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On a cold December night in 1920s Atlanta, a drunken white cop shoots a black gambler in one of the worst parts of town, and a cache of jewels goes missing from a mansion in one of the best. Joe Rose—rambler, gambler, and professional thief—has just hit the city. He soon finds himself caught in a three-sided puzzle that involves a black-hearted police officer called "the Captain," the pimp and crapshooter Little Jesse Williams, and a wicked beauty named Pearl Spencer. Behind it all is Atlanta, the city once nothing but dust and ashes, now the richest, busiest metropolis in the South, mixing sin with success and vibrating with mayhem and music. In his acclaimed Storyville series, David Fulmer brought the jazz-soaked streets of New Orleans to life. Now he brings us another absorbing mystery in a new setting raucous with music and rich with history.
- Sales Rank: #2621086 in Books
- Published on: 2008-01-07
- Original language: English
- Number of items: 1
- Dimensions: 7.94" h x .80" w x 5.76" l, .60 pounds
- Binding: Paperback
- 320 pages
From Publishers Weekly
In this departure from his New Orleans novels featuring Creole detective Valentin St. Cyr (Rampart Street, etc.), Fulmer paints the sprawling vitality of 1920s Atlanta with broad strokes. Joe Rose, an itinerant love 'em and leave 'em–style thief of uncertain racial extraction who moves uneasily in both black and white Atlanta, finds himself in the middle of a murderous mess that highlights the city's rampant racism and corruption as well as the stark contrasts between privilege and poverty. A white cop guns down a Negro gambler, Little Jesse Williams, while a jewelry robbery mars a Yuletide party at one of Atlanta's finest mansions on the other side of town. Joe gets caught in a vise operated by a brutal detective, Capt. Grayton Jackson, intent on "solving" the crime in the quickest way possible. Little Jesse expires over the course of days, Joe promises to discover why he was shot and the odious Jackson squeezes Joe to recover the stolen jewels or pay the price for the crime. Occasionally florid writing clouds this otherwise vital effort from Shamus-winner Fulmer. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
PRAISE FOR THE DYING CRAPSHOOTER'S BLUES "This is a raffish and deceptively simple novel . . . distinguished by a level of detail that makes a vanished world live again." --The Washington Post Book World
From the Inside Flap
On a cold December night in 1920s Atlanta, a drunken white cop shoots a black gambler in one of the worst parts of town; a cache of jewels goes missing from a mansion in one of the best. Joe Rose—rambler, gambler, and professional thief—has just hit the city. He soon finds himself caught in a three-sided puzzle that involves a black-hearted, power-hungry police officer called "the Captain," the pimp and crapshooter Little Jesse Williams, and a wicked, mysterious beauty named Pearl Spencer. Behind it all are the burgeoning, complex worlds of Atlanta, the city once nothing but dust and ashes-- now, suddenly, the richest, busiest metropolis in the South, mixing sin with success and vibrating with mayhem and music.
In his acclaimed Storyville series, David Fulmer brought the jazz-soaked streets of New Orleans to life. Now he brings us another absorbing mystery in a new setting raucous with music and rich with history.
Most helpful customer reviews
3 of 3 people found the following review helpful.
"He went into action like the sneak thief he was."
By Luan Gaines
The setting for Fulmer's new novel is 1920's Atlanta, the heyday of high society, flappers, bootlegging and the usual underworld of illegal enterprise. One Saturday night on Decatur Street, just before Christmas, Little Jesse Williams, a rounder, is shot by a dissolute police officer, JR Logue, and a daring robbery is committed in the very building where the nabobs of society gather for the Annual Charity Christmas Party at the Payne Mansion. Joe Rose, a peripatetic thief who arrives on the scene of the shooting, realizes that he has returned to Atlanta at the wrong time as things go bad from the start. Little Jesse doesn't die immediately from his wound, suffering the agonies of a slow death, his friends gathered around the bedside, including blind Willie McTell, a talented musician who is writing a ballad to commemorate Little Jesse's eventful life.
