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When two teenagers steal a purse from a stroller, it results in an infant’s death. Unaware of the enormity of their crime, Zipp and Andreas are intent on committing another. They follow an elderly woman home, and Andreas enters her house with his switchblade. In the dark, Zipp waits for his friend to come out.
Inspector Konrad Sejer and his colleague Jacob Skarre see no connection between the infant’s death and the reported disappearance of a local delinquent. And so while the confusion outside mounts, the heart-stopping truth unfolds inside the old woman’s home.
Unflappable as ever, Sejer digs below the surface of small- town tranquility in an effort to understand how and why violence destroys everyday lives.
- Sales Rank: #94830 in Books
- Brand: Fossum, Karin
- Published on: 2007-06-04
- Released on: 2007-06-04
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .77" w x 5.31" l, .64 pounds
- Binding: Paperback
- 272 pages
From Publishers Weekly
Skillful characterization and revealing detail lift Fossum's third mystery to be published in the U.S. featuring thoughtful, intelligent Insp. Konrad Sejer (after 2005's He Who Fears the Wolf). Handsome Andreas Winther, a self-absorbed, dangerously restless 18-year-old, manages to draw both sympathy and disgust from the reader. He roams the streets of an unnamed provincial Norwegian town in the evenings, accompanied by his socially inept friend, Sivert "Zipp" Skorpe, and fueled by the enormity of a secret he keeps. One evening, after mugging a young mother, Andreas decides to break into an old woman's house to rob her. His intended victim, Irma Funder, has a complicated health situation and a more complicated psyche. In defending herself, Irma pushes Andreas down the cellar stairs, where he lands unnaturally twisted, unable to move but alive. What develops between the immobile boy and the reclusive woman is a bizarre, excruciating, curiously tender relationship that serves as a pathetic and poignant balance to the hunt for Andreas conducted by Sejer and his police colleague, Jacob Skarre. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Fossum's Konrad Sejer procedurals, set in Oslo, are among the many Scandinavian mysteries that have followed Henning Mankell's Kurt Wallander series to the U.S. Her first novel to appear here, Don't Look Back (2004), was very much in the world-weary Wallander mold, with Sejer investigating a 15-year-old girl's murder and finding multiple layers of ambiguity. Although Sejer is present again this time, the story is much less like a contemporary European procedural and more like a Ruth Rendell psychological thriller. As Sejer and his colleague Jacob Skarre investigate a mugging and the disappearance of a delinquent, the reader sees what the coppers don't, following the tragic events in the life of the delinquent and the very disturbed elderly woman he encounters. At times this story is almost unendurably painful, as our sense of the inevitable clashes with our uncertainty about the outcome. All of the characters are victims of a kind, and all are trapped in one way or another. We feel equally trapped, by our proximity to so many lives gone wrong, and by our inability to close the book. Bill Ott
Copyright © American Library Association. All rights reserved
Review
PRAISE FOR WHEN THE DEVIL HOLDS THE CANDLE
"Either somebody just slid an ice cube down your back or you’re reading the opening pages of When the Devil Holds the Candle, a psychological tour de force."―O, THE OPRAH MAGAZINE
"The story is so chillingly told that we can only marvel at the author’s skill at illustrating how a random sequence of events can cause so many lives to intersect in so many horrifying ways."―THE NEW YORK TIMES BOOK REVIEW
"[I]t is an impossible book to put down, a psychological thriller that will haunt you long after the final page has been turned." (Bruce Tierney Bookpage 2006-09-01)
"A stunning exploration of social isolation... Masterfully plotted." (Curled Up with a Good Book.com 2006-09-01)
"Fossum . . . writes like Ruth Rendell with the gloves off."
(Kirkus Reviews 2006-05-15)
"This is not your usual police procedural -- Fossum's third Sejer novel ... is psyhcological suspense at its best."
(Jo Ann Vicarel Libary Journal 2006-06-01)
"[T]he story is so chillingly told that we can only marvel at the author's skill at illustrating how a random sequence of events can cause so many lives to intersect in so many horrifying ways." (Marilyn Stasio New York Times 2006-09-01)
"Either somebody just slid an ice cube down your back or you're reading the opening pages of When the Devil Holds the Candle...a psychological tour de force." (O Magazine 2006-09-01)
"Skillful characterization and revealing detail lift Fossum's third mystery to be published in the U.S featuring thoughtful and intelligent Insp. Konrad Sejer."
(Publishers Weekly 2006-05-22)
Most helpful customer reviews
44 of 47 people found the following review helpful.
"We encounter the Devil all the time. The question is, how do we handle him?"
By Mary Whipple
The undisputed queen of psychological horror, Norwegian author Karin Fossum takes an up-close view of three deaths in this novel in which Evil touches Inspector Konrad Sejer's own family. Andreas Winther, a handsome 18-year-old of little motivation and less morality, is cruising with his friend Zipp Skorpe when they decide to taunt a small brown boy. The boy is Sejer's adopted grandson Mattheus, a Somali immigrant trying to fit into Norwegian society. Their arrogance and their attitude of being above the rules of society ensure from the outset that they will never be characters with whom the reader will identify as author Fossum deals with broader, more important issues and themes.
