^ Ebook Ellis Island and Other Stories, by Mark Helprin

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Winner of the National Jewish Book Award and nominee for both the PEN/Faulkner Award and the American Book Award, these ten stories and the celebrated title novella are “beyond compare . . . [Helprin’s] imagination should be protected by some intellectual equivalent of the National Park Service” (The Philadelphia Inquirer).

• Sales Rank: #2028502 in Books
• Published on: 1991-05-31
• Original language: English
• Number of items: 1
• Dimensions: .63" h x 6.12" w x 9.08" l,
• Binding: Paperback
• 196 pages

Review
PRAISE FOR ELLIS ISLAND
"It's genius. . . . Ellis Island ascends to the peak of literary achievement." - The Boston Globe

"Such an ambitious reach is almost unheard of in our short fiction." - The New York Times Book Review

"Constant brilliance . . . Rarely less than breathtaking . . . every single story sings with purity, vibrates with light."- The Plain Dealer (Cleveland)

From the Back Cover
These ten stories and the title novella, Ellis Island, exhibit a tremendous range and versatility of style and technique and yet are closely unified in their beauty and in their concern with enduring and universal questions.

"It's genius . . . Ellis Island ascends to the peak of literary achievement." -- The Boston Globe

"Such an ambitious reach is almost unheard of in our short fiction." -- New York Times Book Review

"Constant brilliance . . . Rarely less than heartbreaking . . . every single story sings with purity, vibrates with light." -- Cleveland Plain Dealer

"Stories beyond compare . . . [Helprin's] imagination should be protected by some intellectual equivalent of the National Park Service." -- Philadelphia Inquirer

Mark Helprin is the author of, among other titles, the New York Times best-sellers Winter's Tale and A Soldier of the Great War.

About the Author

MARK HELPRIN is the acclaimed author of Winter's Tale, A Soldier of the Great War, Freddy and Fredericka, The Pacific, Ellis Island, Memoir from Antproof Case, and numerous other works. His novels are read around the world, translated into over twenty languages.

Most helpful customer reviews

26 of 27 people found the following review helpful.
Brilliant Beautiful Stories
By A Customer
My first encounter with Mark Helprin was his long novel, Winter's Tale. I thought it was perfect: glorious and mysterious, realistic and magical, funny and fantastic and wondrous and sad. It was almost too much of a good thing; sort of like chocolate decadence topped with mocha ice-cream and drenched in hot fudge sauce.
The stories in Ellis Island and Other Stories offer the same enticing overdose of goodness but in smaller doses. Lest you be thrown off by the cover or the title, these stories are definitely not history or even historical fiction. They are not exclusively about immigrants, Europe or the War, although threads of these subjects do run through them.
The title story, Ellis Island is the longest and the last. It is about the Ellis Island and immigration, of course, but it is also fantastic fantasy complete with a wonderful machine that melts the snow from the streets supported only by its own jets of fire, the Saromsker Rabbi and his glorious sermon on bees, the lovely Hava, and Elise, whose hair is nothing less than a pillar of fire. Of the eleven stories, Ellis Island comes closest to Winter's Tale in its spirit of fantasy, although A Vermont Winter best describes the perfection of a deep Northeastern snow. As in Winter's Tale, in Ellis Island, Helprin is not averse to destroying beautiful things for the sake of a larger good, even if the logic of his narrative does not demand that he do so. But that, you see, is Helprin; for him death is just another part of art.
All of these stories are brilliant and all of them are beautiful. In The Schreuderspitze, a photographer deals with tragedy in the luminous beauty of the Alps; in Letters from the Samantha, questions of humanity and guilt are dealt with on an iron-hulled sailing ship in 1879; in Martin Bayer, we get to know a small boy on the eve of war; in North Light and A Room of Frail Dancers, we glimpse the devastating effects of battle on soldiers. La Volpaia is wonderful, wise and witty and Tamar is nothing if not lovely in the extreme. White Gardens and Palais de Justice defy any sort of description; you simply must read them and then savor them yourself.
Anyone who has read any of Helprin's other works knows he certainly has a way with words. Here are words from the end of Tamar that not only describe the story's beautiful seventeen year old protagonist, but serve to sum up this volume as a whole: Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider; and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when for want of connection, the world deepens and becomes art.
These stories are nothing if they are not art.

22 of 23 people found the following review helpful.
A Prelude to Great Works
By E.S. Kraay
I am not a regular reader of short stories. In general, I do not like them. Still, as a Mark Helprin fan, this is one of his few works that I had not read. I pressed on ... when I concluded the final story, Ellis Island, I felt completely satisfied with the journey. If you've never read Helprin, I believe "Ellis Island" and "A Vermont Tale" are most representative of his longer works. Each story will tempt you to read his novels, all of which are poetic magic. As I read through these stories, I saw glimpses of each subsequent novel, particularly my favorite, "A Winter's Tale." If you've read Helprin before, you owe yourself the time to read this collection. If you are new to Helprin, this work will encourage you to read more.

17 of 18 people found the following review helpful.
All Helprin fans should run and buy this collection
By M. H. Bayliss
I read this beautiful short story collection after just finishing all of Helprin's lengthy novels. I was surprised that a writer who produced such brilliant long works of fiction (A Winter's Tale and Soldier of the Great War) could write just as well in a short story format. These stories are incredible. The one about the loons in Vermont is one of the most devastatingly haunting stories I have ever read. The opening story is one of my favorites as well. After finishing all of Helprin's works, I'm convinced that he's one of those rare writers that inspires you to want to walk around in his mind for a day to see how he pens such memorable works.

