Selasa, 09 Juni 2015

! PDF Download An Age Like This, 1920-1940 (Collected Essays, Journalism and Letters, Vol. 1), by George Orwell

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An Age Like This, 1920-1940 (Collected Essays, Journalism and Letters, Vol. 1), by George Orwell

An Age Like This, 1920-1940 (Collected Essays, Journalism and Letters, Vol. 1), by George Orwell



An Age Like This, 1920-1940 (Collected Essays, Journalism and Letters, Vol. 1), by George Orwell

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An Age Like This, 1920-1940 (Collected Essays, Journalism and Letters, Vol. 1), by George Orwell

Considering that much of his life was spent in poverty and ill health, it is something of a miracle that in only forty-six years George Orwell managed to publish ten books and two collections of essays. Here, in four fat volumes, is the best selection of his non-fiction available, a trove of letters, essays, reviews, and journalism that is breathtaking in its scope and eclectic passions. Orwell had something to say about just about everyone and everything. His letters to such luminaries as Julian Symons, Anthony Powell, Arthur Koestler, and Cyril Connolly are poignant and personal. His essays, covering everything from "English Cooking" to "Literature and Totalitarianism," are memorable, and his books reviews (Hitler's Mein Kampf, Mumford's Herman Melville, Miller's Black Spring, Goldsmith's The Vicar of Wakefield to name just a few) are among the most lucid and intelligent ever written. From 1943 to l945, he wrote a regular column for the Tribune, a left wing weekly, entitled "As I Please." His observations about life in Britain during the war embraced everything from anti-American sentiment to the history of domestic appliances.

  • Sales Rank: #2117750 in Books
  • Published on: 1971-06
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 574 pages

From Library Journal
Though his life was brief (1903-1950), Orwell was extremely prolific. In addition to penning two of the last century's greatest novels, he wrote reams of essays, journalistic pieces, and letters. Covering a 30-year period, this extensive four-volume set, originally published in 1968, collects the best of his nonfiction. Each volume is divided by year and intermixes his correspondence with news stories and discourses on numerous subjects. There is far more to Orwell than Animal Farm and 1984, and this beautiful collection reveals what a true intellect he was. Though probably more for academics, the books are priced reasonably enough for public library consideration.
Copyright 2001 Reed Business Information, Inc.

Review
"* "It is an astonishing tribute to Orwell's gifts as a natural, unaffected writer that, although the historical events he is unfolding are all too bitterly familiar, the reader turns the page as though he did not know what was going to happen. Here, then, is a social, literary, and political history... which, while being intensely personal never forgets its allegiance to objective truth." -THE ECONOMIST"

Most helpful customer reviews

18 of 18 people found the following review helpful.
Orwell: As He Pleased
By A Customer
In my humble estimation Orwell was, by far, the best writer of the 20th century. Overflowing with compassion for all humanity, Orwell wrote about events happening in his life as if he were reflecting on them years later. His perception of the world was so keen and his analytical senses were so acute, we are blessed to have his best writings available to us in this 4 volume set.
Volume 3, I believe, is the best of this collection because it contains the bulk of the weekly, As I Please, that ran in the "Tribune" magazine from 1943-1945. This is some of his best freelance writing covering a whole range of topics. They capture the essence of his thoughts politically and socially. Here too you gain a view of life in WW2 Britain: rationing, blackouts, air raids, and, more importantly, how it felt to live through it.
I would reccomend you buy all 4 volumes and start at the beginning. You will not regret the experience.

13 of 14 people found the following review helpful.
a moral book
By Inna Tysoe
I don't know if George Orwell is the best writer this century has produced, but he is among the most decent human beings who was also an extremely talented writer. And that decency, that honesty and sense of fair play come through loud and clear through this wonderful mix of editorial pieces and personal letters. It does not matter whether he is writing about the Socialist movement, the Monarchy, the manner in which Americans were treated in England during WWII, the English language, writing, colonialism, nationalism, anti-Semitism, or how to make a proper cup of tea, his honesty is ever-present. For he wrote these essays (I think) because although "emotional urges which are inescapable, and are perhaps even necessary to political action, [they] should be able to exist side-by-side with reality. But this requires a moral effort." If you are prepared to make such a moral effort-or simply want to spend a few nights with a truly wonderful human being and gifted writer, I highly recommend this book.

8 of 8 people found the following review helpful.
An Insider's Careful Diagnosis of Political and Literary Trends at the End of World War II
By James E. Egolf
George Orwell' (1903-1950)anthology titled AS I PLEASE is an interesting collection of his careful literary criticism and political insights which were much more often right than wrong. Readers can learn so much about not only the situation and conditions in Great Britian between 1943 and 1945, they can learn much about the international situtation and Orwell's complete disillusionment with the "Left" both in Great Britain and in Europe.

This reviewer thinks that Orwell's literary criticism of Arthur Koestler is the best article of literary criticism. Orwell focused on Koester's DARKNESS AT NOON which Orwell thought was Koestler's best work. Orwell argued that Koestler was a supporter of the "Left" during the Spanish Civil War and was arrested and faced the prospect of being shot. Koeslter escaped but had to know how the Stalinists betrayed the Spanish Left during the Spanish Civil War. Koestler was a member of the Hungarian Communist Party, knew of the Stalinist purges of Lenin's Bolsheviks, and saw a repeat of all this in Spain.

Orwell also had intelligent commentary of literature and humor. Orwell stated that good humor had all but disappeared in Great Britian because of political and religious sensitivity. Orwell stated that the best comedy was that which attacked hypocrisy and pretensioness. Orwell cited Aristophanes, Rabelais, Shakespear,Voltaire, etc. who did not hestitate to mock and write comedy of the self righteous and "high and mighty." Orwell was bothered by the fact that such humor almost disappeared from English litature during his life time. An interesting aside is that Orwell complimented Hillaire Belloc and G.K. Chesterton for their humor. Orwell was critical of both in some of the other essays in this anthology.

Orwell not only wrote good literary criticism, he wrote solid political commentary. Readers can see the beginnings of his best known novels-ANIMAL FARM and 1984. Orwell's comments on ill feeling between British and American troops. Orwell stated that since American troops were paid at least five times as much as British troops, social divisions and hard feelings were almost inevitable. Orwell also commented that many American troops refused to admit that British casualties were larger than American casualties which indeed they were.

