a certain distance from the scholarly community around him, believing (with Jacob Burckhardt) this community's pedantry and unremitting quest for precision to be ‘one of the most cunning enemies of truth’, their cumulative effect being ‘the absence of true comprehensi

Most helpful customer reviews

24 of 25 people found the following review helpful.
The Plight of the West
By Avant-Captain_Nemo
Nihilism flickers with its black fire throught out the pages of this book and godlessness attends it as Erich Heller attempts to provide a spiritual physiognomy for the age.

Goethe is the major figure of Heller's meditations and Nietzsche who tries to forge a new soul in a world where Goethe's project to head off rationalism and scientism has failed. Heller spends much useful time in explaining the reasons for Goethe's attempt to found an anti-newtonian science. Fittingly, the name of William Blake makes a brief appearance.

Goethe saw the inhuman dimensions of the scientific project and where it was going with its inevitable war on poetic language and the construction of humane truths.

Rilke and Yeats are also stars of the book, particularly Rilke who creates Nietzschean poetry, poetry that exalts a radical inwardness against a god-free world.

I cannot diagram in this review the myriads of ideas and observations that make this book, The Disinherited Mind, so relevant to our own story. Erich Heller was one of the great titan critics of a century full of so many - Ernst Robert Curtius, Erich Auerbach, Theodor Adorno, Walter Benjamin, and so many more. Heller read literature within a massive scope of historical awareness. His exegis is never dull but always as pertinent and relevant as the details in great adventure fiction.

7 of 7 people found the following review helpful.
Profound reflections on the human situation
By Shalom Freedman
Heller's ostensbile subject is Modern German Literature and Thought. But his profound insights on Goethe, Nietzsche, Kafka, Schopenhauer, Rilke, raise questions about the meaning of creative culture in general. He opens with a divided Goethe fearing that his mind and energy are being lost to Poetry and about to be given wholly to Science. Heller throughout has the sense that Science cannot really give the whole truth about our Reality, and in fact in its analyses fragments the world hopelessly. His sense of a world without wholeness is connected to a feeling of loss no doubt connected with his own experience as refugee from Nazi Germany, as a Jew who has been displaced from the culture and world which was once his home. He is a first- rate interpreter of Kafka and in this book he focuses on a reading of 'The Castle'. This book is rich in thought and also historical information and will be a real treat to anyone for whom ventures of the mind are the most important adventures of all.

2 of 2 people found the following review helpful.
German Literature Interpreted For Readers of English
By reading man
Arguably the most important book of lit crit of German literature published in English in the 20th century. (Since I don't read German, I can't say the most important on the subject.)

Heller's essay on Kafka is one of the best I've read. He's equally discerning on Nietzsche and though my knowledge of Goethe is minimal, I'm sufficiently impressed by Heller's remark to want to read more Goethe.

Rilke is also one of his subjects, but I admit to a lack of interest in Rilke, mainly because I don't think his poetry can be understood or appreciated by a non-German speaker.

Definitely a book to own for those who want some perspicacious insights into German literature but who can't read the language.

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Senin, 19 Oktober 2015

!! Ebook The Indian Bride (Inspector Sejer), by Karin Fossum, Random House UK

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The Indian Bride (Inspector Sejer), by Karin Fossum, Random House UK

Karin Fossum's fourth chilling crime novel finds Inspector Sejer on the hunt for a brutal killer in a good town gone bad.

 

When long-time bachelor Gunder Jomann goes to India for two weeks and comes home married, the town of Elvestad is stunned. Then, on the day his bride is supposed to arrive, the battered body of a woman is found on the outskirts of town. The "good people of Elvestad" can’t believe that anyone among them could be capable of such a crime. But in his quiet way, Inspector Konrad Sejer understands that no one is completely innocent—not the café owner who knows too much, the girl who wants the attention that comes with being a witness, or the bodybuilder with no outlet for his terrible strength.

  • Sales Rank: #95847 in Books
  • Brand: Fossum, Karin/ Barslund, Charlotte (TRN)
  • Published on: 2008-06-01
  • Released on: 2008-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .75" w x 5.31" l,
  • Binding: Paperback
  • 310 pages

From Publishers Weekly
Starred Review. Fossum may not be well-known outside a select circle, but that could change with the publication of this outstanding contemporary police procedural, the fourth Inspector Sejer mystery to be translated into English (after 2006's He Who Fears the Wolf). Insp. Konrad Sejer is faced with a baffling crime when the battered body of a woman surfaces in a field outside the town of Elvestad. She's soon identified as Poona Jomann, the new wife of Gunder Jomann, who traveled to India in search of a life partner. Gunder's sister's injury in an auto accident kept him from meeting his bride at the airport, leaving her to travel to their new home alone, a journey that ended in murder. With a skill few can equal, Fossum deftly paints the provincial inhabitants of Elvestad, coupling those poignant word portraits with a whodunit and an insightful but fallible detective. The ending is not one most readers will expect, but it perfectly suits the tale of sad, little lives and the tragic consequences of chance. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Over the course of a few days, Norwegian bachelor Gunder Jomann experiences both euphoria and utter despair. In India, he meets and marries Poona, the woman of his dreams. He returns to his tiny village of Elvestad, with his new bride scheduled to arrive in a matter of weeks. A family emergency delays Gunder on the day Poona arrives. Tragedy ensues before they can reconnect; she is found brutally murdered less than a mile from her new husband's house. Who in tranquil Elvestad could commit such a heinous act? Shy, contemplative Chief Inspector Konrad Sejer knows that evil lurks deep within even the most seemingly innocent souls. With his baby-faced partner, Jacob Skarre, he methodically follows but a handful of clues. As time passes, the list of suspicious characters grows. There's muscle-bound Goran, whose affable manner belies his might; local café owner Einar, who harbors a general dislike for humankind; and Linda, an attention-starved teenager who dispenses half-truths and lies. This fourth in the Inspector Sejer series showcases the crisp prose and unsettling scenarios that have made Fossum (When the Devil Holds the Candle, 2006) one of Europe's most successful crime novelists. Like a Scandinavian winter, this potent psychological thriller chills right to the bone. Block, Allison

Review
PRAISE FOR THE INDIAN BRIDE
 
"Devastating . . . Fossum [is] able to see into the soul of an entire village."―Marilyn Stasio, The New York Times Book Review

 "An irresistible page-turner that's like a Nordic Sherlock Holmes story, with characters by Bergman and blood by Tarantino. A-."―Entertainment Weekly

 

"Fossum is a master at drawing finely detailed suspects. The result: an irresistible page-turner that's like a Nordic Sherlock Holmes story, with characters by Bergman and blood by Tarantino. A-" (Entertainment Weekly)

Most helpful customer reviews

61 of 62 people found the following review helpful.
The best yet by an outstanding writer.
By Candace Siegle
I read this book on an airplane and liked it so much I shlepped it across Europe so I could bring it home to lend to friends.