Rose is sad to see Little Jesse go for all the wrong he's done in his lifetime, this particular segment of society quite forgiving of each other's faults. It has been Joe Rose's habit of late to do a burglary and leave town, striking again when in need of replenishing his funds. A rounder himself, and known to many of the Atlanta criminal element, Joe still has some contacts from his short stint as a police officer and Pinkerton before falling into the life of crime that suits him so well. Like a black widow spider, "the Captain", Grayton Jackson, directs the investigation from the dark confines of a twisted mind, angry over being passed by for a promotion and in a mean mood when it comes to recovering the jewels and solving the robbery.
Determined to locate the cop who shot Little Jesse, Rose seems to be always one step behind, as bodies begin to fall, clouding the investigation by removing any witnesses. Then Joe, Pearl Spencer and her brother, Sweet Spencer are arrested, accused of collusion in the robbery. The beautiful Pearl is one of the reasons Joe has remained in Atlanta against his better judgment. Like moth to flame, Rose can't quit Pearl, even though he suspects she has something to do with the robbery and her brother has warned him off in no uncertain terms. When Rose suggests there may be a connection between Little Jesse's murder and the theft, he meets with much resistance from the Atlanta PD.
The treacherous plot of a devious mind is underscored by the rollicking jazz and soulful blues of Fulmer's Valentin St. Cyr novels, reflecting the author's appreciation for the music of a certain element of society. Mix in an eccentric cast of characters, from Little Jesse Williams and his ladies-of-the-night, to the blind musician, the speak-easy's with an unlimited supply of bootleg liquor, the exotic Pearl and the hard-nosed Chief of Detectives for a heady brew of crime and punishment in Prohibition Atlanta. Once more, the people tell the tale, bringing the era vividly to life, the sweet notes of The Dying Crapshooter's Blues sliding through the night. Luan Gaines/2007.
2 of 2 people found the following review helpful.
Does for early 1900's Atlanta what other Fulmer novels do for early New Orleans
By Neal Reynolds
Music also is at the heart of this as it is for other Fulmer novels...the early soulful blues. The dying Crapshooter of the title is Little Jesse Williams, a thoroughly unsympathetic pimp and crooked gambler, shot for no apparant reason by a drunken cop. Much of the novel portrays blind Willie McTell composing a song for the dying Jesse to be sung before his death and then at his funeral and the scenes dealing with the formation of the blues song create a kind of mood in which one mourns the death of a person who really is not liked by anyone. And so the author creates a kind of mood, but unfortunately doesn't quite succeed in developing it to the ultimate.Nevertheless, the novel proceeds at a suitable pace as former cop and P.I., more recently professional thief, Joe Rose investigates both Jesse's shooting as well as, albeit reluctantly, a jewelry theft in which his girl friend is involved. Overal, this is a quite good though not perfect period myystery well worth the time of early jazz afficinados as well as mystery fans.
1 of 1 people found the following review helpful.
Another wonderful book from Fulmer
By L. J. Roberts
First Sentence: From down the alley, a voice cut through the falling night like a honed blade.
Joe Rose is white or Indian, he doesn't know. He does know he had been a cop, and a Pinkerton man but turned to being a rambler, gambler and professional thief. Joe is back in Atlanta, both attracted to yet trying to stay away from Pearl Spencer, a black working girl, and her brother, Sweet. Within forty-eight hours, he is the prime suspect in the jewel robbery of a wealthy white mansion, and comes across the scene where Jesse, a black gambler. Amongst a setting of racial prejudice, police corruption, and a funeral song being written for Jesse by a blind musician, Joe is trying to protect both his friends and himself.
Fumler is a wonderful, atmospheric writer. As in his New Orleans series, Fulmer focuses on the disadvantaged, gamblers, drunks, [...] and thieves. He humanizes the people and brings the period alive with the underlying strum of the blues in my head. I found the different characters interesting and thought it rather fun that the traditional good guys, the police, here were mainly the bad guys. Following the trail to see how Joe would bring things to resolution, and stay out of jail, was suspenseful and engrossing. I highly recommend this book.
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