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** Fee Download Three Guineas (Annotated), by Virginia Woolf

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Three Guineas is written as a series of letters in which Virginia Woolf ponders the efficacy of donating to various causes to prevent war. In reflecting on her situation as the "daughter of an educated man" in 1930s England, Woolf challenges liberal orthodoxies and marshals vast research to make discomforting and still-challenging arguments about the relationship between gender and violence, and about the pieties of those who fail to see their complicity in war-making. This pacifist-feminist essay is a classic whose message resonates loudly in our contemporary global situation.

Annotated and with an introduction by Jane Marcus

• Sales Rank: #463949 in Books
• Published on: 2006-07-03
• Released on: 2006-07-03
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .83" w x 5.31" l,
• Binding: Paperback
• 352 pages

Review
Like Virginia Woolf's better known A Room of One's Own, Three Guineas is still timely and well worth the effort required to read it. In this book-length essay, an English writer responds to a letter - from a society for preventing war and protecting culture and intellectual liberty - which asks "How in your opinion are we to prevent war?" and requests a one guinea donation. Her response examines this and two similar requests, one from a women's college building fund, and the other from a society promoting the employment of professional women. Each request for a guinea is seriously and thoroughly considered by questioning, in detail, why each of the needs exists: Why doesn't the English government support education for women? Why are women in England barred from professional work? And why is World War II imminent? With scathing humor, boundless dignity, and engaging detail, Virginia Woolf finds the answers to all three questions in the same source: "...we can best help you to prevent war not by repeating your words and following your methods but by finding new words and creating new methods... to assert 'the rights of all - all men and women - to the respect in their persons of the great principles of Justice and Equality and Liberty.'" (500 Great Books by Women; review by Jesse Larsen)

From the Publisher
7 1-hour cassettes

From the Back Cover
"Woolf’s goal is not merely freedom and equality for race and sex and people, it is human civilization, a civilization which must be better, sounder, and surer than we know." – The New York Times

 Three Guineas is written as a series of letters in which Virginia Woolf ponders the efficacy of donating to various causes to prevent war. In reflecting on her situation as the "daughter of an educated man" in 1930s England, Woolf challenges liberal orthodoxies and marshals vast research to make discomforting and still-challenging arguments about the relationship between gender and violence, and about the pieties of those who fail to see their complicity in war-making. This pacifist-feminist essay is a classic whose message resonates loudly in our contemporary global situation.

 Virginia Woolf (1882-1941), one of the major literary figures of the twentieth century, transformed the art of the novel. The author of numerous novels, collections of letters, journals, and short stories, she was an admired literary critic and a master of the essay form.

Mark Hussey, general editor of Harcourt's annotated Woolf series, is professor of English at Pace University in New York City and editor of the Woolf Studies Annual.

Jane Marcus is Distinguished Professor of English at CUNY-Graduate Center and City College of New York. She is the author of Virginia Woolf and the Languages of Patriarchy; Art and Anger: Reading Like a Woman; The Young Rebecca West; and, most recently, Hearts of Darkness: White Women Write Race.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Great & important book, but false advertising
By Hilda Doolittle
First, about the false advertising: Amazon promises the Kindle edition is the Annotated Edition. In fact, it is not. I read this book at least every year, and have several paperback editions of it, including the annotated one. I wanted the annotated in kindle to teach from, but when it came, I was disappointed to see it's the one without original pictures & annotations. I tried to get Amazon's attention about this, but the online communications proved too cumbersome to work through.

This work's mportance is immense; it is a 1938 update of and response to Mary Wollstonecraft's A VINDICATION OF THE RIGHTS OF WOMAN (1792).. If you find the reading difficult at first, read it aloud to yourself until you get a sense of Woolf's style and voice. This is a sequel to A ROOM OF ONE'S OWN, much more potent than that canonized work.

Read it!

16 of 21 people found the following review helpful.
It All Boils Down To Money!
By V. Marshall
Early feminism begins to emerge in this essay written by Virginia Woolf in 1938 as a follow up to her wonderful book "A Room of One's Own."

Woolf received requests for three guineas from a women's college, from a society for promoting professional women and finally from a group requesting the prevention of war. This essay is Woolf's answer to those requests. While it is extraordinarily cumbersome to read the bottom line suggests that a society which promotes only one aspect of itself and suffocates anything else will never be advanced enough to protect its own culture and intellect from revolutions and wars. And because the idea of fighting rests in the very aspect so highly promoted (male dominated society) all of the laws and practices contain this strife and will until other parts of society are allowed a fair voice. The interesting concept is how little society has advanced from this original idea and the strife continues to be a factor today. Woolf suggests war exists as a profession and an act that offers "happiness and excitement" for the very society it falls under. In fact she goes as far to suggest that men would deteriorate without the outlet of war to contend with. Woolf discusses patriotism as a purely male act because of the fact that women simply cannot be patriots in a culture that suffocates their voices and refuses to educate them (remember this is 1938). The disturbing thought is that women are now able to vote, work and fight in wars but our culture remains basically the same with white males in domination. How slow we are to advance!

Virginia Woolf believed that war could only be prevented through an educational system that stopped the glamorization of it and instead taught the inhumanity of the act. She found that poor educational systems actually taught better because they allowed art and creative processes to flow rather than the pomp and circumstance of wealth and the art of dominating, killing and capital acquirements. Sadly one of Woolf's most profound ideas applies today, "There we have an embryo the creature, Dictator as we call him when he is Italian or German, who believes that he has the right, whether given by God, Nature, sex or race is immaterial, to dictate to other human beings how they shall live; what they shall do." From a society of slavery, racism and suffering emerges a great savior promoting freedom? It seems an oxymoron does it not? Woolf continues, "And what right have we, Sir, to trumpet our ideas of freedom and justice to other countries when we can shake out from our most respectable newspapers any day of the week eggs like these?" The futurism of Woolf is astounding in this book as she finally suggests that women be labeled "outside" society so that her country is the entire world and her patriotism allowed to be the same. In a visionary profoundness Woolf manages to find an answer towards true freedom outside of the fascination of a few guineas.