Gunder Jomann, a shy man from a Norwegian country town, travels to India to find a wife. He has always been fascinated by a photograph of a woman in a sari in one of his history magazines, and to everyone's absolute amazement, he meets and marries an Indian woman named Poona. Gunder returns home to prepare for Poona's arrival. On the magical day that she is set to arrive, Gunder's sister suffers a terrible accident and he is forced to send someone else to pick up his bride.

Your heart breaks for Gunder, whose beloved sister is near death and whose eagerly-awaited wife never arrives. Karin Fossum's characters express the loss felt by crime victims' families better than any author I've read. Like her other novels, The Indian Bride is deep and rich in place, character, and suspense. Her Inspector Sejer is a really intriguing guy, and she has a spot-on translater in Charlotte Barslund.

If you haven't read Fossum before, a real treat awaits you. I'm trying to think of who to compare her to--but it's hard. Martin Cruz Smith? Yes, a little, although her settings are more intimate. She is a standout, and this mystery is the most compelling yet.

64 of 66 people found the following review helpful.
previously published under another name
By Patricia Swart
Just a warning to all those who order more Karin Fossum books--"The Indian Bride" has previoulsy been published under another title "Calling Out For You."

58 of 62 people found the following review helpful.
Move over Mankell?
By Androo
You can't help comparing Karin Fossum and Henning Mankell. They're both Scandinavian writers of police procedurals, and both have a strong central detective character - Sejer in Fossum's case and Wallander for Mankell.

Mankell's Wallander is arguably more famous, and inspires people to make the pilgrimage to Ystad in Sweden. Karin Fossum hasn't rooted her novels quite so explicitly, but this one is more Mankell like in that respect, being set firmly in the village of Elvestad in Norway.

What this does is make you compare the two novelists even more closely. And what you discover is that Karin Fossum is beating Mankell at his own game.

`Calling Out For You' is beautifully constructed and written. It's clear to me now that Fossum is much the better writer: her characters are finely drawn, her dialogue real, her writing much more subtle and convincing. And yet she's just as good at creating tension, describing the workings of her star detective and his appealing sidekick, Skarre.

Where Mankell clumsily describes his characters, Fossum does it with great skill. In fact, Karin Fossum's greatest talent is getting a handle on the psychological twists and turns of a murder and its subsequent investigation. Instead of focusing entirely on one character, we see the events through all the characters, and I'm particularly impressed this time. The way the people of Elvestad individually and collectively react to a murder in their midst is exceptionally well woven. By the time you reach the end, you will have a very strong impression of what the murder has done to every character.

It's a neat story too, simple in itself but revealing and creating all kinds of complications and unexpected results. The plot has a very `clean' quality to it, yet it is far from obvious what the outcome will be. The writing is equally simple, but also rather beautiful in its economy.

All in all, I would say this is the best Karin Fossum yet, and quite possibly superior to anything Mankell has produced. Very highly recommended.

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Minggu, 18 Oktober 2015

** Get Free Ebook The Informer, by Liam O'Flaherty

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The Informer, by Liam O'Flaherty

A tale of temptation, betrayal, and reprisal, this powerful novel is set in the aftermath of the Irish Civil War. It tells of Gypo Nolan, who informs on a wanted comrade. The source of the Academy Award-winning film directed by John Ford. Preface by Denis Donoghue.

  • Sales Rank: #740382 in Books
  • Brand: Mariner Books
  • Published on: 1980-07-17
  • Released on: 1980-07-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .48" w x 5.25" l, .43 pounds
  • Binding: Paperback
  • 182 pages
Features
  • Great product!

From the Back Cover
Gypo Nolan, a brute of a man in need of a night's lodging, has informed on a comrade wanted by the authorities. with his twenty pounds' reward he set off on a rampage through Dublin's public houses and brothels.

About the Author
Liam O'Flaherty (1896-1984) was born in the Aran Islands of Ireland. He performed a number of odd jobs before writing his first novel in1923. Awarded the Irish Academy of Letters Award for Literature, O'Flaherty wrote fourteen novels, a number of short stories, and countless other works. The Informer was first published in 1925.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I love it
By John A. Brooks
Excellent service and excellent product. I disapprove of requiring so many words to rate a product. I have better thing to do than write these notes.

8 of 10 people found the following review helpful.
Good but not great
By Thor Vader
A review of this book is most fair when it is broken into three sections of 60 pages each. The first two sections are fantastic as it takes us through the story of Gipo, a man haunted by informing on his best friend. O'Flaherty does a fantastic job of painting the scene of poverty in Dublin that would lead to someone informing on their buddy... and then we have the pleasure of watching him use the blood money. If it ended on page 120, I would definitely give the book 5 stars.
The last 60 pages are very boring and drawn out. Whereas the story could have been a fascinating tell of the above mentioned material, the last is so obvious, that it is physically painful waiting for the conclusion.
All in all, the book is a great study in the darker side of human behavior. I am glad that I read it for that reason. However, the climax leaves a lot to be desired.

5 of 6 people found the following review helpful.
The Real Story
By Howard J. Herskovitz
This is a good novel about Ireland's ongoing troubles. It spares us the contrived world of the Clancy brothers and rebel songs. The story is set in the years after the establishment of the Irish Free State. The protagonists, unlike in the movie, are not patriots per se but rather communists or IRA members who wanted complete independence from the United Kingdom. Gypo Nolan and his victim Frankie McPhilip are less than valued members of the organization. The story deals with successful efforts to track down Gypo who informed on Frankie. It is noted that Gypo betrayed Frankie to the police not to the Black and Tans as in the movie. It is a gripping story and it is also a good antidote to stories of the noble Irish and the evil Brits. Please note carefully O'Flaherty's description of the leader of the organization. The author was a member of the Communist Party who had a somewhat different take on the situation in Ireland. If you want an alternative view of the Irish troubles which is also a good read this is the book for you.

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Sabtu, 17 Oktober 2015

# Download PDF Jamestown, by Matthew Sharpe

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Jamestown, by Matthew Sharpe

A group of "settlers" (more like survivors) arrive in Virginia from the ravished island of Manhattan, intending to establish an outpost, find oil, and exploit the Indians controlling the area. But nothing goes quite as planned (one settler, for instance, keeps losing body parts). At the heart of the story is Pocahontas, who speaks Valley Girl, Ebonics, Old English, and Algonquin—sometimes all in the same sentence. And she pursues a heated romance with settler Johnny Rolfe via text messaging, instant messaging, and, ultimately, telepathy.
Deadly serious and seriously funny, Matthew Sharpe’s fictional retelling of one of America's original myths is a history of violence, a cross-cultural love story, and a tragicomic commentary on America’s past and present.