Orwell's best political commentary dealt with such concepts as Fascism, Pacifism, the Trotskyites, the Stalinists, etc. Orwell's major criticism of the "Leftists" was that because they were anti-Fascist, they would not become anti-totalitarian because of refusal to oppose the Stalinists and Big Communism and its obvious record of mass murder and concentration camp brutality. Orwell makes hash out of the accusation that the Internatianl Jews heavilty subsidized Britian's Trotskyites. Orwell commented if that were true, one had to ask why Trotsky's supporters were always so poor. Orwell accused much of the "Left" of refusing to accept facts and assessments of World War II. For example, many of the British and American leftists commented that the Soviet Union was an example of the biblical inscription that the meek shall inherit the earth. Orwell noted that those who made this remark obviously had not read Soviet anti-German propaganda which was full of hatred and violent vengence. Orwell also noted that the Left expected British military failure while extolling Soviet victories during World War II.

Orwell also expressed serious concern over the distortions and falsification of history. For example, both the "Allies" and "Axis" claimed victory when their was defeat. Casualty figures were distorted as were events. What was worse was the description of non-events or events that never occured. Orwell commented that the Leftists never wrote a word about the SovietGerman "Non-Aggression Pact" which was negotiated in 1939 with the secret protocol of the Soviets and Germans to invade Poland.

Orwell made comments that his novel titled ANIMAL FARM was censored or kept from publication because of British concerns of offending their Soviet "allies." Little did Orwell know that this novel would be a best seller after he died. Orwell can also see the outlines of his 1984 in this collection of essays.

One development that concerned Orwell toward the end of World War II was the emerging anti-Semitism in Great Britain and to a lesser degree in the United States. Orwell was clear that accusations and slurs agains Jewish people were patently false. Yet, Orwell was clear that facts and reason were of no avail to many because they were immune to knowledge and reasoned thinking. Orwell attributed much to a weakened Great Britain at the end of World War II, and the British Empire would soon be dismantled. Orwell argued that nationalism and the fear of the loss of Empire incited anti-Semitism among people who would otherwise not fall for such nonsense.

While Orwell was wrong in some of his earlier predictions, he was honest enough to admit this and explained why which something most "intellectuals" are loathe to do. If Orwell had lived another 50 years, he would know that his important predictions came true. This reviewer was pleased to see Orwell admit he was wrong as this showed a degree of honesty that is sadly lacking.

This reviewer did not like the format of the book. As this reviewer stated elsewhere, the book should have been arranged by topic rather than by chronology. However, this is a matter of taste. This reviewer strongly recommends this anthology which is part of a four volume set of Orwell's thought. This is yet another excellent collection of Orwell's great writing.

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Minggu, 07 Juni 2015

## PDF Download When the Devil Holds the Candle (Inspector Sejer Mysteries), by Karin Fossum, Random House UK

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When the Devil Holds the Candle (Inspector Sejer Mysteries), by Karin Fossum, Random House UK

When the Devil Holds the Candle (Inspector Sejer Mysteries), by Karin Fossum, Random House UK



When the Devil Holds the Candle (Inspector Sejer Mysteries), by Karin Fossum, Random House UK

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When the Devil Holds the Candle (Inspector Sejer Mysteries), by Karin Fossum, Random House UK

When two teenagers steal a purse from a stroller, it results in an infant’s death. Unaware of the enormity of their crime, Zipp and Andreas are intent on committing another. They follow an elderly woman home, and Andreas enters her house with his switchblade. In the dark, Zipp waits for his friend to come out.

Inspector Konrad Sejer and his colleague Jacob Skarre see no connection between the infant’s death and the reported disappearance of a local delinquent. And so while the confusion outside mounts, the heart-stopping truth unfolds inside the old woman’s home.

Unflappable as ever, Sejer digs below the surface of small- town tranquility in an effort to understand how and why violence destroys everyday lives.

  • Sales Rank: #94830 in Books
  • Brand: Fossum, Karin
  • Published on: 2007-06-04
  • Released on: 2007-06-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .77" w x 5.31" l, .64 pounds
  • Binding: Paperback
  • 272 pages

From Publishers Weekly
Skillful characterization and revealing detail lift Fossum's third mystery to be published in the U.S. featuring thoughtful, intelligent Insp. Konrad Sejer (after 2005's He Who Fears the Wolf). Handsome Andreas Winther, a self-absorbed, dangerously restless 18-year-old, manages to draw both sympathy and disgust from the reader. He roams the streets of an unnamed provincial Norwegian town in the evenings, accompanied by his socially inept friend, Sivert "Zipp" Skorpe, and fueled by the enormity of a secret he keeps. One evening, after mugging a young mother, Andreas decides to break into an old woman's house to rob her. His intended victim, Irma Funder, has a complicated health situation and a more complicated psyche. In defending herself, Irma pushes Andreas down the cellar stairs, where he lands unnaturally twisted, unable to move but alive. What develops between the immobile boy and the reclusive woman is a bizarre, excruciating, curiously tender relationship that serves as a pathetic and poignant balance to the hunt for Andreas conducted by Sejer and his police colleague, Jacob Skarre. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Fossum's Konrad Sejer procedurals, set in Oslo, are among the many Scandinavian mysteries that have followed Henning Mankell's Kurt Wallander series to the U.S. Her first novel to appear here, Don't Look Back (2004), was very much in the world-weary Wallander mold, with Sejer investigating a 15-year-old girl's murder and finding multiple layers of ambiguity. Although Sejer is present again this time, the story is much less like a contemporary European procedural and more like a Ruth Rendell psychological thriller. As Sejer and his colleague Jacob Skarre investigate a mugging and the disappearance of a delinquent, the reader sees what the coppers don't, following the tragic events in the life of the delinquent and the very disturbed elderly woman he encounters. At times this story is almost unendurably painful, as our sense of the inevitable clashes with our uncertainty about the outcome. All of the characters are victims of a kind, and all are trapped in one way or another. We feel equally trapped, by our proximity to so many lives gone wrong, and by our inability to close the book. Bill Ott
Copyright © American Library Association. All rights reserved

Review
PRAISE FOR WHEN THE DEVIL HOLDS THE CANDLE

"Either somebody just slid an ice cube down your back or you’re reading the opening pages of When the Devil Holds the Candle, a psychological tour de force."―O, THE OPRAH MAGAZINE

"The story is so chillingly told that we can only marvel at the author’s skill at illustrating how a random sequence of events can cause so many lives to intersect in so many horrifying ways."―THE NEW YORK TIMES BOOK REVIEW

"[I]t is an impossible book to put down, a psychological thriller that will haunt you long after the final page has been turned." (Bruce Tierney Bookpage 2006-09-01)

"A stunning exploration of social isolation... Masterfully plotted." (Curled Up with a Good Book.com 2006-09-01)

"Fossum . . . writes like Ruth Rendell with the gloves off."
(Kirkus Reviews 2006-05-15)

"This is not your usual police procedural -- Fossum's third Sejer novel ... is psyhcological suspense at its best."
(Jo Ann Vicarel Libary Journal 2006-06-01)