3 of 3 people found the following review helpful.
Execrable Digitization
By T. Walsh
This pertains only to the Kindle edition of Three Guineas by Virginia Woolf (ASIN: B004TC0GRC) and not to the book itself or the related print edition.

It appears that the text of the Kindle edition was entered by optical character recognition and was not reviewed either by a human being or even by a spell-check program. After noticing, but not marking, a significant number of obvious typographical errors, I began marking them in a distinctive manner to distinguish them from other notes and marks. After finishing the book I went back and counted the typographical errors so marked and arrived at approximately 90. It is safe to say that estimating the unmarked errors comes up with a total of well over 100, or an average of at least one for every other page. These include word substitutions, word misspellings and punctuation errors. I only marked obvious and indubitable errors and did not mark spellings that might be attributable to British English or punctuation that is merely questionable, possibly by reason of Woolf’s idiosyncratic punctuation style.

This shoddy edition is an insult to the memory of one of the greatest writers of the 20th century and to readers as well. The constant barrage of errors makes it impossible to read the book for itself.

I don’t know whether the responsibility for quality control lies with the publisher or with Amazon, but I think it should be with both. The book publisher has the same responsibility for care about the quality of its product no matter what the medium in which its product will appear, print or digital. Amazon markets the product as a “Kindle edition”, and has a responsibility to protect the integrity of its trademark, as well as a commercial interest in doing so.

I recognize that this book falls into a category resulting from a low price and low-volume where additional expense of production is difficult, and I would not like to see that additional expense result in the failure to publish such works. However, I feel that Amazon should come up with a way to deal with this issue. One possibility would be to label publications that have not been subjected to quality control as “Beta” Kindle editions. In this way the potential reader would be warned that he might encounter such problems. Another possibility would be to offer a bounty to readers for identifying errors so that they could be corrected.

See all 13 customer reviews...

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^^ Ebook Download Gastronaut: Adventures in Food for the Romantic, the Foolhardy, and the Brave, by Stefan Gates

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An irreverent journey through the culinary world of the exotic, the bizarre, and the truly extraordinary, Gastronaut is equal parts cookbook and quest book. For your bedside or your stoveside, this hilarious and captivating journey through some of the strangest food experiences, past and present, is divided into three levels of escalating difficulty. Whether you're ready to gild your breakfast sausages with gold, re-create the Last Supper, or cook a whole pig in an underground fire pit, this book takes it all on with gusto and little regard for what one might call decency.

Gastronaut answers questions like:
• what foods make us fart?
• how do you make your own moonshine?
• is it possible to teach grandmas to suck eggs?
• how would you stage a bacchanalian orgy in the comfort of your own home?
Here is the perfect book for people who are fascinated by the wilder side of food and who, every now and then, want to show off their penchant for the extreme.


THE GASTRONAUT'S CREED
Food will consume 16 percent of my life. That life is too precious to waste; therefore:
• I resolve, whenever possible, to transform food from fuel into love, power, adventure, poetry, sex, or drama.
• I will never turn down the opportunity to taste or cook something new.
• I will never forget: canapés are evil.
• I will remember that culinary disaster does not necessarily equal failure.
• I will always keep a jar of pesto to hand in case of the latter.

• Sales Rank: #2466274 in Books
• Published on: 2006-04-03
• Original language: English
• Number of items: 1
• Dimensions: 7.99" h x .62" w x 5.24" l, .57 pounds
• Binding: Paperback
• 272 pages

From Publishers Weekly
Comedian Gates is an "epicurean desperado," willing to cook and eat anything—at least once. After all, he argues, if we eat 22 tons of food over our lifetimes and use 16% of our waking lives preparing food, shouldn't we try for the occasional "culinary epiphany" by maximizing our "excitement-to-mastication ratio"? A "culinary disaster" is not necessarily a "culinary failure," he reminds readers as he explains how to prepare fish sperm, sweetbreads, head cheese and cow heel. He admits he hasn't (yet) tried some dishes—such as those for Roasted Placenta Loaf, and Quick 'n' Easy Termites—but most have the user-friendly directions that signify a well-tested recipe. The book has no rigid structure, so a chapter on gold-plating food leads to a section on how to recreate a bacchanalian orgy or even the Last Supper, followed by an exploration of cannibalism and a look at cooking with aftershave. By the time readers reach the 11 pages of directions for producing an imu (a Polynesian pitbake requiring, among other things, a huge yard, a couple of truckloads of scrap iron and a small lamb or goat), they'll be with Gates in spirit, even if they're not ready to bring in the backhoe. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Brilliant. Deranged, but brilliant." -- Heston Blumenthal, author of Family Food

About the Author
STEFAN GATES is an epicurean desperado. He loves wild culinary quests, weird foods, and hardcore feasting-and he revels in destroying the kitchen every time he cooks. A comedy producer, director, and scriptwriter, he lives (to cook) in London.

Most helpful customer reviews

4 of 4 people found the following review helpful.
So you think you'd try anything once...
By Lynn Harnett
Some of the dining suggestions in this book are too disgusting to read, such as Mackerel Tartare, Monkey Gland Steak and nearly all of Chapter 3, "Food and the Body," which considers the edible qualities of things like scabs and ear wax.