  • Sales Rank: #1779708 in Books
  • Published on: 2008-05-05
  • Released on: 2008-05-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.05" w x 5.25" l, .82 pounds
  • Binding: Paperback
  • 416 pages

Amazon.com Review
Amazon Significant Seven, April 2007: On the 400th anniversary of the founding of Jamestown, you won't want to confuse Matthew Sharpe's new novel by that name with the many commemorative histories that are coming out alongside it. In this gleefully anachronistic and deeply scatological tale, history repeats itself in a post-apocalyptic future that's as violent as the past. Sharpe connects many of the familiar historical dots (Pocahontas saves Captain John Smith and falls for John Rolfe, for example), but his settlers don't arrive from across the Atlantic in search of new land for tobacco: they flee a Manhattan where the Chrysler Building has just collapsed and the water is poison, driving an armored bus down the ruins of I-95 in search of the supplies of gas and clean food that they hope the territory of Virginia might provide. Amid the gore and smut, you'll find a surprisingly touching love story, starring a restless, de-Disneyed, and thoroughly charming Pocahontas, and thrillingly inventive language on every page that skims from Elizabethan archaism to IM slang and back, often in the same sentence. --Tom Nissley

Questions for Matthew Sharpe

Jamestown is Matthew Sharpe's fourth book (his previous novel, The Sleeping Father broke out into wide readership, thanks in part to a surprise Today show book club selection). We asked him a few questions about his latest work.

Amazon.com: What attracted you to the Jamestown story (aside, of course, from cashing in on the 400th anniversary)?

Sharpe: For a dozen years I worked as a writer in residence in New York City public schools for a nonprofit called Teachers & Writers Collaborative. In the late '90s a group of middle-school teachers in Queens asked me to help them develop some creative writing exercises for a unit they were about to teach on the Jamestown settlement of 1607 in Virginia. I read John Smith's several accounts of his sojourn there, made up some writing exercises, road-tested them, and liked the material so much I decided to do a big, novel-length writing exercise about it. I was drawn to the extremity of the story, the big personalities--Smith, Pocahontas, Powhatan--and, well, the awfulness of it. The story of Jamestown functions as one of the founding myths of our nation, and I wanted to highlight how America began in violence, bloodshed, and a level of incompetence that would be ridiculous had it not been so deadly; in other words, Jamestown was a lot like the administration of George W. Bush.

As for cashing in, I leave that to lottery winners and poker champions.

Amazon.com: You reveal how the former United States has come to this post-apocalyptic state of affairs in bits and pieces. Did you work that future history out for yourself beforehand, or did you just fill it in on the go, as needed?

Sharpe: I'm inclined to use the term post-annihilation rather than post-apocalyptic, since "apocalypse" implies revelation, i.e., the receiving of some crucial, maybe even divine knowledge. I don't see the people in my novel being the beneficiaries of that kind of knowledge, though some of them are struggling mightily to attain it. And I had a really good model for the post-annihilation future I depict, namely, the pre-annihilation present, presided over by the world's superpower-of-the-moment, us. As for working out my imaginary future beforehand or making it up as I went along: the latter, always the latter. The novel is an improvisation--a structured one, I hope, but the excitement (and terror) of writing fiction for me derives from the way I am always simultaneously playing the game and making up the game.

Amazon.com: How did you choose which elements from the original Jamestown story to include, and which to discard?

Sharpe: Mostly by intuition. I knew I wanted a cross-cultural love story and a cross-cultural horror story to co-exist: this would be the central tension of the novel, each would offset the other, or so I hoped. The primarily economic purpose of the original settlers also seemed important to include. The rest I used or invented as guided by presentiment. And, for better or worse, the things I say in interviews about the novel are mostly retroactive insights--hypotheses more than explanations. The person who wrote the book knows more about it than the person answering these questions does.

Amazon.com: Ben Marcus has written, "My feeling is that the impossible must be made viable, and only through language, that language is not subject to the laws of physics and therefore must not be restricted to conservative notions of 'sense' and 'nonsense,' but must pursue what appears impossible in order to discover the basic things." What's your take on that?

Sharpe: I like what Ben Marcus does with language in his own fiction and in his essays about other peoples'. I'd say one of the ways I tried to use language to depict the impossible in Jamestown was to represent the past, the present, and the future happening simultaneously. This happens at the level of content--people in a future America living one of America's originary historical events as if it had never happened before--and, I hope, it also happens at the level of style--people talking in English that is Shakespearean one moment, Keatsean the next, Otis Reddingesque the next, or all in the same sentence, or word.

Amazon.com: Jamestown is dedicated to Lore Segal, who is known in my house as the author of the fabulous kids' book, Tell Me a Mitzi, but who has had a long and varied career beyond that. What led you to honor her so?

Sharpe: Lore Segal is an excellent human being and was perhaps the most important writing teacher I had. I took a course with her at the 92nd Street Y in Manhattan several years after graduating from college. It was all so dicey, "being a writer," it required an audacity I was attempting to muster. Lore's encouragement, her generosity, her good humor, her ability to help me figure out which parts of what I was doing were worth pursuing--these qualities of this wonderful woman helped me muster that audacity. She has a new book out called Shakespeare's Kitchen. Dear readers, if you have not already, please read the short story in there called "The Reverse Bug," and then, when you climb up off the floor, read the rest of the book.

From Publishers Weekly
Starred Review. A wonderfully warped piece of American deadpan, Sharpe's retelling of the Jamestown settlement has the settlers arriving in the Virginia swamp on a bus from Manhattan. There are numerous hints that civilization has taken some devastating hit, leaving Manhattan without oil or untainted food and engaged in a long war with Brooklyn. Hence, the venture into the wilds of the Southern states. The settlers are led by John Ratliff, whose mother's boyfriend is the CEO of Manhattan Company. The Indians, who speak English (a fact they try to dissemble), owe their "reddish" hue to their use of sunblock SPF 90. They're led by Powhatan and advised by Sidney Feingold—and they lack guns. The story follows the traditional romantic arc, as Powhatan's daughter, Pocahontas, falls in love with one of the settlers, the lank, sallow, greasy-haired communications officer, Johnny Rolfe, and saves the life of another, Jack Smith. The narrative alternates first-person accounts, allowing Sharpe (The Sleeping Father) to weave his preternatural sense of parody into an increasingly dire story of killings and kidnappings. The chapters narrated by Pocahontas are virtuoso exercises in language, as MySpace lingo metamorphoses into Jacobin rhetoric, blackface dialect and back again. This is a tour-de-force of black humor. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Known for his over-the-top tragicomic farces, Sharpe roguishly marks the 400th anniversary of the founding of Jamestown in a dialogue-rich hybrid of vandalized historical fiction and slapdash futuristic gloom. A busload of murderous yet oddly endearing lunkheads flee New York City as the Chrysler Building crashes to earth. They head to Virginia, hell-bent on setting up a new settlement and swindling the Indians out of food and oil. All the true-life Jamestown Johns are present: Smith, Martin, Ratcliffe, and Rolf, the expedition's communications specialist. Curiously, both morose Rolf and whip-smart Pocahontas are confiding their thoughts to wireless electronic devices and, therefore, serve as dueling narrators as Sharpe riffs outrageously on the oft-told tale of Pocahontas and the starving settlers, devilishly eviscerating our sense of the nation's genesis. Mixing slacker humor with ham-fisted vulgarity and precision-aimed barbs, Sharpe, an heir to John Barth and kin to David Foster Wallace and George Saunders, creates a caustic mix of old and new that proves the adage that as much as things change, they remain the same. Donna Seaman
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