"[T]he story is so chillingly told that we can only marvel at the author's skill at illustrating how a random sequence of events can cause so many lives to intersect in so many horrifying ways." (Marilyn Stasio New York Times 2006-09-01)

"Either somebody just slid an ice cube down your back or you're reading the opening pages of When the Devil Holds the Candle...a psychological tour de force." (O Magazine 2006-09-01)

"Skillful characterization and revealing detail lift Fossum's third mystery to be published in the U.S featuring thoughtful and intelligent Insp. Konrad Sejer."
(Publishers Weekly 2006-05-22)

Most helpful customer reviews

44 of 47 people found the following review helpful.
"We encounter the Devil all the time. The question is, how do we handle him?"
By Mary Whipple
The undisputed queen of psychological horror, Norwegian author Karin Fossum takes an up-close view of three deaths in this novel in which Evil touches Inspector Konrad Sejer's own family. Andreas Winther, a handsome 18-year-old of little motivation and less morality, is cruising with his friend Zipp Skorpe when they decide to taunt a small brown boy. The boy is Sejer's adopted grandson Mattheus, a Somali immigrant trying to fit into Norwegian society. Their arrogance and their attitude of being above the rules of society ensure from the outset that they will never be characters with whom the reader will identify as author Fossum deals with broader, more important issues and themes.

Bored, Andreas and Zipp then decide to rob a young woman pushing a baby stroller, and later on to rob a house in which an old woman lives alone. Several deaths occur. Each of these deaths is examined in minute detail from the perspective of the killer (and in one case, the victim), and the question of responsibility and the extent to which the killer intended to kill--and whether that is relevant--are considered from many angles. For each of the three deaths, there are mitigating factors. Anita's killer is regarded by the police as "a good person." The baby's death could be crib death, or any number of other circumstances.

As Fossum pursues her themes and illustrates them vividly through her carefully drawn characters, the book becomes a powerful investigation of evil and its ability to seize and control lives. No one, however terrible his/her crime, is completely evil here, but, as Fossum shows, the justice system can only deal with issues that are black and white. When "justice" eventually resolves each of these cases, few readers will be surprised by the resolution. By turns exciting and thoughtful, dramatic and contemplative, When the Devil Holds the Candle is a fine novel dealing with important themes in new ways. n Mary Whipple

31 of 33 people found the following review helpful.
"There in the kitchen, in the yellow-green light, at the age of six, I lost my freedom."
By Luan Gaines
Considered Norway's "Queen of Crime" for good reason, Fossum's latest thriller is a striking indictment of youthful self-indulgence and the private torments of a broken mind on a collision course with happenstance. Two characters dominate the beginning of the novel, Andreas and Zipp, avid for action, their anti-social behavior fueling drinking bouts, their victims the helpless and unsuspecting. Andreas is tall, handsome, clearly the leader of the pair; Zipp, the moody sidekick, is compact, tense, constantly proving his manhood. Their petty crime spree is spontaneous, entertainment of the moment regardless of the consequences. A more peripheral character, at least at first, Irma Funder is a recluse, shirking social contacts and beset with the paranoia that preys on her sanity, "the hideous, evil person you become when the devil holds the candle."

Through Fossum's masterful plotting, these characters are destined to clash, their futures entwined, Inspector Sejer and his favorite assistant, Jacob Skarre, coming late to a complex series of events, miscalculations and blunders turned deadly. Sejer is enjoying a new lease on life since the untimely death of his beloved wife; the energetic, unpredictable Sara now brightens his days, as does his daughter's newly adopted son, Matteus. The inimitable Skarre lends his intuition to the mix, the two men working through an improbable tangle of seemingly unrelated crimes and a fated meeting with unexpected violence. When Andreas goes missing, there is no trace, in spite of Skarre's careful investigation of the circumstances. Meanwhile, an old woman lurks in the shadows, unable to communicate either her knowledge or her fears. The air of menace builds, the characters lunging toward a terrible conclusion that confounds all but the most cynical observer, a stunning exploration of arrogance, beauty, ugliness, loneliness, social isolation and a need for acceptance.

Fossum's prose is a brilliant vehicle for the foibles of humanity, her characters well defined, imbued with a sense of immediacy, a blend of personalities, needs and subtle yearnings, all juxtaposed in a plot that is utterly satisfying. Nothing is simple, people driven to commit acts of brutality, to feel shame, grief, contrition and a more aberrant rationalization for continuing the destruction of the delicate fabric of society. As she has done in previous novels, Fossum reveals her imperfect characters from their inner dialogs, reshaping the horizon as viewed from broken and distorted perceptions. Such people are vulnerable to this author's agile scrutiny, the frailties and flaws common to all of humankind, familiar shadowy places that most of us hide successfully. This novel is vibrant, impossible to put aside, the story precipitously plummeting toward the unknown, a random assemblage of characters tumbling together through events none can control, even the determined and noble Inspector Sejer. Luan Gaines/ 2006.

15 of 15 people found the following review helpful.
"What We Were Ends Here"
By Gary Griffiths
Norwegian author Karin Fossum shuns convention and spins another offbeat crime novel in "When the Devil Holds the Candle", a refreshingly off-the-beaten track Scandinavian mystery that is as well written as it is quirky.

Andreas Winther is an aimless eighteen-year old, a not uncommon slacker holding down a minimum wage job while flirting with the mildest fringes of crime. Irma Funder is 60ish, a mostly reclusive divorcé with a semi-estranged adult son and memories of a childhood of benign neglect. A young mother walks her four-month old child along Oslo's beach. Guided by Fossum's talented hand, the unlikely crossing of these dissimilar lives makes for an explosive literary feast of suspense and depravity, a novel so rich in conflicting themes, sinister undercurrent, and depth of character that it nearly bursts out of the mere 259 pages that try to confine it. This is a masterpiece of darkness, a somber and psychologically chilling tale that leaves no winners as it takes twists and turns to its unexpected and powerful conclusion.

Drawing parallels to this author's work is mostly futile. Sure, the fatalistic tone recalls Arnaldur Indridason or Jo Nesbo, but living in a cold, damp place with no sun for half of the year probably makes it hard to write like say, Carl Hiaasen. Fossum's plots are fresh and unexpected, her villains unlikely, her settings surrealistic, even haunting. Where most writers deal in blacks and whites and good vs. evil that lead to a clean finish, Karin Fossum's mastery stems from her rich ambiguity. Where most authors cast their protagonist in the central role, spinning the story around their whims and deductions and forensic brilliance, Fossum's inspector Sejer is nearly an observer, a keen but detached bystander who never seems fully engaged with the crime at hand.