But for the most part British writer Gates is a comic adventurer who has gone to absurd lengths in playing with his food so that you won't have to - cooking with aftershave, insects and gold; making stills, margarine, and Fish Sperm on Toast; exploring the elaborate, or at least lengthy, traditions of Birds' Nest Soup, Chicken Foot Stew, Headcheese, and teaching your grandmother to suck eggs.

History abounds, along with pointers on recreating such momentous events as Bacchanalian orgies and various Last Suppers. There's Elvis' Fried Peanut Butter and Banana Sandwich, Andy Warhol's Chocolate Balls, the Deep-fried Mars Bar and various elements of classic British cookery, such as Hasty Pudding, Flummery, Lumpydick, and Gruel, not all of which are considered suitable for eating.

There are some practical dishes too, which retain, of course, the spirit of fun off the beaten track - Stuffed Fish Heads, Stargazey Pie, Gravlax, and seasonal suggestions like spring carrot jam and autumn mushroom ketchup.

Gates is witty, knowledgeable and irreverent. Recipes are definitely included. For food mavens tired of eating sensibly.

-- Portsmouth Herald

4 of 4 people found the following review helpful.
True food adventurer
By chuyim
Anyone who thinks he or she is a food adventurer should read this book. Gates has brought the adventure to a whole new level. I was amazed, thrilled, then aghast in the journey of the Gastronaut. Being a Chinese and a food lover, I never thought a Westerner can be as brave and as romantic about food. While a few of Gates's experience would make me frown and close the book for a few minutes, most stories are quite inspiring. I especially enjoy his "cooking with gold" and would like to try it out myself someday.

8 of 10 people found the following review helpful.
Fantastic
By Jennifer A. Wickes
Gastronaut will take you where no man has gone before. (Sorry! I couldn't help myself!) Stefan Gates is like a combination of Bill Bryson and Alton Brown. He has Alton Brown's wit, imagination and creativity, and Bill Bryson's humor and outlook on life! The part about teaching grandmothers to suck eggs was too funny!

Get this book! You won't be sorry!

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** PDF Download The Complete Poems of Cavafy: Expanded Edition, by C.P. Cavafy

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Your impression of this book The Complete Poems Of Cavafy: Expanded Edition, By C.P. Cavafy will certainly lead you to get exactly what you specifically need. As one of the motivating books, this publication will certainly provide the existence of this leaded The Complete Poems Of Cavafy: Expanded Edition, By C.P. Cavafy to gather. Even it is juts soft data; it can be your cumulative data in gadget and other tool. The important is that usage this soft file book The Complete Poems Of Cavafy: Expanded Edition, By C.P. Cavafy to read and also take the advantages. It is what we imply as book The Complete Poems Of Cavafy: Expanded Edition, By C.P. Cavafy will certainly boost your ideas as well as mind. After that, reviewing book will certainly likewise boost your life quality better by taking great activity in well balanced.

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Cavafy, the foremost modern Greek poet, is a master at presenting a scene, an intense feeling, or an idea in direct, unornamented verse. Many of the poems are openly homosexual. Sixty-three newly translated poems have been added to the widely praised edition which includes the classic poem “Ithaca.” Introduction by W. H. Auden. Translated by Rae Dalven.

• Sales Rank: #457689 in Books
• Published on: 1976-10-04
• Released on: 1976-10-04
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .81" w x 5.31" l, .73 pounds
• Binding: Paperback
• 336 pages

Language Notes
Text: English (translation)
Original Language: Greek

About the Author
No Bio

Most helpful customer reviews

48 of 48 people found the following review helpful.
A note on the translation
By A passing reviewer
This review is not about the work of Cavafy itself, which I love, but a comment on the translation. Many critics have complained that a great deal is lost in a translation of Cavafy, particularly some of the linguistic and stylistic craftsmanship, and that is true of any translation of a poet. However, I believe the tone or the mood of poems, so important in a poet like Cavafy, are underemphasized, and if a translation is capable of conveying them with profundity, it is commendable; and in this respect the Rae Dalven translation is far superior to the Keeley/Sherrard and the Theoharis translations I have read, and the only one worth returning to - it remains evocative where the others seem to miss the pitch, sounding flat or overdone.

22 of 23 people found the following review helpful.
essential
By A Customer
It comes down to a matter of preference, but Cavafy's spare, elemental poetry is best translated for me by Rae Dalven, despite the greater number of titles available in an Edmund Keeley translation. This book is a worthy travel companion, with just about every extant Cavafy poem. Savour something special.

18 of 19 people found the following review helpful.
Rediscovering Timeless Qualities
By Terrell Fritz
There are those days when nothing new appeals to you, and it's good then to turn to your something that is not new. I did recently -- Cavafy.

To read the verse of C.P. Cavafy is to rediscover the timeless quality of passion, desire, pain, and life itself. He looks at the familiar things in life, yet gives them new perspective. There is little imagery in the work -- it would be unnecessary adornment. They eye and voice of Cavafy are all that is necessary. He saw and said, and did so simply. You need not ponder for hours the nuances of the work. That time can instead be well spent contemplating how and why things feel the way they do.

Cavafy questions civilization. In "Expecting the Barbarians," he describes with characteristic simplicity the essential sense of human relief that is found in giving up specifically in giving up the trappings and restrictions placed on the inhabitants of any society. Cavafy yearns for freedom, and when at last that freedom is denied, he ponders going on without that 'kind of solution. "

Cavafy never questions love or lust. "He Asked About the Quality" explores chance encounter and desire that must be hidden even when that desire is mutual:

". . . their only aim, the touching of their hands over the handkerchiefs; the coming close of their faces, by chance their lips; a momentary contact of the limbs."