9 of 9 people found the following review helpful.
Tour de Tour de Force
By Flann O'Ryan
The "Today" show and Anne Tyler's praise first brought my attention to Matthew Sharpe. I bought "The Sleeping Father," his last novel, and was completely floored--a satirical and wry comment on American life that at it heart still has heart, such a rare artistic achievement. So I'll admit, I was predisposed to enjoy whatever came next. Jamestown is more than I could have hoped for. The first thing I love about it--something I love about all great works of literature--is that you have a difficult time describing it. I want to say it's a road book, a little like Cormac McCarthy's "The Road," in that respect. But it's so much more. On the surface, it takes us into the future, at a point when Manhattan and Brooklyn are at war, in the post-apocalyptic ruins of America. A company of men is dispatched to Jamestown, Virginia, where they come in contact with the local tribe of Native Americans, about whom I can say no more without giving too much away. Suffice it to say that in an acid rain world of polluted waters, poisonous air, and species evolution gone wild, the "Indians" seems to have learned how to survive. Jamestown has love stories, war stories, and an underlying analysis of humans in struggles for power. As far as women go, the teenage Pocahontas, diary writing to the world on wireless, is a character that, if I have it right, will go down in literary history: she is a joy to be with, a page-turning treat. The book has so many levels that I don't even know how to communicate them--Sharpe writes sentences that almost comment on themselves but never end up being anything less than lyrical and just beautiful. Jamestown is about America, war, and ultimately about love. It's beautifully crafted and, despite its intellectual and analytical heft that hits you when its all over, it reads like a thriller, each small chapter racing you ahead on the road into that runs simultaneously into the past and the future of America. I'm probably not being clear, so let me say this about it before I wrap up: amazing! I just have one question about the book, and that is: why isn't everyone reading Jamestown? Right now?

8 of 8 people found the following review helpful.
old weird America
By lower east side reader
Matthew Sharpe's America here is the America of Blood Meridian, a childlike, exuberant, and reflexively violent America. The writing is simultaneously coarse and refined, broad in its obsessions, but cutting and precise in its arch vocabulary. It also keeps its sense of humor all the way through. As absurdist and outlandish as this post-Apocalyptic mashup is, it remains true to the metaphors of the Jamestown settlement. The characters are well-delineated, and it's easy to relate to both the "native" populations and the interlopers as they struggle with cross-cultural communication, one's responsibilities to one's society, and what it's like to fall for a stranger who can scarcely conceive of your roots. John Rolfe's stoned reading of a Rorschach inkblot is a tour de force, moving deftly from the scatological to the heartbreaking, all the while hewing to the novel's own self-made mythos. Sharpe is conscientious about paying off his enigmas, like the red skin of the tribesman, their ability to speak English, and the nature of the war between Manhattan and Brooklyn. He's also good about slipping in historical and cultural nuggets, both ancient and modern. My only issue was with the obvious difficulty of sustaining such an over-the-top narrative. The relentlessness did get to be a little wearing on the backside of the arc.

14 of 16 people found the following review helpful.
over the top and back to the future
By Poe K. Hondas
In order to appreciate this book, you have to get over the idea that it's either "about" the present or the past. It's what Sharpe calls an "ahistorical fantasia": he puts not only the Jamestown story but bits of Shakespeare, blackface minstrelsy, Disney's Pocahontas, sketch comedy routines, Wallace Stevens poems, a bunch of flatulence jokes, and other bits of detritus into a blender and then serves up the mix in a weird, "Children of Men"-like futuristic context. It's WAY over the top -- but if you like to laugh while your head is spinning around, this may be the one for you.

See all 15 customer reviews...

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# Free PDF Strip, by Thomas Perry

Free PDF Strip, by Thomas Perry

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Strip, by Thomas Perry

A bracing and ingeniously cast L.A. crime novel from Edgar Award–winner Thomas Perry

 

An aging but formidable strip club owner, Claudiu “Manco” Kapak, is robbed by a masked gunman as he places his cash receipts in a bank’s night-deposit box. Enraged, he sends out half a dozen security men to find the witless culprit. Their search leads them to Joe Carver, an innocent but hardly defenseless newcomer who evades capture and sets out to make Kapak wish he’d targeted someone else. Meanwhile, the real burglar, Jefferson Davis Falkins, and his new girlfriend Carrie seem to believe they’ve found a whole new profession: robbing Manco Kapak. Lieutenant Nick Slosser, the police detective in charge of the puzzling and increasingly violent case, has his own troubles, including worries about how he’s going to afford to send the oldest child of each of his two bigamous marriages to college without making their mothers suspicious. As this strange series of events explodes into a triple killing, Carver finds himself in the middle of a brewing gang war over Kapak’s little empire, while Falkins and Carrie journey into territory more dangerous than they could have ever imagined.

  • Sales Rank: #1105357 in Books
  • Published on: 2011-05-05
  • Released on: 2011-05-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 5.50" w x .75" l, .66 pounds
  • Binding: Paperback
  • 360 pages

From Publishers Weekly
Starred Review. Half a dozen characters vie for primacy in this rambunctiously entertaining L.A. crime novel from Edgar-winner Perry (Runner). Aging strip-club owner Manco Kapak orders his boys to find the masked man who stole his cash receipts and take care of him. The boys settle on the wrong guy, L.A. newcomer Joe Carver, who decides to fight back. Jefferson Davis Falkins, the real thief, decides to continue to rob Kapak. LAPD Lt. Nick Slosser is mainly interested in keeping the peace—and keeping his two marriages a secret as well as figuring out how to pay for five kids at or nearing college age. Other meaty roles include Carrie Carr, who hooks up with Falkins and becomes a Bonnie Parker–like adrenaline junkie urging him to ever riskier deeds, and Spence, Kapak's trusted bodyguard and the only one smart enough to deal with Carver. Perry's exquisite timing and finesse provide near perfect endings to the multiple story lines and make this escapist reading at its best. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Many critics commented that the plethora of characters and subplots might have undermined Strip's power, but they all agreed that Perry's talent in weaving together seemingly loose strands makes the book an unqualified success. The intriguing, action-oriented characters--each with his or her own agenda--captivated reviewers, some of whom ended up rooting for even the bad guys. "The wonderful characters keep on coming," noted the New York Times Book Review. Although they start off as "familiar types ... once Perry lets them loose, they refuse to go back in the box." The action is packed, and the denouement is a small masterpiece. What more could readers want?

Review
"Michael Kramer clearly appreciates and plays along with the author's sense of humor, and he understands the characters' gray-area approach to morality." ---Publishers Weekly Audio Review

Most helpful customer reviews

52 of 57 people found the following review helpful.
A Gangster Messes With The Wrong Man
By TMStyles
"Strip" is a fine addition to Thomas Perry's work. As usual, his timing and characterizations are his greatest assets. He builds credible and believable characters both through effective back story and through their interactions within the story. Perry always presents authentic believable dialogue to streamline his pacing.