So if you're looking for a different path - intelligent fiction that will prod and pester and make you want to put your life on hold until you're forced to finish, then you've got to meet Karin Fossum. But a word of warning - don't expect relief when it's finally placed on the bookshelf. Fossum's prose will continue to haunt long after you've turned the last page.

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** PDF Download Serve the People: A Stir-Fried Journey Through China, by Jen Lin-Liu

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Serve the People: A Stir-Fried Journey Through China, by Jen Lin-Liu



Serve the People: A Stir-Fried Journey Through China, by Jen Lin-Liu

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Serve the People: A Stir-Fried Journey Through China, by Jen Lin-Liu

A memorable and mouthwatering cook’s tour of today’s China

 

As a freelance journalist and food writer living in Beijing, Jen Lin-Liu already had a ringside seat for China’s exploding food scene. When she decided to enroll in a local cooking school—held in an unheated classroom with nary a measuring cup in sight—she jumped into the ring herself. Progressing from cooking student to noodle-stall and dumpling-house apprentice to intern at a chic Shanghai restaurant, she finds poor young men and women streaming in from the provinces in search of a “rice bowl” (living wage); a burgeoning urban middle class hungry for luxury after decades of turmoil and privation; and the mentors who take her in hand in the kitchen and beyond. Together they present an unforgettable slice of contemporary China in the full swing of social and economic transformation.

  • Sales Rank: #530796 in Books
  • Published on: 2009-05-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .88" w x 5.25" l, .71 pounds
  • Binding: Paperback
  • 352 pages

From Publishers Weekly
Chinese-American journalist Lin-Liu's delightful mixture of memoir and cookbook records her years living and working in Shanghai and Beijing, when she attended a vocational cooking school and discovered a passion for Chinese cooking and culture. Growing up in the U.S. to Taiwan-born parents, the author admits feeling alienated from her heritage when she first moved to China in 2000; a graduate of an American journalism school, she eventually became the food editor at TimeOut Beijing. Moving between Shanghai and Beijing, she begins her account with her frustrating yet ultimately rewarding study at the Hualian Cooking School in Beijing, where she apprenticed to one of the school's instructors, Chairman Wang, an old-style cook raised during the Cultural Revolution, who taught the author the rudiments of chopping, shopping and how to pass the cooking exam. Despite the flimsy certificate, bias against women working in professional kitchens and the reluctance to hire foreigners, Lin-Liu found work at Chef Zhang's noodle stall serving migrant workers and at the popular dumpling house Xian'r Lao Man; she later snagged a plum internship at Jereme Leung's upscale Shanghai restaurant, Whampoa Club. Incorporating stories of many of the Chinese she worked alongside (and their recipes), as well as trips to the MSG factory in Henan or to the rice-growing Guangxi province, Lin-Liu offers a thoroughgoing, spirited celebration of overcoming cultural barriers. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Lin-Liu is a charming guide to modern China and its kaleidoscopic cuisine."--People


"Serve the People is light fare, a delicately crafted steamed dumpling of a book. It's peppered with delicious descriptions, authentic recipes, humorous anecdotes and all the goodness of a young woman who finds her way in life, and even falls in love."--International Herald Tribune


"A mouthwatering tale of the thriving culinary scene in today's China--top rated by Zagat."--Nina and Tim Zagat, co-Founders and co-Chairs of Zagat Survey

From the Inside Flap

"A beautiful and revelatory book about cuisine, packed with humor and pathos and profound cultural insight."--Frederick Kaufman, author of A Short History of the American Stomach

"If you hunger for clear insights into the regular people of China today, read Jen Lin-Liu's tour-de-force Serve the People."--William Poy Lee, author of The Eighth Promise

As a freelance journalist and food writer living in Beijing, Jen Lin-Liu already had a ringside seat for China's exploding food scene. When she decided to enroll in a local cooking school--held in an unheated classroom with nary a measuring cup in sight--she jumped into the ring herself. In Serve the People, Lin-Liu gives a memorable and mouthwatering cook's tour of today's China as she progresses from cooking student to noodle-stall and dumpling-house apprentice to intern at a chic Shanghai restaurant. The characters she meets along the way include poor young men and women streaming in from the provinces in search of a "rice bowl" (living wage), a burgeoning urban middle class hungry for luxury after decades of turmoil and privation, and the mentors who take her in hand in the kitchen and beyond. Together they present an unforgettable slice of contemporary China in the full swing of social and economic transformation.

Most helpful customer reviews

36 of 36 people found the following review helpful.
A Chinese-American learns China through its Food
By Lynn Harnett
A Chinese American whose family fled to Taiwan (and later the US) after the revolution, journalist, food-writer and now cooking school owner, Lin-Liu knew little about cooking when she came to China in 2000. She soon realized that food was such an integral part of Chinese life, she would better understand the culture if she understood the food.

Enrolling in a Beijing vocational cooking school teaches her just how alien and American she is. The other students are male, they question nothing in class and do the minimum to get by. She, in contrast, seems loud, pushy and rich.

Humorous and energetic, her account of getting through school (with much help and great difficulty) and then apprenticing first at a noodle stall and later, in Shanghai, at a fancy restaurant, illuminates much about everyday life in China's cities. Staffed by migrants from China's rural provinces, restaurants offer diverse cuisines and backbreaking labor, perfectionalism and cut corners.

Lin-Liu learns stories about the Cultural Revolution while cooking, finds a long history of hardship in "exotic" ingredients like eyeballs and jellyfish, discovers China's cultural diversity in its many cuisines, and Chinese provincialism in tourists' unwillingness to eat anything but their own foods.

Her enthusiastic culinary tour of the culture is peppered with recipes for dumpling fillings, noodles and traditional favorites like Drunken Chicken and Fish Fragrant Pork Shreds as well as the (mostly difficult) stories of the individuals she meets.

Entertaining and eye-opening, Lin-Liu's portrait of modern China reflects its changing trends and attitudes and its timeless cuisine.

11 of 11 people found the following review helpful.
Loved this book and the recipes
By Mark Satlof
Between this wonderful book and another I'd also highly recommend, Why the Chinese Don't Count Calories, I have become immersed in Chinese food culture recently, to the point that my kids tease me about becoming Chinese. Luckily I live in NYC and have a few Chinatowns to choose from, so it's been congee on the way to work for a couple of months now.

Jen's personal search to learn Chinese cooking (and to practice it) is inspiring...telling about her travels and travails through a China in a tug of war between its culinary past and its current rush towards modernization.

I could tell just by looking at them that the dozen or 20 recipes, relating to each chapter of Jen's journey, would be delicious and the few I've tried so far more than live up to their promise.