The collection. the entirety of Cavafy's work, is a celebration of both antiquity and the present. Greece, Rome, Alexandria of the early nineteen hundreds, early Christianity itself -- these are Cavafy's settings. In spanning two thousand years of Western culture he discovers and reveals an immediacy, an appreciation of beauty -- the beauty of man himself, both physical and contemplative. Cavafy finds the joie de vivre even when it hurts. Then, in "The Horses of Achilles," he goes further and laments. Patroclus is slain and lifeless on the battleground. The immortal horses, gifts of the gods, begin to cry. Zeus tries to console them:

" --- Yet the two noble animals went on shedding their tears for the never ending calamity of death."

Cavafy: a look into something old, very old at times, yet always very new.

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!! Ebook Download Orlando: A Biography, by Virginia Woolf

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In her most exuberant, most fanciful novel, Woolf has created a character liberated from the restraints of time and sex. Born in the Elizabethan Age to wealth and position, Orlando is a young nobleman at the beginning of the story-and a modern woman three centuries later. “A poetic masterpiece of the first rank” (Rebecca West). The source of a critically acclaimed 1993 feature film directed by Sally Potter. Index; illustrations.

• Sales Rank: #22248 in Books
• Published on: 1973-10-24
• Released on: 1973-10-24
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .89" w x 5.31" l, .74 pounds
• Binding: Paperback
• 333 pages

Amazon.com Review
In 1928, way before everyone else was talking about gender-bending and way, way before the terrific movie with Tilda Swinton, Virginia Woolf wrote her comic masterpiece, a fantastic, fanciful love letter disguised as a biography, to Vita Sackville-West. Orlando enters the book as an Elizabethan nobleman and leaves the book three centuries and one change of gender later as a liberated woman of the 1920s. Along the way this most rambunctious of Woolf's characters engages in sword fights, trades barbs with 18th century wits, has a baby, and drives a car. This is a deliriously written, breathless-making book and a classic both of lesbian literature and the Western canon.

Review
In 1928, way before everyone else was talking about gender-bending and way, way before the terrific movie with Tilda Swinton, Virginia Woolf wrote her comic masterpiece, a fantastic, fanciful love letter disguised as a biography, to Vita Sackville-West. Orlando enters the book as an Elizabethan nobleman and leaves the book three centuries and one change of gender later as a liberated woman of the 1920s. Along the way this most rambunctious of Woolf's characters engages in sword fights, trades barbs with 18th century wits, has a baby, and drives a car. This is a deliriously written, breathless-making book and a classic both of lesbian literature and the Western canon.
(Amazon.com Review )

'Together these ten volumes make an attractive and reasonably priced (the volumes vary between L3.99 and L4.99) working edition of Virginia Woolf's best-known writing. One can only hope that their success will prompt World's Classics to add her other essays to the series in due course.' Elisabeth Jay, Westminster College, Oxford, Review of English Studies, Volume XLV, No. 178, May '94 (Elisabeth Jay, Westminster College, Oxford )

About the Author
VIRGINIA WOOLF (1882–1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels.

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87 of 88 people found the following review helpful.
A gender-bending saga of three centuries
By A.J.
"Orlando" is a fictional biography whose subject in the beginning is a sixteen-year-old boy in the Elizabethan era and in the end -- three hundred years later -- is a thirty-six-year-old woman. This is not a novel about transsexuality, as such a premise would indicate, but it is a statement about sexual identity and gender roles in English society as only an author like Virginia Woolf could make, territory not even the brazen D.H. Lawrence could traverse with much confidence. It is a lyrical tour de force in which Woolf displays her considerable talent for subtly describing moods and scenery, but most surprisingly, it demonstrates her sly sense of humor and satire.
Orlando's gender alteration is naturally the central event of his preternaturally long life, but his aging only twenty years over a course of three centuries is certainly no less bizarre. To describe the circumstances under which he becomes a woman or explain the logic by which he ages so slowly would be giving away too much in this review, nor would it really help to recommend the novel to one who is not yet persuaded to read it, so I will be silent on that account, saying only that these outrageous devices fully succeed as vehicles to explore Woolf's theme of femininity with respect to English cultural and historical frames of reference.
The novel examines the effect of gender alteration on Orlando's amorous and professional capacities. As a young nobleman in the Elizabethan court whose interests are swordsmanship and poetry, he is engaged to an aristocratic Irish girl, has a torrid affair with a Russian princess, and meets a silly woman who, resembling nothing so much as a hare, calls herself the Archduchess Harriet. After serving as an ambassador in Turkey, Orlando becomes a woman, joins a band of gypsies, and returns to England where he (she) must handle the legalities regarding his dukeship because of his new gender. As a woman, he manages to gain the romantic attentions of famous writers like Pope, Dryden, and Swift before eventually marrying and having a son. Some surprises ensue, but let it suffice to say that Orlando is not the only androgynous character in the novel.
An underlying, and highly controversial, implication is that every human being harbors aspects of both genders, mainly psychological, but Woolf goes so far as to make them physical in order to press the point. Although the idea may seem tame now, "Orlando" may have set a precedent for cross-gender role-playing when it was first published in 1928. The novel is very much ahead of its time; it has a sort of nonchalant sophistication that characterizes the type of magical realism that was to become a large part of European-influenced literature throughout the rest of the twentieth century. My admiration for Virginia Woolf only increases with each novel of hers that I read, and "Orlando" is in my opinion the best yet.

26 of 29 people found the following review helpful.
A wild tromp through literary history
By A Customer
Orlando is simply wonderful. In the novel, Woolf uses the character of Orlando, a person who lives through four centuries as man sometimes and woman sometimes. The term biography might throw you, since Orlando is no normal biography. Woolf personifies literary thought as a person (hence the timelessness and gender changing capability). She depicts Elizabethan times through the early twentieth century with wit and sarcasm. The more that you've read of English literature from Shakespeare forward the more you will catch the little jokes and the reason for why certain things happen. A very enjoyable read. The film version is not exactly the same, so I recommend sticking to the book.