Manco Kapek is a small time gangster who owns several strip clubs but has a sideline activity laundering money for a bigger gangster. When he is robbed making an early morning deposit in a bank's night deposit box by a masked gunman, he angrily sends his henchmen out to find someone who is spending large sums of money and is so new to LA that he didn't realize he was robbing a mobster. When the name Joe Carver comes up a couple times, Kapek orders his men to exact revenge upon Mr. Carver.

Unfortunately for Kapek, Joe Carver is not a man to be trifled with and he quickly responds to the mobster's efforts to kill him by declaring financial and ultimately open war upon Manco. Meanwhile, the real petty thief, Jefferson Falkins, and his new girlfriend, Carrie Carr, decide that robbing Manco Kapek is so lucrative and easy that they do it again. Manco is furious not knowing who the real thief is but growing confident that he should never have messed with Joe Carver.

To this festering case of mistaken identity and a budding Bonnie and Clyde, add LAPD Lt. Nick Slosser, a smart-enough cop but one who lives on the edge as attested by his bigamy and the financial demands of two families. Nick suspects Kapek of several crimes and effectively pressures him throughout the novel. But is Nick strong enough to stay clean and do what is right? Perry provides interesting color with an assortment of minor characters including a handful of bodyguards and street women who play various roles in bringing the novel to its climax. Chief among these lesser characters is Spence, Kapek's bodyguard, confidant, and brains-behind-the-brawn. As the bodies begin to pile up and as double crosses develop in surprising characters, the reader is left to race through the pages to discover who is on who's side.

As the stories and characters finally begin to interweave and connect, Kapek realizes Carver is a man to avoid. Falkins realizes, too late, that Carrie has graduated from a gangster wannabe to a thrill seeking sociopath. Slosser begins closing in on Kapek. Kapek's men begin to doubt his leadership. That Perry can take all these, at times, disparate threads and weave them into a satisfying conclusion is a tribute because this reader was a little distracted by the back stories and various character developments that seemed to slow the pacing occasionally. At times, "Strip" seemed to be three separate stories that did not sufficiently interlace enough to provide the fast pacing that the novel demanded, for example, the Carver character would be lost altogether for several chapters. However, that being my only quibble, "Strip" is a recommended read.

29 of 31 people found the following review helpful.
A minor diversion
By Scott
Thomas Perry has been such a good writer for so many years. "Metzger's Dog" is a riot. "The Butcher's Boy" and "Sleeping Dog" are masterpieces of the genre. And Jane Whitefield is a classic character, even though his last outing featuring her ("Runner") was a bit lightweight when compared to her earlier adventures.

This new book is entertaining enough, though not in the same class as his other "stand alones" like "Death Benefits" and "Dead Aim". It reads more like a movie script, and I felt the ending was too rushed, with a couple of revelations left unexplained. Again, fun, but not classic Thomas Perry.

8 of 8 people found the following review helpful.
I Really Liked it! Light, Fun, Quirky, Different....GREAT ENDING!
By Fred Gronvall
This is an excellent crime novel with a tip of the hat to Elmore Leonard. Perry creates unusual and interesting criminal characters and their exploits are fun to watch unfold. In the end things are wrapped up neatly and with an unexpected twist, justice doesn't exactly prevail....but let's say justice is done. This is one of Perry's good ones.

See all 89 customer reviews...

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Jumat, 16 Oktober 2015

^ Get Free Ebook Rivals: How the Power Struggle Between China, India, and Japan Will Shape Our Next Decade, by Bill Emmott, Sarah Hunt Cooke

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Rivals: How the Power Struggle Between China, India, and Japan Will Shape Our Next Decade, by Bill Emmott, Sarah Hunt Cooke

The former editor in chief of the Economist returns to the territory of his best-selling book The Sun Also Sets to lay out an entirely fresh analysis of the growing rivalry between China, India, and Japan and what it will mean for America, the global economy, and the twenty-first-century world.

Though books such as The World Is Flat and China Shakes the World consider them only as individual actors, Emmott argues that these three political and economic giants are closely intertwined by their fierce competition for influence, markets, resources, and strategic advantage. Rivals explains and explores the ways in which this sometimes bitter rivalry will play out over the next decade—in business, global politics, military competition, and the environment—and reveals the efforts of the United States to manipulate and benefit from this rivalry. Identifying the biggest risks born of these struggles, Rivals also outlines the ways these risks can and should be managed by all of us.

  • Sales Rank: #1600827 in Books
  • Published on: 2009-06-16
  • Released on: 2016-04-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .83" w x 5.31" l, .71 pounds
  • Binding: Paperback
  • 314 pages

From Publishers Weekly
Over the past 20 years, some of the most striking economic growth in history has been taking place in Asia, and former Economist editor-in-chief Emmott (The Sun Also Sets) combines solid economic and political analysis with entertaining personal accounts to discuss three countries in the center of the phenomenon. Emmott paints richly detailed portraits of China, India and Japan, examining the global implications of their growing rivalry while remaining attentive to issues that extend beyond the region, such as the environment and nuclear weapons proliferation. Several of his conclusions are familiar: China's rapid economic growth is coming into conflict with its political authoritarianism; there is vast potential for India's growth if public policy can properly encourage it; Japan's aging and shrinking population could lead the country into further economic decline. The true strength of the book lies in Emmott's ability to guide the reader through the intricate—often fraught—relationships between these countries without losing focus. Particularly welcome is his ability to discuss potential trouble spots in the region without degenerating into alarmism. This serious and stimulating book will be indispensable to anyone interested in where these countries are headed—and where they might take us. (May)
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From Booklist
Seasoned in international affairs, former Economist editor Emmott discusses foreign relations among China, India, and Japan, as seen through the lens of economics. Author of previous current-events soothsaying (20:21 Vision, 2003), Emmott takes a big-picture approach that, framing the trio’s burgeoning economic growth, will acquaint readers with the major frictions among the three countries. Examining each country in turn, Emmott reviews reforms that have spurred the torrid economic pace or, in Japan’s case, overcome depression in the 1990s. The strains created by phenomenal growth, both internationally in competition for raw materials and domestically in politics, bear on the author’s main concern: the possibility of war between these nations. While not alarmist, Emmott assesses historical antagonisms, such as territorial disputes between India and China (who battled in 1962) and China’s resentment of a Japan deemed insufficiently apologetic for World War II, as latent flashpoints. Factoring in the influence of the U.S. and ultimately proposing nine policies to help ensure peace, Emmott displays an informative grip and strategic fluency benefiting those tracking trends in Asian economics and politics. --Gilbert Taylor

Review
"A sober, nuanced assessment of the opportunities and dangers that Asia's rise presents ... refreshing ..."--Washington Post Book World

"[R]iveting ... sober and reasoned."--Business Today

"[For] some much-needed nuance … look no further than Bill Emmott's Rivals."--Wall Street Journal   

Most helpful customer reviews

29 of 31 people found the following review helpful.
Rivalry Thesis Is Oversold
By Etienne RP
The central thesis of this book is that the rise of Asia is going to pit Asians against Asians. A new power game is under way between Japan, China and India: for the first time in history, three great nations in Asia are vying for regional supremacy all at the same time. Japan used to be number one and cannot content itself with being a distant number two. China and India both think that the future belongs to them: they cannot both be right at the same time. As Bill Emmott puts it, "the balance between the regional powers is going to become the crucial determinant of whether Asia's rise will be one of peace and prosperity or one that brings conflict and turbulence, both to the region itself and to the world as a whole."