5 of 5 people found the following review helpful.
Good, but seems to fizzle towards the end
By GSauer
I really liked the beginning of this book. In the beginning I felt I was learning more complete stories about the people of China and the culture. I loved the recipes throughout, though I have not tried any - I can tell that they are possible and would taste pretty good. Towards the end, it almost felt like she just wanted to get the book done with. I didn't feel the engagement towards the characters as I did at the beginning and it hopped around a bit more. I didn't feel complete at the end, it just kind of ended. Overall, it was a good read with great recipes.

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Rabu, 03 Juni 2015

^ Download A Three Dog Life, by Abigail Thomas

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A Three Dog Life, by Abigail Thomas

When Abigail Thomas’s husband, Rich, was hit by a car, his brain shattered. Subject to rages, terrors, and hallucinations, he must live the rest of his life in an institu­tion. He has no memory of what he did the hour, the day, the year before. This tragedy is the ground on which Abigail had to build a new life. How she built that life is a story of great courage and great change, of moving to a small country town, of a new family composed of three dogs, knitting, and friendship, of facing down guilt and discovering gratitude. It is also about her relationship with Rich, a man who lives in the eternal present, and the eerie poetry of his often uncanny perceptions. This wise, plainspoken, beautiful book enacts the truth Abigail discovered in the five years since the acci­dent: You might not find meaning in disaster, but you might, with effort, make something useful of it.

  • Sales Rank: #172575 in Books
  • Published on: 2007-09-15
  • Released on: 2007-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .67" w x 5.31" l, .56 pounds
  • Binding: Paperback
  • 208 pages

From Publishers Weekly
Stephen King's front-cover endorsement of Thomas's memoir as the best he's ever read—and a "punch to the heart"—will surely pique interest in this wrenching, elegiac portrait of her third husband, Rich, who flounders in a miasmic present after a hit-and-run in their Manhattan neighborhood shatters his skull, destroys his short-term memory and consigns him to permanent brain trauma. A deft balance of fevered pathos and dark humor link this memoir, in spirit and theme, to Safekeeping, Thomas's collected vignettes that memorialize her second husband. But Thomas also finds wellsprings of inspiration in her tragicomic interactions with Rich and in the self-reliance she's forced to develop, aided by her faithful dogs (the book's title adapts an aboriginal phrase, derived from the tradition of cuddling with dogs on frigid nights). Rich—himself reminiscent of a Stephen King eccentric—utters eerily prescient, absurdly poetic non sequiturs, probing the essence of time and love with ingenuous intuition, though his acute paranoia and confusion make these exchanges truly heartbreaking. Thomas's quick-cutting chronology and confessional narration subtly re-enacts the soupiness of her husband's mind, even as she quietly thanks him for the wisdom of living in the present. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In these exquisitely written essays Thomas reflects on how her marriage had to be reinvented after the night her husband, Richard, took their dog, Harry, out for a walk, and Harry came home alone. Richard had been hit by a car and was lying bleeding in the street. The traumatic head injury he suffered didn't kill him, as attending police had predicted it would, but it rendered him susceptible to large-scale memory loss, hallucinations, and such wild rages that Thomas was forced to commit him to an institution. Lesser events have destroyed relationships, so it would not be surprising to learn that Thomas abandoned Richard. She didn't. Instead, she sold their New York apartment, moved upstate to be near him, and acquired two more dogs to keep her company. What's more, she can't imagine life without her husband, saying, "It would be like falling through space with a parachute but no planet to land on." Thomas has elevated what could be, at best, an overemotional sermon or, at worst, a grim romp in self-pity to a high plain of true inspiration. Donna Chavez
Copyright © American Library Association. All rights reserved

Review
ADVANCE PRAISE FOR A THREE DOG LIFE "A Three Dog Life is, I think, the best memoir I have ever read. It’s sad, terrifying, and scorchingly honest. It’s also a testament to the power of love, suggesting that even when love isn’t enough…somehow, it is. This book is a punch to the heart. Read it."--Stephen King "Abigail Thomas's many gifts as a writer and deeply generous person show us what is possible when two brave people examine a reconfigured life—one that conjures the uncanny, spotlights the power of art, and amplifies the meaning and reach of love."--Amy Hempel, author of Reasons to Live, Tumble Home, and The Dog of the Marriage

"Thomas has elevated what could be, at best, an overemotional sermon or, at worst, a grim romp in self-pity to a high plain of true inspiration."  -- Booklist "A tragedy with much comic relief." -- Boston Globe "A memorable account of how tragic loss can lead to ineffable moments of surpassing love and miraculous change." -- Elle Magazine "Thomas tells an extraordinary, but horrific, love story." -- Entertainment Weekly "Heartbreaking...Thomas writ[es]...with lots of grace and little self-pity." -- Glamour "Resounding...the clarity is stunning." -- LA Times "Illuminates a new life built on tragedy but not tragic."  -- Newsday "This memoir could be a fall sleeper...the perfectly honed observations of a clear-eyed and witty-writer." -- Newsweek "The startling power and beauty of Abigail Thomas's memoir comes...from her refusal to surrender the shards of a loving relationship."  -- O Magazine "...an unpretentious story about coming to terms with tragedy and lost dreams."  -- Orlando Sentinel "This haunting memoir is slim but wields enormous impact...this book tackles the largest of human subjects--love and loss."  -- People "Here, love can't exactly conquer all, but it assumes radically new, stunning shapes."  -- Time Out NY "Thomas writes honestly and straight from the heart...[and] offers hope that life can retain its richness after tragedy." -- USA Today "Thomas...fac[es] reality with courage, bursts of anger, patience, and dark humor.  What resonates most, though, is her generosity..."  -- Vanity Fair

"From the depths of catastrophe, she has crafted a painfully honest and loving portrait of the irrevocably altered life she finds herself leading.  The stories are few, the moments are spare, but what Thomas tells us is shot through with light." -- Washington Post

  

Most helpful customer reviews

176 of 187 people found the following review helpful.
Rave Review for A Three Dog Life
By O. Merce Brown
*****

This book is sweet, poignant, and beautiful. It is also gut-wrenchingly honest and realistic about the author's attempts to cope with her life after her husband has a TBI (Traumatic Brain Injury). He gets hit by a car while walking their dog and their lives are never the same. This memoir is about the author's life and marriage after the accident and for the next five years, until the present day. I loved reading it. I haven't really ever read a book like it.

The author builds herself a life, accompanied by what ends up being three dogs altogether. She still takes joy in her marriage, such as it is. I wish I could put into words how beautiful this book is, but I can't. It is a lovely book with mature topics (grieving, survivor guilt, etc.) for adults or especially mature teens. Highest recommendations.