30 of 35 people found the following review helpful.
Looking for something good to read? Check this one out...
By A Customer
John Irving ("World According to Garp") wrote an essay on
Charles Dickens book "Great Expectations" in which he said
that that book was the first book he had ever read that he
wished he had written. For me the first book that I had read that I wished
I had written is "Orlando" by Virgina Woolf. It blew me
away. I had seen the movie version a few years ago, and
recently found it in a bookstore, so I decided to check it out.
It's subtitle is "A Biography" and although it is based (very
loosely, I'm sure) on someone's actual life, it becomes clear
to the reader that this is definitely a work of fiction.
The reason that I enjoyed it so much is, well, let me put it
this way...Charles Dickens and John Irving were and are storytellers,
very wonderful, brilliant storytellers, but Virgina Woolf is (well, was)
an amazing artist. I don't go for poetry that much, I'm a prose
kind of guy, but "Orlando" for me, was the very best kind of poetry but
written as a narrative. Read this book. And let me know what you think...

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@ Free Ebook A Clergyman's Daughter, by George Orwell

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Dorothy, the heroine of this novel, performs good works, cultivates good thoughts, and pricks her arm with a pin when a bad thought arises. She then has a series of unexpected and degrading adventures after becoming a victim of amnesia. Though she regains her life as a clergyman’s daughter, she has lost her faith.

• Sales Rank: #358801 in Books
• Published on: 1950-01-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .81" w x 5.25" l, .85 pounds
• Binding: Paperback
• 324 pages

Features

• ISBN13: 9780156180658
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
At the distance of a half-century, this satiric social fiction is both a treasure and a disappointment. Orwell's wit is priceless--and ruthless--as he describes rural Church of England parish life; the transitory culture of the hops harvest; a brothel's soiled linen; not to mention when his heroine hobnobs with the Trafalgar Square homeless of a bitter winter's night or bullies bored students in a fourth-rate private school: "Last term the girls had behaved badly, because she had started by treating them as human beings, and later on, when the lessons that interested them were discontinued, they had rebelled like human beings. But if you are obliged to teach children rubbish, you must not treat them as human beings.... Before all else, you must teach them it is more painful to rebel than to obey."

Orwell's compassion for Dorothy Hare, ensnared by faith, birth, and gender to toil thanklessly as her minister father's unpaid curate, is admirable, and his evocation, early in the novel, of a woman's consciousness totally subsumed by the mostly trivial demands of others stands shoulder to shoulder with the best feminist fiction. The dialogues between Dorothy and her dissolute middle-aged suitor, Mr. Warburton, concerning human nature, faith, and morality, are smart and fun to read. The problem (and here Orwell commits the sort of sin he denounces in Dickens) is that the novel's plot--Dorothy's picaresque amnesiac travels through the seamy side of English life--feels manufactured for the author's satiric purposes. Orwell never relinquishes his cleverness, or his maleness, to become his heroine, with the result that the reader never surrenders wholly to the fiction. Thus A Clergyman's Daughter, while a pleasure to pick up, is not quite a book one can't put down. --Joyce Thompson

From the Publisher
7 1.5-hour cassettes

About the Author
GEORGE ORWELL (1903–1950) was born in India and served with the Imperial Police in Burma before joining the Republican Army in the Spanish Civil War. Orwell was the author of six novels as well as numerous essays and nonfiction works.

Most helpful customer reviews

21 of 22 people found the following review helpful.
Story by Dickens, script by Joyce, philosophy by Camus
By H. Schneider
Some say, this is the weekest of Orwell's 6 novels. I am not so sure.
But even if it is, it is still so much more interesting than most other writers' 'good' novels.
If it is a bad novel, it is still a very good book.
Sure, the text is uneven. The chapters talk a different language. So?
Chapter 1 is a 'plain' tale of a young woman in Suffolk, a spinsterish, neurotic, sex-phobic, obedient, pious, nice person, called Dorothy. She has a bad hypertrophy of sense of duty. She lets herself be exploited as an unpaid church helper. Her father, the clergyman, is maybe the biggest idiot in his profession that you can find in literature. This life happens in Knype Hill in Suffolk, the small town that you never want to get to know.
Chapter 2 is the catastrophe: Dorothy had a blackout, and at awakening, she is not in any kind of Ozish wonderland, but has lost 8 days of her life plus her memory plus her self. Who is she? She somehow joins a small band of bums who go hop-picking in Kent. This chapter is maybe the worst; Orwell grafts his own diary texts about hop picking on Dorothy's life. It is not working. A very odd text. She finds out who she is and realizes that her disappearance was a major scandal at home: her small home town thinks she eloped with an older man of disreputable morals. She appeals to her father for help and gets no answer.
Chapter 3 is brillant: Dorothy has ended up with the homeless crowd at Trafalgar Square. A Joycean text of multiple voices, which rarely attends to Dorothy, but never lets us forget where she is. Arrest is a step to salvation.
Chapter 4 and then 5 go back to straighforward narration. Father, through a relative, has somehow managed to get her saved from the street. She gets a job as a teacher, and finds herself in servitude to the worst school owner that you can find. The job is hell. She gets fired, but then there is another level of rescue: she may come home, she has been rehabilitated. Chapter 5 shows her in the dreariness of her sad prospects: unpaid church helper, a father who will leave her poor when he dies in maybe 10 years, no other prospects than oldmaidhood and poor jobs. And worst: she has lost faith, but she can not resign herself to the view that life is meaningless. Like a proper Sisyphus she keeps pushing the rock upwards on the hillside.
Yes, this is not smooth. The neurological aspects of the story (amnesia, regaining self-identification) seem dubious. (Maybe Oliver Sacks could have a look?). The text also has some of Orwell's less agreeable characteristics: he was something of a racist as a young man. This seems to have been worked out of his sytem later. Here he still writes about the gypsies, that they have 'oafish, oriental faces', that they exude 'dense stupidity, untameable cunning'. Come on, George/Eric! There is a 'Jew' who lusts after Dorothy in a way that could have been taken straight from the 'Stuermer'. Sure, Jews could have been lusting after her, but so might all the others. Where was the point here?
The novel is a highly interesting 'Bildungsroman', in a reverse sort of way. Reading my own review now I conclude that I would consider it one of Orwell's best productions.