Bill Emmott sees proof of this emerging rivalry in the hedging strategy of the world superpower. The United States can no longer rely on a regional triangle with one ally, one competitor and one neutral third party: they need to ally with two powers in order to keep the third one neutral. This is why Bush, in his landmark visit to India in March 2006, chose to sideline concerns about nuclear proliferation and signed a deal for extended cooperation with India, including in the field of civil nuclear energy. India is a country with the potential to balance the rising power of China, and it is courted as such by the US, but also by Japan and the ASEAN countries which agreed, against all common geographical sense, to include the South Asian giant in their new East Asian Summit caucus.

Although the rivalry thesis is worth considering, I found the whole thing a little bit oversold. For a start, it is by no means the only thread to the story, but rather an editing gimmick that provides a catchy headline to a book that is basically a survey about the three great Asian powers. The individual chapters on China, Japan and India are valuable in their own right: they are written in the no-nonsense, right-to-the-point style that is the hallmark of The Economist, where they each could have been included as special country surveys.

There is an interesting discussion on Chinese statistics, where one learns for instance that in 2005 twenty-nine out of thirty-one regions reported "higher than average" growth rates. Contrary to the myth of unlimited labor supply from the Chinese countryside, the author thinks that the combination of higher incomes from agriculture and low birth rates will likely lead to less migrant labor and rising wages. Emmott today encounters in Beijing the same lack of transparency and accountability, the same feeling of self-confidence and even arrogance among senior officials, the same over-investment and misallocation of capital that he used to confront in Japan twenty years ago. Now Japan worries whether its credit rating will fall above or below Botswana, and it is dismissed by foreigners as a greying and declining nation.

The author of The Sun Also Sets nevertheless thinks that Japan could rebound if it succeeds in reinventing itself, like America did during the decade of the "new economy" which brought a sharp and unexpected jump in its productivity levels. He also thinks that with the right reforms, India could achieve growth of more than ten percent for at least a decade, provoking a transformation of a magnitude comparable to what China experienced in the last twenty years. As he notes, "the process of economic growth is in part a process of removing obstacles, rather as the dredging of boulders from a river will permit the water to flow more smoothly. There are a lot of obstacles to be removed, so there is a lot of potential for improvement."

Rivalry between the three Asian powers is therefore not the whole story. Indeed, it could be argued that the rise of new powers, like China and India, is more likely to lead to stabilization and peace than to disruption and war. China's trade (imports plus exports) is equivalent to 67 percent for GDP, whereas the ratio is 22 percent for America and 28 percent for Japan. The greater openness of China's economy, although it is still smaller than Japan's, means that China has more trade and investment with its smaller Asian neighbors and with the rest of the world than Japan does, often resulting in greater influence, as the flag follows foreign trade. A few decades ago, neighboring countries viewed the rise of Japan as stifling their economic independence. There was a time when European multinationals marketed themselves as an alternative to an exclusive reliance on Japanese firms. Now many view the rise of China as creating competition and thereby liberating them. Contrary to Japan's, Chinese trade is a two-way street, and it offers a great market for exports from its neighbors.

As Bill Emmott notes, Asia is piled high with historical bitterness, unresolved territorial disputes, potential flash points and strategic competition that could readily ignite even during the next decade. But the potential for cooperation is also great, and the sweetener of commerce should soothe nationalistic hurdles and instead promote a healthy spirit of competition in which all partners will gain.

16 of 17 people found the following review helpful.
The three pillars of the new Asian continent
By J. Michael Cole
In Rivals, Bill Emmott, a former reporter for the Economist in Japan and, until 2006, the editor in chief of the magazine, shows us that no other region will have as fundamental an impact, or play as crucial a role, on the international scene than Asia in the coming decades. From intensifying regional trade, economic development and their impact on the environment to spending on defense and nuclear nonproliferation, Asia -- with China, Japan and India acting as pillars -- is transforming at a stunning pace, and the variables involved in this complex relationship are such that predicting its future course is an impossible task, something Emmott himself admits.

Still, by looking at key regional aspects -- economics, defense, domestic politics, the environment, and history as an active contemporary agent -- Emmott sees certain trends emerging that could help us narrow down the possible futures to "plausible pessimism" and "credible optimism."

What quickly becomes evident is that China is now the center of gravity in the region, both in terms of its economic might and as the shaper of politics. Emmott, as do a handful of other authors, maintains that the Chinese Communist Party (CCP) is here to stay and that it has the wherewithal to deal with the number of isolated challenges that may arise domestically. Aside from environmental degradation and its impact on human health, no other issue in China has the potential, he argues, to mobilize the population to the extent that it could threaten the regime; nationalism, such as in Tibet or Xinjiang, is too localized to spread throughout China, which thus makes it possible for the CCP to rely on force to put down disturbances. Its economy, meanwhile, has become solid and mature enough to withstand most shocks.

Japan, no so long ago the undisputed regional leader, has been supine since the 1990s, but Emmott sees signs that its government has launched reforms that, in the long term, could bring about its recovery. A certain sense of urgency, inspired by China's rise, could also accelerate that process and encourage those within the Liberal Democratic Party (and in Washington) who seek to amend the country's peaceful Constitution so that Japan could become a "normal" country once again and play the role it believes it should be playing in the region. In Emmott's view, discarding Japan as a passe regional power would be a serious oversight, as would ignoring recent reporting that a majority of Japanese support their government taking a harder stance vis-a-vis China.

Last is India, the oft-forgotten emerging power whose role as a strategic counterweight on the balance-of-power chessboard could be the determining factor in the future course of the region. While India remains nowhere near as developed as China or Japan, it is nevertheless beginning to make its presence felt in some regional institutions, joint military exercises, and through the modernization of its forces. Furthermore, sensing its utility as a means to tie down China, the US and Japan have struck deals with India that could help buttress the modernization of the world's largest democracy. In fact, Emmott opens his book by arguing that even if it meant blowing a hole in the Non-Proliferation Treaty, US President George W. Bush's nuclear pact with Delhi in 2006 was a strategic tour de force, as it added a third leg to the regional balance and ensured that Delhi would side with the US and Japan should relations with China deteriorate. In response, Beijing has continually sought to exclude India from regional multilateral organizations.