*****

76 of 79 people found the following review helpful.
Brief, lovely read
By Gillian B. Cieri
This memoir managed to be both incredibly sad and yet positive and life-affirming at the same time. Abigail Thomas describes the journey she must take in the years after her husband's accident and how she manages to progress from inner turmoil (and at times, the inability to function at all), to a place where she is at peace with her life. Though her husband must remain at a hospital for brain-injured patients, she is able to bring him home for visits and spends time with him at the center. The comments and thoughts from his head are so fascinating...I found myself eagerly waiting to see what he would say the next time. Just wondering about the brain and all that we don't know about it is truly amazing to me. Sometimes he makes pronouncements that appear so profound, and other times he seems in total confusion, and while it's incredibly heartbreaking, it's also mesmerizing to read their conversations together.

As for Thomas' relationship with her three dogs, she describes it beautifully. I would think any dog owner, as I am, can relate to the description of bed-crowding and jostling for the most attention, but mainly to the bond that forms between human and animal.

101 of 107 people found the following review helpful.
It's 2am and I'm reading "A Three Dog Life" again.....
By dcap3
......enjoying it so much that when I finished, I felt that my best old friend had left me. Afraid to let go, I had to start reading it again, so we could re-unite. I found new gems with every re-read, and appreciated the writing, warmth and feeling even more than the first time in a way that love/like is not supposed to work.

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Selasa, 02 Juni 2015

? Get Free Ebook The Garden of the Finzi-Continis, by Giorgio Bassani

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The Garden of the Finzi-Continis, by Giorgio Bassani

The story of a wealthy, insular Jewish family in Fascist Italy just before the outbreak of World War II. The source of an acclaimed feature film directed by Vittorio De Sica. Translated by William Weaver.A Helen and Kurt Wolff Book

  • Sales Rank: #125409 in Books
  • Published on: 1977-12-05
  • Original language: Italian
  • Number of items: 1
  • Dimensions: 8.00" h x .53" w x 5.25" l, .55 pounds
  • Binding: Paperback
  • 200 pages
Features
  • ISBN13: 9780156345705
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
Giorgio Bassani's masterwork has Vittorio de Sica's 1971 film adaptation to thank for its dual success and obscurity. Not enough people know that this tale of a middle-class Jewish youth's obsession with the far more aristocratic Micol Finzi-Contini stems from a novel, not a novelization. Bassani's doom- and tomb-ridden examination of one-sided love is far more complex--about individuals' inability to contend with personal and political annihilation. Events call for heroism, yet it seems "downright absurd that now, all of a sudden, exceptional behavior was demanded of us." The narrator writes in retrospect, 13 years after World War II's end, and reveals the Finzi-Continis' 1943 deportation to Germany right from the start: "Who could say if they found any sort of burial at all?"

As Fascist racial laws go from strength to strength, the family, which had long isolated itself from the other inhabitants of Ferrara, opens its walled grounds and tennis court to other young Jews and even returns to the local temple. Unfortunately, the situation encourages the narrator's dream that Micol will return his love, and she is forced into cruel honesty. "She looked into my eyes, and her gaze entered me, straight, sure, hard: with the limpid inexorability of a sword."

The author has re-created a tragic era in which even nobility could not outrun events, let alone admit they needed to. (For a nonfiction account of the fates of five Italian Jewish families under fascism, see Alexander Stille's Benevolence and Betrayal.) Bassani's elision of historical and personal agony is furthermore superbly translated by William Weaver. All is foretold in the novel's Manzonian epigraph, "The heart, to be sure, always has something to say about what is to come, to him who heeds it. But what does the heart know? Only a little of what has already happened."

Review
Giorgio Bassani's masterwork has Vittorio de Sica's 1971 film adaptation to thank for its dual success and obscurity. Not enough people know that this tale of a middle-class Jewish youth's obsession with the far more aristocratic Micol Finzi-Contini stems from a novel, not a novelization. Bassani's doom- and tomb-ridden examination of one-sided love is far more complex--about individuals' inability to contend with personal and political annihilation. Events call for heroism, yet it seems "downright absurd that now, all of a sudden, exceptional behavior was demanded of us." The narrator writes in retrospect, 13 years after World War II's end, and reveals the Finzi-Continis' 1943 deportation to Germany right from the start: "Who could say if they found any sort of burial at all?" As Fascist racial laws go from strength to strength, the family, which had long isolated itself from the other inhabitants of Ferrara, opens its walled grounds and tennis court to other young Jews and even returns to the local temple. Unfortunately, the situation encourages the narrator's dream that Micol will return his love, and she is forced into cruel honesty. "She looked into my eyes, and her gaze entered me, straight, sure, hard: with the limpid inexorability of a sword." The author has re-created a tragic era in which even nobility could not outrun events, let alone admit they needed to. (For a nonfiction account of the fates of five Italian Jewish families under fascism, see Alexander Stille's Benevolence and Betrayal.) Bassani's elision of historical and personal agony is furthermore superbly translated by William Weaver. All is foretold in the novel's Manzonian epigraph, "The heart, to be sure, always has something to say about what is to come, to him who heeds it. But what does the heart know? Only a little of what has already happened." (Amazon.com Review)

“Giorgio Bassani is one of the great witnesses of this century, and one of its great artists.” (The Guardian)

Language Notes
Text: English, Italian (translation)

Most helpful customer reviews

32 of 33 people found the following review helpful.
memories of the past
By Montigiani Mario
A few months ago, I was visiting a friend in Ferrara and while walking through the streets of the town I was reminded of the Finzi Continis' sad story.
Going by the wall surrounding the house where they used to live, I went back to the times of their youth(the 30s and 40s)and I could nearly hear their happy voices, Alberto, Micol and their friends playing tennis in the big garden, Alberto on his wheeling chair watching the others play.
Ghosts of a time past, happy young people unware of what was waiting for them just round one of the corners of their lives.
I read the the book a few years ago and I was impressed by the sad, but never tragic style of the author Giorgio Bassani.
The story is a recollection of the life of a Jewish family from Ferrara before and during the Nazi-fascist persecutions of world war two.
The story of the one-sided love of the author for Micol Finzi Contini the Jewish girl who seems to foresee her destiny and refuses to return his love. She seems to know about her deportation to a concentration camp somewhere in Germany where would be lost any trace of her and her family.
She is doomed and she knows it.
Mr. Bassani tells his children this story while visiting an Etruscan necropolis, it is his story too and sadly points out that there are no tombs where to grieve and pray for Micol and her family, there is only their memory left in the hearts of those who loved them

0 of 0 people found the following review helpful.
... Mitty tennis players who still daydream about hitting the perfect one-handed backhand
By Amazon Customer
For any Walter Mitty tennis players who still daydream about hitting the perfect one-handed backhand, this is the book for you. While reading, I found myself muttering to myself, "Yeah! Been there! Exactly right!" It's obvious Marzorati has authentically experienced what he writes about so well.