7 of 7 people found the following review helpful.
One of Orwell's Best
By Tom
Knowing what was finally going to come of Dorothy kept me until 2:30 AM this morning...and I wasn't disappointed.
Orwell cheats right out of the chute: In realizing that he may not know enough about women to write about our protagonist, he immediatedly removes her sexuality by telling us she is disgusted by the thought of "that." Nuff said. Our hero(ine) is now pretty much asexual.
What a story though. Plumbing the depths of faith and predestiny, Orwell weaves a fairly heavy tale of the motherless daugther of a grim and dispassionate minister obsessed only with his investments and petty theological particulars.
The minister's daughter loyally fills in the gaps, acting as the heart and soul of a failling church, praying her way against impossible odds while visiting the sick, recruiting new church goers, seeing to the buildings and her father's meals...and eventually completely wigging out.
Now the fun begins.
This is a warm and rewarding book, full of human insight and only a little bit of Orwell's patented socialist soap-boxing.

6 of 6 people found the following review helpful.
I don't care what they say, I like it!
By A Customer
There is a not very active Orwell newsgroup, and from timeto time newbies wander in and ask what Orwell's best booksare. Well, everyone knows about "1984" and "Animal Farm," so I usually mention that I like "A Clergyman's Daughter." I sometimes get flamed for this. But who cares? I like it! It is a kind of picaresque novel. I think my favorite part is poor Dorothy trying to be a good teacher in a very bad school, and having the parents object, saying saying things like "We don't want her taught decimals, we want her taught ARITHMETIC." Her struggles with her monster of a father is memorable, and the ending, where she cheerfully resigns herself to her fate, seems to foreshadow the ending of "1984."

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~~ Download Ebook Please Don't Come Back from the Moon, by Dean Bakopoulos

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T he summer Michael Smolij turns seventeen, his father DEAN BAKOPOULOS, a former book-disappears. One by one other men also vanish from the seller, was named one of America's blue-collar neighborhood outside Detroit where their fathers best new fiction writers by Virginia before them had lived, raised families, and, in a more prom-Quarterly in 2004. He lives in Madison, ising era, worked. One man props open the door to his shoe Wisconsin. store and leaves a note. "I'm going to the moon," it reads. "I took the cash."

The abandoned wives drink, brawl, and sleep around, gradually settling down to make new lives and shaking off the belief in an American dream that, like their husbands, has proven to be a thing of the past. Unable to leave the neighborhood their fathers abandoned, Michael and his friends stumble through their twenties until the restlessness of the fathers blooms in them, threatening to carry them away.

Hailed as "a triumph" by O, The Oprah Magazine, this haunting, unforgettable debut novel is for anyone who has ever been left longing.

• Sales Rank: #1012613 in Books
• Published on: 2006-01-02
• Released on: 2006-01-02
• Original language: English
• Number of items: 1
• Dimensions: 8.43" h x .72" w x 5.85" l, .60 pounds
• Binding: Paperback
• 288 pages

From Publishers Weekly
"When I was sixteen, my father went to the moon." Thus begins this debut novel about the mysterious disappearance of the men from a working-class suburb of Detroit. They go gradually, one by one, leaving for parts unknown—though more than one mentions the rocky orb up above. Michael Smolij's father is one of the last to vanish; once he's gone, Michael's musician mother plays "Norwegian Wood" on her violin, then takes two jobs to make ends meet. Michael, like all the boys in the neighborhood, has to grow up fast, working at the mall while taking community college courses. When Michael's mother remarries and moves away, leaving him the family house, Michael lands a job as a writer at a local radio station and starts dating a single mother with a five-year-old son, as if in an attempt to singlehandedly forge a new family for himself. The process of settling down, however, awakens a strange restlessness in him. Magic serves more as an emotional undercurrent than a mystery in this odd novel, part fable and part gritty realist chronicle. As Bakopoulos writes in an author's note, the book is a kind of elegy for his father's generation of downtrodden working-class men, but their disappointments are tempered by the modest hopes and ambitions of their sons in this gentle and moving tale.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
The term “heartbreaking” appears frequently in reviews of this debut novel, whose title is derived from a Charles Mingus jazz composition. With its undercurrent of magic and social satire, Michael’s coming-of-age story struck a strong chord with most critics. The main character is, at times, annoyingly indecisive, but the 12 years of his life presented in this compelling story ring true. Please Don’t Come Back From the Moon should be read as a tribute to the past generation of working-class American men.

Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
During the summer of 1991, when times were tough, the men of blue-collar Maple Rock outside Detroit disappeared one by one, with one of them leaving a note saying he was going to the moon. The women rage and weep, then start new lives--finding jobs, remarrying, moving to nicer suburbs. But the fatherless sons, among them 16-year-old Mikey Smolij, flounder for years. After an initial period of freedom and licentiousness, during which they take over the local tavern and serve as studs for older women, these teenage boys live with doubt about whether whatever caused their fathers' disappearances might get them too. Twelve years later, with Mikey's young adulthood marked by some dwindling relationships and depression, there is a mystical reunion, but how much happiness is possible in the face of a void that is never filled? This story, although less mythic, has echoes of Alice Hoffman's magic realism, and Bakopoulos' narrative can be compelling; still, unresolved questions leave this debut novel haunting but somewhat short of satisfying. Michele Leber
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

38 of 39 people found the following review helpful.
A paean to lost fathers everywhere
By Luan Gaines
As the economy worsens in Michigan, sixteen year-old Michael Smolij watches as father after father leaves town, the men unable to face their families with no jobs, dignity evaporating with every passing day. One by one, fathers spend directionless days in the local tavern before quietly disappearing forever. So many men leave the blue-collar neighborhood outside Detroit that everyone points to the disappeared as having "gone to the moon", wives left to carry the burdens of children and part time jobs, exhausted physically and emotionally by the dual role of mother and father.

Ultimately the loss of their fathers breeds a twisted violence in the hearts of the sons left behind. With the abdication of the men, the boys are forced to become men prematurely and put away their childhoods; thus is born a smothering anger and an incalculable sadness that resides deep in their hearts.

As Michael gets older, he tries to look out for his younger brother, Kolya, but acting tough has set Michael and his cousin Nick apart from kids with fathers, incipient "bad boys", distorting both Michael and Nick's views of the world and what it has to offer to fatherless sons. Drifting into a cursory education, Michael's curiosity is partially fueled by the young women in his life, who are attracted to the brooding sensitivity of the unhappy young man.

This novel lays bare the broken hearts of desolate young men. Bakopoulos is unstintingly honest, unabashedly free with the emotional territory of abandonment, allowing a poignant view of a loss that is permanent, a tattoo on the psyche. Always they think of their fathers, remembering, wondering how they might have changed, if they are happy on the moon, if they have forgotten their sons.

The prose is beautifully rendered, tender, innocent, bruised by reality, tinged occasionally with the angry bravado of something-to-prove. In the very city where their fathers worked on assembly lines for Ford and General Motors, the only employment for Michael, Nick and their contemporaries is found at the local shopping mall, as a failing economy grinds up any opportunity for a decent life of hard work like past generations.

Please Don't Come Back from the Moon portrays the gradual unfurling of hidden promise in a life once destined for failure, haunted by the losses of the past. Yet fate intervenes for Michael Smolij. In a world where fathers, in their own distress, leave and take up residence on the moon, the sons fend for themselves, many lost along the way, casualties of society's neglect and disinterest. But Michael finds his voice, buried beneath the rage that has simmered since childhood. In sensitive and lyrical prose, with a surfeit of desolate images of towns and people forgotten, Bakoploulos delivers a thought-provoking and soulful novel on the pains of growing up fatherless, where dreams may still surface.

Along with helpless anger lodges a seed of doubt, the potential of being like their fathers. And as adolescent boys become young men, marry and start families, they cannot bear to acknowledge their unspoken fears, the legacy of their fathers...a silent call to the moon: "Like an eye, the moon follows us wherever we go." Luan Gaines/2005.

22 of 23 people found the following review helpful.
Wow.
By J. Banslaben
This book grabs the reader's attention with a powerful first chapter and then slides into a captivating rhythm that carries you through to the end. The story reveals a working class life that unfolds into what we realize is *our* reality, no matter what our social class, where we live, or how solid our family structure. We follow the life of the main character, Michael, a boy whose life is displaced when his father (and in fact all the men in town) leaves.

We learn about the hardship of a post-industrial, service based economy, where passions and dreams disappear in the haze of obligation, bills, and the comfort of the social networks, spaces, and places we consider "home". Mr. Bakopoulos gently, and brilliantly, conveys his ideas through his characters while commenting on the plight of men and society in a post-industrial economy, without being overtly political.

This book is thoughtful, well written, funny in parts and sad - you know the sad where you get a choking pit in your throat when you read - in others. Wow. Buy this book.

18 of 19 people found the following review helpful.
Excellent debut
By Candace Siegle, Greedy Reader
The crumbling of America's manufacturing sector is more than just a segment on the nightly business report as Dean Bakopolus records in this beautifully written and moving first novel. Narrator Michael Smolij's family is part of a close-knit blue collar Detroit suburb, where nearly all the fathers work in local factories. As these jobs vanish through downsizing and outsourcing, so do the dads also begin to disappear. One leaves a note: "Gone to the moon." The parish priest joins the exodus. The local bar starts serving the fourteen-year-olds who've had to step into their fathers' shoes. Mothers start working two or three jobs. Instead of growing into the good-paying factory positions their fathers' held, the kids take the only jobs available; working at the mall for $6 an hour.

Michael's family is a little better educated than some of the neighbors and he aspires to college, taking community college classes while working in the mall bookstore. His cousin and best friend move into their twenties working at mall food court jobs meant for high school kids, trying their hands at any kind of entrepreneurial enterprise that will bring in a little money. They forge new families, but as they struggle to realize a slice of the American dream they always expected to be theirs, the sons of the vanished fathers are overcome by a strange restlessness, and Michael fears that they, too, will abandon their families, leaving their own children with even less to hope for than they had.

Bakopolus infuses a touch of magic into the grit of the story with excellent effect. Where did the fathers go? No amount of detective work turns up any of them. Realizing that there was no dignified place for them in the post-industrial economy, perhaps they really did go to the moon. This is an auspicious debut from a writer who has a great deal to say and the skill to tell it well. I look forward to his next novel.

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