Shifting alliances notwithstanding, Emmott is optimistic that the regional powers and the smaller countries that gravitate around them see no advantage in compromising all the progress that has been made in the past decade by waging wars, an argument that pessimists would argue was also made when similar dynamics obtained in Europe at the turn of the 19th century -- with two devastating world wars to follow. Why Emmott does not believe a repeat of the European fiasco is likely in Asia is partly the result of the somewhat benevolent, albeit not always welcome, presence of the US, which acts as a brake on those who would be inclined to use war as an instrument of foreign policy. However, how Beijing perceives that presence will have a direct impact on the future direction of China's military; if the US, alone or through alliances, is seen to be seeking to contain it, conflict would be likelier, or China could actively pursue a closer alliance with Pakistan to counter India.

Other tensions, which lurk close to the surface, could spark conflict. From the unresolved and poisonous issues of Japan's responsibility in World War II to the flawed Tokyo Trials, post-Kim Jong-il North Korea to Islamic radicalism and nuclear weapons in Pakistan, instability in Myanmar, the Taiwan question, unresolved border disputes, Tibet after the Dalai Lama and disputed islands in the East China Sea, Emmott argues that the likeliest source of conflict -- which could draw in other powers, such as the US -- will be accidents and miscommunication, or, as he puts it, one side misjudging the cost of warfare in the modern world. Wars by proxy -- a tool of the Cold War that remains relevant today -- in places such as Myanmar, Tibet, North Korea and Pakistan -- could also be launched as the three powers position themselves for the future. As demand grows, competition abroad over natural resources could also serve as a conflict accelerator between those three countries.

Emmott's "new" Asia is a dynamic one, filled with potentialities, whose global impact will only become greater as its economies continue to grow. Through economic exchanges and the birth of regional alliances like the East Asian Summit, the ill-defined geographical Asia of old is quickly turning into a more tightly knit polity that, for better or worse, will have a greater say in global affairs and whose participation in international bodies such as the UN Security Council and the G8 will be paramount if those organizations are to remain relevant.

8 of 9 people found the following review helpful.
Astute & Objective Primer to Development & Diplomacy of China/India/Japan
By Zachary C. Strobel
`Rivals' describes and analyzes the history, demographics, economics, policies, diplomacy and other factors that are and will determine the development and relationships of Asia's 3 leading powers: China, India and Japan. If you read The Economist, you will appreciate that Emmott provides a comparable level of accuracy, analytical astuteness, understanding of countries' espoused vs. true intentions and a desire to understand and predict the future. Moreover, Emmott confidently and succinctly describes the relationships and policy/military `domino effects' that could potentially occur in various regions/situations with impartiality that is rarely seen elsewhere.

The book's chapters are (essentially):
1. Intro
2. Asia Overview
3. China
4. Japan
5. India
6. China/India/Japan + Environmental Issues (Mainly Global Warming)
7. China/Japan/Korea Tension In Detail
8. Conflict `Flare Up' Regions/Situations: Pakistan, Tibet, North Korea, Taiwan,
9. Conclusion + 9 Policy/Diplomacy Recommendations + Asia Outlook

Many are writing books on development and the potential issues in Asia. Rivals is a read for you if you want:
1. Insightful distillation of the key factors and history shaping development, global relationships and interactions of China/India/Japan.
2. Understanding of what disputes could potentially `flare up' into global conflict and how these would involve the US/EU.
3. Recommendations on how policymakers should proceed.
4. `The Economist' level of even-handedness.

One major criticism: There is a missing chapter: ASEAN countries in relation to China/India/Japan. As a result, issues like Myanmar are glossed over while issues like rocks/lighthouses in the East China Sea are given several pages. ASEAN countries will continue to play an increasingly important economic and diplomatic role in the future as they seek prosperity that is not limited by their scale. Having said that, I still highly recommend this book for its astute coverage of China, India and Japan.

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@ Download Ebook The Year of the Death of Ricardo Reis, by José Saramago

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The Year of the Death of Ricardo Reis, by José Saramago

The year: 1936. Europe dances while an invidious dictator establishes himself in Portugal. The city: Lisbon-gray, colorless, chimerical. Ricardo Reis, a doctor and poet, has just come home after sixteen years in Brazil. Translated by Giovanni Pontiero.

  • Sales Rank: #92261 in Books
  • Color: Multicolor
  • Published on: 1992-04-27
  • Released on: 1992-04-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .91" w x 5.31" l, .78 pounds
  • Binding: Paperback
  • 368 pages

From Publishers Weekly
Ricardo Reis meets dead Portuguese poet Fernando Pessoa and encounters two women who may be figments of Pessoa's poetry in this extraordinarily nuanced novel. (Mar.) See boxed review, p. 76, for book by Pessoa.
Copyright 1992 Reed Business Information, Inc.

Review
"The greatest of his novels" New Statesman "Lovely...a work of fluent and amazing gracefulness" Independent "A capacious, funny, threatening novel" New York Times Review of Books "He has created a body of work of luminous power: ironic, intellectually playful, dense and strange" Scotsman "Shows Saramago to be a novelist of the grandest sort...it is a dramatic work of great philosophical weight, filtered through a refined contemplative intelligence" Independent

Language Notes
Text: English (translation)
Original Language: Portugese

Most helpful customer reviews

92 of 95 people found the following review helpful.
For the initiated only
By Steven Reynolds
Portuguese poet Fernando Pessoa (1888-1935) famously responded to what philosophy calls "the crisis of the subject" - that nagging sense that one's identity is contingent, relative and inherently unstable - by developing multiple authorial selves, or "heteronyms": Alberto Caeiro, a bucolic providore of rustic verse; Alvaro de Campos, a strident modernist; and Ricardo Reis, a meditative pagan and classicist. Each wrote a poetry the others did not and could not write. In this way, Pessoa solved his problems of identity and poetry simultaneously. He recognised his multiple "selves" and set them free. The cultural transplantation he experienced might account for this. He was born in Portugal, but educated in South Africa where he learned to speak and write in English. He spent the remainder of his life in Lisbon where by day he translated business letters, and by night was a figure in the local modernist movement. He was probably an alcoholic, and lived in fear of insanity. (See Michael Hamburger's excellent study of modernist poetry, "The Truth of Poetry", for a lucid account of Pessoa and the significance of his work.) For those who know the story of Pessoa, Saramago's long and luxurious novel offers a delicious premise: Fernando Pessoa is dead, yet Ricardo Reis still lives. Indeed, three months after Pessoa's death, Reis returns to Lisbon from sixteen years of self-imposed exile in Brazil. It's 1936 and Europe is on the brink of war. As Reis contemplates re-establishing a life in Portugal, and pursues relationships with two remarkably different women - Lydia, a chambermaid; and Marcenda, the partially paralysed daughter of a wealthy provincial - the narrative becomes a reflection on Portuguese nationalism and literature, the temptations of communism and fascism, and various other philosophical probings. Saramago's style is infamously dense, full of elegant conceits, frequent circumlocutions, and seamless segues from nuanced prose to undifferentiated dialogue in paragraphs running over several pages. It's an effective, destabilizing technique for a novel which takes, in part, the contingency of identity as a theme. Experienced readers of "world literature" - especially Latin American metafiction and magical realism - who also have a firm grasp on Portuguese history and Pessoa's strange oeuvre will probably enjoy this the most. They'll see the connections: lines, moments and characters (both Lydia and Marcenda) from the poems, echoes of other Portuguese novels, staged conversations between Reis and Pessoa (who makes ghostly day trips from his tomb), and the more subtle in-jokes, such as the ongoing references to a book Reis is reading - Herbert Quain's "The God of the Labyrinth", a non-existent book "invented" by Jorge Luis Borges. The uninitiated, however, may well find all this immensely tedious. While the setting and events do provide some semblance of a romantic-thriller plot, the real joy of this novel lies in what is unsaid - in the way it uses the reasonably arcane knowledge the reader is required to bring to it.