Bored, Andreas and Zipp then decide to rob a young woman pushing a baby stroller, and later on to rob a house in which an old woman lives alone. Several deaths occur. Each of these deaths is examined in minute detail from the perspective of the killer (and in one case, the victim), and the question of responsibility and the extent to which the killer intended to kill--and whether that is relevant--are considered from many angles. For each of the three deaths, there are mitigating factors. Anita's killer is regarded by the police as "a good person." The baby's death could be crib death, or any number of other circumstances.
As Fossum pursues her themes and illustrates them vividly through her carefully drawn characters, the book becomes a powerful investigation of evil and its ability to seize and control lives. No one, however terrible his/her crime, is completely evil here, but, as Fossum shows, the justice system can only deal with issues that are black and white. When "justice" eventually resolves each of these cases, few readers will be surprised by the resolution. By turns exciting and thoughtful, dramatic and contemplative, When the Devil Holds the Candle is a fine novel dealing with important themes in new ways. n Mary Whipple
31 of 33 people found the following review helpful.
"There in the kitchen, in the yellow-green light, at the age of six, I lost my freedom."
By Luan Gaines
Considered Norway's "Queen of Crime" for good reason, Fossum's latest thriller is a striking indictment of youthful self-indulgence and the private torments of a broken mind on a collision course with happenstance. Two characters dominate the beginning of the novel, Andreas and Zipp, avid for action, their anti-social behavior fueling drinking bouts, their victims the helpless and unsuspecting. Andreas is tall, handsome, clearly the leader of the pair; Zipp, the moody sidekick, is compact, tense, constantly proving his manhood. Their petty crime spree is spontaneous, entertainment of the moment regardless of the consequences. A more peripheral character, at least at first, Irma Funder is a recluse, shirking social contacts and beset with the paranoia that preys on her sanity, "the hideous, evil person you become when the devil holds the candle."
Through Fossum's masterful plotting, these characters are destined to clash, their futures entwined, Inspector Sejer and his favorite assistant, Jacob Skarre, coming late to a complex series of events, miscalculations and blunders turned deadly. Sejer is enjoying a new lease on life since the untimely death of his beloved wife; the energetic, unpredictable Sara now brightens his days, as does his daughter's newly adopted son, Matteus. The inimitable Skarre lends his intuition to the mix, the two men working through an improbable tangle of seemingly unrelated crimes and a fated meeting with unexpected violence. When Andreas goes missing, there is no trace, in spite of Skarre's careful investigation of the circumstances. Meanwhile, an old woman lurks in the shadows, unable to communicate either her knowledge or her fears. The air of menace builds, the characters lunging toward a terrible conclusion that confounds all but the most cynical observer, a stunning exploration of arrogance, beauty, ugliness, loneliness, social isolation and a need for acceptance.
Fossum's prose is a brilliant vehicle for the foibles of humanity, her characters well defined, imbued with a sense of immediacy, a blend of personalities, needs and subtle yearnings, all juxtaposed in a plot that is utterly satisfying. Nothing is simple, people driven to commit acts of brutality, to feel shame, grief, contrition and a more aberrant rationalization for continuing the destruction of the delicate fabric of society. As she has done in previous novels, Fossum reveals her imperfect characters from their inner dialogs, reshaping the horizon as viewed from broken and distorted perceptions. Such people are vulnerable to this author's agile scrutiny, the frailties and flaws common to all of humankind, familiar shadowy places that most of us hide successfully. This novel is vibrant, impossible to put aside, the story precipitously plummeting toward the unknown, a random assemblage of characters tumbling together through events none can control, even the determined and noble Inspector Sejer. Luan Gaines/ 2006.
15 of 15 people found the following review helpful.
"What We Were Ends Here"
By Gary Griffiths
Norwegian author Karin Fossum shuns convention and spins another offbeat crime novel in "When the Devil Holds the Candle", a refreshingly off-the-beaten track Scandinavian mystery that is as well written as it is quirky.
Andreas Winther is an aimless eighteen-year old, a not uncommon slacker holding down a minimum wage job while flirting with the mildest fringes of crime. Irma Funder is 60ish, a mostly reclusive divorcé with a semi-estranged adult son and memories of a childhood of benign neglect. A young mother walks her four-month old child along Oslo's beach. Guided by Fossum's talented hand, the unlikely crossing of these dissimilar lives makes for an explosive literary feast of suspense and depravity, a novel so rich in conflicting themes, sinister undercurrent, and depth of character that it nearly bursts out of the mere 259 pages that try to confine it. This is a masterpiece of darkness, a somber and psychologically chilling tale that leaves no winners as it takes twists and turns to its unexpected and powerful conclusion.
Drawing parallels to this author's work is mostly futile. Sure, the fatalistic tone recalls Arnaldur Indridason or Jo Nesbo, but living in a cold, damp place with no sun for half of the year probably makes it hard to write like say, Carl Hiaasen. Fossum's plots are fresh and unexpected, her villains unlikely, her settings surrealistic, even haunting. Where most writers deal in blacks and whites and good vs. evil that lead to a clean finish, Karin Fossum's mastery stems from her rich ambiguity. Where most authors cast their protagonist in the central role, spinning the story around their whims and deductions and forensic brilliance, Fossum's inspector Sejer is nearly an observer, a keen but detached bystander who never seems fully engaged with the crime at hand.
So if you're looking for a different path - intelligent fiction that will prod and pester and make you want to put your life on hold until you're forced to finish, then you've got to meet Karin Fossum. But a word of warning - don't expect relief when it's finally placed on the bookshelf. Fossum's prose will continue to haunt long after you've turned the last page.
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