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The story of a wealthy, insular Jewish family in Fascist Italy just before the outbreak of World War II. The source of an acclaimed feature film directed by Vittorio De Sica. Translated by William Weaver.A Helen and Kurt Wolff Book
- Sales Rank: #125409 in Books
- Published on: 1977-12-05
- Original language: Italian
- Number of items: 1
- Dimensions: 8.00" h x .53" w x 5.25" l, .55 pounds
- Binding: Paperback
- 200 pages
- ISBN13: 9780156345705
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Amazon.com Review
Giorgio Bassani's masterwork has Vittorio de Sica's 1971 film adaptation to thank for its dual success and obscurity. Not enough people know that this tale of a middle-class Jewish youth's obsession with the far more aristocratic Micol Finzi-Contini stems from a novel, not a novelization. Bassani's doom- and tomb-ridden examination of one-sided love is far more complex--about individuals' inability to contend with personal and political annihilation. Events call for heroism, yet it seems "downright absurd that now, all of a sudden, exceptional behavior was demanded of us." The narrator writes in retrospect, 13 years after World War II's end, and reveals the Finzi-Continis' 1943 deportation to Germany right from the start: "Who could say if they found any sort of burial at all?"
As Fascist racial laws go from strength to strength, the family, which had long isolated itself from the other inhabitants of Ferrara, opens its walled grounds and tennis court to other young Jews and even returns to the local temple. Unfortunately, the situation encourages the narrator's dream that Micol will return his love, and she is forced into cruel honesty. "She looked into my eyes, and her gaze entered me, straight, sure, hard: with the limpid inexorability of a sword."
The author has re-created a tragic era in which even nobility could not outrun events, let alone admit they needed to. (For a nonfiction account of the fates of five Italian Jewish families under fascism, see Alexander Stille's Benevolence and Betrayal.) Bassani's elision of historical and personal agony is furthermore superbly translated by William Weaver. All is foretold in the novel's Manzonian epigraph, "The heart, to be sure, always has something to say about what is to come, to him who heeds it. But what does the heart know? Only a little of what has already happened."
Review
Giorgio Bassani's masterwork has Vittorio de Sica's 1971 film adaptation to thank for its dual success and obscurity. Not enough people know that this tale of a middle-class Jewish youth's obsession with the far more aristocratic Micol Finzi-Contini stems from a novel, not a novelization. Bassani's doom- and tomb-ridden examination of one-sided love is far more complex--about individuals' inability to contend with personal and political annihilation. Events call for heroism, yet it seems "downright absurd that now, all of a sudden, exceptional behavior was demanded of us." The narrator writes in retrospect, 13 years after World War II's end, and reveals the Finzi-Continis' 1943 deportation to Germany right from the start: "Who could say if they found any sort of burial at all?" As Fascist racial laws go from strength to strength, the family, which had long isolated itself from the other inhabitants of Ferrara, opens its walled grounds and tennis court to other young Jews and even returns to the local temple. Unfortunately, the situation encourages the narrator's dream that Micol will return his love, and she is forced into cruel honesty. "She looked into my eyes, and her gaze entered me, straight, sure, hard: with the limpid inexorability of a sword." The author has re-created a tragic era in which even nobility could not outrun events, let alone admit they needed to. (For a nonfiction account of the fates of five Italian Jewish families under fascism, see Alexander Stille's Benevolence and Betrayal.) Bassani's elision of historical and personal agony is furthermore superbly translated by William Weaver. All is foretold in the novel's Manzonian epigraph, "The heart, to be sure, always has something to say about what is to come, to him who heeds it. But what does the heart know? Only a little of what has already happened." (Amazon.com Review)
“Giorgio Bassani is one of the great witnesses of this century, and one of its great artists.” (The Guardian)
Language Notes
Text: English, Italian (translation)
Most helpful customer reviews
32 of 33 people found the following review helpful.
memories of the past
By Montigiani Mario
A few months ago, I was visiting a friend in Ferrara and while walking through the streets of the town I was reminded of the Finzi Continis' sad story.
Going by the wall surrounding the house where they used to live, I went back to the times of their youth(the 30s and 40s)and I could nearly hear their happy voices, Alberto, Micol and their friends playing tennis in the big garden, Alberto on his wheeling chair watching the others play.
Ghosts of a time past, happy young people unware of what was waiting for them just round one of the corners of their lives.
I read the the book a few years ago and I was impressed by the sad, but never tragic style of the author Giorgio Bassani.
The story is a recollection of the life of a Jewish family from Ferrara before and during the Nazi-fascist persecutions of world war two.
The story of the one-sided love of the author for Micol Finzi Contini the Jewish girl who seems to foresee her destiny and refuses to return his love. She seems to know about her deportation to a concentration camp somewhere in Germany where would be lost any trace of her and her family.
She is doomed and she knows it.
Mr. Bassani tells his children this story while visiting an Etruscan necropolis, it is his story too and sadly points out that there are no tombs where to grieve and pray for Micol and her family, there is only their memory left in the hearts of those who loved them
0 of 0 people found the following review helpful.
... Mitty tennis players who still daydream about hitting the perfect one-handed backhand
By Amazon Customer
For any Walter Mitty tennis players who still daydream about hitting the perfect one-handed backhand, this is the book for you. While reading, I found myself muttering to myself, "Yeah! Been there! Exactly right!" It's obvious Marzorati has authentically experienced what he writes about so well.
0 of 0 people found the following review helpful.
Well written masterpiece
By charlene meyer
I read it for literary masterpiece class so that is what it was
Great character development and many themes
Always will wonder if anybody like them lived
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