44 of 45 people found the following review helpful.
History throgh the eyes of a dead poet
By Chinmay Hota
The Year of the Death of Ricardo Reis
Even `great' nations someday lose their vitality and turn into mere spectators of the fast changing events. When they fall on bad times, strange leaders take charge, holding out promises to restore the lost national pride. The demoralised people watch helplessly the systematic manipulation of their traditional values and institutions by their new leaders in the name of initiating a healing process. Portugal in the 1930s experienced such political diminution and its shameful aftermath.
This great sea-faring nation, which first charted the sea-route to India, was for years the world's foremost colonial power. Subsequent events, however, relegated Portugal to the background, leaving it clinging tenaciously to its few surviving colonies.
By the fourth decade of the twentieth century, Portugal's journey to obscurity was complete with the emergence of new power equations in Europe. During this turbulent period Portugal fell into the hands of the economist-turned-dictator, Salazar. This provided the ideal setting for a novelist who wished to capture the nation's aspirations amid widespread despair and its creative urges amid moral decadence.
The story of Jose Saramago's The Year of the Death of Ricardo Reis begins with the quiet home-coming from sixteen years of exile in Brazil of the poet-doctor, Ricardo Reis. As he settles down in a hotel in Lisbon, we find him in the strange company of a dead poet Fernando Pessoa. Their encounters produce some of the most enigmatic moments in the narrative. Reis also strikes up relationships with two women, the hotel-maid, Lydia and an upper-crust girl Marcenda, with a paralysed arm. While Lydia readily grants him sexual favours and free house-keeping, Marcenda is quite tentative, self-absorbed and circumspect about herself and the relationship. The ambivalence about Reis's relationships with these women remain unresolved till the very end, when he finds that his time is up and he has to accompany his dead companion Pessoa to the other world.
But who is Ricardo Reis ? Saramago, in his Nobel prize acceptance speech, talks of his early love for poems by Ricardo Reis, whom he first took to be a real Portuguese poet. However, he later found out that " this poet was really one Fernando Nogueira Pessoa, who signed his works with the names of non-existent poets, born of his mind." Saramago learnt many of Reis's poems by heart and lines from his poems lie scattered throughout the novel. In the encounters between the real but the dead poet and his fictitious alter ego, we discover the contours of Pessoa's imaginative world and his philosophy of life. Fate and destiny are central preoccupations for both Pessoa and Reis. Reis, though a believer in gods, considers them powerless in changing the destiny of man. In one of his odes Reis writes, `I suffer, Lydia, from the fear of destiny', while at another place we learn that the `gods of Ricardo Reis are silent entities who look upon us with indifference.' He laments that man tends to forget the all-powerful fate, `Not seeing the Fates that destroy us, we forget their existence.'
Nature of truth, loneliness, transience and death are the other issues which recur all through the novel. The opinionated Reis and his reticent visitor, Pessoa often break into protracted arguments over these matters, and the author Saramago also joins in with his sardonic asides,casting to the winds all conventional rules of punctuation. Despite these authorial intrusions and witty repartees, a sombre mood prevails as death intrudes again and again into the conversation. While describing his own death, Pessoa comments,` Death too is repetitive, it is in fact the most repetitive thing of all.'
Although a novel of ideas, The Year of the Death of Ricardo Reis is replete with sharp and loud images drawn from a colourful landscape and its sprightly people. The descriptions of the carnival, the theatres, the large statues on city squares, the maddening crowd at the pilgrimage centre provide the necessary balance to the haunting evocation of the grey world of death and solitude. The sea dominates the proceedings of the novel, which is inexorably linked to the destiny of Portugal; it provided the nation with its only source of power and glory. When other powers came to rule the seas, Portugal was reduced to a position of insignificance. The novel's opening line, `Here the sea ends and the earth begins', bemoans the snapping of this vital link and casts a despondent glance at a hopeless land. However,the despair is somewhat counterpoised by the diffident hope of the closing lines of the novel, `Here, where the sea has ended and the earth awaits.'
The Year of the Death of Ricardo Reis employs various techniques, both conventional and experimental to knit together a wide array of underlying themes forcefully. What comes through at the end is an exquisite work characterised by rare elegance and unity.

36 of 37 people found the following review helpful.
Among the great novels of the 20th century
By T. Stroll
The greatest literature poses a problem for those who wish to praise it. Almost by definition, words are inadequate, because they cannot do justice to the richness of the language, the plot, or the ideas of their object.
That's the problem I face in trying to praise "The Year of the Death of Ricardo Reis." Anything I say will sound inadequate. In fact, for a reason analogous to that which lies behind the joke about selling at a loss but making up for it in volume, the more I say the more inadequate my effort is going to be.
So just a few words. I think "Ricardo Reis" is one of the great twentieth-century novels, a work that, by itself, justifies Saramago's Nobel Prize for Literature. Reis's obsessional behavior, his philosophical conversations with Fernando Pessoa, the evocation of a rainswept Lisbon just before World War II, the venality of petty martinets--all of these are presented with an awareness of universal truths and of human beings' complexity that reverberates deeply. It will enrich the life of anyone who reads it.
I do have a couple of suggestions for anyone who buys "Ricardo Reis." Look in an encyclopedia to see who Fernando Pessoa and Ricardo Reis were. It will help to understand the plot. And don't be put off by the way Saramago separates dialogue, with commas and a capital letter rather than quotation marks. It's not always easy to follow, but its effect, intended or not, is to give the dialogues a dreamlike quality that's part of the novel's appeal.
Also, if, after reading "Ricardo Reis," you visit Lisbon and feel the urge to visit the Hotel Bragança or the small public square with Adamastor's statue, you can. The Hotel Bragança is located on the south side of the Rua do Alecrim about 100-200 feet (30-60 meters) from the foot of the street. The square is not far from there, and you should be able to find it on a good city map. To see the hotel without the trip, use a search engine to locate "lusophone links" and you may find my website, which has photos of the hotel and of Saramago.
Incidentally, for those Saramago fans who await the translation of his recent novel "Todos os Nomes" ("All the Names"), I've already read it in Portuguese and it's excellent.

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