0 of 0 people found the following review helpful.
Well written masterpiece
By charlene meyer
I read it for literary masterpiece class so that is what it was
Great character development and many themes
Always will wonder if anybody like them lived

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The continuation of the story begun in Henry and June, exposing the shattering psychological drama that drove Nin to seek absolution from her psychoanalysts for the ultimate transgression. “It is [Nin’s] posthumously published uncensored diaries that will make her immortal” (Booklist). Introduction by Rupert Pole; Index; photographs.

  • Sales Rank: #356395 in Books
  • Published on: 1993-09-16
  • Released on: 1993-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.12" w x 6.00" l, 1.35 pounds
  • Binding: Paperback
  • 432 pages

From Publishers Weekly
Picking up where Henry and June (1986) left off, this portion of Nin's diary, which was cut from the expurgated editions published in her lifetime, records her steamy love affair with Henry Miller in Paris, but here her intense adoration gives way to disillusionment. She describes Miller as crude, egotistic, imitative, childishly irresponsible, "a madman." Her real focus, however, is her father, Joaquin Nin, a Spanish pianist and aristocratic Don Juan who seduced her after a 20-year absence. Her graphic account of their lovemaking and of her incestuous romantic feelings is fairly shocking. Nin sought absolution from her psychiatrist and lover, Otto Rank, who advised her to bed her father, then dump him as punishment for abandoning her when she was 10. Nin's ornate, hothouse prose is much rawer than the chiseled style of the expurgated diaries. She seethes with jealousy at Miller's wife June, swoons over poet and actor Antonin Artaud, neglects her protective husband, Hugh Guiler, and describes her traumatic delivery of a stillborn child. Her extraordinary, tangled self-analysis is a disarming record of her emotional and creative growth. Photos.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
This second volume of the unexpurgated version of Nin's diary spans the period from October 1932 to November 1934. It draws upon previously unpublished material from the period covered by the first volume of the diary as published in 1966. Incest follows Henry & June ( LJ 10/1/86), focusing not only on Nin's continued relationship with author Henry Miller but also on her physical and emotional attachments to four other men. Nin offers intimate details of disturbing events such as her intense incestuous affair with her father and her abortion during her sixth month of pregnancy. Her diary offers direct insight into a narcissistic, passionate, analytical, and complex mind, but the brief introduction does disappointingly little to explain the editorial process that created this version of Nin's diary, which differs dramatically in style and content from its expurgated counterpart. Nevertheless, this is an important supplement to the 1966 diary and is recommended for most literature collections.
- Ellen Finnie Duranceau, MIT Lib.
Copyright 1992 Reed Business Information, Inc.

About the Author
Ana-s Nin (1903-1977) was born in Paris and aspired at an early age to be a writer. An influential artist and thinker, she was the author of several novels, short stories, critical studies, a collection of essays, two volumes of erotica, and nine published volumes of her Diary.

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92 of 99 people found the following review helpful.
An Amazing Document
By bookkitten
For the love of ... Are we reviewing the book, or are we critiquing the woman? We're reviewing the book, right? So why so much moralistic brouhaha about the writer's behavior? When Van Gogh's work is auctioned off for a gazillion dollars, is the fact that he was mentally ill of great concern, or is there more interest in his artistry, his skill, and his innovative and altogether original treatment of a mundane subject?
Yes, Anais Nin describes doing some things that we find disturbing. (Regarding the abortion, back in those days when very little was known about the fetus, late-term abortions were common and there was no moral dilemma. We simply can't judge her by our modern understanding. And as for her bizarre relationship with her father, one again would need to understand the context, the extremely complicated history from which the behavior arose.)
So enough of the judgments of Anais Nin's descriptions of her own behavior (does she get points for honesty?) and take a look at the writing. I simply defy anyone to describe such strange events with as much brilliance and poetry. Nin's writing is like a ballet on ice; it is stylized, feminine, passionate and strict at the same time. Who else could divulge the darkest secrets with the delicacy of a geisha serving tea?
Some day Nin's achievement will be recognized by the literary establishment. In the meantime, if you don't count yourself among the squeamish, judgmental, or easily disturbed, buy this book.

0 of 0 people found the following review helpful.
Five Stars
By John Williams
the best of her first three diaries

25 of 29 people found the following review helpful.
But yet, you kept reading ...
By Katie
Regardless of the subject matter, Anais Nin is an incredible writer and her way with words was probably part of her charm in life. Her ability to describe even the most perverted behavior as something transcendent and meaningful probably was the ability that kept her circle of lovers around her. She could make the most petty behavior seem poetic by her descriptions and that's seductive to someone caught in a relationship with such a person.
I read the journals of Anais Nin not because I identify with her, or even sympathise with her, but because I enjoy the way she makes every small event of her life seem like something elevated and rife with meaning. I am fascinated by the lurid details and by the paradox of all her affairs, were these men sexually abusing her, or was she using them? It seems, somehow both.
And there's a little bit of teenage angst still lurking inside me that was never cured. The part of me that still listens to the Smiths and loves Sylvia Plath and Anne Sexton adores Anais Nin and her glorious tragic screwed-upness.

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Senin, 01 Juni 2015

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The Dying Crapshooter's Blues, by David Fulmer

On a cold December night in 1920s Atlanta, a drunken white cop shoots a black gambler in one of the worst parts of town, and a cache of jewels goes missing from a mansion in one of the best. Joe Rose—rambler, gambler, and professional thief—has just hit the city. He soon finds himself caught in a three-sided puzzle that involves a black-hearted police officer called "the Captain," the pimp and crapshooter Little Jesse Williams, and a wicked beauty named Pearl Spencer. Behind it all is Atlanta, the city once nothing but dust and ashes, now the richest, busiest metropolis in the South, mixing sin with success and vibrating with mayhem and music. In his acclaimed Storyville series, David Fulmer brought the jazz-soaked streets of New Orleans to life. Now he brings us another absorbing mystery in a new setting raucous with music and rich with history.

  • Sales Rank: #2621086 in Books
  • Published on: 2008-01-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.94" h x .80" w x 5.76" l, .60 pounds
  • Binding: Paperback
  • 320 pages

From Publishers Weekly
In this departure from his New Orleans novels featuring Creole detective Valentin St. Cyr (Rampart Street, etc.), Fulmer paints the sprawling vitality of 1920s Atlanta with broad strokes. Joe Rose, an itinerant love 'em and leave 'em–style thief of uncertain racial extraction who moves uneasily in both black and white Atlanta, finds himself in the middle of a murderous mess that highlights the city's rampant racism and corruption as well as the stark contrasts between privilege and poverty. A white cop guns down a Negro gambler, Little Jesse Williams, while a jewelry robbery mars a Yuletide party at one of Atlanta's finest mansions on the other side of town. Joe gets caught in a vise operated by a brutal detective, Capt. Grayton Jackson, intent on "solving" the crime in the quickest way possible. Little Jesse expires over the course of days, Joe promises to discover why he was shot and the odious Jackson squeezes Joe to recover the stolen jewels or pay the price for the crime. Occasionally florid writing clouds this otherwise vital effort from Shamus-winner Fulmer. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
PRAISE FOR THE DYING CRAPSHOOTER'S BLUES "This is a raffish and deceptively simple novel . . . distinguished by a level of detail that makes a vanished world live again." --The Washington Post Book World  

From the Inside Flap
On a cold December night in 1920s Atlanta, a drunken white cop shoots a black gambler in one of the worst parts of town; a cache of jewels goes missing from a mansion in one of the best. Joe Rose—rambler, gambler, and professional thief—has just hit the city. He soon finds himself caught in a three-sided puzzle that involves a black-hearted, power-hungry police officer called "the Captain," the pimp and crapshooter Little Jesse Williams, and a wicked, mysterious beauty named Pearl Spencer. Behind it all are the burgeoning, complex worlds of Atlanta, the city once nothing but dust and ashes-- now, suddenly, the richest, busiest metropolis in the South, mixing sin with success and vibrating with mayhem and music.

In his acclaimed Storyville series, David Fulmer brought the jazz-soaked streets of New Orleans to life. Now he brings us another absorbing mystery in a new setting raucous with music and rich with history.

Most helpful customer reviews

3 of 3 people found the following review helpful.
"He went into action like the sneak thief he was."
By Luan Gaines
The setting for Fulmer's new novel is 1920's Atlanta, the heyday of high society, flappers, bootlegging and the usual underworld of illegal enterprise. One Saturday night on Decatur Street, just before Christmas, Little Jesse Williams, a rounder, is shot by a dissolute police officer, JR Logue, and a daring robbery is committed in the very building where the nabobs of society gather for the Annual Charity Christmas Party at the Payne Mansion. Joe Rose, a peripatetic thief who arrives on the scene of the shooting, realizes that he has returned to Atlanta at the wrong time as things go bad from the start. Little Jesse doesn't die immediately from his wound, suffering the agonies of a slow death, his friends gathered around the bedside, including blind Willie McTell, a talented musician who is writing a ballad to commemorate Little Jesse's eventful life.

Rose is sad to see Little Jesse go for all the wrong he's done in his lifetime, this particular segment of society quite forgiving of each other's faults. It has been Joe Rose's habit of late to do a burglary and leave town, striking again when in need of replenishing his funds. A rounder himself, and known to many of the Atlanta criminal element, Joe still has some contacts from his short stint as a police officer and Pinkerton before falling into the life of crime that suits him so well. Like a black widow spider, "the Captain", Grayton Jackson, directs the investigation from the dark confines of a twisted mind, angry over being passed by for a promotion and in a mean mood when it comes to recovering the jewels and solving the robbery.

Determined to locate the cop who shot Little Jesse, Rose seems to be always one step behind, as bodies begin to fall, clouding the investigation by removing any witnesses. Then Joe, Pearl Spencer and her brother, Sweet Spencer are arrested, accused of collusion in the robbery. The beautiful Pearl is one of the reasons Joe has remained in Atlanta against his better judgment. Like moth to flame, Rose can't quit Pearl, even though he suspects she has something to do with the robbery and her brother has warned him off in no uncertain terms. When Rose suggests there may be a connection between Little Jesse's murder and the theft, he meets with much resistance from the Atlanta PD.

The treacherous plot of a devious mind is underscored by the rollicking jazz and soulful blues of Fulmer's Valentin St. Cyr novels, reflecting the author's appreciation for the music of a certain element of society. Mix in an eccentric cast of characters, from Little Jesse Williams and his ladies-of-the-night, to the blind musician, the speak-easy's with an unlimited supply of bootleg liquor, the exotic Pearl and the hard-nosed Chief of Detectives for a heady brew of crime and punishment in Prohibition Atlanta. Once more, the people tell the tale, bringing the era vividly to life, the sweet notes of The Dying Crapshooter's Blues sliding through the night. Luan Gaines/2007.

2 of 2 people found the following review helpful.
Does for early 1900's Atlanta what other Fulmer novels do for early New Orleans
By Neal Reynolds
Music also is at the heart of this as it is for other Fulmer novels...the early soulful blues. The dying Crapshooter of the title is Little Jesse Williams, a thoroughly unsympathetic pimp and crooked gambler, shot for no apparant reason by a drunken cop. Much of the novel portrays blind Willie McTell composing a song for the dying Jesse to be sung before his death and then at his funeral and the scenes dealing with the formation of the blues song create a kind of mood in which one mourns the death of a person who really is not liked by anyone. And so the author creates a kind of mood, but unfortunately doesn't quite succeed in developing it to the ultimate.Nevertheless, the novel proceeds at a suitable pace as former cop and P.I., more recently professional thief, Joe Rose investigates both Jesse's shooting as well as, albeit reluctantly, a jewelry theft in which his girl friend is involved. Overal, this is a quite good though not perfect period myystery well worth the time of early jazz afficinados as well as mystery fans.

1 of 1 people found the following review helpful.
Another wonderful book from Fulmer
By L. J. Roberts
First Sentence: From down the alley, a voice cut through the falling night like a honed blade.

Joe Rose is white or Indian, he doesn't know. He does know he had been a cop, and a Pinkerton man but turned to being a rambler, gambler and professional thief. Joe is back in Atlanta, both attracted to yet trying to stay away from Pearl Spencer, a black working girl, and her brother, Sweet. Within forty-eight hours, he is the prime suspect in the jewel robbery of a wealthy white mansion, and comes across the scene where Jesse, a black gambler. Amongst a setting of racial prejudice, police corruption, and a funeral song being written for Jesse by a blind musician, Joe is trying to protect both his friends and himself.

Fumler is a wonderful, atmospheric writer. As in his New Orleans series, Fulmer focuses on the disadvantaged, gamblers, drunks, [...] and thieves. He humanizes the people and brings the period alive with the underlying strum of the blues in my head. I found the different characters interesting and thought it rather fun that the traditional good guys, the police, here were mainly the bad guys. Following the trail to see how Joe would bring things to resolution, and stay out of jail, was suspenseful and engrossing. I highly recommend this book.

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